1. Home
  2. Search Results

Print Friendly Version Page

Print this page or go back to standard view.

2533476 Search Results

Opera singer Anna Thillon as Coriali in Cagliostro, Act I, II, by Eugene Scribe, Theatre Royal de l'Opera Comique, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Opera singer Anna Thillon as Coriali in Cagliostro, Act I, II, by Eugene Scribe, Theatre Royal de l'Opera Comique, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632601: Opera singer Anna Thillon as Coriali in Cagliostro, Act I, II, by Eugene Scribe, Theatre Royal de l'Opera Comique, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4632601

Opera singer Anna Thillon as Coriali in Cagliostro, Act I, II, by Eugene Scribe, Theatre Royal de l'Opera Comique, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Comets have the origin of life on Earth - Comets bring life on Earth - An artist's view of the Earth bombed by comets 4 billion years ago. Comets may have brought the molecules necessary for the appearance of life on Earth. The Moon at that time was much closer to Earth than today. Impacting comets may have brought life to the early Earth. 4 billion years ago, Moon was closer than today
Comets have the origin of life on Earth - Comets bring life on Earth - An artist's view of the Earth bombed by comets 4 billion years ago. Comets may have brought the molecules necessary for the appearance of life on Earth. The Moon at that time was much closer to Earth than today. Impacting comets may have brought life to the early Earth. 4 billion years ago, Moon was closer than today

PIX4632636: Comets have the origin of life on Earth - Comets bring life on Earth - An artist's view of the Earth bombed by comets 4 billion years ago. Comets may have brought the molecules necessary for the appearance of life on Earth. The Moon at that time was much closer to Earth than today. Impacting comets may have brought life to the early Earth. 4 billion years ago, Moon was closer than today / Bridgeman Images

ID: PIX4632636

Comets have the origin of life on Earth - Comets bring life on Earth - An artist's view of the Earth bombed by comets 4 billion years ago. Comets may have brought the molecules necessary for the appearance of life on Earth. The Moon at that time was much closer to Earth than today. Impacting comets may have brought life to the early Earth. 4 billion years ago, Moon was closer than today

Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act I and III, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.
Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act I and III, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

FLO4632651: Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act I and III, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844. / Bridgeman Images

ID: FLO4632651

Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act I and III, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

Life on Earth: the Sun and Comets - Life on Earth: Sun and Comets - All living organisms on Earth are exclusively left amino acids. The origin of life homochiralite, the asymmetry present in amine acids, could be derived from solar radiation distruding the right amino acids accumulated on comets during the formation of the solar system. Life on Earth is made of left handed amino acids, almost exclusively. The origin of biomolecular homochirality could come from the sun light destroying right handed amino acids in comets during the formation of solar system
Life on Earth: the Sun and Comets - Life on Earth: Sun and Comets - All living organisms on Earth are exclusively left amino acids. The origin of life homochiralite, the asymmetry present in amine acids, could be derived from solar radiation distruding the right amino acids accumulated on comets during the formation of the solar system. Life on Earth is made of left handed amino acids, almost exclusively. The origin of biomolecular homochirality could come from the sun light destroying right handed amino acids in comets during the formation of solar system

PIX4632660: Life on Earth: the Sun and Comets - Life on Earth: Sun and Comets - All living organisms on Earth are exclusively left amino acids. The origin of life homochiralite, the asymmetry present in amine acids, could be derived from solar radiation distruding the right amino acids accumulated on comets during the formation of the solar system. Life on Earth is made of left handed amino acids, almost exclusively. The origin of biomolecular homochirality could come from the sun light destroying right handed amino acids in comets during the formation of solar system / Bridgeman Images

ID: PIX4632660

Life on Earth: the Sun and Comets - Life on Earth: Sun and Comets - All living organisms on Earth are exclusively left amino acids. The origin of life homochiralite, the asymmetry present in amine acids, could be derived from solar radiation distruding the right amino acids accumulated on comets during the formation of the solar system. Life on Earth is made of left handed amino acids, almost exclusively. The origin of biomolecular homochirality could come from the sun light destroying right handed amino acids in comets during the formation of solar system

Earth seen at night - 2012 - City Lights 2012 - Earth observed at night by satellite. Composite image obtained by the Suomi NPP satellite in April and October 2012. Composite image of Europe, Africa, and the Middle East at night assembled from data acquired by the Suomi NPP satellite in April and October 2012
Earth seen at night - 2012 - City Lights 2012 - Earth observed at night by satellite. Composite image obtained by the Suomi NPP satellite in April and October 2012. Composite image of Europe, Africa, and the Middle East at night assembled from data acquired by the Suomi NPP satellite in April and October 2012

PIX4632668: Earth seen at night - 2012 - City Lights 2012 - Earth observed at night by satellite. Composite image obtained by the Suomi NPP satellite in April and October 2012. Composite image of Europe, Africa, and the Middle East at night assembled from data acquired by the Suomi NPP satellite in April and October 2012 / Bridgeman Images

ID: PIX4632668

Earth seen at night - 2012 - City Lights 2012 - Earth observed at night by satellite. Composite image obtained by the Suomi NPP satellite in April and October 2012. Composite image of Europe, Africa, and the Middle East at night assembled from data acquired by the Suomi NPP satellite in April and October 2012

Etienne Melingue and Fernand in Les Amans de Murcie by Frederic Soulie, Theatre de l'Ambigu, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Etienne Melingue and Fernand in Les Amans de Murcie by Frederic Soulie, Theatre de l'Ambigu, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632676: Etienne Melingue and Fernand in Les Amans de Murcie by Frederic Soulie, Theatre de l'Ambigu, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4632676

Etienne Melingue and Fernand in Les Amans de Murcie by Frederic Soulie, Theatre de l'Ambigu, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Opera singer Henri as Bolbaya in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Opera singer Henri as Bolbaya in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632695: Opera singer Henri as Bolbaya in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4632695

Opera singer Henri as Bolbaya in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Soprano opera singer Miss Zoe Prevost as Mathea in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Soprano opera singer Miss Zoe Prevost as Mathea in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632717: Soprano opera singer Miss Zoe Prevost as Mathea in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4632717

