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Star cluster M46 and planetary nebula NGC 2438 - Open cluster M46 and planetary nebula NGC 2438 - M46 (NGC 2437) is an age cluster located at 5400 years - light. It contains about 500 stars, 150 of which are brilliant. It is about 300 million years old. The planetary nebula NGC 2438 does not appear to belong to this cluster, and must be closer although its distance is unknown. M46 (NGC 2437) is at a distance of about 5,400 light - years away from Earth with an estimated age of about 300 million years. It contains about 500 stars of which 150 are bright. Planetary nebula NGC 2438 (top) doesn't seem to belong to the cluster
Star cluster M46 and planetary nebula NGC 2438 - Open cluster M46 and planetary nebula NGC 2438 - M46 (NGC 2437) is an age cluster located at 5400 years - light. It contains about 500 stars, 150 of which are brilliant. It is about 300 million years old. The planetary nebula NGC 2438 does not appear to belong to this cluster, and must be closer although its distance is unknown. M46 (NGC 2437) is at a distance of about 5,400 light - years away from Earth with an estimated age of about 300 million years. It contains about 500 stars of which 150 are bright. Planetary nebula NGC 2438 (top) doesn't seem to belong to the cluster

PIX4568059: Star cluster M46 and planetary nebula NGC 2438 - Open cluster M46 and planetary nebula NGC 2438 - M46 (NGC 2437) is an age cluster located at 5400 years - light. It contains about 500 stars, 150 of which are brilliant. It is about 300 million years old. The planetary nebula NGC 2438 does not appear to belong to this cluster, and must be closer although its distance is unknown. M46 (NGC 2437) is at a distance of about 5,400 light - years away from Earth with an estimated age of about 300 million years. It contains about 500 stars of which 150 are bright. Planetary nebula NGC 2438 (top) doesn't seem to belong to the cluster / Bridgeman Images

ID: PIX4568059

Star cluster M46 and planetary nebula NGC 2438 - Open cluster M46 and planetary nebula NGC 2438 - M46 (NGC 2437) is an age cluster located at 5400 years - light. It contains about 500 stars, 150 of which are brilliant. It is about 300 million years old. The planetary nebula NGC 2438 does not appear to belong to this cluster, and must be closer although its distance is unknown. M46 (NGC 2437) is at a distance of about 5,400 light - years away from Earth with an estimated age of about 300 million years. It contains about 500 stars of which 150 are bright. Planetary nebula NGC 2438 (top) doesn't seem to belong to the cluster

Open cluster M44 in cancer - Open star cluster M44 in Cancer - M44 is a cluster of stars located 577 years - light from Earth, in the constellation Cancer. M44, the Praesepe or Beehive, is an open cluster located about halfway between Gemini and Leo. It is an easy naked eye object more than twice the size across the full moon. Galileo first observed it in a telescope as a collection of about 40 stars, and today's modern large telescopes reveal about 350 stars. M44 is about 577 light years away, and is about 400 million years old, the same age as the Hyades cluster
Open cluster M44 in cancer - Open star cluster M44 in Cancer - M44 is a cluster of stars located 577 years - light from Earth, in the constellation Cancer. M44, the Praesepe or Beehive, is an open cluster located about halfway between Gemini and Leo. It is an easy naked eye object more than twice the size across the full moon. Galileo first observed it in a telescope as a collection of about 40 stars, and today's modern large telescopes reveal about 350 stars. M44 is about 577 light years away, and is about 400 million years old, the same age as the Hyades cluster

PIX4568098: Open cluster M44 in cancer - Open star cluster M44 in Cancer - M44 is a cluster of stars located 577 years - light from Earth, in the constellation Cancer. M44, the Praesepe or Beehive, is an open cluster located about halfway between Gemini and Leo. It is an easy naked eye object more than twice the size across the full moon. Galileo first observed it in a telescope as a collection of about 40 stars, and today's modern large telescopes reveal about 350 stars. M44 is about 577 light years away, and is about 400 million years old, the same age as the Hyades cluster / Bridgeman Images

ID: PIX4568098

Open cluster M44 in cancer - Open star cluster M44 in Cancer - M44 is a cluster of stars located 577 years - light from Earth, in the constellation Cancer. M44, the Praesepe or Beehive, is an open cluster located about halfway between Gemini and Leo. It is an easy naked eye object more than twice the size across the full moon. Galileo first observed it in a telescope as a collection of about 40 stars, and today's modern large telescopes reveal about 350 stars. M44 is about 577 light years away, and is about 400 million years old, the same age as the Hyades cluster

Genet has a broom. Coloured copper engraving from a drawing by W.A.Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common broom, Spartium scoparium, Cytisus scoparius. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Genet has a broom. Coloured copper engraving from a drawing by W.A.Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common broom, Spartium scoparium, Cytisus scoparius. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4568101: Genet has a broom. Coloured copper engraving from a drawing by W.A.Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common broom, Spartium scoparium, Cytisus scoparius. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4568101

Genet has a broom. Coloured copper engraving from a drawing by W.A.Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common broom, Spartium scoparium, Cytisus scoparius. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Burning lobelie. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Acrrid lobelia, Lobelia urens. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Burning lobelie. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Acrrid lobelia, Lobelia urens. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4568115: Burning lobelie. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Acrrid lobelia, Lobelia urens. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4568115

