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Portrait of Sarah Louis E Strachan (1818-1881), Principaa di Sant'antimo, 1840-1844 (oil on canvas)
Portrait of Sarah Louis E Strachan (1818-1881), Principaa di Sant'antimo, 1840-1844 (oil on canvas)

FIA5635190: Portrait of Sarah Louis E Strachan (1818-1881), Principaa di Sant'antimo, 1840-1844 (oil on canvas), Hayez, Francesco (1791-1882) / Bridgeman Images

ID: FIA5635190

Portrait of Sarah Louis E Strachan (1818-1881), Principaa di Sant'antimo, 1840-1844 (oil on canvas)

Hayez, Francesco (1791-1882)

The Craft of the Lateran Basilica in Rome, 1850s (oil on canvas)
The Craft of the Lateran Basilica in Rome, 1850s (oil on canvas)

FIA5635192: The Craft of the Lateran Basilica in Rome, 1850s (oil on canvas), Paris, Carlo de (1800-1861) / Bridgeman Images

ID: FIA5635192

The Craft of the Lateran Basilica in Rome, 1850s (oil on canvas)

Paris, Carlo de (1800-1861)

Mercury and Argus (oil on canvas)
Mercury and Argus (oil on canvas)

LRI5636076: Mercury and Argus (oil on canvas) / Bridgeman Images

ID: LRI5636076

Mercury and Argus (oil on canvas)

Pan and Syrinx (oil on canvas)
Pan and Syrinx (oil on canvas)

LRI5636084: Pan and Syrinx (oil on canvas) / Bridgeman Images

ID: LRI5636084

Pan and Syrinx (oil on canvas)

Hercules and the Cretan Bull,1690 (oil on canvas)
Hercules and the Cretan Bull,1690 (oil on canvas)

LRI5636105: Hercules and the Cretan Bull,1690 (oil on canvas) / Bridgeman Images

ID: LRI5636105

Hercules and the Cretan Bull,1690 (oil on canvas)

Hercules and the Lernaean Hydra,1690 (oil on canvas)
Hercules and the Lernaean Hydra,1690 (oil on canvas)

LRI5636101: Hercules and the Lernaean Hydra,1690 (oil on canvas) / Bridgeman Images

ID: LRI5636101

Hercules and the Lernaean Hydra,1690 (oil on canvas)

Graphic effect, Real estate, Schlutzen Strasse district, Berlin, Germany. Architecture of Aldo Rossi 1997. Photography 01/10/97
Graphic effect, Real estate, Schlutzen Strasse district, Berlin, Germany. Architecture of Aldo Rossi 1997. Photography 01/10/97

TEC4558172: Graphic effect, Real estate, Schlutzen Strasse district, Berlin, Germany. Architecture of Aldo Rossi 1997. Photography 01/10/97, Rossi, Aldo (1931-1997) / Bridgeman Images

ID: TEC4558172

Graphic effect, Real estate, Schlutzen Strasse district, Berlin, Germany. Architecture of Aldo Rossi 1997. Photography 01/10/97

Rossi, Aldo (1931-1997)

Gilbert Costes at Cafe Marly, Pyramide du Louvre, 1994.
Gilbert Costes at Cafe Marly, Pyramide du Louvre, 1994.

TEC4554441: Gilbert Costes at Cafe Marly, Pyramide du Louvre, 1994. / Bridgeman Images

ID: TEC4554441

Gilbert Costes at Cafe Marly, Pyramide du Louvre, 1994.

Tour de Lille-Europe (Lille Europe). Architecture by Claude Vasconi, 1994, Euralille, Lille, Nord, Pas de Calais (Nord-Pas-De-Calais). The new Lillois district, erige between 1991 and 1995, named Euralille presents an architecture designed by urban planner Rem Koolhaas, chosen to design this 70 hectare complex. The extension of the city centre was entrusted to various French and foreign architects. Photography 1994
Tour de Lille-Europe (Lille Europe). Architecture by Claude Vasconi, 1994, Euralille, Lille, Nord, Pas de Calais (Nord-Pas-De-Calais). The new Lillois district, erige between 1991 and 1995, named Euralille presents an architecture designed by urban planner Rem Koolhaas, chosen to design this 70 hectare complex. The extension of the city centre was entrusted to various French and foreign architects. Photography 1994

TEC4554450: Tour de Lille-Europe (Lille Europe). Architecture by Claude Vasconi, 1994, Euralille, Lille, Nord, Pas de Calais (Nord-Pas-De-Calais). The new Lillois district, erige between 1991 and 1995, named Euralille presents an architecture designed by urban planner Rem Koolhaas, chosen to design this 70 hectare complex. The extension of the city centre was entrusted to various French and foreign architects. Photography 1994, Koolhaas, Rem (b.1944) / Bridgeman Images