Soprano opera singer Miss Zoe Prevost as Mathea in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Moon Sunrise on Early Earth - Moon Sunrise on Early Earth - Artist's view of Earth about 4 billion years ago when the Earth began to cool. Seas formed in the impact basins. The Moon at the time was much closer than today
Moon Sunrise on Early Earth - Moon Sunrise on Early Earth - Artist's view of Earth about 4 billion years ago when the Earth began to cool. Seas formed in the impact basins. The Moon at the time was much closer than today

PIX4632734: Moon Sunrise on Early Earth - Moon Sunrise on Early Earth - Artist's view of Earth about 4 billion years ago when the Earth began to cool. Seas formed in the impact basins. The Moon at the time was much closer than today, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4632734

Moon Sunrise on Early Earth - Moon Sunrise on Early Earth - Artist's view of Earth about 4 billion years ago when the Earth began to cool. Seas formed in the impact basins. The Moon at the time was much closer than today

Dixon, Don (b.1951)

The First Life Forms on Earth - Eoarchean Earth - 3.8 billion years ago, 770 million years after the formation of the Earth, the first life forms appeared as a unicellular organism. Bacteries and archeobacteries (archaea) began to populate the Earth's surface while the atmosphere was still filled with volcanic gases and probably without oxygen. In this illustration, these micro-organisms came out of the ocean to attach themselves to the rock remains of a caldera, bringing colour to this monochrome landscape. 770 million years after the formation of the Earth - - 3.8 billion years ago - - the first life may have appeared in the form of simple, single - celled organisms. Bacteria and archaea may have even found a way to populate the otherwise sterile and inhospitable surface. The atmosphere would likely have consisted solely of gases vented by volcanoes: carbon dioxide, carbon monoxide, sulfur dioxide, nitrogen, methane, hydrogen, methane, ammonia, and water vapor. In this image, a variety of single - celled organisms have ventured out of the ocean and onto the rocky remains of two volcanic calderas, adding color to an otherwise bleak and monochromatic landscape. While the lack of breathable oxygen would be anathema to complex life forms like ourselves, this primitive atmosphere was a rich source of sustenance for these terrestrial vanguards
The First Life Forms on Earth - Eoarchean Earth - 3.8 billion years ago, 770 million years after the formation of the Earth, the first life forms appeared as a unicellular organism. Bacteries and archeobacteries (archaea) began to populate the Earth's surface while the atmosphere was still filled with volcanic gases and probably without oxygen. In this illustration, these micro-organisms came out of the ocean to attach themselves to the rock remains of a caldera, bringing colour to this monochrome landscape. 770 million years after the formation of the Earth - - 3.8 billion years ago - - the first life may have appeared in the form of simple, single - celled organisms. Bacteria and archaea may have even found a way to populate the otherwise sterile and inhospitable surface. The atmosphere would likely have consisted solely of gases vented by volcanoes: carbon dioxide, carbon monoxide, sulfur dioxide, nitrogen, methane, hydrogen, methane, ammonia, and water vapor. In this image, a variety of single - celled organisms have ventured out of the ocean and onto the rocky remains of two volcanic calderas, adding color to an otherwise bleak and monochromatic landscape. While the lack of breathable oxygen would be anathema to complex life forms like ourselves, this primitive atmosphere was a rich source of sustenance for these terrestrial vanguards

PIX4632742: The First Life Forms on Earth - Eoarchean Earth - 3.8 billion years ago, 770 million years after the formation of the Earth, the first life forms appeared as a unicellular organism. Bacteries and archeobacteries (archaea) began to populate the Earth's surface while the atmosphere was still filled with volcanic gases and probably without oxygen. In this illustration, these micro-organisms came out of the ocean to attach themselves to the rock remains of a caldera, bringing colour to this monochrome landscape. 770 million years after the formation of the Earth - - 3.8 billion years ago - - the first life may have appeared in the form of simple, single - celled organisms. Bacteria and archaea may have even found a way to populate the otherwise sterile and inhospitable surface. The atmosphere would likely have consisted solely of gases vented by volcanoes: carbon dioxide, carbon monoxide, sulfur dioxide, nitrogen, methane, hydrogen, methane, ammonia, and water vapor. In this image, a variety of single - celled organisms have ventured out of the ocean and onto the rocky remains of two volcanic calderas, adding color to an otherwise bleak and monochromatic landscape. While the lack of breathable oxygen would be anathema to complex life forms like ourselves, this primitive atmosphere was a rich source of sustenance for these terrestrial vanguards / Bridgeman Images

ID: PIX4632742

The First Life Forms on Earth - Eoarchean Earth - 3.8 billion years ago, 770 million years after the formation of the Earth, the first life forms appeared as a unicellular organism. Bacteries and archeobacteries (archaea) began to populate the Earth's surface while the atmosphere was still filled with volcanic gases and probably without oxygen. In this illustration, these micro-organisms came out of the ocean to attach themselves to the rock remains of a caldera, bringing colour to this monochrome landscape. 770 million years after the formation of the Earth - - 3.8 billion years ago - - the first life may have appeared in the form of simple, single - celled organisms. Bacteria and archaea may have even found a way to populate the otherwise sterile and inhospitable surface. The atmosphere would likely have consisted solely of gases vented by volcanoes: carbon dioxide, carbon monoxide, sulfur dioxide, nitrogen, methane, hydrogen, methane, ammonia, and water vapor. In this image, a varie

Ichthyostega & Rhacophyton - An Ichthyostega emerge water 365 million years ago to the upper Devonian. Half-fish, half-terrestrial animal, the Ichthyostega was about 1 metre long. On the left, one of the first species of fern, Rhacophyton ceratangium. A Late Devonian Ichthyostega emerges from waters of a floodplain 365 million years ago in what is today the Canadian Arctic. On the left is a four - foot - tall Rhacophyton ceratangium, an ancient shrub that is thought to be one of the earliest ferns. On the horizon are more Rhacophyton, along with towering Archaeopteris and Lycopsids in various stages of growth
Ichthyostega & Rhacophyton - An Ichthyostega emerge water 365 million years ago to the upper Devonian. Half-fish, half-terrestrial animal, the Ichthyostega was about 1 metre long. On the left, one of the first species of fern, Rhacophyton ceratangium. A Late Devonian Ichthyostega emerges from waters of a floodplain 365 million years ago in what is today the Canadian Arctic. On the left is a four - foot - tall Rhacophyton ceratangium, an ancient shrub that is thought to be one of the earliest ferns. On the horizon are more Rhacophyton, along with towering Archaeopteris and Lycopsids in various stages of growth