Burning lobelie. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Acrrid lobelia, Lobelia urens. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Open cluster M44 in cancer - Open star cluster M44 in Cancer - M44 is a cluster of stars located only 600 years - light from Earth, in the constellation Cancer. Image obtained with a 106 mm bezel, composite of different poses. M44 (NGC 2632), the Beehive Cluster, also known as Praesepe, is an easy naked eye object more than twice the size across of the full moon, and has thus been noted since prehistoric times. It was one of the first objects on which Galileo trained his newly acquired telescope. M44 is one of the nearest open clusters, close to 600 light - years away
Open cluster M44 in cancer - Open star cluster M44 in Cancer - M44 is a cluster of stars located only 600 years - light from Earth, in the constellation Cancer. Image obtained with a 106 mm bezel, composite of different poses. M44 (NGC 2632), the Beehive Cluster, also known as Praesepe, is an easy naked eye object more than twice the size across of the full moon, and has thus been noted since prehistoric times. It was one of the first objects on which Galileo trained his newly acquired telescope. M44 is one of the nearest open clusters, close to 600 light - years away

PIX4568125: Open cluster M44 in cancer - Open star cluster M44 in Cancer - M44 is a cluster of stars located only 600 years - light from Earth, in the constellation Cancer. Image obtained with a 106 mm bezel, composite of different poses. M44 (NGC 2632), the Beehive Cluster, also known as Praesepe, is an easy naked eye object more than twice the size across of the full moon, and has thus been noted since prehistoric times. It was one of the first objects on which Galileo trained his newly acquired telescope. M44 is one of the nearest open clusters, close to 600 light - years away / Bridgeman Images

ID: PIX4568125

Open cluster M44 in cancer - Open star cluster M44 in Cancer - M44 is a cluster of stars located only 600 years - light from Earth, in the constellation Cancer. Image obtained with a 106 mm bezel, composite of different poses. M44 (NGC 2632), the Beehive Cluster, also known as Praesepe, is an easy naked eye object more than twice the size across of the full moon, and has thus been noted since prehistoric times. It was one of the first objects on which Galileo trained his newly acquired telescope. M44 is one of the nearest open clusters, close to 600 light - years away

Common carnation or florists or carnation cloves. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Clove pink carnation, Dianthus cariophyllus. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. Engraved by Charles Mathews.
Common carnation or florists or carnation cloves. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Clove pink carnation, Dianthus cariophyllus. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. Engraved by Charles Mathews.

FLO4568133: Common carnation or florists or carnation cloves. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Clove pink carnation, Dianthus cariophyllus. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. Engraved by Charles Mathews. / Bridgeman Images

ID: FLO4568133

Common carnation or florists or carnation cloves. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Clove pink carnation, Dianthus cariophyllus. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. Engraved by Charles Mathews.

Open cluster M44 in cancer - Open star cluster M44 in Cancer - M44 is a cluster of stars located only 600 years - light from Earth, in the constellation Cancer. M44 (NGC 2632), the Beehive Cluster, also known as Praesepe, is an easy naked eye object more than twice the size across of the full moon, and has thus been noted since prehistoric times. It was one of the first objects on which Galileo trained his newly acquired telescope. M44 is one of the nearest open clusters, close to 600 light - years away
Open cluster M44 in cancer - Open star cluster M44 in Cancer - M44 is a cluster of stars located only 600 years - light from Earth, in the constellation Cancer. M44 (NGC 2632), the Beehive Cluster, also known as Praesepe, is an easy naked eye object more than twice the size across of the full moon, and has thus been noted since prehistoric times. It was one of the first objects on which Galileo trained his newly acquired telescope. M44 is one of the nearest open clusters, close to 600 light - years away

PIX4568137: Open cluster M44 in cancer - Open star cluster M44 in Cancer - M44 is a cluster of stars located only 600 years - light from Earth, in the constellation Cancer. M44 (NGC 2632), the Beehive Cluster, also known as Praesepe, is an easy naked eye object more than twice the size across of the full moon, and has thus been noted since prehistoric times. It was one of the first objects on which Galileo trained his newly acquired telescope. M44 is one of the nearest open clusters, close to 600 light - years away / Bridgeman Images

ID: PIX4568137

Open cluster M44 in cancer - Open star cluster M44 in Cancer - M44 is a cluster of stars located only 600 years - light from Earth, in the constellation Cancer. M44 (NGC 2632), the Beehive Cluster, also known as Praesepe, is an easy naked eye object more than twice the size across of the full moon, and has thus been noted since prehistoric times. It was one of the first objects on which Galileo trained his newly acquired telescope. M44 is one of the nearest open clusters, close to 600 light - years away

