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Earth: Mean concentration of chlorophyll - Global Chlorophyll - Map of the mean concentration of chlorophyll observed by satellite between 1997 and 2003. This image is the average ocean chlorophyll concentration measured by SeaWIFS between 1997 and 2003
Earth: Mean concentration of chlorophyll - Global Chlorophyll - Map of the mean concentration of chlorophyll observed by satellite between 1997 and 2003. This image is the average ocean chlorophyll concentration measured by SeaWIFS between 1997 and 2003

PIX4632404: Earth: Mean concentration of chlorophyll - Global Chlorophyll - Map of the mean concentration of chlorophyll observed by satellite between 1997 and 2003. This image is the average ocean chlorophyll concentration measured by SeaWIFS between 1997 and 2003 / Bridgeman Images

ID: PIX4632404

Earth: Mean concentration of chlorophyll - Global Chlorophyll - Map of the mean concentration of chlorophyll observed by satellite between 1997 and 2003. This image is the average ocean chlorophyll concentration measured by SeaWIFS between 1997 and 2003

Earth seen by the Envisat satellite - Vegetation map - Mosaic of images obtained by the European Envisat satellite. Dark brown indicates lack of vegetation, green darts abundant vegetation
Earth seen by the Envisat satellite - Vegetation map - Mosaic of images obtained by the European Envisat satellite. Dark brown indicates lack of vegetation, green darts abundant vegetation

PIX4632435: Earth seen by the Envisat satellite - Vegetation map - Mosaic of images obtained by the European Envisat satellite. Dark brown indicates lack of vegetation, green darts abundant vegetation / Bridgeman Images

ID: PIX4632435

Earth seen by the Envisat satellite - Vegetation map - Mosaic of images obtained by the European Envisat satellite. Dark brown indicates lack of vegetation, green darts abundant vegetation

Earth seen at night - Earth seen at night - Earth centred on Australia observed at night by satellite
Earth seen at night - Earth seen at night - Earth centred on Australia observed at night by satellite

PIX4632459: Earth seen at night - Earth seen at night - Earth centred on Australia observed at night by satellite / Bridgeman Images

ID: PIX4632459

Earth seen at night - Earth seen at night - Earth centred on Australia observed at night by satellite

Terre de nuit - Pole Nord - Earth at night - North Pole - Earth centree on the North Pole observed at night by satellite. The Earth with city lights seen from satellite, centered on North Pole
Terre de nuit - Pole Nord - Earth at night - North Pole - Earth centree on the North Pole observed at night by satellite. The Earth with city lights seen from satellite, centered on North Pole

PIX4632500: Terre de nuit - Pole Nord - Earth at night - North Pole - Earth centree on the North Pole observed at night by satellite. The Earth with city lights seen from satellite, centered on North Pole / Bridgeman Images

ID: PIX4632500

Terre de nuit - Pole Nord - Earth at night - North Pole - Earth centree on the North Pole observed at night by satellite. The Earth with city lights seen from satellite, centered on North Pole

English actor and writer Frederic Lemaitre or Antoine Louis Prosper Lemaitre in Le Chiffonnier de Paris, Theatre de la Porte St. Martin, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
English actor and writer Frederic Lemaitre or Antoine Louis Prosper Lemaitre in Le Chiffonnier de Paris, Theatre de la Porte St. Martin, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4632504: English actor and writer Frederic Lemaitre or Antoine Louis Prosper Lemaitre in Le Chiffonnier de Paris, Theatre de la Porte St. Martin, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4632504

English actor and writer Frederic Lemaitre or Antoine Louis Prosper Lemaitre in Le Chiffonnier de Paris, Theatre de la Porte St. Martin, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Earth - Day and Night - South America - Earth - Day and night - South America - Composite of two images of the Earth, entirely illuminated by the Sun, and of the Earth entirely in darkness, showing the light of inhabited areas. This image of the Earth is a composite of two data images - one of the globe fully illuminated by the Sun, and one of the globe in full darkness, showing only the city lights of inhabited areas
Earth - Day and Night - South America - Earth - Day and night - South America - Composite of two images of the Earth, entirely illuminated by the Sun, and of the Earth entirely in darkness, showing the light of inhabited areas. This image of the Earth is a composite of two data images - one of the globe fully illuminated by the Sun, and one of the globe in full darkness, showing only the city lights of inhabited areas

