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English actress Pauline Virginie Dejazet in drag as Gentil Bernard and Elisabeth Augustine Dupont or Madame Bressant as Claudine in Gentil Bernard, or L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
English actress Pauline Virginie Dejazet in drag as Gentil Bernard and Elisabeth Augustine Dupont or Madame Bressant as Claudine in Gentil Bernard, or L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631729: English actress Pauline Virginie Dejazet in drag as Gentil Bernard and Elisabeth Augustine Dupont or Madame Bressant as Claudine in Gentil Bernard, or L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

Francois Regnier as Arnould in La Famille Poisson, by Joseph Isidore Samson, Theatre Francais, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Francois Regnier as Arnould in La Famille Poisson, by Joseph Isidore Samson, Theatre Francais, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631730: Francois Regnier as Arnould in La Famille Poisson, by Joseph Isidore Samson, Theatre Francais, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

La terre vue par satellite - Mosaic of satellite data taken from a NASA sensor called the Moderate Resolution Imaging Spectroradiometer (MODIS) that flies board NASA's Terra satellite. 200
La terre vue par satellite - Mosaic of satellite data taken from a NASA sensor called the Moderate Resolution Imaging Spectroradiometer (MODIS) that flies board NASA's Terra satellite. 200

PIX4631735: La terre vue par satellite - Mosaic of satellite data taken from a NASA sensor called the Moderate Resolution Imaging Spectroradiometer (MODIS) that flies board NASA's Terra satellite. 200 / Bridgeman Images

Earth by Meteosat - 8 05/03 - Earth seen by satellite Meteosat - 8 the 09/05/2003
Earth by Meteosat - 8 05/03 - Earth seen by satellite Meteosat - 8 the 09/05/2003

PIX4631742: Earth by Meteosat - 8 05/03 - Earth seen by satellite Meteosat - 8 the 09/05/2003 / Bridgeman Images

Kalmouks or Oirats (Western Mongolian nomads, China and Russia) in their tent, drinking the tea, smoking the pipe, sitting on carpets, while a Western artist makes sketches. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Kalmyk people inside a tent or gher, drinking tea, smoking tobacco, sitting on carpets while an artist in western dress sketches them. The Kalmyks or Oirats are westen Mongols who migrated to the western shore of the Caspian sea. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Kalmouks or Oirats (Western Mongolian nomads, China and Russia) in their tent, drinking the tea, smoking the pipe, sitting on carpets, while a Western artist makes sketches. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Kalmyk people inside a tent or gher, drinking tea, smoking tobacco, sitting on carpets while an artist in western dress sketches them. The Kalmyks or Oirats are westen Mongols who migrated to the western shore of the Caspian sea. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634342: Kalmouks or Oirats (Western Mongolian nomads, China and Russia) in their tent, drinking the tea, smoking the pipe, sitting on carpets, while a Western artist makes sketches. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Kalmyk people inside a tent or gher, drinking tea, smoking tobacco, sitting on carpets while an artist in western dress sketches them. The Kalmyks or Oirats are westen Mongols who migrated to the western shore of the Caspian sea. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Representation of quantum fluctuations of vacuum - Artist's view illustrating the hypothesis that our universe would have emerge from quantum fluctuations of vacuum
Representation of quantum fluctuations of vacuum - Artist's view illustrating the hypothesis that our universe would have emerge from quantum fluctuations of vacuum

PIX4634359: Representation of quantum fluctuations of vacuum - Artist's view illustrating the hypothesis that our universe would have emerge from quantum fluctuations of vacuum, Dixon, Don (b.1951) / Bridgeman Images

The Earth, the Big Bang and the Universe - Artist's View
The Earth, the Big Bang and the Universe - Artist's View

PIX4634375: The Earth, the Big Bang and the Universe - Artist's View / Bridgeman Images

Artist's view of space-time - Spacetime - Artist's view illustrating the microscopic and macroscopic structure of space-time. Artwork
Artist's view of space-time - Spacetime - Artist's view illustrating the microscopic and macroscopic structure of space-time. Artwork

PIX4634401: Artist's view of space-time - Spacetime - Artist's view illustrating the microscopic and macroscopic structure of space-time. Artwork / Bridgeman Images

Large structures - Artist's view of large structures, these gas filaments in which clusters of galaxies are formed
Large structures - Artist's view of large structures, these gas filaments in which clusters of galaxies are formed

PIX4634433: Large structures - Artist's view of large structures, these gas filaments in which clusters of galaxies are formed / Bridgeman Images