PIX4632781: Ichthyostega & Rhacophyton - An Ichthyostega emerge water 365 million years ago to the upper Devonian. Half-fish, half-terrestrial animal, the Ichthyostega was about 1 metre long. On the left, one of the first species of fern, Rhacophyton ceratangium. A Late Devonian Ichthyostega emerges from waters of a floodplain 365 million years ago in what is today the Canadian Arctic. On the left is a four - foot - tall Rhacophyton ceratangium, an ancient shrub that is thought to be one of the earliest ferns. On the horizon are more Rhacophyton, along with towering Archaeopteris and Lycopsids in various stages of growth / Bridgeman Images

ID: PIX4632781

Ichthyostega & Rhacophyton - An Ichthyostega emerge water 365 million years ago to the upper Devonian. Half-fish, half-terrestrial animal, the Ichthyostega was about 1 metre long. On the left, one of the first species of fern, Rhacophyton ceratangium. A Late Devonian Ichthyostega emerges from waters of a floodplain 365 million years ago in what is today the Canadian Arctic. On the left is a four - foot - tall Rhacophyton ceratangium, an ancient shrub that is thought to be one of the earliest ferns. On the horizon are more Rhacophyton, along with towering Archaeopteris and Lycopsids in various stages of growth

Ichthyostega - View of an Ichthyostega 365 million years ago at the upper Devonian. Half-fish, half-terrestrial animal, the Ichthyostega was about 1 metre long. On the left, one of the first species of fern, Rhacophyton ceratangium. In the foreground, prehistoric arthropods (diplopods and cockroaches). A close - up of a three foot long Late Devonian Ichthyostega 365 million years ago in what is today the Canadian Arctic. Flanking the Ichthyostega are Rhacophyton ceratangium, ancient shrubs that are thought to be one of the earliest ferns. The reddish fruit - like nodules attached to the fronds on the right are sporangia, enclosures in which spores are formed. The large tree - like trunk on the far left is the base of a young Archaeopteris. In the foreground are prehistoric arthropods - - a millipede on the left and on the right cockroaches on trunk of a decaying Lycopsid. Arthropods had been walking the Earth for 40 million years before vertebrates like Ichthyostega began venturing ashore. Ichthyostega was one of the earliest tetrapods, a descendent of lobe - finned fishes and ancestor of amphibians. Ichthyostega had lungs and seven - toed limbs that allowed it to move about the shallow waters and shores of swamps and floodplains. It was among the first terrestrial vertebrates
Ichthyostega - View of an Ichthyostega 365 million years ago at the upper Devonian. Half-fish, half-terrestrial animal, the Ichthyostega was about 1 metre long. On the left, one of the first species of fern, Rhacophyton ceratangium. In the foreground, prehistoric arthropods (diplopods and cockroaches). A close - up of a three foot long Late Devonian Ichthyostega 365 million years ago in what is today the Canadian Arctic. Flanking the Ichthyostega are Rhacophyton ceratangium, ancient shrubs that are thought to be one of the earliest ferns. The reddish fruit - like nodules attached to the fronds on the right are sporangia, enclosures in which spores are formed. The large tree - like trunk on the far left is the base of a young Archaeopteris. In the foreground are prehistoric arthropods - - a millipede on the left and on the right cockroaches on trunk of a decaying Lycopsid. Arthropods had been walking the Earth for 40 million years before vertebrates like Ichthyostega began venturing ashore. Ichthyostega was one of the earliest tetrapods, a descendent of lobe - finned fishes and ancestor of amphibians. Ichthyostega had lungs and seven - toed limbs that allowed it to move about the shallow waters and shores of swamps and floodplains. It was among the first terrestrial vertebrates

PIX4632814: Ichthyostega - View of an Ichthyostega 365 million years ago at the upper Devonian. Half-fish, half-terrestrial animal, the Ichthyostega was about 1 metre long. On the left, one of the first species of fern, Rhacophyton ceratangium. In the foreground, prehistoric arthropods (diplopods and cockroaches). A close - up of a three foot long Late Devonian Ichthyostega 365 million years ago in what is today the Canadian Arctic. Flanking the Ichthyostega are Rhacophyton ceratangium, ancient shrubs that are thought to be one of the earliest ferns. The reddish fruit - like nodules attached to the fronds on the right are sporangia, enclosures in which spores are formed. The large tree - like trunk on the far left is the base of a young Archaeopteris. In the foreground are prehistoric arthropods - - a millipede on the left and on the right cockroaches on trunk of a decaying Lycopsid. Arthropods had been walking the Earth for 40 million years before vertebrates like Ichthyostega began venturing ashore. Ichthyostega was one of the earliest tetrapods, a descendent of lobe - finned fishes and ancestor of amphibians. Ichthyostega had lungs and seven - toed limbs that allowed it to move about the shallow waters and shores of swamps and floodplains. It was among the first terrestrial vertebrates / Bridgeman Images

ID: PIX4632814

Ichthyostega - View of an Ichthyostega 365 million years ago at the upper Devonian. Half-fish, half-terrestrial animal, the Ichthyostega was about 1 metre long. On the left, one of the first species of fern, Rhacophyton ceratangium. In the foreground, prehistoric arthropods (diplopods and cockroaches). A close - up of a three foot long Late Devonian Ichthyostega 365 million years ago in what is today the Canadian Arctic. Flanking the Ichthyostega are Rhacophyton ceratangium, ancient shrubs that are thought to be one of the earliest ferns. The reddish fruit - like nodules attached to the fronds on the right are sporangia, enclosures in which spores are formed. The large tree - like trunk on the far left is the base of a young Archaeopteris. In the foreground are prehistoric arthropods - - a millipede on the left and on the right cockroaches on trunk of a decaying Lycopsid. Arthropods had been walking the Earth for 40 million years before vertebrates like Ichthyostega began venturing ash

