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Variete of campanula (Campanula vidali) with white flowers, small bell-shaped corolla. Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.
Variete of campanula (Campanula vidali) with white flowers, small bell-shaped corolla. Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.

FLO4633008: Variete of campanula (Campanula vidali) with white flowers, small bell-shaped corolla. Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins. / Bridgeman Images

ID: FLO4633008

Variete of campanula (Campanula vidali) with white flowers, small bell-shaped corolla. Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.

The Earth in a period of glaciation - Artist's view - The Earth in a period of glaciation - Artist's view
The Earth in a period of glaciation - Artist's view - The Earth in a period of glaciation - Artist's view

PIX4633021: The Earth in a period of glaciation - Artist's view - The Earth in a period of glaciation - Artist's view / Bridgeman Images

ID: PIX4633021

The Earth in a period of glaciation - Artist's view - The Earth in a period of glaciation - Artist's view

Gastrolobium jaunea pyramidal flower, poisoned plant native to Australia (Castrolobium pyramidale). Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.
Gastrolobium jaunea pyramidal flower, poisoned plant native to Australia (Castrolobium pyramidale). Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.

FLO4633036: Gastrolobium jaunea pyramidal flower, poisoned plant native to Australia (Castrolobium pyramidale). Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins. / Bridgeman Images

ID: FLO4633036

Gastrolobium jaunea pyramidal flower, poisoned plant native to Australia (Castrolobium pyramidale). Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.

City of the future - Artist's view - City of the future - Vue d'artiste
City of the future - Artist's view - City of the future - Vue d'artiste

PIX4633043: City of the future - Artist's view - City of the future - Vue d'artiste / Bridgeman Images

ID: PIX4633043

City of the future - Artist's view - City of the future - Vue d'artiste

The Earth in a period of glaciation - Artist view - Next Ice Age - Artist view - The Statue of Liberty caught in the ice. Statue of Liberty covered with ice
The Earth in a period of glaciation - Artist view - Next Ice Age - Artist view - The Statue of Liberty caught in the ice. Statue of Liberty covered with ice

PIX4633060: The Earth in a period of glaciation - Artist view - Next Ice Age - Artist view - The Statue of Liberty caught in the ice. Statue of Liberty covered with ice / Bridgeman Images

ID: PIX4633060

The Earth in a period of glaciation - Artist view - Next Ice Age - Artist view - The Statue of Liberty caught in the ice. Statue of Liberty covered with ice

Munronia variete has small white flowers, native to India and variety of Chorozema, grown in greenhouse, has orange flowers, native to Australia. Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.
Munronia variete has small white flowers, native to India and variety of Chorozema, grown in greenhouse, has orange flowers, native to Australia. Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.

FLO4633068: Munronia variete has small white flowers, native to India and variety of Chorozema, grown in greenhouse, has orange flowers, native to Australia. Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins. / Bridgeman Images

ID: FLO4633068

Munronia variete has small white flowers, native to India and variety of Chorozema, grown in greenhouse, has orange flowers, native to Australia. Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.

Fern specimen (Anemia Cicutaria), description showing leaves and roots. Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.
Fern specimen (Anemia Cicutaria), description showing leaves and roots. Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.

FLO4633109: Fern specimen (Anemia Cicutaria), description showing leaves and roots. Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins. / Bridgeman Images

ID: FLO4633109

Fern specimen (Anemia Cicutaria), description showing leaves and roots. Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.