King Charles VI of France, Bien-Aime, 1368-1422. On horseback in suit of armour with coat of arms before a madonna and child. Handcoloured lithograph by Leopold Massard after a fresco in the Carmelite cloisters in Toulouse from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
King Charles VI of France, Bien-Aime, 1368-1422. On horseback in suit of armour with coat of arms before a madonna and child. Handcoloured lithograph by Leopold Massard after a fresco in the Carmelite cloisters in Toulouse from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570183: King Charles VI of France, Bien-Aime, 1368-1422. On horseback in suit of armour with coat of arms before a madonna and child. Handcoloured lithograph by Leopold Massard after a fresco in the Carmelite cloisters in Toulouse from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570183

King Charles VI of France, Bien-Aime, 1368-1422. On horseback in suit of armour with coat of arms before a madonna and child. Handcoloured lithograph by Leopold Massard after a fresco in the Carmelite cloisters in Toulouse from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Charles de Montaigu, Lord of Marcoussy, brother to Jean de Montaigu, killed at the Battle of Agincourt 1415. He wears a bourrelet or beret, tunic with angel sleeves and hose. Handcoloured lithograph by Leopold Massard after a stainless-glass window in the chapel of Chateau de Marcoussy in Roger de Gaignieres' portfolio V 6 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Charles de Montaigu, Lord of Marcoussy, brother to Jean de Montaigu, killed at the Battle of Agincourt 1415. He wears a bourrelet or beret, tunic with angel sleeves and hose. Handcoloured lithograph by Leopold Massard after a stainless-glass window in the chapel of Chateau de Marcoussy in Roger de Gaignieres' portfolio V 6 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570235: Charles de Montaigu, Lord of Marcoussy, brother to Jean de Montaigu, killed at the Battle of Agincourt 1415. He wears a bourrelet or beret, tunic with angel sleeves and hose. Handcoloured lithograph by Leopold Massard after a stainless-glass window in the chapel of Chateau de Marcoussy in Roger de Gaignieres' portfolio V 6 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570235

Charles de Montaigu, Lord of Marcoussy, brother to Jean de Montaigu, killed at the Battle of Agincourt 1415. He wears a bourrelet or beret, tunic with angel sleeves and hose. Handcoloured lithograph by Leopold Massard after a stainless-glass window in the chapel of Chateau de Marcoussy in Roger de Gaignieres' portfolio V 6 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Core of the Hartley 2 comet seen by the Epoxi probe - Comet Hartley 2 nucleus seen by Deep impact spacecraft - Composite of images of the nucleus of the Hartley 2 comet obtained on November 4, 2010 during its approach by the Epoxi probe (Deep Impact). The core is 2 km long. This image montage shows comet Hartley 2 as NASA'S EPOXI mission approached and flew under the comet. The images progress in time clockwise, starting at the top left. The image was taken by Epoxi's Medium - Resolution Instrument on Nov. 4, 2010. The sun is to the right. The comet's nucleus, or main body, is approximately 2 kilometers (1.2 miles) long and 0.4 kilometers (0.25 miles) at the “” neck,””” or most narrow portion. Jets can be seen streaming out of the nucleus
Core of the Hartley 2 comet seen by the Epoxi probe - Comet Hartley 2 nucleus seen by Deep impact spacecraft - Composite of images of the nucleus of the Hartley 2 comet obtained on November 4, 2010 during its approach by the Epoxi probe (Deep Impact). The core is 2 km long. This image montage shows comet Hartley 2 as NASA'S EPOXI mission approached and flew under the comet. The images progress in time clockwise, starting at the top left. The image was taken by Epoxi's Medium - Resolution Instrument on Nov. 4, 2010. The sun is to the right. The comet's nucleus, or main body, is approximately 2 kilometers (1.2 miles) long and 0.4 kilometers (0.25 miles) at the “” neck,””” or most narrow portion. Jets can be seen streaming out of the nucleus

PIX4570260: Core of the Hartley 2 comet seen by the Epoxi probe - Comet Hartley 2 nucleus seen by Deep impact spacecraft - Composite of images of the nucleus of the Hartley 2 comet obtained on November 4, 2010 during its approach by the Epoxi probe (Deep Impact). The core is 2 km long. This image montage shows comet Hartley 2 as NASA'S EPOXI mission approached and flew under the comet. The images progress in time clockwise, starting at the top left. The image was taken by Epoxi's Medium - Resolution Instrument on Nov. 4, 2010. The sun is to the right. The comet's nucleus, or main body, is approximately 2 kilometers (1.2 miles) long and 0.4 kilometers (0.25 miles) at the “” neck,””” or most narrow portion. Jets can be seen streaming out of the nucleus / Bridgeman Images

ID: PIX4570260

Core of the Hartley 2 comet seen by the Epoxi probe - Comet Hartley 2 nucleus seen by Deep impact spacecraft - Composite of images of the nucleus of the Hartley 2 comet obtained on November 4, 2010 during its approach by the Epoxi probe (Deep Impact). The core is 2 km long. This image montage shows comet Hartley 2 as NASA'S EPOXI mission approached and flew under the comet. The images progress in time clockwise, starting at the top left. The image was taken by Epoxi's Medium - Resolution Instrument on Nov. 4, 2010. The sun is to the right. The comet's nucleus, or main body, is approximately 2 kilometers (1.2 miles) long and 0.4 kilometers (0.25 miles) at the “” neck,””” or most narrow portion. Jets can be seen streaming out of the nucleus

