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Countryside butterfly, Alstroemeria pulchra (Alstroemeria tricolor) 1 and Lirio de Cordillera, Alstroemeria pallida 2. Chile. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870.
Countryside butterfly, Alstroemeria pulchra (Alstroemeria tricolor) 1 and Lirio de Cordillera, Alstroemeria pallida 2. Chile. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870.

FLO4628756: Countryside butterfly, Alstroemeria pulchra (Alstroemeria tricolor) 1 and Lirio de Cordillera, Alstroemeria pallida 2. Chile. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870. / Bridgeman Images

Munronia variete has small white flowers, native to India and variety of Chorozema, grown in greenhouse, has orange flowers, native to Australia. Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.
Munronia variete has small white flowers, native to India and variety of Chorozema, grown in greenhouse, has orange flowers, native to Australia. Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.

FLO4633068: Munronia variete has small white flowers, native to India and variety of Chorozema, grown in greenhouse, has orange flowers, native to Australia. Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins. / Bridgeman Images

Rainer's bellflower, Campanula raineri. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1845.
Rainer's bellflower, Campanula raineri. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1845.

FLO4628831: Rainer's bellflower, Campanula raineri. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1845. / Bridgeman Images

King Alexander palm Archontophoenix alexandrae (Ptychosperma alexandrae). Lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1845.
King Alexander palm Archontophoenix alexandrae (Ptychosperma alexandrae). Lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1845.

FLO4628850: King Alexander palm Archontophoenix alexandrae (Ptychosperma alexandrae). Lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1845. / Bridgeman Images

Opal flower, Lachenalia aloides var. aloides (Lachenalia luteola). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870.
Opal flower, Lachenalia aloides var. aloides (Lachenalia luteola). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870.

FLO4628887: Opal flower, Lachenalia aloides var. aloides (Lachenalia luteola). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870. / Bridgeman Images

Early Sevres ware: cup decorated in gold relief, figure from the collection of Ch. Stein 1754, Saxony (Meissen) imitation, vase from the collection of Alf. Andre, four-lobed cup with vignette, and small terrace vase. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Early Sevres ware: cup decorated in gold relief, figure from the collection of Ch. Stein 1754, Saxony (Meissen) imitation, vase from the collection of Alf. Andre, four-lobed cup with vignette, and small terrace vase. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633181: Early Sevres ware: cup decorated in gold relief, figure from the collection of Ch. Stein 1754, Saxony (Meissen) imitation, vase from the collection of Alf. Andre, four-lobed cup with vignette, and small terrace vase. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Vase with classical vignette and gold brick (bercle) background, vase with painting (cartel) of man on horseback, and vase with painting of roses and a background called partridge eye. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Vase with classical vignette and gold brick (bercle) background, vase with painting (cartel) of man on horseback, and vase with painting of roses and a background called partridge eye. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633229: Vase with classical vignette and gold brick (bercle) background, vase with painting (cartel) of man on horseback, and vase with painting of roses and a background called partridge eye. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Basket grass, Oplismenus hirtellus (Oplismenus imbecillis fol. var. panicum variegatum). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868.
Basket grass, Oplismenus hirtellus (Oplismenus imbecillis fol. var. panicum variegatum). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868.

FLO4629087: Basket grass, Oplismenus hirtellus (Oplismenus imbecillis fol. var. panicum variegatum). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868. / Bridgeman Images