Hundred Years War (1337-1453): Charles of Blois, known as the Blessed (1319-1364), Duke of Brittany and Thomas of Woodstock (1355-1397), Duke of Buckingham, agreed for the siege of Nantes in 1380, with their banners carried by the cavalry - Lithography after the enluminated manuscript of the Chronicles (from 1322 a 1400) by Jean (Jehan) Froissart (1337- 1404), 1868 - Charles of Blois, Duke of Brittany, and Thomas Woodstock, Earl of Buckingham, concerting the siege of Nantes, 1380; their banners can be seen above the ranks of mounted knights - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
Hundred Years War (1337-1453): Charles of Blois, known as the Blessed (1319-1364), Duke of Brittany and Thomas of Woodstock (1355-1397), Duke of Buckingham, agreed for the siege of Nantes in 1380, with their banners carried by the cavalry - Lithography after the enluminated manuscript of the Chronicles (from 1322 a 1400) by Jean (Jehan) Froissart (1337- 1404), 1868 - Charles of Blois, Duke of Brittany, and Thomas Woodstock, Earl of Buckingham, concerting the siege of Nantes, 1380; their banners can be seen above the ranks of mounted knights - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630284: Hundred Years War (1337-1453): Charles of Blois, known as the Blessed (1319-1364), Duke of Brittany and Thomas of Woodstock (1355-1397), Duke of Buckingham, agreed for the siege of Nantes in 1380, with their banners carried by the cavalry - Lithography after the enluminated manuscript of the Chronicles (from 1322 a 1400) by Jean (Jehan) Froissart (1337- 1404), 1868 - Charles of Blois, Duke of Brittany, and Thomas Woodstock, Earl of Buckingham, concerting the siege of Nantes, 1380; their banners can be seen above the ranks of mounted knights - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630284

Hundred Years War (1337-1453): Charles of Blois, known as the Blessed (1319-1364), Duke of Brittany and Thomas of Woodstock (1355-1397), Duke of Buckingham, agreed for the siege of Nantes in 1380, with their banners carried by the cavalry - Lithography after the enluminated manuscript of the Chronicles (from 1322 a 1400) by Jean (Jehan) Froissart (1337- 1404), 1868 - Charles of Blois, Duke of Brittany, and Thomas Woodstock, Earl of Buckingham, concerting the siege of Nantes, 1380; their banners can be seen above the ranks of mounted knights - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Count Louis II of Flanders (ne Louis de Dampierre dit Louis de Male or de Maerle) (1330-1384) receives the men of Ghent (Belgium) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Count Louis II of Flanders receives the men of Ghent - Handcoloured thograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
Count Louis II of Flanders (ne Louis de Dampierre dit Louis de Male or de Maerle) (1330-1384) receives the men of Ghent (Belgium) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Count Louis II of Flanders receives the men of Ghent - Handcoloured thograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630290: Count Louis II of Flanders (ne Louis de Dampierre dit Louis de Male or de Maerle) (1330-1384) receives the men of Ghent (Belgium) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Count Louis II of Flanders receives the men of Ghent - Handcoloured thograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630290

Count Louis II of Flanders (ne Louis de Dampierre dit Louis de Male or de Maerle) (1330-1384) receives the men of Ghent (Belgium) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - Count Louis II of Flanders receives the men of Ghent - Handcoloured thograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Planets of the solar system -2006 - Our solar system. 2006 - Planets are represented in order of proximity to the sun. From top to bottom: Mercury, Venus, Earth and Moon, its satellite, Mars, Jupiter, Saturn, Uranus, Neptune. Since August 2006, Pluto is now called 134340 Pluto and is no longer considered a planet but designed as a dwarf planet. This is a montage of planetary images taken by spacecraft managed by the Jet Propulsion Laboratory in Pasadena, CA. Included are (from top to bottom) images of Mercury, Venus, Earth (and Moon), Mars, Jupiter, Saturn, Uranus and Neptune. The spacecraft responsible for these images are as follows: the Mercury image was taken by Mariner 10, the Venus image by Magellan, the Earth and Moon images by Galileo, the Mars image by Mars Global Surveyor, the Jupiter image by Cassini, and the Saturn, Uranus and Neptune images by Voyager. Pluto is not shown as no spacecraft has yet visited it. The inner planets (Mercury, Venus, Earth, Moon, and Mars) are roughly to scale to each other; the outer planets (Jupiter, Saturn, Uranus, and Neptune) are roughly to scale to each other
Planets of the solar system -2006 - Our solar system. 2006 - Planets are represented in order of proximity to the sun. From top to bottom: Mercury, Venus, Earth and Moon, its satellite, Mars, Jupiter, Saturn, Uranus, Neptune. Since August 2006, Pluto is now called 134340 Pluto and is no longer considered a planet but designed as a dwarf planet. This is a montage of planetary images taken by spacecraft managed by the Jet Propulsion Laboratory in Pasadena, CA. Included are (from top to bottom) images of Mercury, Venus, Earth (and Moon), Mars, Jupiter, Saturn, Uranus and Neptune. The spacecraft responsible for these images are as follows: the Mercury image was taken by Mariner 10, the Venus image by Magellan, the Earth and Moon images by Galileo, the Mars image by Mars Global Surveyor, the Jupiter image by Cassini, and the Saturn, Uranus and Neptune images by Voyager. Pluto is not shown as no spacecraft has yet visited it. The inner planets (Mercury, Venus, Earth, Moon, and Mars) are roughly to scale to each other; the outer planets (Jupiter, Saturn, Uranus, and Neptune) are roughly to scale to each other

PIX4630291: Planets of the solar system -2006 - Our solar system. 2006 - Planets are represented in order of proximity to the sun. From top to bottom: Mercury, Venus, Earth and Moon, its satellite, Mars, Jupiter, Saturn, Uranus, Neptune. Since August 2006, Pluto is now called 134340 Pluto and is no longer considered a planet but designed as a dwarf planet. This is a montage of planetary images taken by spacecraft managed by the Jet Propulsion Laboratory in Pasadena, CA. Included are (from top to bottom) images of Mercury, Venus, Earth (and Moon), Mars, Jupiter, Saturn, Uranus and Neptune. The spacecraft responsible for these images are as follows: the Mercury image was taken by Mariner 10, the Venus image by Magellan, the Earth and Moon images by Galileo, the Mars image by Mars Global Surveyor, the Jupiter image by Cassini, and the Saturn, Uranus and Neptune images by Voyager. Pluto is not shown as no spacecraft has yet visited it. The inner planets (Mercury, Venus, Earth, Moon, and Mars) are roughly to scale to each other; the outer planets (Jupiter, Saturn, Uranus, and Neptune) are roughly to scale to each other / Bridgeman Images