English musician playing the musette de cour or bagpipes, 15th century. He wears a pink leotard tunic with hood hood and green pantalon. Handcoloured lithograph by Leopold Massard after a manuscript by Jean Froissart from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
English musician playing the musette de cour or bagpipes, 15th century. He wears a pink leotard tunic with hood hood and green pantalon. Handcoloured lithograph by Leopold Massard after a manuscript by Jean Froissart from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570269: English musician playing the musette de cour or bagpipes, 15th century. He wears a pink leotard tunic with hood hood and green pantalon. Handcoloured lithograph by Leopold Massard after a manuscript by Jean Froissart from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570269

English musician playing the musette de cour or bagpipes, 15th century. He wears a pink leotard tunic with hood hood and green pantalon. Handcoloured lithograph by Leopold Massard after a manuscript by Jean Froissart from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Knights of the Order of the Golden Shield, knights of the order of the ecu d'or, founded by Louis II Duke of Bourbon in 1369. The ceremonial robes have gold shields on the chest. Handcoloured lithograph by Leopold Massard after a miniature in a manuscript book of Hommages du Comte de Clermont from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Knights of the Order of the Golden Shield, knights of the order of the ecu d'or, founded by Louis II Duke of Bourbon in 1369. The ceremonial robes have gold shields on the chest. Handcoloured lithograph by Leopold Massard after a miniature in a manuscript book of Hommages du Comte de Clermont from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570289: Knights of the Order of the Golden Shield, knights of the order of the ecu d'or, founded by Louis II Duke of Bourbon in 1369. The ceremonial robes have gold shields on the chest. Handcoloured lithograph by Leopold Massard after a miniature in a manuscript book of Hommages du Comte de Clermont from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570289

Knights of the Order of the Golden Shield, knights of the order of the ecu d'or, founded by Louis II Duke of Bourbon in 1369. The ceremonial robes have gold shields on the chest. Handcoloured lithograph by Leopold Massard after a miniature in a manuscript book of Hommages du Comte de Clermont from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Core of Comet 67P/Churyumov - Gerasimenkovu by the Rosetta probe - Comet 67P/Churyumov - Gerasimenko nucleus seen by Rosetta - Image of the nucleus of Comet 67P/Churyumov - Gerasimenko seen on November 22, 2014 by the Rosetta probe at a distance of 30 km. OSIRIS wide - angle camera image acquired on 22 November 2014 from a distance of 30 km from Comet 67P/Churyumov - Gerasimenko. The image resolution is 2.8 m/pixel. The nucleus is deliberately overexposed in order to reveal the faint jets of activity
Core of Comet 67P/Churyumov - Gerasimenkovu by the Rosetta probe - Comet 67P/Churyumov - Gerasimenko nucleus seen by Rosetta - Image of the nucleus of Comet 67P/Churyumov - Gerasimenko seen on November 22, 2014 by the Rosetta probe at a distance of 30 km. OSIRIS wide - angle camera image acquired on 22 November 2014 from a distance of 30 km from Comet 67P/Churyumov - Gerasimenko. The image resolution is 2.8 m/pixel. The nucleus is deliberately overexposed in order to reveal the faint jets of activity

PIX4570311: Core of Comet 67P/Churyumov - Gerasimenkovu by the Rosetta probe - Comet 67P/Churyumov - Gerasimenko nucleus seen by Rosetta - Image of the nucleus of Comet 67P/Churyumov - Gerasimenko seen on November 22, 2014 by the Rosetta probe at a distance of 30 km. OSIRIS wide - angle camera image acquired on 22 November 2014 from a distance of 30 km from Comet 67P/Churyumov - Gerasimenko. The image resolution is 2.8 m/pixel. The nucleus is deliberately overexposed in order to reveal the faint jets of activity / Bridgeman Images

ID: PIX4570311

Core of Comet 67P/Churyumov - Gerasimenkovu by the Rosetta probe - Comet 67P/Churyumov - Gerasimenko nucleus seen by Rosetta - Image of the nucleus of Comet 67P/Churyumov - Gerasimenko seen on November 22, 2014 by the Rosetta probe at a distance of 30 km. OSIRIS wide - angle camera image acquired on 22 November 2014 from a distance of 30 km from Comet 67P/Churyumov - Gerasimenko. The image resolution is 2.8 m/pixel. The nucleus is deliberately overexposed in order to reveal the faint jets of activity

Scene from the Battle of Roosebeke (Rosbecq), Flanders, 1382, between the French and Flemish armies. Knights in suits of armour fight with swords and lances over cannon and the dead and wounded. Handcoloured lithograph by Leopold Massard after a manuscript by Jean Froissart from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Scene from the Battle of Roosebeke (Rosbecq), Flanders, 1382, between the French and Flemish armies. Knights in suits of armour fight with swords and lances over cannon and the dead and wounded. Handcoloured lithograph by Leopold Massard after a manuscript by Jean Froissart from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570322: Scene from the Battle of Roosebeke (Rosbecq), Flanders, 1382, between the French and Flemish armies. Knights in suits of armour fight with swords and lances over cannon and the dead and wounded. Handcoloured lithograph by Leopold Massard after a manuscript by Jean Froissart from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570322