ID: TEC4554450

Tour de Lille-Europe (Lille Europe). Architecture by Claude Vasconi, 1994, Euralille, Lille, Nord, Pas de Calais (Nord-Pas-De-Calais). The new Lillois district, erige between 1991 and 1995, named Euralille presents an architecture designed by urban planner Rem Koolhaas, chosen to design this 70 hectare complex. The extension of the city centre was entrusted to various French and foreign architects. Photography 1994

Koolhaas, Rem (b.1944)

Barburdar or Indian steward, in turban, muslin kupra or loincloth, cotton vest, and kumerbund or sash, carrying keys. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.
Barburdar or Indian steward, in turban, muslin kupra or loincloth, cotton vest, and kumerbund or sash, carrying keys. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.

FLO4565533: Barburdar or Indian steward, in turban, muslin kupra or loincloth, cotton vest, and kumerbund or sash, carrying keys. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828. / Bridgeman Images

ID: FLO4565533

Barburdar or Indian steward, in turban, muslin kupra or loincloth, cotton vest, and kumerbund or sash, carrying keys. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.

Casa Barragan (Luis Barragán House and Studio), 1947, Mexico City (Mexico).
Casa Barragan (Luis Barragán House and Studio), 1947, Mexico City (Mexico).

TEC4565592: Casa Barragan (Luis Barragán House and Studio), 1947, Mexico City (Mexico)., Barragan, Luis (1902-1988) / Bridgeman Images

ID: TEC4565592

Casa Barragan (Luis Barragán House and Studio), 1947, Mexico City (Mexico).

Barragan, Luis (1902-1988)

Fringed gentian with blue, purple and white flowers, Gentiana crinita. Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859.
Fringed gentian with blue, purple and white flowers, Gentiana crinita. Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859.

FLO4565602: Fringed gentian with blue, purple and white flowers, Gentiana crinita. Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859. / Bridgeman Images

ID: FLO4565602

Fringed gentian with blue, purple and white flowers, Gentiana crinita. Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859.

Bouquet of wild flowers: yellow tulip flower, pink eglantine, crimson red lobelia, blue campanule, lilies of the woods, etc... Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859.
Bouquet of wild flowers: yellow tulip flower, pink eglantine, crimson red lobelia, blue campanule, lilies of the woods, etc... Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859.

FLO4565649: Bouquet of wild flowers: yellow tulip flower, pink eglantine, crimson red lobelia, blue campanule, lilies of the woods, etc... Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859. / Bridgeman Images

ID: FLO4565649

Bouquet of wild flowers: yellow tulip flower, pink eglantine, crimson red lobelia, blue campanule, lilies of the woods, etc... Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859.

Indian musician playing the cymbals, in muslin robes, sash and hat. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.
Indian musician playing the cymbals, in muslin robes, sash and hat. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.

FLO4565704: Indian musician playing the cymbals, in muslin robes, sash and hat. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828. / Bridgeman Images

ID: FLO4565704

Indian musician playing the cymbals, in muslin robes, sash and hat. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.

Fetal skeleton at six months with scythe 1, at three months 2 and at ten weeks 3. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.
Fetal skeleton at six months with scythe 1, at three months 2 and at ten weeks 3. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

FLO4565763: Fetal skeleton at six months with scythe 1, at three months 2 and at ten weeks 3. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824. / Bridgeman Images

ID: FLO4565763

Fetal skeleton at six months with scythe 1, at three months 2 and at ten weeks 3. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

A woman clothed in the fashion of the English Regence (1811-1820), in a bookstore in Bath (England), asking the bookseller to stick together pages so that her daughter could not read a “” evil Methodist hymn”” - Eau forte by Francis Eginton (1737-1805), extracted from Bath's New Guide or Memories of the Blunderhead family, published in 1807 - ( Fashionable Regency woman at a booksellers in Bath, requesting the bookseller paste some offending pages together so that her daughter may not read a “” vile methodistical hymn”” - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807)
A woman clothed in the fashion of the English Regence (1811-1820), in a bookstore in Bath (England), asking the bookseller to stick together pages so that her daughter could not read a “” evil Methodist hymn”” - Eau forte by Francis Eginton (1737-1805), extracted from Bath's New Guide or Memories of the Blunderhead family, published in 1807 - ( Fashionable Regency woman at a booksellers in Bath, requesting the bookseller paste some offending pages together so that her daughter may not read a “” vile methodistical hymn”” - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807)