ID: PIX4630291

Planets of the solar system -2006 - Our solar system. 2006 - Planets are represented in order of proximity to the sun. From top to bottom: Mercury, Venus, Earth and Moon, its satellite, Mars, Jupiter, Saturn, Uranus, Neptune. Since August 2006, Pluto is now called 134340 Pluto and is no longer considered a planet but designed as a dwarf planet. This is a montage of planetary images taken by spacecraft managed by the Jet Propulsion Laboratory in Pasadena, CA. Included are (from top to bottom) images of Mercury, Venus, Earth (and Moon), Mars, Jupiter, Saturn, Uranus and Neptune. The spacecraft responsible for these images are as follows: the Mercury image was taken by Mariner 10, the Venus image by Magellan, the Earth and Moon images by Galileo, the Mars image by Mars Global Surveyor, the Jupiter image by Cassini, and the Saturn, Uranus and Neptune images by Voyager. Pluto is not shown as no spacecraft has yet visited it. The inner planets (Mercury, Venus, Earth, Moon, and Mars) are roug

The formation of the Solar System - Artist view - Forming solar system - Artist view - Artist view of the gas and dust disc (protoplanetary disc) around the Sun. Little by little rocks will gather, accrete, to form planets. Planetesimals - the seeds of planets crash together in the solar nebula, gradually growing larger
The formation of the Solar System - Artist view - Forming solar system - Artist view - Artist view of the gas and dust disc (protoplanetary disc) around the Sun. Little by little rocks will gather, accrete, to form planets. Planetesimals - the seeds of planets crash together in the solar nebula, gradually growing larger

PIX4630295: The formation of the Solar System - Artist view - Forming solar system - Artist view - Artist view of the gas and dust disc (protoplanetary disc) around the Sun. Little by little rocks will gather, accrete, to form planets. Planetesimals - the seeds of planets crash together in the solar nebula, gradually growing larger, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4630295

The formation of the Solar System - Artist view - Forming solar system - Artist view - Artist view of the gas and dust disc (protoplanetary disc) around the Sun. Little by little rocks will gather, accrete, to form planets. Planetesimals - the seeds of planets crash together in the solar nebula, gradually growing larger

Dixon, Don (b.1951)

The Solar-Illustration System - Mars, Earth and Moon, Venus, Mercury and the Sun
The Solar-Illustration System - Mars, Earth and Moon, Venus, Mercury and the Sun

PIX4630334: The Solar-Illustration System - Mars, Earth and Moon, Venus, Mercury and the Sun / Bridgeman Images

ID: PIX4630334

The Solar-Illustration System - Mars, Earth and Moon, Venus, Mercury and the Sun

The formation of the Solar-Artist-View System - The formation of the Solar-Artist-View System - The Solar System 4.5 billion years ago. The Earth is formed
The formation of the Solar-Artist-View System - The formation of the Solar-Artist-View System - The Solar System 4.5 billion years ago. The Earth is formed

PIX4630339: The formation of the Solar-Artist-View System - The formation of the Solar-Artist-View System - The Solar System 4.5 billion years ago. The Earth is formed, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4630339

The formation of the Solar-Artist-View System - The formation of the Solar-Artist-View System - The Solar System 4.5 billion years ago. The Earth is formed

Dixon, Don (b.1951)

La formation du système solaire - Vue d'artiste - Artist's impression of the development of the Solar System - Vue d'artiste de planete en formation dans le disque de gaz et de dusts (disque protoplanetaire) autour de son toile. This artist's impression shows four stages of the development of the inner Solar System over a period of almost five billion years. The top panel shows the earliest stage where the debris disc around the Sun was composed of gas and tiny particles, typically less than one millimetre across. At the second stage the particles have formed large clumps, roughly 100 kilometers across and, similar to the asteroid Lutetia. These bodies in turn formed the rocky planets including the Earth, shown in the third panel down. Over the subsequent four billion years the surface of the Earth developed to what we know now under the influence of meteor bombardment that delivered volatile materials including water, and the evolution of life on its surface
La formation du système solaire - Vue d'artiste - Artist's impression of the development of the Solar System - Vue d'artiste de planete en formation dans le disque de gaz et de dusts (disque protoplanetaire) autour de son toile. This artist's impression shows four stages of the development of the inner Solar System over a period of almost five billion years. The top panel shows the earliest stage where the debris disc around the Sun was composed of gas and tiny particles, typically less than one millimetre across. At the second stage the particles have formed large clumps, roughly 100 kilometers across and, similar to the asteroid Lutetia. These bodies in turn formed the rocky planets including the Earth, shown in the third panel down. Over the subsequent four billion years the surface of the Earth developed to what we know now under the influence of meteor bombardment that delivered volatile materials including water, and the evolution of life on its surface

PIX4630355: La formation du système solaire - Vue d'artiste - Artist's impression of the development of the Solar System - Vue d'artiste de planete en formation dans le disque de gaz et de dusts (disque protoplanetaire) autour de son toile. This artist's impression shows four stages of the development of the inner Solar System over a period of almost five billion years. The top panel shows the earliest stage where the debris disc around the Sun was composed of gas and tiny particles, typically less than one millimetre across. At the second stage the particles have formed large clumps, roughly 100 kilometers across and, similar to the asteroid Lutetia. These bodies in turn formed the rocky planets including the Earth, shown in the third panel down. Over the subsequent four billion years the surface of the Earth developed to what we know now under the influence of meteor bombardment that delivered volatile materials including water, and the evolution of life on its surface / Bridgeman Images

ID: PIX4630355

La formation du système solaire - Vue d'artiste - Artist's impression of the development of the Solar System - Vue d'artiste de planete en formation dans le disque de gaz et de dusts (disque protoplanetaire) autour de son toile. This artist's impression shows four stages of the development of the inner Solar System over a period of almost five billion years. The top panel shows the earliest stage where the debris disc around the Sun was composed of gas and tiny particles, typically less than one millimetre across. At the second stage the particles have formed large clumps, roughly 100 kilometers across and, similar to the asteroid Lutetia. These bodies in turn formed the rocky planets including the Earth, shown in the third panel down. Over the subsequent four billion years the surface of the Earth developed to what we know now under the influence of meteor bombardment that delivered volatile materials including water, and the evolution of life on its surface