Scene from the Battle of Roosebeke (Rosbecq), Flanders, 1382, between the French and Flemish armies. Knights in suits of armour fight with swords and lances over cannon and the dead and wounded. Handcoloured lithograph by Leopold Massard after a manuscript by Jean Froissart from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Mary of Anjou, queen of France, wife to King Charles VII, Marie d'Anjou 1404-1463. Handcoloured lithograph by Leopold Massard after an original portrait in Roger de Gaignieres' portfolio VI 15 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Mary of Anjou, queen of France, wife to King Charles VII, Marie d'Anjou 1404-1463. Handcoloured lithograph by Leopold Massard after an original portrait in Roger de Gaignieres' portfolio VI 15 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570363: Mary of Anjou, queen of France, wife to King Charles VII, Marie d'Anjou 1404-1463. Handcoloured lithograph by Leopold Massard after an original portrait in Roger de Gaignieres' portfolio VI 15 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570363

Mary of Anjou, queen of France, wife to King Charles VII, Marie d'Anjou 1404-1463. Handcoloured lithograph by Leopold Massard after an original portrait in Roger de Gaignieres' portfolio VI 15 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Joan of Arc, the maid of Orleans, Joan of Arc, Maid of Orleans, 1410-1431. She wears a suit of armour with yellow gaubisson (pourpoint) beneath. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Joan of Arc, the maid of Orleans, Joan of Arc, Maid of Orleans, 1410-1431. She wears a suit of armour with yellow gaubisson (pourpoint) beneath. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570412: Joan of Arc, the maid of Orleans, Joan of Arc, Maid of Orleans, 1410-1431. She wears a suit of armour with yellow gaubisson (pourpoint) beneath. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570412

Joan of Arc, the maid of Orleans, Joan of Arc, Maid of Orleans, 1410-1431. She wears a suit of armour with yellow gaubisson (pourpoint) beneath. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Pierre des Essarts, advisor to King Charles VII of France, d. 1430. He wears a tunic with his coat of arms over a suit of armour. Handcoloured lithograph by Leopold Massard after a tomb in the church of the Mathurins in Roger de Gaignieres' portfolio V 74 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Pierre des Essarts, advisor to King Charles VII of France, d. 1430. He wears a tunic with his coat of arms over a suit of armour. Handcoloured lithograph by Leopold Massard after a tomb in the church of the Mathurins in Roger de Gaignieres' portfolio V 74 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570448: Pierre des Essarts, advisor to King Charles VII of France, d. 1430. He wears a tunic with his coat of arms over a suit of armour. Handcoloured lithograph by Leopold Massard after a tomb in the church of the Mathurins in Roger de Gaignieres' portfolio V 74 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570448

Pierre des Essarts, advisor to King Charles VII of France, d. 1430. He wears a tunic with his coat of arms over a suit of armour. Handcoloured lithograph by Leopold Massard after a tomb in the church of the Mathurins in Roger de Gaignieres' portfolio V 74 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Comete McNaught (C/2006 P1) - View of the McNaught comet obtained on January 9, 2007 at the end of the day from Mont - Aigoual, 1,300 m altitude, France. Comet McNaught (C/2006 P1) seen at twilight from Mont - Aigoual (1,300 meters), France. January 09 2007
Comete McNaught (C/2006 P1) - View of the McNaught comet obtained on January 9, 2007 at the end of the day from Mont - Aigoual, 1,300 m altitude, France. Comet McNaught (C/2006 P1) seen at twilight from Mont - Aigoual (1,300 meters), France. January 09 2007

PIX4570453: Comete McNaught (C/2006 P1) - View of the McNaught comet obtained on January 9, 2007 at the end of the day from Mont - Aigoual, 1,300 m altitude, France. Comet McNaught (C/2006 P1) seen at twilight from Mont - Aigoual (1,300 meters), France. January 09 2007 / Bridgeman Images

ID: PIX4570453

Comete McNaught (C/2006 P1) - View of the McNaught comet obtained on January 9, 2007 at the end of the day from Mont - Aigoual, 1,300 m altitude, France. Comet McNaught (C/2006 P1) seen at twilight from Mont - Aigoual (1,300 meters), France. January 09 2007

Jean Poton, Lord of Xaintrailles, French knight and friend to La Hire, d. 1461. Handcoloured lithograph by Leopold Massard after a figure in the manuscript of Chronicles de Monstrelet in Roger de Gaignieres' portfolio VI 50 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Jean Poton, Lord of Xaintrailles, French knight and friend to La Hire, d. 1461. Handcoloured lithograph by Leopold Massard after a figure in the manuscript of Chronicles de Monstrelet in Roger de Gaignieres' portfolio VI 50 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570475: Jean Poton, Lord of Xaintrailles, French knight and friend to La Hire, d. 1461. Handcoloured lithograph by Leopold Massard after a figure in the manuscript of Chronicles de Monstrelet in Roger de Gaignieres' portfolio VI 50 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570475