FLO4565801: A woman clothed in the fashion of the English Regence (1811-1820), in a bookstore in Bath (England), asking the bookseller to stick together pages so that her daughter could not read a “” evil Methodist hymn”” - Eau forte by Francis Eginton (1737-1805), extracted from Bath's New Guide or Memories of the Blunderhead family, published in 1807 - ( Fashionable Regency woman at a booksellers in Bath, requesting the bookseller paste some offending pages together so that her daughter may not read a “” vile methodistical hymn”” - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807) / Bridgeman Images

ID: FLO4565801

A woman clothed in the fashion of the English Regence (1811-1820), in a bookstore in Bath (England), asking the bookseller to stick together pages so that her daughter could not read a “” evil Methodist hymn”” - Eau forte by Francis Eginton (1737-1805), extracted from Bath's New Guide or Memories of the Blunderhead family, published in 1807 - ( Fashionable Regency woman at a booksellers in Bath, requesting the bookseller paste some offending pages together so that her daughter may not read a “” vile methodistical hymn”” - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807)

Sagittarius has leaves in arrows. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Arrow head, Sagittaria sagittifolia. Handcoloured copperplate engraving by W.E. Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Sagittarius has leaves in arrows. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Arrow head, Sagittaria sagittifolia. Handcoloured copperplate engraving by W.E. Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4565947: Sagittarius has leaves in arrows. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Arrow head, Sagittaria sagittifolia. Handcoloured copperplate engraving by W.E. Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4565947

Sagittarius has leaves in arrows. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Arrow head, Sagittaria sagittifolia. Handcoloured copperplate engraving by W.E. Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Portrait of Maximilian Stadler (engraving, 19th century)
Portrait of Maximilian Stadler (engraving, 19th century)

LRI4565456: Portrait of Maximilian Stadler (engraving, 19th century), Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4565456

Portrait of Maximilian Stadler (engraving, 19th century)

Unknown Artist, (19th century)

Portrait of Giuseppe Tartini. Frontispiece of musical score of Sonatas, 1908
Portrait of Giuseppe Tartini. Frontispiece of musical score of Sonatas, 1908

LRI4565517: Portrait of Giuseppe Tartini. Frontispiece of musical score of Sonatas, 1908 / Bridgeman Images

ID: LRI4565517

Portrait of Giuseppe Tartini. Frontispiece of musical score of Sonatas, 1908

Nautch girl or singing girl, India, in embroidered silks and muslins with bracelets, necklaces and earrings. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.
Nautch girl or singing girl, India, in embroidered silks and muslins with bracelets, necklaces and earrings. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.

FLO4565576: Nautch girl or singing girl, India, in embroidered silks and muslins with bracelets, necklaces and earrings. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828. / Bridgeman Images

ID: FLO4565576

Nautch girl or singing girl, India, in embroidered silks and muslins with bracelets, necklaces and earrings. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.

Fringed orchid variete, with pale pink flowers te white, Platanthera psycodes (Orchis psycodes). Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859.
Fringed orchid variete, with pale pink flowers te white, Platanthera psycodes (Orchis psycodes). Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859.

FLO4565636: Fringed orchid variete, with pale pink flowers te white, Platanthera psycodes (Orchis psycodes). Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859. / Bridgeman Images

ID: FLO4565636

Fringed orchid variete, with pale pink flowers te white, Platanthera psycodes (Orchis psycodes). Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859.

Portrait of Georg Joseph Vogler (abbe Vogler) (engraving)
Portrait of Georg Joseph Vogler (abbe Vogler) (engraving)

LRI4565650: Portrait of Georg Joseph Vogler (abbe Vogler) (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4565650

Portrait of Georg Joseph Vogler (abbe Vogler) (engraving)

Unknown Artist, (19th century)

Tulip flower, Liriodendron tulipifera. Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859.
Tulip flower, Liriodendron tulipifera. Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859.

FLO4565666: Tulip flower, Liriodendron tulipifera. Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859. / Bridgeman Images

ID: FLO4565666

Tulip flower, Liriodendron tulipifera. Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859.

Sea cabbage or sea cramp. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Sea kale, Crambe maritima. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Sea cabbage or sea cramp. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Sea kale, Crambe maritima. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4565933: Sea cabbage or sea cramp. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Sea kale, Crambe maritima. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4565933

Sea cabbage or sea cramp. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Sea kale, Crambe maritima. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Caper spurge or paper spurge. Euphorbia lathyris. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.
Caper spurge or paper spurge. Euphorbia lathyris. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.

FLO4564485: Caper spurge or paper spurge. Euphorbia lathyris. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876. / Bridgeman Images

ID: FLO4564485

Caper spurge or paper spurge. Euphorbia lathyris. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.