The raising of the siege of Mahdia (Tunisia) and the departure of the French and English knights for Europe, in 1390 - Lithography after the enluminated manuscript of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The raising of the siege of the strong town of Africa (Mahdia, Tunisia) and the return of the European ights, 1390 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The raising of the siege of Mahdia (Tunisia) and the departure of the French and English knights for Europe, in 1390 - Lithography after the enluminated manuscript of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The raising of the siege of the strong town of Africa (Mahdia, Tunisia) and the return of the European ights, 1390 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630380: The raising of the siege of Mahdia (Tunisia) and the departure of the French and English knights for Europe, in 1390 - Lithography after the enluminated manuscript of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The raising of the siege of the strong town of Africa (Mahdia, Tunisia) and the return of the European ights, 1390 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630380

The raising of the siege of Mahdia (Tunisia) and the departure of the French and English knights for Europe, in 1390 - Lithography after the enluminated manuscript of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The raising of the siege of the strong town of Africa (Mahdia, Tunisia) and the return of the European ights, 1390 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The 8 planets of the solar system and the three dwarf planets. - Planets are represented in order of proximity to the sun. Since August 2006, Pluto is now called 134340 Pluto and is no longer considered a planet but designed as a dwarf planet. The other two dwarf planets are Eris (near Pluto, bottom right) and Ceres (bottom left)
The 8 planets of the solar system and the three dwarf planets. - Planets are represented in order of proximity to the sun. Since August 2006, Pluto is now called 134340 Pluto and is no longer considered a planet but designed as a dwarf planet. The other two dwarf planets are Eris (near Pluto, bottom right) and Ceres (bottom left)

PIX4630398: The 8 planets of the solar system and the three dwarf planets. - Planets are represented in order of proximity to the sun. Since August 2006, Pluto is now called 134340 Pluto and is no longer considered a planet but designed as a dwarf planet. The other two dwarf planets are Eris (near Pluto, bottom right) and Ceres (bottom left) / Bridgeman Images

ID: PIX4630398

The 8 planets of the solar system and the three dwarf planets. - Planets are represented in order of proximity to the sun. Since August 2006, Pluto is now called 134340 Pluto and is no longer considered a planet but designed as a dwarf planet. The other two dwarf planets are Eris (near Pluto, bottom right) and Ceres (bottom left)

Hundred Years War (1337-1453): the resumption and surrender of the castle of Ventadour (Correze), held by the Breton mercenary Geoffroy Tete Noir (died 1388), on behalf of the English - Lithograph after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 The retaking and surrender of the strong castle of Montadour, 14th century - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
Hundred Years War (1337-1453): the resumption and surrender of the castle of Ventadour (Correze), held by the Breton mercenary Geoffroy Tete Noir (died 1388), on behalf of the English - Lithograph after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 The retaking and surrender of the strong castle of Montadour, 14th century - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630405: Hundred Years War (1337-1453): the resumption and surrender of the castle of Ventadour (Correze), held by the Breton mercenary Geoffroy Tete Noir (died 1388), on behalf of the English - Lithograph after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 The retaking and surrender of the strong castle of Montadour, 14th century - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630405

Hundred Years War (1337-1453): the resumption and surrender of the castle of Ventadour (Correze), held by the Breton mercenary Geoffroy Tete Noir (died 1388), on behalf of the English - Lithograph after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 The retaking and surrender of the strong castle of Montadour, 14th century - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The Solar System - Illustration of the Solar System without Pluto. Planets are represented in order of proximity to the sun. Since August 2006, Pluto is now called 134340 Pluto and is no longer considered a planet but designed as a dwarf planet.
The Solar System - Illustration of the Solar System without Pluto. Planets are represented in order of proximity to the sun. Since August 2006, Pluto is now called 134340 Pluto and is no longer considered a planet but designed as a dwarf planet.

PIX4630406: The Solar System - Illustration of the Solar System without Pluto. Planets are represented in order of proximity to the sun. Since August 2006, Pluto is now called 134340 Pluto and is no longer considered a planet but designed as a dwarf planet. / Bridgeman Images

ID: PIX4630406

The Solar System - Illustration of the Solar System without Pluto. Planets are represented in order of proximity to the sun. Since August 2006, Pluto is now called 134340 Pluto and is no longer considered a planet but designed as a dwarf planet.

The author Jean de Froissart presents his book of love poems to King Richard II of England (1367-1400), in 1395 - Lithography after the manuscript enluminated by John (Jehan) Froissart (1337-1404), 1868 - Sir John Froissart, presenting his book of Love Poems to King Richard liII, 1395 - Handcoloured thograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The author Jean de Froissart presents his book of love poems to King Richard II of England (1367-1400), in 1395 - Lithography after the manuscript enluminated by John (Jehan) Froissart (1337-1404), 1868 - Sir John Froissart, presenting his book of Love Poems to King Richard liII, 1395 - Handcoloured thograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630514: The author Jean de Froissart presents his book of love poems to King Richard II of England (1367-1400), in 1395 - Lithography after the manuscript enluminated by John (Jehan) Froissart (1337-1404), 1868 - Sir John Froissart, presenting his book of Love Poems to King Richard liII, 1395 - Handcoloured thograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630514

The author Jean de Froissart presents his book of love poems to King Richard II of England (1367-1400), in 1395 - Lithography after the manuscript enluminated by John (Jehan) Froissart (1337-1404), 1868 - Sir John Froissart, presenting his book of Love Poems to King Richard liII, 1395 - Handcoloured thograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Meteor Crater - Arizona (USA) - - Impact Crater Meteor Crater, Arizona (USA), seen by the International Space Station on March 1, 2007. This crater measures 1,200 metres in diameter and 180 metres in depth. He would have formed about 50,000 years ago.
Meteor Crater - Arizona (USA) - - Impact Crater Meteor Crater, Arizona (USA), seen by the International Space Station on March 1, 2007. This crater measures 1,200 metres in diameter and 180 metres in depth. He would have formed about 50,000 years ago.

PIX4630554: Meteor Crater - Arizona (USA) - - Impact Crater Meteor Crater, Arizona (USA), seen by the International Space Station on March 1, 2007. This crater measures 1,200 metres in diameter and 180 metres in depth. He would have formed about 50,000 years ago. / Bridgeman Images

ID: PIX4630554

Meteor Crater - Arizona (USA) - - Impact Crater Meteor Crater, Arizona (USA), seen by the International Space Station on March 1, 2007. This crater measures 1,200 metres in diameter and 180 metres in depth. He would have formed about 50,000 years ago.

