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St James’s Palace, London, The Ante-Drawing Room (engraving)
St James’s Palace, London, The Ante-Drawing Room (engraving)

LIP5231071: St James’s Palace, London, The Ante-Drawing Room (engraving), English School, (19th century) / Bridgeman Images

ID: LIP5231071

St James’s Palace, London, The Ante-Drawing Room (engraving)

English School, (19th century)

The Dreadnought (engraving)
The Dreadnought (engraving)

LIP5231079: The Dreadnought (engraving), English School, (19th century) / Bridgeman Images

ID: LIP5231079

The Dreadnought (engraving)

English School, (19th century)

Barcelona (engraving)
Barcelona (engraving)

LIP5231103: Barcelona (engraving), English School, (19th century) / Bridgeman Images

ID: LIP5231103

Barcelona (engraving)

English School, (19th century)

Sir Walter Raleigh’s house at Youghal, Ireland (engraving)
Sir Walter Raleigh’s house at Youghal, Ireland (engraving)

LIP5231105: Sir Walter Raleigh’s house at Youghal, Ireland (engraving), English School, (19th century) / Bridgeman Images

ID: LIP5231105

Sir Walter Raleigh’s house at Youghal, Ireland (engraving)

English School, (19th century)

Am Steinhof (The church of St Leopold) - angels, Vienna, Austria (photo)
Am Steinhof (The church of St Leopold) - angels, Vienna, Austria (photo)

GNG5247763: Am Steinhof (The church of St Leopold) - angels, Vienna, Austria (photo), Schimkowitz, Othmar (1864-1947) / Bridgeman Images

ID: GNG5247763

Am Steinhof (The church of St Leopold) - angels, Vienna, Austria (photo)

Schimkowitz, Othmar (1864-1947)

Fernand Leger's artwork in Notre-Dame de toute Grace church, Plateau d'Assy, France (photo)
Fernand Leger's artwork in Notre-Dame de toute Grace church, Plateau d'Assy, France (photo)

GNG5258743: Fernand Leger's artwork in Notre-Dame de toute Grace church, Plateau d'Assy, France (photo), Leger, Fernand (1881-1955) / Bridgeman Images

ID: GNG5258743

Fernand Leger's artwork in Notre-Dame de toute Grace church, Plateau d'Assy, France (photo)

Leger, Fernand (1881-1955)

Female figure turned to spectator's left (black chalk, some with pen and brown ink. coloured with w/c)
Female figure turned to spectator's left (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044134: Female figure turned to spectator's left (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044134

Female figure turned to spectator's left (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

River-scene with two pygmies on an island (black chalk, some with pen and brown ink. coloured with w/c)
River-scene with two pygmies on an island (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044146: River-scene with two pygmies on an island (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044146

River-scene with two pygmies on an island (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

Three Drawings after the Antique, c.1750 (brush drawing heightened in brown wash over faint indication in black chalk)
Three Drawings after the Antique, c.1750 (brush drawing heightened in brown wash over faint indication in black chalk)

HLK5044174: Three Drawings after the Antique, c.1750 (brush drawing heightened in brown wash over faint indication in black chalk), Italian School, (18th century) / Bridgeman Images

ID: HLK5044174

Three Drawings after the Antique, c.1750 (brush drawing heightened in brown wash over faint indication in black chalk)

Italian School, (18th century)

Bronze Eagle, 1700-1750 (pen and brown ink with brown and grey wash)
Bronze Eagle, 1700-1750 (pen and brown ink with brown and grey wash)

HLK5044205: Bronze Eagle, 1700-1750 (pen and brown ink with brown and grey wash), Italian School, (18th century) / Bridgeman Images

ID: HLK5044205

Bronze Eagle, 1700-1750 (pen and brown ink with brown and grey wash)

Italian School, (18th century)

A Vase (black chalk, some with pen and brown ink. coloured with w/c)
A Vase (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044228: A Vase (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044228

A Vase (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

Design for a ceiling fresco (black chalk, some with pen and brown ink. coloured with w/c)
Design for a ceiling fresco (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044255: Design for a ceiling fresco (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044255

Design for a ceiling fresco (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

Etruscan cinerary urn (pen)
Etruscan cinerary urn (pen)

HLK5044268: Etruscan cinerary urn (pen), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044268

Etruscan cinerary urn (pen)

Bartoli, Pietro Santi (1635-1700)

The Cippus of M. Julius Victor (pencil)
The Cippus of M. Julius Victor (pencil)

HLK5044291: The Cippus of M. Julius Victor (pencil), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044291

The Cippus of M. Julius Victor (pencil)

Bartoli, Pietro Santi (1635-1700)

Prometheus Wound (oil on canvas)
Prometheus Wound (oil on canvas)