PIX4632538: Earth - Day and Night - South America - Earth - Day and night - South America - Composite of two images of the Earth, entirely illuminated by the Sun, and of the Earth entirely in darkness, showing the light of inhabited areas. This image of the Earth is a composite of two data images - one of the globe fully illuminated by the Sun, and one of the globe in full darkness, showing only the city lights of inhabited areas / Bridgeman Images

ID: PIX4632538

Earth - Day and Night - South America - Earth - Day and night - South America - Composite of two images of the Earth, entirely illuminated by the Sun, and of the Earth entirely in darkness, showing the light of inhabited areas. This image of the Earth is a composite of two data images - one of the globe fully illuminated by the Sun, and one of the globe in full darkness, showing only the city lights of inhabited areas

English ballet dancer in La Belle aux Hair d'Or by the Cogniard brothers, Theatre de la Porte St. Martin, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.
English ballet dancer in La Belle aux Hair d'Or by the Cogniard brothers, Theatre de la Porte St. Martin, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.

FLO4632552: English ballet dancer in La Belle aux Hair d'Or by the Cogniard brothers, Theatre de la Porte St. Martin, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847. / Bridgeman Images

ID: FLO4632552

English ballet dancer in La Belle aux Hair d'Or by the Cogniard brothers, Theatre de la Porte St. Martin, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.

English actor Matis as Charmoulu in Les Paysans, l'Ambigu Comique, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.
English actor Matis as Charmoulu in Les Paysans, l'Ambigu Comique, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.

FLO4632567: English actor Matis as Charmoulu in Les Paysans, l'Ambigu Comique, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847. / Bridgeman Images

ID: FLO4632567

English actor Matis as Charmoulu in Les Paysans, l'Ambigu Comique, 1847. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1847.

Opera singer Anna Thillon as Coriali in Cagliostro, Act I, II, by Eugene Scribe, Theatre Royal de l'Opera Comique, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Opera singer Anna Thillon as Coriali in Cagliostro, Act I, II, by Eugene Scribe, Theatre Royal de l'Opera Comique, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632601: Opera singer Anna Thillon as Coriali in Cagliostro, Act I, II, by Eugene Scribe, Theatre Royal de l'Opera Comique, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4632601

Opera singer Anna Thillon as Coriali in Cagliostro, Act I, II, by Eugene Scribe, Theatre Royal de l'Opera Comique, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Comets have the origin of life on Earth - Comets bring life on Earth - An artist's view of the Earth bombed by comets 4 billion years ago. Comets may have brought the molecules necessary for the appearance of life on Earth. The Moon at that time was much closer to Earth than today. Impacting comets may have brought life to the early Earth. 4 billion years ago, Moon was closer than today
Comets have the origin of life on Earth - Comets bring life on Earth - An artist's view of the Earth bombed by comets 4 billion years ago. Comets may have brought the molecules necessary for the appearance of life on Earth. The Moon at that time was much closer to Earth than today. Impacting comets may have brought life to the early Earth. 4 billion years ago, Moon was closer than today

PIX4632636: Comets have the origin of life on Earth - Comets bring life on Earth - An artist's view of the Earth bombed by comets 4 billion years ago. Comets may have brought the molecules necessary for the appearance of life on Earth. The Moon at that time was much closer to Earth than today. Impacting comets may have brought life to the early Earth. 4 billion years ago, Moon was closer than today / Bridgeman Images

ID: PIX4632636

Comets have the origin of life on Earth - Comets bring life on Earth - An artist's view of the Earth bombed by comets 4 billion years ago. Comets may have brought the molecules necessary for the appearance of life on Earth. The Moon at that time was much closer to Earth than today. Impacting comets may have brought life to the early Earth. 4 billion years ago, Moon was closer than today

Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act I and III, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.
Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act I and III, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

FLO4632651: Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act I and III, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844. / Bridgeman Images

ID: FLO4632651

Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act I and III, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

Life on Earth: the Sun and Comets - Life on Earth: Sun and Comets - All living organisms on Earth are exclusively left amino acids. The origin of life homochiralite, the asymmetry present in amine acids, could be derived from solar radiation distruding the right amino acids accumulated on comets during the formation of the solar system. Life on Earth is made of left handed amino acids, almost exclusively. The origin of biomolecular homochirality could come from the sun light destroying right handed amino acids in comets during the formation of solar system
Life on Earth: the Sun and Comets - Life on Earth: Sun and Comets - All living organisms on Earth are exclusively left amino acids. The origin of life homochiralite, the asymmetry present in amine acids, could be derived from solar radiation distruding the right amino acids accumulated on comets during the formation of the solar system. Life on Earth is made of left handed amino acids, almost exclusively. The origin of biomolecular homochirality could come from the sun light destroying right handed amino acids in comets during the formation of solar system