The fortified town of Yerevan (Armenia) and view of Mount Ararat (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. The fortified town of Yerevan and the view of Mt. Ararat. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The fortified town of Yerevan (Armenia) and view of Mount Ararat (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. The fortified town of Yerevan and the view of Mt. Ararat. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634434: The fortified town of Yerevan (Armenia) and view of Mount Ararat (Turkey). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. The fortified town of Yerevan and the view of Mt. Ararat. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Galaxies and large structures - Artist's view
Galaxies and large structures - Artist's view

PIX4634466: Galaxies and large structures - Artist's view / Bridgeman Images

Costumes of the Tatars of Siberia (Russia): a family from the Saian Mountains and a man and two women from Tomsk. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Siberian Tatars: A man from the Sayan mountains firing a musket in front of a woman and child, and a man and two women Tatars from Tomsk. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Costumes of the Tatars of Siberia (Russia): a family from the Saian Mountains and a man and two women from Tomsk. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Siberian Tatars: A man from the Sayan mountains firing a musket in front of a woman and child, and a man and two women Tatars from Tomsk. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634467: Costumes of the Tatars of Siberia (Russia): a family from the Saian Mountains and a man and two women from Tomsk. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Siberian Tatars: A man from the Sayan mountains firing a musket in front of a woman and child, and a man and two women Tatars from Tomsk. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Costumes of the Caucasian tatars (Russia): mountaineers in puffy pants, smoking the pipe, with their cane. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Mountain Tatars from the Caucasus mountains, with pipes, walking sticks, dagger and baggy pants. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Costumes of the Caucasian tatars (Russia): mountaineers in puffy pants, smoking the pipe, with their cane. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Mountain Tatars from the Caucasus mountains, with pipes, walking sticks, dagger and baggy pants. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634476: Costumes of the Caucasian tatars (Russia): mountaineers in puffy pants, smoking the pipe, with their cane. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Mountain Tatars from the Caucasus mountains, with pipes, walking sticks, dagger and baggy pants. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Large structures of the universe - Zoom in the great structures of the universe to the local cluster and the cluster of the Virgin
Large structures of the universe - Zoom in the great structures of the universe to the local cluster and the cluster of the Virgin

PIX4634484: Large structures of the universe - Zoom in the great structures of the universe to the local cluster and the cluster of the Virgin / Bridgeman Images

Tatar village on the mountain side, in the Caucasus (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Hillside village of the Mountain Tatars, Caucasus mountains. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Tatar village on the mountain side, in the Caucasus (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Hillside village of the Mountain Tatars, Caucasus mountains. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634506: Tatar village on the mountain side, in the Caucasus (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Hillside village of the Mountain Tatars, Caucasus mountains. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Tatar men competing in horse racing, crossing a town in the Caucasus Mountains (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tatar men horseracing through a town in the Caucasus mountains. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Tatar men competing in horse racing, crossing a town in the Caucasus Mountains (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tatar men horseracing through a town in the Caucasus mountains. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634518: Tatar men competing in horse racing, crossing a town in the Caucasus Mountains (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tatar men horseracing through a town in the Caucasus mountains. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Costumes from Kyrgyzstan: horsemen and a couple and below a hunting scene for the falcon. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Kyrgyz men on horseback and on foot above, and Kyrgyz men hunting with falcons, dogs and guns. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Costumes from Kyrgyzstan: horsemen and a couple and below a hunting scene for the falcon. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Kyrgyz men on horseback and on foot above, and Kyrgyz men hunting with falcons, dogs and guns. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634536: Costumes from Kyrgyzstan: horsemen and a couple and below a hunting scene for the falcon. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Kyrgyz men on horseback and on foot above, and Kyrgyz men hunting with falcons, dogs and guns. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

The Great Structures of the Universe - The Great Structures of the Universe - Artist's view of Great Structures, these filaments of gas within which clusters of galaxies are formed
The Great Structures of the Universe - The Great Structures of the Universe - Artist's view of Great Structures, these filaments of gas within which clusters of galaxies are formed

PIX4634547: The Great Structures of the Universe - The Great Structures of the Universe - Artist's view of Great Structures, these filaments of gas within which clusters of galaxies are formed / Bridgeman Images

The scales of the Universe-Illustration - Schema illustrating the position of the solar system in our galaxy to the supercluster
The scales of the Universe-Illustration - Schema illustrating the position of the solar system in our galaxy to the supercluster