GPO5043777: Prometheus Wound (oil on canvas), Pontes, Guilherme / Bridgeman Images

ID: GPO5043777

Prometheus Wound (oil on canvas)

Pontes, Guilherme

Male figure hovering (black chalk, some with pen and brown ink. coloured with w/c)
Male figure hovering (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044130: Male figure hovering (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044130

Male figure hovering (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

Lunette from a tomb (black chalk, some with pen and brown ink. coloured with w/c)
Lunette from a tomb (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044140: Lunette from a tomb (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044140

Lunette from a tomb (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

Putti and Infant Satyrs Pressing Grapes (pen and brown ink and brown wash)
Putti and Infant Satyrs Pressing Grapes (pen and brown ink and brown wash)

HLK5044154: Putti and Infant Satyrs Pressing Grapes (pen and brown ink and brown wash), Testa, Pietro (Il Lucchesino) (1611-50) / Bridgeman Images

ID: HLK5044154

Putti and Infant Satyrs Pressing Grapes (pen and brown ink and brown wash)

Testa, Pietro (Il Lucchesino) (1611-50)

Mars, 1700-1750 (red chalk)
Mars, 1700-1750 (red chalk)

HLK5044194: Mars, 1700-1750 (red chalk), Italian School, (18th century) / Bridgeman Images

ID: HLK5044194

Mars, 1700-1750 (red chalk)

Italian School, (18th century)

View of the Interior of the Gesu, Rome, 1716 (watercolour)
View of the Interior of the Gesu, Rome, 1716 (watercolour)

HLK5044218: View of the Interior of the Gesu, Rome, 1716 (watercolour), Bartoli, Francesco (1675-1730) / Bridgeman Images

ID: HLK5044218

View of the Interior of the Gesu, Rome, 1716 (watercolour)

Bartoli, Francesco (1675-1730)

Del Palazzo di Tito trouato nell' orto delle sette Sale contiguo alle Terme in sul monte Esquilino (black chalk, some with pen and brown ink. coloured with w/c)
Del Palazzo di Tito trouato nell' orto delle sette Sale contiguo alle Terme in sul monte Esquilino (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044248: Del Palazzo di Tito trouato nell' orto delle sette Sale contiguo alle Terme in sul monte Esquilino (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044248

Del Palazzo di Tito trouato nell' orto delle sette Sale contiguo alle Terme in sul monte Esquilino (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

The column of Antoninus Pius (pen and grey wash)
The column of Antoninus Pius (pen and grey wash)

HLK5044259: The column of Antoninus Pius (pen and grey wash), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044259

The column of Antoninus Pius (pen and grey wash)

Bartoli, Pietro Santi (1635-1700)

Two draped female figures seated (pencil)
Two draped female figures seated (pencil)

HLK5044267: Two draped female figures seated (pencil), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044267

Two draped female figures seated (pencil)

Bartoli, Pietro Santi (1635-1700)

Two views of a bronze statuette (pen and pencil)
Two views of a bronze statuette (pen and pencil)

HLK5044271: Two views of a bronze statuette (pen and pencil), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044271

Two views of a bronze statuette (pen and pencil)

Bartoli, Pietro Santi (1635-1700)

A youth seizes a woman by the body. (pen and ink)
A youth seizes a woman by the body. (pen and ink)

HLK5044289: A youth seizes a woman by the body. (pen and ink), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044289

A youth seizes a woman by the body. (pen and ink)

Bartoli, Pietro Santi (1635-1700)

Recumbent Danae with the Cupids Shown (black chalk, some with pen and brown ink. coloured with w/c)
Recumbent Danae with the Cupids Shown (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044129: Recumbent Danae with the Cupids Shown (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044129

Recumbent Danae with the Cupids Shown (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

Perseus Rescuing Andromeda, 1625-1650 (pen and brown ink and brown wash)
Perseus Rescuing Andromeda, 1625-1650 (pen and brown ink and brown wash)

HLK5044135: Perseus Rescuing Andromeda, 1625-1650 (pen and brown ink and brown wash), Italian School, (17th century) / Bridgeman Images

ID: HLK5044135

Perseus Rescuing Andromeda, 1625-1650 (pen and brown ink and brown wash)

Italian School, (17th century)

Jupiter sitting to the left with an Eagle and a Female Figure (black chalk, some with pen and brown ink. coloured with w/c)
Jupiter sitting to the left with an Eagle and a Female Figure (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044149: Jupiter sitting to the left with an Eagle and a Female Figure (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044149

Jupiter sitting to the left with an Eagle and a Female Figure (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

Copy of a mosaic in Vigna Moroni (black chalk, some with pen and brown ink. coloured with w/c)
Copy of a mosaic in Vigna Moroni (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044189: Copy of a mosaic in Vigna Moroni (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044189