Ocean level rise - North America - North America with sea level+100m - Artist's view showing North America as it would appear if the ocean level increased by 100 metres. This would happen if all glaciers on Earth melt. This is how North America may appear with mean sea level about 100 meters (330 feet) above today's. Such a dramatic rise in sea level could occur if all of the Earth's glaciers were to melt. In this image the Gulf of Mexico and Atlantic ocean have inundated almost all of southeastern United State including the entire state of Florida, almost all of Louisiana, and significant portions of the other southeastern states and the District of Columbia. Major US cities submerged include New York City, Boston and Houston, and on the west coast Los Angeles, San Francisco, and much of San Diego. To the north the Hudson Bay has grown to claim much of the Canadian provinces of Ontario, Quebec, Manitoba and Nunavut. Further north Greenland's entire ice sheet, 110,000 years old and holding about 700,000 cubic miles of fresh water, has completely melted. A likely cause of a catastrophic melting of the Earth ice stores would be a change in climate, a sudden rise in the global temperature accelerated by a runaway greenhouse effect. While the amount of water held by the Earth's glaciers can be calculated with some accuracy, the exact mechanism that would set those glaciers to melting, and how long it would take for them to melt, is poorly understood. Some models suggest that several millennia of higher temperatures would be required to melt all the world's glaciers, while others predict much faster processes on the scale of centuries, or even decades
Ocean level rise - North America - North America with sea level+100m - Artist's view showing North America as it would appear if the ocean level increased by 100 metres. This would happen if all glaciers on Earth melt. This is how North America may appear with mean sea level about 100 meters (330 feet) above today's. Such a dramatic rise in sea level could occur if all of the Earth's glaciers were to melt. In this image the Gulf of Mexico and Atlantic ocean have inundated almost all of southeastern United State including the entire state of Florida, almost all of Louisiana, and significant portions of the other southeastern states and the District of Columbia. Major US cities submerged include New York City, Boston and Houston, and on the west coast Los Angeles, San Francisco, and much of San Diego. To the north the Hudson Bay has grown to claim much of the Canadian provinces of Ontario, Quebec, Manitoba and Nunavut. Further north Greenland's entire ice sheet, 110,000 years old and holding about 700,000 cubic miles of fresh water, has completely melted. A likely cause of a catastrophic melting of the Earth ice stores would be a change in climate, a sudden rise in the global temperature accelerated by a runaway greenhouse effect. While the amount of water held by the Earth's glaciers can be calculated with some accuracy, the exact mechanism that would set those glaciers to melting, and how long it would take for them to melt, is poorly understood. Some models suggest that several millennia of higher temperatures would be required to melt all the world's glaciers, while others predict much faster processes on the scale of centuries, or even decades

PIX4633123: Ocean level rise - North America - North America with sea level+100m - Artist's view showing North America as it would appear if the ocean level increased by 100 metres. This would happen if all glaciers on Earth melt. This is how North America may appear with mean sea level about 100 meters (330 feet) above today's. Such a dramatic rise in sea level could occur if all of the Earth's glaciers were to melt. In this image the Gulf of Mexico and Atlantic ocean have inundated almost all of southeastern United State including the entire state of Florida, almost all of Louisiana, and significant portions of the other southeastern states and the District of Columbia. Major US cities submerged include New York City, Boston and Houston, and on the west coast Los Angeles, San Francisco, and much of San Diego. To the north the Hudson Bay has grown to claim much of the Canadian provinces of Ontario, Quebec, Manitoba and Nunavut. Further north Greenland's entire ice sheet, 110,000 years old and holding about 700,000 cubic miles of fresh water, has completely melted. A likely cause of a catastrophic melting of the Earth ice stores would be a change in climate, a sudden rise in the global temperature accelerated by a runaway greenhouse effect. While the amount of water held by the Earth's glaciers can be calculated with some accuracy, the exact mechanism that would set those glaciers to melting, and how long it would take for them to melt, is poorly understood. Some models suggest that several millennia of higher temperatures would be required to melt all the world's glaciers, while others predict much faster processes on the scale of centuries, or even decades / Bridgeman Images

ID: PIX4633123

Ocean level rise - North America - North America with sea level+100m - Artist's view showing North America as it would appear if the ocean level increased by 100 metres. This would happen if all glaciers on Earth melt. This is how North America may appear with mean sea level about 100 meters (330 feet) above today's. Such a dramatic rise in sea level could occur if all of the Earth's glaciers were to melt. In this image the Gulf of Mexico and Atlantic ocean have inundated almost all of southeastern United State including the entire state of Florida, almost all of Louisiana, and significant portions of the other southeastern states and the District of Columbia. Major US cities submerged include New York City, Boston and Houston, and on the west coast Los Angeles, San Francisco, and much of San Diego. To the north the Hudson Bay has grown to claim much of the Canadian provinces of Ontario, Quebec, Manitoba and Nunavut. Further north Greenland's entire ice sheet, 110,000 years old and hol

Lunch service with simple decoration called Solitaire, with teapot, sugar bowl, plate, cup and saucer, painted by Pithou Jr., 1779. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Lunch service with simple decoration called Solitaire, with teapot, sugar bowl, plate, cup and saucer, painted by Pithou Jr., 1779. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633137: Lunch service with simple decoration called Solitaire, with teapot, sugar bowl, plate, cup and saucer, painted by Pithou Jr., 1779. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