Wall fountain and bowl, wall fountain and bowl, decorated in blue camaieu and flesh tones named saumonnees. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Wall fountain and bowl, wall fountain and bowl, decorated in blue camaieu and flesh tones named saumonnees. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633245: Wall fountain and bowl, wall fountain and bowl, decorated in blue camaieu and flesh tones named saumonnees. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Partial background porcelain: cosmetic pot 1760, cream pot with flowers by Barre 1754, cosmetic pot decorated by Aloncle 1759, tete-a-tete plate by Binet 1760, saucer with flowers by Taillander 1754, and saucer decorated by Binet 1761. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Partial background porcelain: cosmetic pot 1760, cream pot with flowers by Barre 1754, cosmetic pot decorated by Aloncle 1759, tete-a-tete plate by Binet 1760, saucer with flowers by Taillander 1754, and saucer decorated by Binet 1761. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633280: Partial background porcelain: cosmetic pot 1760, cream pot with flowers by Barre 1754, cosmetic pot decorated by Aloncle 1759, tete-a-tete plate by Binet 1760, saucer with flowers by Taillander 1754, and saucer decorated by Binet 1761. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Vase in the style of a vessel with mast, in pink and green with Chinese painting, and ribbon with gold fleurs de liys, Vincennes, 1752. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Vase in the style of a vessel with mast, in pink and green with Chinese painting, and ribbon with gold fleurs de liys, Vincennes, 1752. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633304: Vase in the style of a vessel with mast, in pink and green with Chinese painting, and ribbon with gold fleurs de liys, Vincennes, 1752. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Porcelain for domestic use: Water pot and bowl decorated with flowers on a white base, and water pot with flowers on partial background. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Porcelain for domestic use: Water pot and bowl decorated with flowers on a white base, and water pot with flowers on partial background. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633360: Porcelain for domestic use: Water pot and bowl decorated with flowers on a white base, and water pot with flowers on partial background. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Faux nenuphar - Fringed waterlily, Villarsia nymphaeoides, Nymphaea-like villarsia - Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834
Faux nenuphar - Fringed waterlily, Villarsia nymphaeoides, Nymphaea-like villarsia - Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834

FLO4566309: Faux nenuphar - Fringed waterlily, Villarsia nymphaeoides, Nymphaea-like villarsia - Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834 / Bridgeman Images

White water-lily, Nymphaea alba - Handcoloured copperplate engraving by J. Whessell from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany” 1836
White water-lily, Nymphaea alba - Handcoloured copperplate engraving by J. Whessell from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany” 1836

FLO4566471: White water-lily, Nymphaea alba - Handcoloured copperplate engraving by J. Whessell from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany” 1836 / Bridgeman Images

Maceron - Common alexanders, Smyrnium olusatrum - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836
Maceron - Common alexanders, Smyrnium olusatrum - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566586: Maceron - Common alexanders, Smyrnium olusatrum - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

Sheet music page of Querite primum regnum Dei  by Mozart to obtain the title of Accademico filarmonico (1770)
Sheet music page of Querite primum regnum Dei  by Mozart to obtain the title of Accademico filarmonico (1770)

LRI4566632: Sheet music page of Querite primum regnum Dei by Mozart to obtain the title of Accademico filarmonico (1770), Mozart, Wolfgang Amadeus (1756-91) / Bridgeman Images

Hornungia. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Rock hutchinsia, Hutchinsia petraea. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Hornungia. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Rock hutchinsia, Hutchinsia petraea. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566154: Hornungia. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Rock hutchinsia, Hutchinsia petraea. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Epiary swamp. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Clown's allheal or marsh woundwort, Stachys palustris. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Epiary swamp. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Clown's allheal or marsh woundwort, Stachys palustris. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566279: Epiary swamp. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Clown's allheal or marsh woundwort, Stachys palustris. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Painting reverse with portrait of Mozart at the age of 21
Painting reverse with portrait of Mozart at the age of 21

LRI4566382: Painting reverse with portrait of Mozart at the age of 21, Unknown artist, (18th century) / Bridgeman Images

Marsh Gentian - Marsh gentian, Gentiana pneumonanthe - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836
Marsh Gentian - Marsh gentian, Gentiana pneumonanthe - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566502: Marsh Gentian - Marsh gentian, Gentiana pneumonanthe - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

Fruit arabette bends or arabette tourette. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Tower wallcress, Arabis turrita. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Fruit arabette bends or arabette tourette. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Tower wallcress, Arabis turrita. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566284: Fruit arabette bends or arabette tourette. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Tower wallcress, Arabis turrita. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Dye Serratula - Common saw-wort, Serratula tinctoria - Handcoloured copperplate engraved by J. Whessell from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836
Dye Serratula - Common saw-wort, Serratula tinctoria - Handcoloured copperplate engraved by J. Whessell from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566412: Dye Serratula - Common saw-wort, Serratula tinctoria - Handcoloured copperplate engraved by J. Whessell from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