The city of Bristol (England) surrendering against the troops of Queen Isabelle of France (Isabelle de Valois) (1389-1409), during the invasion of England in 1326 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The city of Bristol surrendering to Queen Isabella of France during the invasion of England, 1326 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The city of Bristol (England) surrendering against the troops of Queen Isabelle of France (Isabelle de Valois) (1389-1409), during the invasion of England in 1326 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The city of Bristol surrendering to Queen Isabella of France during the invasion of England, 1326 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630559: The city of Bristol (England) surrendering against the troops of Queen Isabelle of France (Isabelle de Valois) (1389-1409), during the invasion of England in 1326 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The city of Bristol surrendering to Queen Isabella of France during the invasion of England, 1326 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630559

The city of Bristol (England) surrendering against the troops of Queen Isabelle of France (Isabelle de Valois) (1389-1409), during the invasion of England in 1326 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The city of Bristol surrendering to Queen Isabella of France during the invasion of England, 1326 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The Debarking of Marguerite de Courcy (?) , Lady of Company of Queen Isabelle of France (Isabelle de Valois) (1389-1409), in Boulogne, returning from England in 1399, with news of the arrest of Richard II (1367-1400) - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The landing of Margaret, Lady de Courcy, at Boulogne on her return from England in 1399 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The Debarking of Marguerite de Courcy (?) , Lady of Company of Queen Isabelle of France (Isabelle de Valois) (1389-1409), in Boulogne, returning from England in 1399, with news of the arrest of Richard II (1367-1400) - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The landing of Margaret, Lady de Courcy, at Boulogne on her return from England in 1399 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630589: The Debarking of Marguerite de Courcy (?) , Lady of Company of Queen Isabelle of France (Isabelle de Valois) (1389-1409), in Boulogne, returning from England in 1399, with news of the arrest of Richard II (1367-1400) - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The landing of Margaret, Lady de Courcy, at Boulogne on her return from England in 1399 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630589

The Debarking of Marguerite de Courcy (?) , Lady of Company of Queen Isabelle of France (Isabelle de Valois) (1389-1409), in Boulogne, returning from England in 1399, with news of the arrest of Richard II (1367-1400) - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The landing of Margaret, Lady de Courcy, at Boulogne on her return from England in 1399 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Impact Crater Gosses Bluff, Australia - Impact Crater Gosses Bluff, Australia, seen by the International Space Station on February 6, 2007. Its diameter is 5 km; it would have been formed about 142 million years ago.
Impact Crater Gosses Bluff, Australia - Impact Crater Gosses Bluff, Australia, seen by the International Space Station on February 6, 2007. Its diameter is 5 km; it would have been formed about 142 million years ago.

PIX4630617: Impact Crater Gosses Bluff, Australia - Impact Crater Gosses Bluff, Australia, seen by the International Space Station on February 6, 2007. Its diameter is 5 km; it would have been formed about 142 million years ago. / Bridgeman Images

ID: PIX4630617

Impact Crater Gosses Bluff, Australia - Impact Crater Gosses Bluff, Australia, seen by the International Space Station on February 6, 2007. Its diameter is 5 km; it would have been formed about 142 million years ago.

Impact Crater Gweni - Fada - Cratere Gweni - Fada, impact crater located in Chad. Its diameter is 14 km and it would have been shaped 345 million years ago. Image made from the International Space Station on 3 November 2006
Impact Crater Gweni - Fada - Cratere Gweni - Fada, impact crater located in Chad. Its diameter is 14 km and it would have been shaped 345 million years ago. Image made from the International Space Station on 3 November 2006

PIX4630629: Impact Crater Gweni - Fada - Cratere Gweni - Fada, impact crater located in Chad. Its diameter is 14 km and it would have been shaped 345 million years ago. Image made from the International Space Station on 3 November 2006 / Bridgeman Images

ID: PIX4630629

Impact Crater Gweni - Fada - Cratere Gweni - Fada, impact crater located in Chad. Its diameter is 14 km and it would have been shaped 345 million years ago. Image made from the International Space Station on 3 November 2006

Tournament of Saint Inglevert, 1389, near Calais (France), or three French knights, marechal Jean II Le Meingre, dit Boucicaut (Boucicault) (1364-1421) with two chamberlans, Regnault de Roye (?) and John I of Croy (circa 1365-1415), lord of Sempy, defend the square for thirty days, waiting for everything coming for the jousting - Lithograph from the enlumine manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Tournament held at St. Inglevere near Calais where three French knights (Sir Reginald by Roye, Sir Boucicaut and Lord de Saimpi) defend the lists for 30 days against all-comers from England and elsewhere, 1389 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
Tournament of Saint Inglevert, 1389, near Calais (France), or three French knights, marechal Jean II Le Meingre, dit Boucicaut (Boucicault) (1364-1421) with two chamberlans, Regnault de Roye (?) and John I of Croy (circa 1365-1415), lord of Sempy, defend the square for thirty days, waiting for everything coming for the jousting - Lithograph from the enlumine manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Tournament held at St. Inglevere near Calais where three French knights (Sir Reginald by Roye, Sir Boucicaut and Lord de Saimpi) defend the lists for 30 days against all-comers from England and elsewhere, 1389 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630646: Tournament of Saint Inglevert, 1389, near Calais (France), or three French knights, marechal Jean II Le Meingre, dit Boucicaut (Boucicault) (1364-1421) with two chamberlans, Regnault de Roye (?) and John I of Croy (circa 1365-1415), lord of Sempy, defend the square for thirty days, waiting for everything coming for the jousting - Lithograph from the enlumine manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Tournament held at St. Inglevere near Calais where three French knights (Sir Reginald by Roye, Sir Boucicaut and Lord de Saimpi) defend the lists for 30 days against all-comers from England and elsewhere, 1389 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630646

Tournament of Saint Inglevert, 1389, near Calais (France), or three French knights, marechal Jean II Le Meingre, dit Boucicaut (Boucicault) (1364-1421) with two chamberlans, Regnault de Roye (?) and John I of Croy (circa 1365-1415), lord of Sempy, defend the square for thirty days, waiting for everything coming for the jousting - Lithograph from the enlumine manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Tournament held at St. Inglevere near Calais where three French knights (Sir Reginald by Roye, Sir Boucicaut and Lord de Saimpi) defend the lists for 30 days against all-comers from England and elsewhere, 1389 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