ID: FLO4633137

Lunch service with simple decoration called Solitaire, with teapot, sugar bowl, plate, cup and saucer, painted by Pithou Jr., 1779. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

La Pangee - Artist's view - Artist's view of the Earth about 300 million years ago, with its only continent: the Pange
La Pangee - Artist's view - Artist's view of the Earth about 300 million years ago, with its only continent: the Pange

PIX4633173: La Pangee - Artist's view - Artist's view of the Earth about 300 million years ago, with its only continent: the Pange, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4633173

La Pangee - Artist's view - Artist's view of the Earth about 300 million years ago, with its only continent: the Pange

Dixon, Don (b.1951)

Early Sevres ware: cup decorated in gold relief, figure from the collection of Ch. Stein 1754, Saxony (Meissen) imitation, vase from the collection of Alf. Andre, four-lobed cup with vignette, and small terrace vase. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Early Sevres ware: cup decorated in gold relief, figure from the collection of Ch. Stein 1754, Saxony (Meissen) imitation, vase from the collection of Alf. Andre, four-lobed cup with vignette, and small terrace vase. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633181: Early Sevres ware: cup decorated in gold relief, figure from the collection of Ch. Stein 1754, Saxony (Meissen) imitation, vase from the collection of Alf. Andre, four-lobed cup with vignette, and small terrace vase. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

ID: FLO4633181

Early Sevres ware: cup decorated in gold relief, figure from the collection of Ch. Stein 1754, Saxony (Meissen) imitation, vase from the collection of Alf. Andre, four-lobed cup with vignette, and small terrace vase. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

Cratere Manicouagan - Quebec - seen by shuttle 04/2002 - Impact Cratere Manicouagan, Quebec, seen by shuttle Atlantis STS - 110 in April 200
Cratere Manicouagan - Quebec - seen by shuttle 04/2002 - Impact Cratere Manicouagan, Quebec, seen by shuttle Atlantis STS - 110 in April 200

PIX4630684: Cratere Manicouagan - Quebec - seen by shuttle 04/2002 - Impact Cratere Manicouagan, Quebec, seen by shuttle Atlantis STS - 110 in April 200 / Bridgeman Images

ID: PIX4630684

Cratere Manicouagan - Quebec - seen by shuttle 04/2002 - Impact Cratere Manicouagan, Quebec, seen by shuttle Atlantis STS - 110 in April 200

Courtesans playing shamisen to entertain a customer drinking sake in the pleasure quarters. Kamuro maids serve sake. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Courtesans playing shamisen to entertain a customer drinking sake in the pleasure quarters. Kamuro maids serve sake. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630703: Courtesans playing shamisen to entertain a customer drinking sake in the pleasure quarters. Kamuro maids serve sake. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

ID: FLO4630703

Courtesans playing shamisen to entertain a customer drinking sake in the pleasure quarters. Kamuro maids serve sake. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

Cratere Manicouagan - Quebec - seen by ISS 04/2002 - Cratere d'impact Manicouagan, Quebec, seen by the international space station on 04/14/2002
Cratere Manicouagan - Quebec - seen by ISS 04/2002 - Cratere d'impact Manicouagan, Quebec, seen by the international space station on 04/14/2002

PIX4630705: Cratere Manicouagan - Quebec - seen by ISS 04/2002 - Cratere d'impact Manicouagan, Quebec, seen by the international space station on 04/14/2002 / Bridgeman Images

ID: PIX4630705

Cratere Manicouagan - Quebec - seen by ISS 04/2002 - Cratere d'impact Manicouagan, Quebec, seen by the international space station on 04/14/2002

The death of the Antipope Clement VII (Robert de Geneve) (1342-1394), on his deathbed surrounded by clerics and the election of the antipope Benedict XIII (Pedro de Luna or Pierre de Luna) (1329-1423) - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - The death of Antipope Clement VII, and the election of Antipope Benedict XIII, 1394 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The death of the Antipope Clement VII (Robert de Geneve) (1342-1394), on his deathbed surrounded by clerics and the election of the antipope Benedict XIII (Pedro de Luna or Pierre de Luna) (1329-1423) - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - The death of Antipope Clement VII, and the election of Antipope Benedict XIII, 1394 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630712: The death of the Antipope Clement VII (Robert de Geneve) (1342-1394), on his deathbed surrounded by clerics and the election of the antipope Benedict XIII (Pedro de Luna or Pierre de Luna) (1329-1423) - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - The death of Antipope Clement VII, and the election of Antipope Benedict XIII, 1394 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630712