PIX4634602: The scales of the Universe-Illustration - Schema illustrating the position of the solar system in our galaxy to the supercluster, Dixon, Don (b.1951) / Bridgeman Images

Universe has 11 dimensions - 11-dimension Universe - Many universes could coexist and evolve in completely different ways. Artwork showing multiple universes
Universe has 11 dimensions - 11-dimension Universe - Many universes could coexist and evolve in completely different ways. Artwork showing multiple universes

PIX4634636: Universe has 11 dimensions - 11-dimension Universe - Many universes could coexist and evolve in completely different ways. Artwork showing multiple universes / Bridgeman Images

Theorie des Cordes-vue d'artiste - Superstring theater- Artwor
Theorie des Cordes-vue d'artiste - Superstring theater- Artwor

PIX4634643: Theorie des Cordes-vue d'artiste - Superstring theater- Artwor / Bridgeman Images

Chukchi hunters (Russia) with their equipment, near their tent. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chukchi hunters with bow, arrows, spears, snow shoes and hunting dogs outside their tent. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Chukchi hunters (Russia) with their equipment, near their tent. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chukchi hunters with bow, arrows, spears, snow shoes and hunting dogs outside their tent. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634676: Chukchi hunters (Russia) with their equipment, near their tent. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chukchi hunters with bow, arrows, spears, snow shoes and hunting dogs outside their tent. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Summer habitat and winter burial habitat of the Itelmen of Kamchatka (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Summer and underground winter houses of the Itelmen in Kamchatka. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Summer habitat and winter burial habitat of the Itelmen of Kamchatka (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Summer and underground winter houses of the Itelmen in Kamchatka. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634678: Summer habitat and winter burial habitat of the Itelmen of Kamchatka (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Summer and underground winter houses of the Itelmen in Kamchatka. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Artist's view of the material and the antimater
Artist's view of the material and the antimater

PIX4634703: Artist's view of the material and the antimater / Bridgeman Images

Vase with classical vignette and gold brick (bercle) background, vase with painting (cartel) of man on horseback, and vase with painting of roses and a background called partridge eye. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Vase with classical vignette and gold brick (bercle) background, vase with painting (cartel) of man on horseback, and vase with painting of roses and a background called partridge eye. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633229: Vase with classical vignette and gold brick (bercle) background, vase with painting (cartel) of man on horseback, and vase with painting of roses and a background called partridge eye. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Wall fountain and bowl, wall fountain and bowl, decorated in blue camaieu and flesh tones named saumonnees. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Wall fountain and bowl, wall fountain and bowl, decorated in blue camaieu and flesh tones named saumonnees. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633245: Wall fountain and bowl, wall fountain and bowl, decorated in blue camaieu and flesh tones named saumonnees. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Vases with lids (culots), and a vase with fountain and dolphins in the centre. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Vases with lids (culots), and a vase with fountain and dolphins in the centre. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633272: Vases with lids (culots), and a vase with fountain and dolphins in the centre. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Copenhagen vase in blue, white and gold with pastoral scenes and ram head handles. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Copenhagen vase in blue, white and gold with pastoral scenes and ram head handles. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633274: Copenhagen vase in blue, white and gold with pastoral scenes and ram head handles. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Partial background porcelain: cosmetic pot 1760, cream pot with flowers by Barre 1754, cosmetic pot decorated by Aloncle 1759, tete-a-tete plate by Binet 1760, saucer with flowers by Taillander 1754, and saucer decorated by Binet 1761. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Partial background porcelain: cosmetic pot 1760, cream pot with flowers by Barre 1754, cosmetic pot decorated by Aloncle 1759, tete-a-tete plate by Binet 1760, saucer with flowers by Taillander 1754, and saucer decorated by Binet 1761. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633280: Partial background porcelain: cosmetic pot 1760, cream pot with flowers by Barre 1754, cosmetic pot decorated by Aloncle 1759, tete-a-tete plate by Binet 1760, saucer with flowers by Taillander 1754, and saucer decorated by Binet 1761. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Meduses - Artist's view - A smack of jellyfish - Illustration of jellyfish swimming in the Panthalassic Ocean, about 500 million years ago in the Cambrian. A smack, or swarm, of jellyfish swim the Panthalassic Ocean 500 million years ago during the Cambrian Period. Jellyfish, AKA sea jellies, are free - swimming organisms from the phylum Cnidaria and may have been among the first mobile macro life forms to evolve on Earth. Their distinguishing feature is specialized cells that they use mainly for capturing prey. Their bodies consist of a non - living jelly - like substance, sandwiched between two layers of tissue that are mostly one cell thick. There are approximately 9,000 species of Cnidaria today
Meduses - Artist's view - A smack of jellyfish - Illustration of jellyfish swimming in the Panthalassic Ocean, about 500 million years ago in the Cambrian. A smack, or swarm, of jellyfish swim the Panthalassic Ocean 500 million years ago during the Cambrian Period. Jellyfish, AKA sea jellies, are free - swimming organisms from the phylum Cnidaria and may have been among the first mobile macro life forms to evolve on Earth. Their distinguishing feature is specialized cells that they use mainly for capturing prey. Their bodies consist of a non - living jelly - like substance, sandwiched between two layers of tissue that are mostly one cell thick. There are approximately 9,000 species of Cnidaria today

