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Maison La Chaumiere, 10 rue d'Auxonne in Nancy (Meurthe and Moselle). Architect Lucien Weissenburger (1860-1929), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Maison La Chaumiere, 10 rue d'Auxonne in Nancy (Meurthe and Moselle). Architect Lucien Weissenburger (1860-1929), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641024: Maison La Chaumiere, 10 rue d'Auxonne in Nancy (Meurthe and Moselle). Architect Lucien Weissenburger (1860-1929), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Weissenburger, Lucien (1860-1929) / Bridgeman Images

La Cure d'air Trianon, 75 rue Pasteur in Nancy (Meurthe and Moselle). Architect Georges Biet (1869-1955), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
La Cure d'air Trianon, 75 rue Pasteur in Nancy (Meurthe and Moselle). Architect Georges Biet (1869-1955), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641078: La Cure d'air Trianon, 75 rue Pasteur in Nancy (Meurthe and Moselle). Architect Georges Biet (1869-1955), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Biet, Georges Emile (1869-1955) / Bridgeman Images

Villa Lang, Boulevard Clemenceau (architect Lucien Weissenburger, 1906) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Villa Lang, Boulevard Clemenceau (architect Lucien Weissenburger, 1906) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641085: Villa Lang, Boulevard Clemenceau (architect Lucien Weissenburger, 1906) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., Weissenburger, Lucien (1860-1929) / Bridgeman Images

Immeuble Les Pins, 2 rue Albin Haller (Architect Emile Andre, 1912) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Immeuble Les Pins, 2 rue Albin Haller (Architect Emile Andre, 1912) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641100: Immeuble Les Pins, 2 rue Albin Haller (Architect Emile Andre, 1912) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

The building of the Banque Renauld (BNP), 9 rue Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1855-1963), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
The building of the Banque Renauld (BNP), 9 rue Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1855-1963), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641171: The building of the Banque Renauld (BNP), 9 rue Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1855-1963), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

Temple of Erechteion (View from the Parthenon). (photography)
Temple of Erechteion (View from the Parthenon). (photography)

LRI4638811: Temple of Erechteion (View from the Parthenon). (photography), Greek school, (5th century BC) / Bridgeman Images

Detail of a marquee of one of the Ionic columns, Temple of Erechteion (photography)
Detail of a marquee of one of the Ionic columns, Temple of Erechteion (photography)

LRI4638826: Detail of a marquee of one of the Ionic columns, Temple of Erechteion (photography), Greek school, (5th century BC) / Bridgeman Images

Building Street Siroka in Prague, Czech Reublique.
Building Street Siroka in Prague, Czech Reublique.

LBY4638829: Building Street Siroka in Prague, Czech Reublique. / Bridgeman Images

View of the pronaos, Temple of Erechteion (photography)
View of the pronaos, Temple of Erechteion (photography)

LRI4638836: View of the pronaos, Temple of Erechteion (photography), Greek school, (5th century BC) / Bridgeman Images

View of the tribune (or loggia) of the caryatid, Temple of Erechteion (photography)
View of the tribune (or loggia) of the caryatid, Temple of Erechteion (photography)

LRI4638859: View of the tribune (or loggia) of the caryatid, Temple of Erechteion (photography), Greek school, (5th century BC) / Bridgeman Images

Facade of the monastery, 6th century (photography)
Facade of the monastery, 6th century (photography)

LRI4638881: Facade of the monastery, 6th century (photography), Greek / Bridgeman Images

View of the theatre near the Temple of Apollo. 4th century BC (photography)
View of the theatre near the Temple of Apollo. 4th century BC (photography)

LRI4638899: View of the theatre near the Temple of Apollo. 4th century BC (photography), Greek school, (4th century BC) / Bridgeman Images

National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09.
National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09.

LBY4638906: National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09. / Bridgeman Images

National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09.
National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09.

LBY4638919: National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09. / Bridgeman Images

National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09.
National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09.

LBY4638938: National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09. / Bridgeman Images

Ancient Greece: view of the Greek theatre of Argos, 4th century BC.
Ancient Greece: view of the Greek theatre of Argos, 4th century BC.