The death of the Antipope Clement VII (Robert de Geneve) (1342-1394), on his deathbed surrounded by clerics and the election of the antipope Benedict XIII (Pedro de Luna or Pierre de Luna) (1329-1423) - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - The death of Antipope Clement VII, and the election of Antipope Benedict XIII, 1394 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Courtesan playing a shamisen for customers Fukurokuju and Daikokuten of the Seven Lucky Gods. A maid stands on Daikokuten's back to put a table and sake bottles on Fukurokuju's head. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Courtesan playing a shamisen for customers Fukurokuju and Daikokuten of the Seven Lucky Gods. A maid stands on Daikokuten's back to put a table and sake bottles on Fukurokuju's head. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630723: Courtesan playing a shamisen for customers Fukurokuju and Daikokuten of the Seven Lucky Gods. A maid stands on Daikokuten's back to put a table and sake bottles on Fukurokuju's head. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

ID: FLO4630723

Courtesan playing a shamisen for customers Fukurokuju and Daikokuten of the Seven Lucky Gods. A maid stands on Daikokuten's back to put a table and sake bottles on Fukurokuju's head. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

Cratere Manicouagan - Quebec - March 2001 - The Manicouagan Impact Crater reservoir in Quebec, Canada - Cratere d'impact Manicouagan, Quebec, seen from the International Space Station in March 2001. This 100-kilometre crater formed 212 million years ago, following the fall of an asteroid on Earth. The reservoir, a large annular lake, marks the site of an impact crater 60 miles (100 kilometers) wide. Formed almost 212 million years ago when a large meteorite hit Earth, the crater has been worn down by many advances and retreats of glaciers and other processes of erosion. Seen here from the International Space Station (ISS) in March 200
Cratere Manicouagan - Quebec - March 2001 - The Manicouagan Impact Crater reservoir in Quebec, Canada - Cratere d'impact Manicouagan, Quebec, seen from the International Space Station in March 2001. This 100-kilometre crater formed 212 million years ago, following the fall of an asteroid on Earth. The reservoir, a large annular lake, marks the site of an impact crater 60 miles (100 kilometers) wide. Formed almost 212 million years ago when a large meteorite hit Earth, the crater has been worn down by many advances and retreats of glaciers and other processes of erosion. Seen here from the International Space Station (ISS) in March 200

PIX4630731: Cratere Manicouagan - Quebec - March 2001 - The Manicouagan Impact Crater reservoir in Quebec, Canada - Cratere d'impact Manicouagan, Quebec, seen from the International Space Station in March 2001. This 100-kilometre crater formed 212 million years ago, following the fall of an asteroid on Earth. The reservoir, a large annular lake, marks the site of an impact crater 60 miles (100 kilometers) wide. Formed almost 212 million years ago when a large meteorite hit Earth, the crater has been worn down by many advances and retreats of glaciers and other processes of erosion. Seen here from the International Space Station (ISS) in March 200 / Bridgeman Images

ID: PIX4630731

Cratere Manicouagan - Quebec - March 2001 - The Manicouagan Impact Crater reservoir in Quebec, Canada - Cratere d'impact Manicouagan, Quebec, seen from the International Space Station in March 2001. This 100-kilometre crater formed 212 million years ago, following the fall of an asteroid on Earth. The reservoir, a large annular lake, marks the site of an impact crater 60 miles (100 kilometers) wide. Formed almost 212 million years ago when a large meteorite hit Earth, the crater has been worn down by many advances and retreats of glaciers and other processes of erosion. Seen here from the International Space Station (ISS) in March 200

Oiran courtesans dancing before a large folding screen. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Oiran courtesans dancing before a large folding screen. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630762: Oiran courtesans dancing before a large folding screen. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

ID: FLO4630762

Oiran courtesans dancing before a large folding screen. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

Oiran courtesan having her hair treated with perfumed oil by a kamuro outside a barred shopfront in the pleasure quarters. Another maid brings a letter. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Oiran courtesan having her hair treated with perfumed oil by a kamuro outside a barred shopfront in the pleasure quarters. Another maid brings a letter. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630920: Oiran courtesan having her hair treated with perfumed oil by a kamuro outside a barred shopfront in the pleasure quarters. Another maid brings a letter. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