Copy of a mosaic in Vigna Moroni (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

Vaulting of the Villa Madama (black chalk, some with pen and brown ink. coloured with w/c)
Vaulting of the Villa Madama (black chalk, some with pen and brown ink. coloured with w/c)

HLK5044214: Vaulting of the Villa Madama (black chalk, some with pen and brown ink. coloured with w/c), Bartoli, Pietro Santi (1635-1700) / Bridgeman Images

ID: HLK5044214

Vaulting of the Villa Madama (black chalk, some with pen and brown ink. coloured with w/c)

Bartoli, Pietro Santi (1635-1700)

Cincinnatus Recalled from the Plough, 1716 (pen and ink over black chalk)
Cincinnatus Recalled from the Plough, 1716 (pen and ink over black chalk)

HLK5044229: Cincinnatus Recalled from the Plough, 1716 (pen and ink over black chalk), Garzi, Luigi (1638-1721) / Bridgeman Images

ID: HLK5044229

Cincinnatus Recalled from the Plough, 1716 (pen and ink over black chalk)

Garzi, Luigi (1638-1721)

Portrait of Utopists Anacharsis (Jean-Baptiste) Cloots (1755-1794), Louis Antoine de Saint-Just (Saint Just) (1767-1794) and Gracchus Babeuf (1760-1797) Engraving from “” Les francais sous la revolution” by Challamel and Tenint, 1843 Private collection
Portrait of Utopists Anacharsis (Jean-Baptiste) Cloots (1755-1794), Louis Antoine de Saint-Just (Saint Just) (1767-1794) and Gracchus Babeuf (1760-1797) Engraving from “” Les francais sous la revolution” by Challamel and Tenint, 1843 Private collection

ELD4956496: Portrait of Utopists Anacharsis (Jean-Baptiste) Cloots (1755-1794), Louis Antoine de Saint-Just (Saint Just) (1767-1794) and Gracchus Babeuf (1760-1797) Engraving from “” Les francais sous la revolution” by Challamel and Tenint, 1843 Private collection / Bridgeman Images

ID: ELD4956496

Portrait of Utopists Anacharsis (Jean-Baptiste) Cloots (1755-1794), Louis Antoine de Saint-Just (Saint Just) (1767-1794) and Gracchus Babeuf (1760-1797) Engraving from “” Les francais sous la revolution” by Challamel and Tenint, 1843 Private collection

Men and women of the high European society vetus a la latest fashion, circa 1820 - High society Europeans wearing the latest fashions, 1820s.
Men and women of the high European society vetus a la latest fashion, circa 1820 - High society Europeans wearing the latest fashions, 1820s.

NWI4956517: Men and women of the high European society vetus a la latest fashion, circa 1820 - High society Europeans wearing the latest fashions, 1820s. / Bridgeman Images

ID: NWI4956517

Men and women of the high European society vetus a la latest fashion, circa 1820 - High society Europeans wearing the latest fashions, 1820s.

Myanmar - Burma: Tourist boats waiting for sunset. Teak bridge located on Lake Taungthaman, Amarapura, in central Burma (Mandalay region). It was built from 1849
Myanmar - Burma: Tourist boats waiting for sunset. Teak bridge located on Lake Taungthaman, Amarapura, in central Burma (Mandalay region). It was built from 1849

JEB4955926: Myanmar - Burma: Tourist boats waiting for sunset. Teak bridge located on Lake Taungthaman, Amarapura, in central Burma (Mandalay region). It was built from 1849 / Bridgeman Images

ID: JEB4955926

Myanmar - Burma: Tourist boats waiting for sunset. Teak bridge located on Lake Taungthaman, Amarapura, in central Burma (Mandalay region). It was built from 1849

Myanmar - Burma: Teak bridge located on Lake Taungthaman, Amarapura, in central Burma (Mandalay region). It was built from 1849
Myanmar - Burma: Teak bridge located on Lake Taungthaman, Amarapura, in central Burma (Mandalay region). It was built from 1849

JEB4955938: Myanmar - Burma: Teak bridge located on Lake Taungthaman, Amarapura, in central Burma (Mandalay region). It was built from 1849 / Bridgeman Images

ID: JEB4955938

Myanmar - Burma: Teak bridge located on Lake Taungthaman, Amarapura, in central Burma (Mandalay region). It was built from 1849

King David brings the holy ark in Jerusalem. 19th century (engraving from 'Holy History' by Lahure)
King David brings the holy ark in Jerusalem. 19th century (engraving from 'Holy History' by Lahure)

ELD4955956: King David brings the holy ark in Jerusalem. 19th century (engraving from 'Holy History' by Lahure) / Bridgeman Images

ID: ELD4955956

King David brings the holy ark in Jerusalem. 19th century (engraving from 'Holy History' by Lahure)


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