PIX4632660: Life on Earth: the Sun and Comets - Life on Earth: Sun and Comets - All living organisms on Earth are exclusively left amino acids. The origin of life homochiralite, the asymmetry present in amine acids, could be derived from solar radiation distruding the right amino acids accumulated on comets during the formation of the solar system. Life on Earth is made of left handed amino acids, almost exclusively. The origin of biomolecular homochirality could come from the sun light destroying right handed amino acids in comets during the formation of solar system / Bridgeman Images

ID: PIX4632660

Life on Earth: the Sun and Comets - Life on Earth: Sun and Comets - All living organisms on Earth are exclusively left amino acids. The origin of life homochiralite, the asymmetry present in amine acids, could be derived from solar radiation distruding the right amino acids accumulated on comets during the formation of the solar system. Life on Earth is made of left handed amino acids, almost exclusively. The origin of biomolecular homochirality could come from the sun light destroying right handed amino acids in comets during the formation of solar system

Earth seen at night - 2012 - City Lights 2012 - Earth observed at night by satellite. Composite image obtained by the Suomi NPP satellite in April and October 2012. Composite image of Europe, Africa, and the Middle East at night assembled from data acquired by the Suomi NPP satellite in April and October 2012
Earth seen at night - 2012 - City Lights 2012 - Earth observed at night by satellite. Composite image obtained by the Suomi NPP satellite in April and October 2012. Composite image of Europe, Africa, and the Middle East at night assembled from data acquired by the Suomi NPP satellite in April and October 2012

PIX4632668: Earth seen at night - 2012 - City Lights 2012 - Earth observed at night by satellite. Composite image obtained by the Suomi NPP satellite in April and October 2012. Composite image of Europe, Africa, and the Middle East at night assembled from data acquired by the Suomi NPP satellite in April and October 2012 / Bridgeman Images

ID: PIX4632668

Earth seen at night - 2012 - City Lights 2012 - Earth observed at night by satellite. Composite image obtained by the Suomi NPP satellite in April and October 2012. Composite image of Europe, Africa, and the Middle East at night assembled from data acquired by the Suomi NPP satellite in April and October 2012

Etienne Melingue and Fernand in Les Amans de Murcie by Frederic Soulie, Theatre de l'Ambigu, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Etienne Melingue and Fernand in Les Amans de Murcie by Frederic Soulie, Theatre de l'Ambigu, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632676: Etienne Melingue and Fernand in Les Amans de Murcie by Frederic Soulie, Theatre de l'Ambigu, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4632676

Etienne Melingue and Fernand in Les Amans de Murcie by Frederic Soulie, Theatre de l'Ambigu, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Opera singer Henri as Bolbaya in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Opera singer Henri as Bolbaya in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632695: Opera singer Henri as Bolbaya in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4632695

Opera singer Henri as Bolbaya in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Soprano opera singer Miss Zoe Prevost as Mathea in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Soprano opera singer Miss Zoe Prevost as Mathea in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632717: Soprano opera singer Miss Zoe Prevost as Mathea in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4632717

Soprano opera singer Miss Zoe Prevost as Mathea in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Moon Sunrise on Early Earth - Moon Sunrise on Early Earth - Artist's view of Earth about 4 billion years ago when the Earth began to cool. Seas formed in the impact basins. The Moon at the time was much closer than today
Moon Sunrise on Early Earth - Moon Sunrise on Early Earth - Artist's view of Earth about 4 billion years ago when the Earth began to cool. Seas formed in the impact basins. The Moon at the time was much closer than today

PIX4632734: Moon Sunrise on Early Earth - Moon Sunrise on Early Earth - Artist's view of Earth about 4 billion years ago when the Earth began to cool. Seas formed in the impact basins. The Moon at the time was much closer than today, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4632734

Moon Sunrise on Early Earth - Moon Sunrise on Early Earth - Artist's view of Earth about 4 billion years ago when the Earth began to cool. Seas formed in the impact basins. The Moon at the time was much closer than today

Dixon, Don (b.1951)