Thyme-leaved flax-seed, Radiola milligrana - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836
Thyme-leaved flax-seed, Radiola milligrana - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566514: Thyme-leaved flax-seed, Radiola milligrana - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

Saxifrage fake orpin - Yellow mountain saxifrage, Saxifrago aizoides - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836
Saxifrage fake orpin - Yellow mountain saxifrage, Saxifrago aizoides - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566519: Saxifrage fake orpin - Yellow mountain saxifrage, Saxifrago aizoides - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

Montie des fontaines - Water blinks, Montia fontana - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836
Montie des fontaines - Water blinks, Montia fontana - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566596: Montie des fontaines - Water blinks, Montia fontana - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

Fake pistachio or nose cut - Common bladder nut, Staphylea pinnata - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836
Fake pistachio or nose cut - Common bladder nut, Staphylea pinnata - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566612: Fake pistachio or nose cut - Common bladder nut, Staphylea pinnata - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

Sibthorpy of Europe - Creeping sibthorpia, Sibthorpia europaea, named for Humphry Sibthorp - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836
Sibthorpy of Europe - Creeping sibthorpia, Sibthorpia europaea, named for Humphry Sibthorp - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566747: Sibthorpy of Europe - Creeping sibthorpia, Sibthorpia europaea, named for Humphry Sibthorp - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

Description of Harpsichord and lyre (?) Page from Musurgia seu praxis musicae, 1536
Description of Harpsichord and lyre (?) Page from Musurgia seu praxis musicae, 1536

LRI4566940: Description of Harpsichord and lyre (?) Page from Musurgia seu praxis musicae, 1536, Unknown Artist, (16th century) / Bridgeman Images

Perfolie stool - Perfoliate pennycress, Thlaspi perfoliatum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1837
Perfolie stool - Perfoliate pennycress, Thlaspi perfoliatum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1837

FLO4566955: Perfolie stool - Perfoliate pennycress, Thlaspi perfoliatum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1837 / Bridgeman Images

Lettuce from the walls. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Ivy leaved wall lettuce, Prenanthes muralis. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Lettuce from the walls. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Ivy leaved wall lettuce, Prenanthes muralis. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566980: Lettuce from the walls. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Ivy leaved wall lettuce, Prenanthes muralis. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Double page and frontispiece of General History Of The Science And Practice Of Music by John Hawkins, 1853
Double page and frontispiece of General History Of The Science And Practice Of Music by John Hawkins, 1853

LRI4567114: Double page and frontispiece of General History Of The Science And Practice Of Music by John Hawkins, 1853, Unknown Artist, (19th century) / Bridgeman Images

Frontispiece of Phonurgia nova (1673)
Frontispiece of Phonurgia nova (1673)

LRI4567192: Frontispiece of Phonurgia nova (1673), Unknown Artist, (17th century) / Bridgeman Images

Wild Lettuce (Lactuca virosa) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837
Wild Lettuce (Lactuca virosa) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

FLO4567229: Wild Lettuce (Lactuca virosa) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837 / Bridgeman Images

Epiary officinale or betoine - Wood betony, Betonica officinalis - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836
Epiary officinale or betoine - Wood betony, Betonica officinalis - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566746: Epiary officinale or betoine - Wood betony, Betonica officinalis - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

Representation of string instruments and archer. Page taken from Musurgia practical manual of music, 1536
Representation of string instruments and archer. Page taken from Musurgia practical manual of music, 1536

LRI4566935: Representation of string instruments and archer. Page taken from Musurgia practical manual of music, 1536, Unknown Artist, (16th century) / Bridgeman Images

Arum maculatum - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837
Arum maculatum - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

FLO4566990: Arum maculatum - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837 / Bridgeman Images


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