LRI4638977: Ancient Greece: view of the Greek theatre of Argos, 4th century BC., Greek school, (4th century BC) / Bridgeman Images

View of the church of Hodegetria (or Aphendiko), Bronthokion, 14th century. (photography)
View of the church of Hodegetria (or Aphendiko), Bronthokion, 14th century. (photography)

LRI4638992: View of the church of Hodegetria (or Aphendiko), Bronthokion, 14th century. (photography), Byzantine, (14th century) / Bridgeman Images

Library, extension of the Faculty of Philosophy in Brno, Czech Republic. Realisation 2001, architect Kuba and Pilar. Photography 12/11/09.
Library, extension of the Faculty of Philosophy in Brno, Czech Republic. Realisation 2001, architect Kuba and Pilar. Photography 12/11/09.

LBY4639007: Library, extension of the Faculty of Philosophy in Brno, Czech Republic. Realisation 2001, architect Kuba and Pilar. Photography 12/11/09. / Bridgeman Images

Urban display in the city of Bnro in Czech Republic.
Urban display in the city of Bnro in Czech Republic.

LBY4639009: Urban display in the city of Bnro in Czech Republic. / Bridgeman Images

Prague City Hall, Czech Republic. Photograph 10/0/01.
Prague City Hall, Czech Republic. Photograph 10/0/01.

MDA4639039: Prague City Hall, Czech Republic. Photograph 10/0/01. / Bridgeman Images

The Gate of the Lions, 1500-1100 BC (photography)
The Gate of the Lions, 1500-1100 BC (photography)

LRI4639040: The Gate of the Lions, 1500-1100 BC (photography), Mycenaean, Late Helladic Period (c.1600-1100 BC) / Bridgeman Images

Nerudova Street in Prague, Czech Republic. Photograph 10/09/01.
Nerudova Street in Prague, Czech Republic. Photograph 10/09/01.

MDA4639052: Nerudova Street in Prague, Czech Republic. Photograph 10/09/01. / Bridgeman Images

Imperial Forum (forum of Augustus): view of the temple of Avenger Mars (Marte Ultore). 2 BC. Rome
Imperial Forum (forum of Augustus): view of the temple of Avenger Mars (Marte Ultore). 2 BC. Rome

LRI4639112: Imperial Forum (forum of Augustus): view of the temple of Avenger Mars (Marte Ultore). 2 BC. Rome, Roman, (2nd century BC) / Bridgeman Images

Greek art: detail of a polychrome vase decorating a woman's head from a Hellenistic hypogee of Canosa. 3rd century BC. Bari, Museo Archeologico Nazionale
Greek art: detail of a polychrome vase decorating a woman's head from a Hellenistic hypogee of Canosa. 3rd century BC. Bari, Museo Archeologico Nazionale

LRI4639197: Greek art: detail of a polychrome vase decorating a woman's head from a Hellenistic hypogee of Canosa. 3rd century BC. Bari, Museo Archeologico Nazionale, Greek school, (3rd century BC) / Bridgeman Images

Greek art: terracotta sculpture of female theatre character. 3rd century BC. From Taranto. Taranto, Museo Archeologico Nazionale
Greek art: terracotta sculpture of female theatre character. 3rd century BC. From Taranto. Taranto, Museo Archeologico Nazionale

LRI4639210: Greek art: terracotta sculpture of female theatre character. 3rd century BC. From Taranto. Taranto, Museo Archeologico Nazionale, Greek school, (3rd century BC) / Bridgeman Images

The Transamerica Pyramid in San Francisco, California (United States). Architect William Pereira, 1969-1972. Photography 01/08/96.
The Transamerica Pyramid in San Francisco, California (United States). Architect William Pereira, 1969-1972. Photography 01/08/96.

LBY4639263: The Transamerica Pyramid in San Francisco, California (United States). Architect William Pereira, 1969-1972. Photography 01/08/96. / Bridgeman Images

The Transamerica Pyramid in San Francisco, California (United States). Architect William Pereira (1909-1985), realisation 1969-1972. Photography 01/08/96.
The Transamerica Pyramid in San Francisco, California (United States). Architect William Pereira (1909-1985), realisation 1969-1972. Photography 01/08/96.