Jean Poton, Lord of Xaintrailles, French knight and friend to La Hire, d. 1461. Handcoloured lithograph by Leopold Massard after a figure in the manuscript of Chronicles de Monstrelet in Roger de Gaignieres' portfolio VI 50 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Jeanne de Montagu, wife of Jacques de Bourbon, Baron de Thuri, d. 1420. She wears a bourrelet or beret, an ermine surcot, and skirt decorated with her coat of arms. Handcoloured lithograph after a stainless-glass window in the church of the Celestines at Marcoussis in Roger de Gaignieres' portfolio VI 28 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Jeanne de Montagu, wife of Jacques de Bourbon, Baron de Thuri, d. 1420. She wears a bourrelet or beret, an ermine surcot, and skirt decorated with her coat of arms. Handcoloured lithograph after a stainless-glass window in the church of the Celestines at Marcoussis in Roger de Gaignieres' portfolio VI 28 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570487: Jeanne de Montagu, wife of Jacques de Bourbon, Baron de Thuri, d. 1420. She wears a bourrelet or beret, an ermine surcot, and skirt decorated with her coat of arms. Handcoloured lithograph after a stainless-glass window in the church of the Celestines at Marcoussis in Roger de Gaignieres' portfolio VI 28 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570487

Jeanne de Montagu, wife of Jacques de Bourbon, Baron de Thuri, d. 1420. She wears a bourrelet or beret, an ermine surcot, and skirt decorated with her coat of arms. Handcoloured lithograph after a stainless-glass window in the church of the Celestines at Marcoussis in Roger de Gaignieres' portfolio VI 28 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Comete McNaught (C/2006 P1) - Comete McNaught (C/2006 P1) - View of Comete McNaught obtained on January 18, 2007 from New Zealand - Zelande.Tuki Tuki, North Island, New Zealand. Tuki Tuki, North Island, New Zealand, 18 Jan 2007
Comete McNaught (C/2006 P1) - Comete McNaught (C/2006 P1) - View of Comete McNaught obtained on January 18, 2007 from New Zealand - Zelande.Tuki Tuki, North Island, New Zealand. Tuki Tuki, North Island, New Zealand, 18 Jan 2007

PIX4570491: Comete McNaught (C/2006 P1) - Comete McNaught (C/2006 P1) - View of Comete McNaught obtained on January 18, 2007 from New Zealand - Zelande.Tuki Tuki, North Island, New Zealand. Tuki Tuki, North Island, New Zealand, 18 Jan 2007 / Bridgeman Images

ID: PIX4570491

Comete McNaught (C/2006 P1) - Comete McNaught (C/2006 P1) - View of Comete McNaught obtained on January 18, 2007 from New Zealand - Zelande.Tuki Tuki, North Island, New Zealand. Tuki Tuki, North Island, New Zealand, 18 Jan 2007

Marie de Fayel, countess of Dammartin, wife of Renaud de Nanteuil, seigneur d'Acy and sister to Jean de Fayel. Handcoloured lithograph after a miniature in the manuscript Histoire du Comte Gerard de Nevers in Roger de Gaignieres' portfolio VI 123 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Marie de Fayel, countess of Dammartin, wife of Renaud de Nanteuil, seigneur d'Acy and sister to Jean de Fayel. Handcoloured lithograph after a miniature in the manuscript Histoire du Comte Gerard de Nevers in Roger de Gaignieres' portfolio VI 123 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570536: Marie de Fayel, countess of Dammartin, wife of Renaud de Nanteuil, seigneur d'Acy and sister to Jean de Fayel. Handcoloured lithograph after a miniature in the manuscript Histoire du Comte Gerard de Nevers in Roger de Gaignieres' portfolio VI 123 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570536

Marie de Fayel, countess of Dammartin, wife of Renaud de Nanteuil, seigneur d'Acy and sister to Jean de Fayel. Handcoloured lithograph after a miniature in the manuscript Histoire du Comte Gerard de Nevers in Roger de Gaignieres' portfolio VI 123 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Sea slugs: Phyllidia varicosa 1,2, Tergipes limacina 3,4, Aeolidia papillosa 5, Scyllaea pelagica 6, Tritonia hombergii 7, Polycera quadrilineata 8, and Platydoris argo 9,10. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
Sea slugs: Phyllidia varicosa 1,2, Tergipes limacina 3,4, Aeolidia papillosa 5, Scyllaea pelagica 6, Tritonia hombergii 7, Polycera quadrilineata 8, and Platydoris argo 9,10. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

FLO4569234: Sea slugs: Phyllidia varicosa 1,2, Tergipes limacina 3,4, Aeolidia papillosa 5, Scyllaea pelagica 6, Tritonia hombergii 7, Polycera quadrilineata 8, and Platydoris argo 9,10. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. / Bridgeman Images

ID: FLO4569234

Sea slugs: Phyllidia varicosa 1,2, Tergipes limacina 3,4, Aeolidia papillosa 5, Scyllaea pelagica 6, Tritonia hombergii 7, Polycera quadrilineata 8, and Platydoris argo 9,10. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