ID: FLO4630920

Oiran courtesan having her hair treated with perfumed oil by a kamuro outside a barred shopfront in the pleasure quarters. Another maid brings a letter. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

Courtesans and kamuro maids playing a game of karuta (cards) with a customer in the pleasure quarters. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Courtesans and kamuro maids playing a game of karuta (cards) with a customer in the pleasure quarters. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630976: Courtesans and kamuro maids playing a game of karuta (cards) with a customer in the pleasure quarters. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

ID: FLO4630976

Courtesans and kamuro maids playing a game of karuta (cards) with a customer in the pleasure quarters. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

Emanuel Lepeintre Jr. as Galop in Jacquot by Lurieu and Guinot, Theatre des Varietes, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Emanuel Lepeintre Jr. as Galop in Jacquot by Lurieu and Guinot, Theatre des Varietes, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631011: Emanuel Lepeintre Jr. as Galop in Jacquot by Lurieu and Guinot, Theatre des Varietes, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631011

Emanuel Lepeintre Jr. as Galop in Jacquot by Lurieu and Guinot, Theatre des Varietes, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

English bass Nicolas Levasseur as Don Juan in Dom Sebastien by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
English bass Nicolas Levasseur as Don Juan in Dom Sebastien by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631108: English bass Nicolas Levasseur as Don Juan in Dom Sebastien by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631108

English bass Nicolas Levasseur as Don Juan in Dom Sebastien by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Adrien Joly as a demon and Pepetit Veldeman as Coureur in the Cogniard brothers' La Biche au Bois, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Adrien Joly as a demon and Pepetit Veldeman as Coureur in the Cogniard brothers' La Biche au Bois, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631161: Adrien Joly as a demon and Pepetit Veldeman as Coureur in the Cogniard brothers' La Biche au Bois, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631161

Adrien Joly as a demon and Pepetit Veldeman as Coureur in the Cogniard brothers' La Biche au Bois, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Pierre-Cheri Lafont in the role of Frontin and Madame Bressant or Augustine Dupont as Marinette in Theophile Gautier's Le Tricorne Enchante, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Pierre-Cheri Lafont in the role of Frontin and Madame Bressant or Augustine Dupont as Marinette in Theophile Gautier's Le Tricorne Enchante, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631195: Pierre-Cheri Lafont in the role of Frontin and Madame Bressant or Augustine Dupont as Marinette in Theophile Gautier's Le Tricorne Enchante, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631195

Pierre-Cheri Lafont in the role of Frontin and Madame Bressant or Augustine Dupont as Marinette in Theophile Gautier's Le Tricorne Enchante, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Singer Miss Angelina Grave in the role of Desiree in the Cogniard brothers' La Biche au Bois, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Singer Miss Angelina Grave in the role of Desiree in the Cogniard brothers' La Biche au Bois, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631260: Singer Miss Angelina Grave in the role of Desiree in the Cogniard brothers' La Biche au Bois, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631260

Singer Miss Angelina Grave in the role of Desiree in the Cogniard brothers' La Biche au Bois, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Fanny Durand in the role of Toinette in Madame Bugolin, Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Fanny Durand in the role of Toinette in Madame Bugolin, Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631275: Fanny Durand in the role of Toinette in Madame Bugolin, Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631275

Fanny Durand in the role of Toinette in Madame Bugolin, Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Germain as Muley-Ben-Omar in Sylvandire by Leuven/Vanderburch, Theatre du Palais Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Germain as Muley-Ben-Omar in Sylvandire by Leuven/Vanderburch, Theatre du Palais Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631336: Germain as Muley-Ben-Omar in Sylvandire by Leuven/Vanderburch, Theatre du Palais Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631336

Germain as Muley-Ben-Omar in Sylvandire by Leuven/Vanderburch, Theatre du Palais Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Female dancer performing a mazurka in the costume of a woman of Krakow, Poland, at the Academy Royale de Musique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Female dancer performing a mazurka in the costume of a woman of Krakow, Poland, at the Academy Royale de Musique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631374: Female dancer performing a mazurka in the costume of a woman of Krakow, Poland, at the Academy Royale de Musique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631374

Female dancer performing a mazurka in the costume of a woman of Krakow, Poland, at the Academy Royale de Musique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