LBY4639286: The Transamerica Pyramid in San Francisco, California (United States). Architect William Pereira (1909-1985), realisation 1969-1972. Photography 01/08/96. / Bridgeman Images

Etruscan civilization: bronze lebes decorate sphinx handles with a phrygian cap. 650 BC. From Vetulonia. Florence, Museo Archeologico
Etruscan civilization: bronze lebes decorate sphinx handles with a phrygian cap. 650 BC. From Vetulonia. Florence, Museo Archeologico

LRI4639295: Etruscan civilization: bronze lebes decorate sphinx handles with a phrygian cap. 650 BC. From Vetulonia. Florence, Museo Archeologico, Etruscan, (7th century BC) / Bridgeman Images

The Golden Gate Bridge in San Francisco, California (United States). Realisation 1933-1937, architect Joseph Baerman Strauss. Photography 14/08/09.
The Golden Gate Bridge in San Francisco, California (United States). Realisation 1933-1937, architect Joseph Baerman Strauss. Photography 14/08/09.

LBY4639320: The Golden Gate Bridge in San Francisco, California (United States). Realisation 1933-1937, architect Joseph Baerman Strauss. Photography 14/08/09. / Bridgeman Images

Etruscan civilization: stele of sepulchre in gres decoree of the silhouette of a lion wing from Londa in Italy. 550-500 BC. Florence, Museo Archeologico
Etruscan civilization: stele of sepulchre in gres decoree of the silhouette of a lion wing from Londa in Italy. 550-500 BC. Florence, Museo Archeologico

LRI4639325: Etruscan civilization: stele of sepulchre in gres decoree of the silhouette of a lion wing from Londa in Italy. 550-500 BC. Florence, Museo Archeologico, Etruscan, (6th century BC) / Bridgeman Images

Etruscan civilization: limestone woman's head. 650 BC approx. From the tumulus of the Pietrera di Vetulonia. Florence, Museo Archeologico
Etruscan civilization: limestone woman's head. 650 BC approx. From the tumulus of the Pietrera di Vetulonia. Florence, Museo Archeologico

LRI4639350: Etruscan civilization: limestone woman's head. 650 BC approx. From the tumulus of the Pietrera di Vetulonia. Florence, Museo Archeologico, Etruscan, (7th century BC) / Bridgeman Images

The Transamerica Pyramid in San Francisco, California (United States). Architect William Pereira (1909-1985), realisation 1969-1972. Photography 15/08/09.
The Transamerica Pyramid in San Francisco, California (United States). Architect William Pereira (1909-1985), realisation 1969-1972. Photography 15/08/09.

LBY4639392: The Transamerica Pyramid in San Francisco, California (United States). Architect William Pereira (1909-1985), realisation 1969-1972. Photography 15/08/09. / Bridgeman Images

Etruscan civilization: “” representation of the sacrifice of Trojan prisoners in tribute to Patroclus””” reproduction by Carlo Ruspi (1786-1863) of the frescoes of the 4th century BC of the Francois Tomb of Vulci. Florence, Archeological Museum
Etruscan civilization: “” representation of the sacrifice of Trojan prisoners in tribute to Patroclus””” reproduction by Carlo Ruspi (1786-1863) of the frescoes of the 4th century BC of the Francois Tomb of Vulci. Florence, Archeological Museum

LRI4639571: Etruscan civilization: “” representation of the sacrifice of Trojan prisoners in tribute to Patroclus””” reproduction by Carlo Ruspi (1786-1863) of the frescoes of the 4th century BC of the Francois Tomb of Vulci. Florence, Archeological Museum, Ruspi, Carlo (19th century) / Bridgeman Images

A tram station in Orleans (Loiret).
A tram station in Orleans (Loiret).

LBY4636833: A tram station in Orleans (Loiret). / Bridgeman Images

A tram station in Orleans (Loiret).
A tram station in Orleans (Loiret).

LBY4636850: A tram station in Orleans (Loiret). / Bridgeman Images

The tram in Orleans (Loiret).
The tram in Orleans (Loiret).

LBY4636857: The tram in Orleans (Loiret). / Bridgeman Images


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