La Meridienne de l'Hotel Chenizot - Paris - Sundial in Paris: This meridian dates back to 1730. It indicates noon, as well as the shifts and half hours before and after. A Meridian is based on the well-known principle of the sundial, but only preys to determine the exact time of noon (Meridian = half of the day). 51 Rue Saint-Louis, 75004
La Meridienne de l'Hotel Chenizot - Paris - Sundial in Paris: This meridian dates back to 1730. It indicates noon, as well as the shifts and half hours before and after. A Meridian is based on the well-known principle of the sundial, but only preys to determine the exact time of noon (Meridian = half of the day). 51 Rue Saint-Louis, 75004

PIX4569237: La Meridienne de l'Hotel Chenizot - Paris - Sundial in Paris: This meridian dates back to 1730. It indicates noon, as well as the shifts and half hours before and after. A Meridian is based on the well-known principle of the sundial, but only preys to determine the exact time of noon (Meridian = half of the day). 51 Rue Saint-Louis, 75004 / Bridgeman Images

ID: PIX4569237

La Meridienne de l'Hotel Chenizot - Paris - Sundial in Paris: This meridian dates back to 1730. It indicates noon, as well as the shifts and half hours before and after. A Meridian is based on the well-known principle of the sundial, but only preys to determine the exact time of noon (Meridian = half of the day). 51 Rue Saint-Louis, 75004

Sundial of the house of Cuvier (Paris 5e) - Sundial in Paris: On the facade of the old house of Cuvier, today one of the entrance to the Jardin des Plantes, you can see a beautiful dial declinating from the afternoon. The style is missing. Sundial located on the front of the Cuvier's house (75005), one of the entrance of the Jardin des Plantes
Sundial of the house of Cuvier (Paris 5e) - Sundial in Paris: On the facade of the old house of Cuvier, today one of the entrance to the Jardin des Plantes, you can see a beautiful dial declinating from the afternoon. The style is missing. Sundial located on the front of the Cuvier's house (75005), one of the entrance of the Jardin des Plantes

PIX4569251: Sundial of the house of Cuvier (Paris 5e) - Sundial in Paris: On the facade of the old house of Cuvier, today one of the entrance to the Jardin des Plantes, you can see a beautiful dial declinating from the afternoon. The style is missing. Sundial located on the front of the Cuvier's house (75005), one of the entrance of the Jardin des Plantes / Bridgeman Images

ID: PIX4569251

Sundial of the house of Cuvier (Paris 5e) - Sundial in Paris: On the facade of the old house of Cuvier, today one of the entrance to the Jardin des Plantes, you can see a beautiful dial declinating from the afternoon. The style is missing. Sundial located on the front of the Cuvier's house (75005), one of the entrance of the Jardin des Plantes

Dutchman's pipe, Aristolochia macrophylla 1 and asarabacca, Asarum europaeum 2. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
Dutchman's pipe, Aristolochia macrophylla 1 and asarabacca, Asarum europaeum 2. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

FLO4569260: Dutchman's pipe, Aristolochia macrophylla 1 and asarabacca, Asarum europaeum 2. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. / Bridgeman Images

ID: FLO4569260

Dutchman's pipe, Aristolochia macrophylla 1 and asarabacca, Asarum europaeum 2. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

Cinnamon rose, Rosa majalis, and sweet briar, Rosa rubiginosa, Rosa umbellata flora carneo. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.
Cinnamon rose, Rosa majalis, and sweet briar, Rosa rubiginosa, Rosa umbellata flora carneo. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

FLO4569291: Cinnamon rose, Rosa majalis, and sweet briar, Rosa rubiginosa, Rosa umbellata flora carneo. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc. / Bridgeman Images

ID: FLO4569291

Cinnamon rose, Rosa majalis, and sweet briar, Rosa rubiginosa, Rosa umbellata flora carneo. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

Pink millefolia rose, Rosa millefolia rubra, and alpine rose, Rosa pendulina inermis. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.
Pink millefolia rose, Rosa millefolia rubra, and alpine rose, Rosa pendulina inermis. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

FLO4569313: Pink millefolia rose, Rosa millefolia rubra, and alpine rose, Rosa pendulina inermis. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc. / Bridgeman Images

ID: FLO4569313

Pink millefolia rose, Rosa millefolia rubra, and alpine rose, Rosa pendulina inermis. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

Sundial - Invalides - Paris - Sundial in Paris - Hotel des Invalides: The sundials of the western facade of the monument of the Hotel des Invalides. In the court of honour, the hour was given on each facade: to the north, by a clock and on the other three facades, by seven solar dials. If the clock is missing, the dials are still visible
Sundial - Invalides - Paris - Sundial in Paris - Hotel des Invalides: The sundials of the western facade of the monument of the Hotel des Invalides. In the court of honour, the hour was given on each facade: to the north, by a clock and on the other three facades, by seven solar dials. If the clock is missing, the dials are still visible

PIX4569327: Sundial - Invalides - Paris - Sundial in Paris - Hotel des Invalides: The sundials of the western facade of the monument of the Hotel des Invalides. In the court of honour, the hour was given on each facade: to the north, by a clock and on the other three facades, by seven solar dials. If the clock is missing, the dials are still visible / Bridgeman Images