PIX4633290: Meduses - Artist's view - A smack of jellyfish - Illustration of jellyfish swimming in the Panthalassic Ocean, about 500 million years ago in the Cambrian. A smack, or swarm, of jellyfish swim the Panthalassic Ocean 500 million years ago during the Cambrian Period. Jellyfish, AKA sea jellies, are free - swimming organisms from the phylum Cnidaria and may have been among the first mobile macro life forms to evolve on Earth. Their distinguishing feature is specialized cells that they use mainly for capturing prey. Their bodies consist of a non - living jelly - like substance, sandwiched between two layers of tissue that are mostly one cell thick. There are approximately 9,000 species of Cnidaria today / Bridgeman Images

Vase in the style of a vessel with mast, in pink and green with Chinese painting, and ribbon with gold fleurs de liys, Vincennes, 1752. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Vase in the style of a vessel with mast, in pink and green with Chinese painting, and ribbon with gold fleurs de liys, Vincennes, 1752. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633304: Vase in the style of a vessel with mast, in pink and green with Chinese painting, and ribbon with gold fleurs de liys, Vincennes, 1752. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Vase with animal figures. Deep blue and gilt vase decorated with animals (cat, dog and swan) and a classical pastoral scene with Cupid and Mercury. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Vase with animal figures. Deep blue and gilt vase decorated with animals (cat, dog and swan) and a classical pastoral scene with Cupid and Mercury. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633311: Vase with animal figures. Deep blue and gilt vase decorated with animals (cat, dog and swan) and a classical pastoral scene with Cupid and Mercury. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Jewelled Sevres porcelain tea and coffee cups, saucers and vase decorated with enamel (email) in relief on gold plaques. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Jewelled Sevres porcelain tea and coffee cups, saucers and vase decorated with enamel (email) in relief on gold plaques. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633359: Jewelled Sevres porcelain tea and coffee cups, saucers and vase decorated with enamel (email) in relief on gold plaques. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Porcelain for domestic use: Water pot and bowl decorated with flowers on a white base, and water pot with flowers on partial background. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Porcelain for domestic use: Water pot and bowl decorated with flowers on a white base, and water pot with flowers on partial background. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633360: Porcelain for domestic use: Water pot and bowl decorated with flowers on a white base, and water pot with flowers on partial background. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Draped vase with striped canopy lid, vase with gold figures of sirens over a fluted base, and vase with botanical panel decorated with ram heads and goatskin. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Draped vase with striped canopy lid, vase with gold figures of sirens over a fluted base, and vase with botanical panel decorated with ram heads and goatskin. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633390: Draped vase with striped canopy lid, vase with gold figures of sirens over a fluted base, and vase with botanical panel decorated with ram heads and goatskin. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

Planet Formation - Artist View - Planet Birth - Artist view - Earth was formed 4.6 billion years ago from a gigantic cloud of gas and dust. These dust accreted to form our planet; it was subjected to a large bombardment of meteorites. A new born planet in a star's dusty, planet - forming disc
Planet Formation - Artist View - Planet Birth - Artist view - Earth was formed 4.6 billion years ago from a gigantic cloud of gas and dust. These dust accreted to form our planet; it was subjected to a large bombardment of meteorites. A new born planet in a star's dusty, planet - forming disc

PIX4633462: Planet Formation - Artist View - Planet Birth - Artist view - Earth was formed 4.6 billion years ago from a gigantic cloud of gas and dust. These dust accreted to form our planet; it was subjected to a large bombardment of meteorites. A new born planet in a star's dusty, planet - forming disc / Bridgeman Images


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