The Golden Age: a scene of joy depicting John Fitzgerald Kennedy toasting peace with Nikita Khrushchev President of the USSR (oil on canvas)
The Golden Age: a scene of joy depicting John Fitzgerald Kennedy toasting peace with Nikita Khrushchev President of the USSR (oil on canvas)

JLJ4564575: The Golden Age: a scene of joy depicting John Fitzgerald Kennedy toasting peace with Nikita Khrushchev President of the USSR (oil on canvas), Luka, Madeleine (1900-89) / Bridgeman Images

ID: JLJ4564575

The Golden Age: a scene of joy depicting John Fitzgerald Kennedy toasting peace with Nikita Khrushchev President of the USSR (oil on canvas)

Luka, Madeleine (1900-89)

Euphrasia or eyebright, Euphrasia officinalis var. grandiflora. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.
Euphrasia or eyebright, Euphrasia officinalis var. grandiflora. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.

FLO4564730: Euphrasia or eyebright, Euphrasia officinalis var. grandiflora. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876. / Bridgeman Images

ID: FLO4564730

Euphrasia or eyebright, Euphrasia officinalis var. grandiflora. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.

Michael Rysbrack (1694-1770), sculptor of Hercules at Stourhead, the equestrian statue of King William, monument to Sir Isaac Newton in Westminster Abbey, etc.
Michael Rysbrack (1694-1770), sculptor of Hercules at Stourhead, the equestrian statue of King William, monument to Sir Isaac Newton in Westminster Abbey, etc.

FLO4564796: Michael Rysbrack (1694-1770), sculptor of Hercules at Stourhead, the equestrian statue of King William, monument to Sir Isaac Newton in Westminster Abbey, etc. / Bridgeman Images

ID: FLO4564796

Michael Rysbrack (1694-1770), sculptor of Hercules at Stourhead, the equestrian statue of King William, monument to Sir Isaac Newton in Westminster Abbey, etc.

Couch grass, Elymus repens (Agropyrum repens). Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.
Couch grass, Elymus repens (Agropyrum repens). Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.

FLO4564801: Couch grass, Elymus repens (Agropyrum repens). Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876. / Bridgeman Images

ID: FLO4564801

Couch grass, Elymus repens (Agropyrum repens). Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.

Portrait of Giacomo Puccini (b/w photo)
Portrait of Giacomo Puccini (b/w photo)

LRI4564843: Portrait of Giacomo Puccini (b/w photo), Unknown photographer, (19th century) / Bridgeman Images

ID: LRI4564843

Portrait of Giacomo Puccini (b/w photo)

Unknown photographer, (19th century)

L'olivier Peinture d'Andre Lhote, 20th century, (oil on canvas)
L'olivier Peinture d'Andre Lhote, 20th century, (oil on canvas)

JLJ4566086: L'olivier Peinture d'Andre Lhote, 20th century, (oil on canvas), Lhote, Andre (1885-1962) / Bridgeman Images

ID: JLJ4566086

L'olivier Peinture d'Andre Lhote, 20th century, (oil on canvas)

Lhote, Andre (1885-1962)

Yellow glauciere. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Yellow horned poppy, Glaucium luteum. Handcoloured copperplate engraving of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Yellow glauciere. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Yellow horned poppy, Glaucium luteum. Handcoloured copperplate engraving of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566105: Yellow glauciere. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Yellow horned poppy, Glaucium luteum. Handcoloured copperplate engraving of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4566105

Yellow glauciere. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Yellow horned poppy, Glaucium luteum. Handcoloured copperplate engraving of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Hornungia. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Rock hutchinsia, Hutchinsia petraea. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Hornungia. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Rock hutchinsia, Hutchinsia petraea. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566154: Hornungia. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Rock hutchinsia, Hutchinsia petraea. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4566154

Hornungia. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Rock hutchinsia, Hutchinsia petraea. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Painting reverse with portrait of Mozart at the age of 21
Painting reverse with portrait of Mozart at the age of 21

LRI4566382: Painting reverse with portrait of Mozart at the age of 21, Unknown artist, (18th century) / Bridgeman Images

ID: LRI4566382

Painting reverse with portrait of Mozart at the age of 21

Unknown artist, (18th century)

Marsh Gentian - Marsh gentian, Gentiana pneumonanthe - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836
Marsh Gentian - Marsh gentian, Gentiana pneumonanthe - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566502: Marsh Gentian - Marsh gentian, Gentiana pneumonanthe - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

ID: FLO4566502

Marsh Gentian - Marsh gentian, Gentiana pneumonanthe - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836

Plate of botany by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837
Plate of botany by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

FLO4567811: Plate of botany by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837 / Bridgeman Images

ID: FLO4567811

Plate of botany by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837


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