ID: PIX4569327

Sundial - Invalides - Paris - Sundial in Paris - Hotel des Invalides: The sundials of the western facade of the monument of the Hotel des Invalides. In the court of honour, the hour was given on each facade: to the north, by a clock and on the other three facades, by seven solar dials. If the clock is missing, the dials are still visible

La Meridienne de la Pitie-Salpetriere - Paris - Sundial in Paris - Hospital de la Pitie-Salpetiere: Outside the chapel of the Pitie-Salpetiere Hospital (75013), a Meridian is visible just above the door. It has the motto: Ultima Latet (the last one is hidden). This simple Meridian features the 11 am, 12 pm and 1 pm hour lines, plus the half-hours on either side of noon. Portions of daytime arches are traced and marked by the signs of the Zodiac
La Meridienne de la Pitie-Salpetriere - Paris - Sundial in Paris - Hospital de la Pitie-Salpetiere: Outside the chapel of the Pitie-Salpetiere Hospital (75013), a Meridian is visible just above the door. It has the motto: Ultima Latet (the last one is hidden). This simple Meridian features the 11 am, 12 pm and 1 pm hour lines, plus the half-hours on either side of noon. Portions of daytime arches are traced and marked by the signs of the Zodiac

PIX4569354: La Meridienne de la Pitie-Salpetriere - Paris - Sundial in Paris - Hospital de la Pitie-Salpetiere: Outside the chapel of the Pitie-Salpetiere Hospital (75013), a Meridian is visible just above the door. It has the motto: Ultima Latet (the last one is hidden). This simple Meridian features the 11 am, 12 pm and 1 pm hour lines, plus the half-hours on either side of noon. Portions of daytime arches are traced and marked by the signs of the Zodiac / Bridgeman Images

ID: PIX4569354

La Meridienne de la Pitie-Salpetriere - Paris - Sundial in Paris - Hospital de la Pitie-Salpetiere: Outside the chapel of the Pitie-Salpetiere Hospital (75013), a Meridian is visible just above the door. It has the motto: Ultima Latet (the last one is hidden). This simple Meridian features the 11 am, 12 pm and 1 pm hour lines, plus the half-hours on either side of noon. Portions of daytime arches are traced and marked by the signs of the Zodiac

Sundial - Paris - Sundial in Paris: Recent sundial on the facade of a building located at 45 rue Letellier (75015)
Sundial - Paris - Sundial in Paris: Recent sundial on the facade of a building located at 45 rue Letellier (75015)

PIX4569355: Sundial - Paris - Sundial in Paris: Recent sundial on the facade of a building located at 45 rue Letellier (75015) / Bridgeman Images

ID: PIX4569355

Sundial - Paris - Sundial in Paris: Recent sundial on the facade of a building located at 45 rue Letellier (75015)

Purple or violet rose, Rosa holoserica purpurea flora semi-pleno. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.
Purple or violet rose, Rosa holoserica purpurea flora semi-pleno. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

FLO4569363: Purple or violet rose, Rosa holoserica purpurea flora semi-pleno. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc. / Bridgeman Images

ID: FLO4569363

Purple or violet rose, Rosa holoserica purpurea flora semi-pleno. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

Large flowered Damask pink, Rosa damascena grandiflora. Handcoloured copperplate engraving from an illustration drawn from nature by Horned from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.
Large flowered Damask pink, Rosa damascena grandiflora. Handcoloured copperplate engraving from an illustration drawn from nature by Horned from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

FLO4569381: Large flowered Damask pink, Rosa damascena grandiflora. Handcoloured copperplate engraving from an illustration drawn from nature by Horned from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc. / Bridgeman Images

ID: FLO4569381

Large flowered Damask pink, Rosa damascena grandiflora. Handcoloured copperplate engraving from an illustration drawn from nature by Horned from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

Queen rose, Rosa regina rubicans, and moss rose, Rosa muscosa major. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.
Queen rose, Rosa regina rubicans, and moss rose, Rosa muscosa major. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

FLO4569390: Queen rose, Rosa regina rubicans, and moss rose, Rosa muscosa major. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc. / Bridgeman Images

ID: FLO4569390

Queen rose, Rosa regina rubicans, and moss rose, Rosa muscosa major. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

Sundial - Riquewihr - Sundial - Riquewihr - Sundial - 1971 sundial
Sundial - Riquewihr - Sundial - Riquewihr - Sundial - 1971 sundial

PIX4569392: Sundial - Riquewihr - Sundial - Riquewihr - Sundial - 1971 sundial / Bridgeman Images

ID: PIX4569392

Sundial - Riquewihr - Sundial - Riquewihr - Sundial - 1971 sundial

Sundial - Valloire - Sundial in France - Valloire - Dial realised by Zarbula, restored in 1998. Hameau Les Verneys, Savoie
Sundial - Valloire - Sundial in France - Valloire - Dial realised by Zarbula, restored in 1998. Hameau Les Verneys, Savoie

PIX4569412: Sundial - Valloire - Sundial in France - Valloire - Dial realised by Zarbula, restored in 1998. Hameau Les Verneys, Savoie / Bridgeman Images

ID: PIX4569412

Sundial - Valloire - Sundial in France - Valloire - Dial realised by Zarbula, restored in 1998. Hameau Les Verneys, Savoie


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