English mezzo-soprano Rosine Stoltz as Zayda in Dom Sebastien, Act IV, by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.
English mezzo-soprano Rosine Stoltz as Zayda in Dom Sebastien, Act IV, by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

FLO4631393: English mezzo-soprano Rosine Stoltz as Zayda in Dom Sebastien, Act IV, by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844. / Bridgeman Images

ID: FLO4631393

English mezzo-soprano Rosine Stoltz as Zayda in Dom Sebastien, Act IV, by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

Mme Atier or Anne Suzanne Potier as Leopoldine in Le Telegraphe D'Amour by Masson/Thomas, Theatre des Folies Dramatiques, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Mme Atier or Anne Suzanne Potier as Leopoldine in Le Telegraphe D'Amour by Masson/Thomas, Theatre des Folies Dramatiques, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631395: Mme Atier or Anne Suzanne Potier as Leopoldine in Le Telegraphe D'Amour by Masson/Thomas, Theatre des Folies Dramatiques, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631395

Mme Atier or Anne Suzanne Potier as Leopoldine in Le Telegraphe D'Amour by Masson/Thomas, Theatre des Folies Dramatiques, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Mrs. Gabrielle Thenard as the Marquise in Le Diable-a-Quatre, Theatre du Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Mrs. Gabrielle Thenard as the Marquise in Le Diable-a-Quatre, Theatre du Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631419: Mrs. Gabrielle Thenard as the Marquise in Le Diable-a-Quatre, Theatre du Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631419

Mrs. Gabrielle Thenard as the Marquise in Le Diable-a-Quatre, Theatre du Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Organic Farming - Barley field - Organic Farming - Barley field - Organic Farming in Marne. Sign in an organic barley cultivation in United Kingdom
Organic Farming - Barley field - Organic Farming - Barley field - Organic Farming in Marne. Sign in an organic barley cultivation in United Kingdom

PIX4631474: Organic Farming - Barley field - Organic Farming - Barley field - Organic Farming in Marne. Sign in an organic barley cultivation in United Kingdom / Bridgeman Images

ID: PIX4631474

Organic Farming - Barley field - Organic Farming - Barley field - Organic Farming in Marne. Sign in an organic barley cultivation in United Kingdom

Etienne Arnal as Nantouillet in L'Homme Blase by Duvert and Lauzanne, Theatre du Vaudeville, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Etienne Arnal as Nantouillet in L'Homme Blase by Duvert and Lauzanne, Theatre du Vaudeville, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631576: Etienne Arnal as Nantouillet in L'Homme Blase by Duvert and Lauzanne, Theatre du Vaudeville, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631576

Etienne Arnal as Nantouillet in L'Homme Blase by Duvert and Lauzanne, Theatre du Vaudeville, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

English actor Charles Marie de Chilly and Mordaunt in Les Mousqetaires, by Alexandre Dumas, Theatre de l'Ambigu Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
English actor Charles Marie de Chilly and Mordaunt in Les Mousqetaires, by Alexandre Dumas, Theatre de l'Ambigu Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631579: English actor Charles Marie de Chilly and Mordaunt in Les Mousqetaires, by Alexandre Dumas, Theatre de l'Ambigu Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631579

English actor Charles Marie de Chilly and Mordaunt in Les Mousqetaires, by Alexandre Dumas, Theatre de l'Ambigu Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

English tenor singer Gustave-Hippolyte Roger as d'Entragues in the comic opera Les Mousquetaires de la Reine by Fromental Halevy, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
English tenor singer Gustave-Hippolyte Roger as d'Entragues in the comic opera Les Mousquetaires de la Reine by Fromental Halevy, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631585: English tenor singer Gustave-Hippolyte Roger as d'Entragues in the comic opera Les Mousquetaires de la Reine by Fromental Halevy, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4631585

English tenor singer Gustave-Hippolyte Roger as d'Entragues in the comic opera Les Mousquetaires de la Reine by Fromental Halevy, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Miss Judith or Judith Julie Bernat as Mademoiselle Salle in Gentil Bernard by Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Miss Judith or Judith Julie Bernat as Mademoiselle Salle in Gentil Bernard by Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631655: Miss Judith or Judith Julie Bernat as Mademoiselle Salle in Gentil Bernard by Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4631655

Miss Judith or Judith Julie Bernat as Mademoiselle Salle in Gentil Bernard by Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.


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