The Reconciliation of Olivier V de Clisson (1336-1407) and John III of Montfort, Duke of Brittany, dit le Conquereur ou le Vaillant (1339-1399), 1397 - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - The reconciliation of Sir Oliver by Clisson and John de Montfort, Duke of Brittany, 1397- Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The Reconciliation of Olivier V de Clisson (1336-1407) and John III of Montfort, Duke of Brittany, dit le Conquereur ou le Vaillant (1339-1399), 1397 - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - The reconciliation of Sir Oliver by Clisson and John de Montfort, Duke of Brittany, 1397- Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630647: The Reconciliation of Olivier V de Clisson (1336-1407) and John III of Montfort, Duke of Brittany, dit le Conquereur ou le Vaillant (1339-1399), 1397 - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - The reconciliation of Sir Oliver by Clisson and John de Montfort, Duke of Brittany, 1397- Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630647

The Reconciliation of Olivier V de Clisson (1336-1407) and John III of Montfort, Duke of Brittany, dit le Conquereur ou le Vaillant (1339-1399), 1397 - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - The reconciliation of Sir Oliver by Clisson and John de Montfort, Duke of Brittany, 1397- Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Illuminated title page with calligraphy and border of foliage and coat of arms - Lithography after the manuscript enlumine of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Illuminated title page with calligraphy and decorative border of foliage and heraldic shields - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
Illuminated title page with calligraphy and border of foliage and coat of arms - Lithography after the manuscript enlumine of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Illuminated title page with calligraphy and decorative border of foliage and heraldic shields - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630675: Illuminated title page with calligraphy and border of foliage and coat of arms - Lithography after the manuscript enlumine of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Illuminated title page with calligraphy and decorative border of foliage and heraldic shields - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630675

Illuminated title page with calligraphy and border of foliage and coat of arms - Lithography after the manuscript enlumine of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Illuminated title page with calligraphy and decorative border of foliage and heraldic shields - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Carboniferous fauna and flora - Calamites & Meganeura - Meganeura, giant dragonflies whose wingspan could exceed 80 cm, fly among calamites and asterophyllites. Giant Meganeura, resembling and related to present - day dragonflies, flutter between Calamites and Asterophyllites in a Carboniferous scene from over 300 million years ago. Now extinct, Calamites and Asterophyllites are related to today's horsetails, though they grew much larger. The Calamites resembled modern “” Christmas tree”” conifers, while the Asterophyllites looked somewhat like modern Thuja (arborvitae)
Carboniferous fauna and flora - Calamites & Meganeura - Meganeura, giant dragonflies whose wingspan could exceed 80 cm, fly among calamites and asterophyllites. Giant Meganeura, resembling and related to present - day dragonflies, flutter between Calamites and Asterophyllites in a Carboniferous scene from over 300 million years ago. Now extinct, Calamites and Asterophyllites are related to today's horsetails, though they grew much larger. The Calamites resembled modern “” Christmas tree”” conifers, while the Asterophyllites looked somewhat like modern Thuja (arborvitae)

PIX4632872: Carboniferous fauna and flora - Calamites & Meganeura - Meganeura, giant dragonflies whose wingspan could exceed 80 cm, fly among calamites and asterophyllites. Giant Meganeura, resembling and related to present - day dragonflies, flutter between Calamites and Asterophyllites in a Carboniferous scene from over 300 million years ago. Now extinct, Calamites and Asterophyllites are related to today's horsetails, though they grew much larger. The Calamites resembled modern “” Christmas tree”” conifers, while the Asterophyllites looked somewhat like modern Thuja (arborvitae) / Bridgeman Images

ID: PIX4632872

Carboniferous fauna and flora - Calamites & Meganeura - Meganeura, giant dragonflies whose wingspan could exceed 80 cm, fly among calamites and asterophyllites. Giant Meganeura, resembling and related to present - day dragonflies, flutter between Calamites and Asterophyllites in a Carboniferous scene from over 300 million years ago. Now extinct, Calamites and Asterophyllites are related to today's horsetails, though they grew much larger. The Calamites resembled modern “” Christmas tree”” conifers, while the Asterophyllites looked somewhat like modern Thuja (arborvitae)

Madame Charlotte Doche and Satan in Le Diable in Paris, Theatre du Vaudeville, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.
Madame Charlotte Doche and Satan in Le Diable in Paris, Theatre du Vaudeville, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

FLO4632932: Madame Charlotte Doche and Satan in Le Diable in Paris, Theatre du Vaudeville, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844. / Bridgeman Images

ID: FLO4632932

Madame Charlotte Doche and Satan in Le Diable in Paris, Theatre du Vaudeville, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

Scelerate Wave - Artist View - Rogue Wave - Artist view - A ship sees a scelerate wave rising in front of it several tens of metres high. A ship with a huge wave reaching height of 20 to 30 meters
Scelerate Wave - Artist View - Rogue Wave - Artist view - A ship sees a scelerate wave rising in front of it several tens of metres high. A ship with a huge wave reaching height of 20 to 30 meters

PIX4632958: Scelerate Wave - Artist View - Rogue Wave - Artist view - A ship sees a scelerate wave rising in front of it several tens of metres high. A ship with a huge wave reaching height of 20 to 30 meters / Bridgeman Images

ID: PIX4632958

Scelerate Wave - Artist View - Rogue Wave - Artist view - A ship sees a scelerate wave rising in front of it several tens of metres high. A ship with a huge wave reaching height of 20 to 30 meters

Rosalie Theodorine Melingue as Caprice in Eve by Leon Gozlan, Theatre Français, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Rosalie Theodorine Melingue as Caprice in Eve by Leon Gozlan, Theatre Français, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632960: Rosalie Theodorine Melingue as Caprice in Eve by Leon Gozlan, Theatre Français, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4632960

Rosalie Theodorine Melingue as Caprice in Eve by Leon Gozlan, Theatre Français, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.


Back to top

Bridgeman Images • 17-19 Garway Road • London W2 4PH • United Kingdom • +44 (0)20 7727 4065

All contents © 1972-2015 Bridgeman Art Library Limited, All rights reserved.