The First Life Forms on Earth - Eoarchean Earth - 3.8 billion years ago, 770 million years after the formation of the Earth, the first life forms appeared as a unicellular organism. Bacteries and archeobacteries (archaea) began to populate the Earth's surface while the atmosphere was still filled with volcanic gases and probably without oxygen. In this illustration, these micro-organisms came out of the ocean to attach themselves to the rock remains of a caldera, bringing colour to this monochrome landscape. 770 million years after the formation of the Earth - - 3.8 billion years ago - - the first life may have appeared in the form of simple, single - celled organisms. Bacteria and archaea may have even found a way to populate the otherwise sterile and inhospitable surface. The atmosphere would likely have consisted solely of gases vented by volcanoes: carbon dioxide, carbon monoxide, sulfur dioxide, nitrogen, methane, hydrogen, methane, ammonia, and water vapor. In this image, a variety of single - celled organisms have ventured out of the ocean and onto the rocky remains of two volcanic calderas, adding color to an otherwise bleak and monochromatic landscape. While the lack of breathable oxygen would be anathema to complex life forms like ourselves, this primitive atmosphere was a rich source of sustenance for these terrestrial vanguards
The First Life Forms on Earth - Eoarchean Earth - 3.8 billion years ago, 770 million years after the formation of the Earth, the first life forms appeared as a unicellular organism. Bacteries and archeobacteries (archaea) began to populate the Earth's surface while the atmosphere was still filled with volcanic gases and probably without oxygen. In this illustration, these micro-organisms came out of the ocean to attach themselves to the rock remains of a caldera, bringing colour to this monochrome landscape. 770 million years after the formation of the Earth - - 3.8 billion years ago - - the first life may have appeared in the form of simple, single - celled organisms. Bacteria and archaea may have even found a way to populate the otherwise sterile and inhospitable surface. The atmosphere would likely have consisted solely of gases vented by volcanoes: carbon dioxide, carbon monoxide, sulfur dioxide, nitrogen, methane, hydrogen, methane, ammonia, and water vapor. In this image, a variety of single - celled organisms have ventured out of the ocean and onto the rocky remains of two volcanic calderas, adding color to an otherwise bleak and monochromatic landscape. While the lack of breathable oxygen would be anathema to complex life forms like ourselves, this primitive atmosphere was a rich source of sustenance for these terrestrial vanguards

PIX4632742: The First Life Forms on Earth - Eoarchean Earth - 3.8 billion years ago, 770 million years after the formation of the Earth, the first life forms appeared as a unicellular organism. Bacteries and archeobacteries (archaea) began to populate the Earth's surface while the atmosphere was still filled with volcanic gases and probably without oxygen. In this illustration, these micro-organisms came out of the ocean to attach themselves to the rock remains of a caldera, bringing colour to this monochrome landscape. 770 million years after the formation of the Earth - - 3.8 billion years ago - - the first life may have appeared in the form of simple, single - celled organisms. Bacteria and archaea may have even found a way to populate the otherwise sterile and inhospitable surface. The atmosphere would likely have consisted solely of gases vented by volcanoes: carbon dioxide, carbon monoxide, sulfur dioxide, nitrogen, methane, hydrogen, methane, ammonia, and water vapor. In this image, a variety of single - celled organisms have ventured out of the ocean and onto the rocky remains of two volcanic calderas, adding color to an otherwise bleak and monochromatic landscape. While the lack of breathable oxygen would be anathema to complex life forms like ourselves, this primitive atmosphere was a rich source of sustenance for these terrestrial vanguards / Bridgeman Images

ID: PIX4632742

The First Life Forms on Earth - Eoarchean Earth - 3.8 billion years ago, 770 million years after the formation of the Earth, the first life forms appeared as a unicellular organism. Bacteries and archeobacteries (archaea) began to populate the Earth's surface while the atmosphere was still filled with volcanic gases and probably without oxygen. In this illustration, these micro-organisms came out of the ocean to attach themselves to the rock remains of a caldera, bringing colour to this monochrome landscape. 770 million years after the formation of the Earth - - 3.8 billion years ago - - the first life may have appeared in the form of simple, single - celled organisms. Bacteria and archaea may have even found a way to populate the otherwise sterile and inhospitable surface. The atmosphere would likely have consisted solely of gases vented by volcanoes: carbon dioxide, carbon monoxide, sulfur dioxide, nitrogen, methane, hydrogen, methane, ammonia, and water vapor. In this image, a varie

Ichthyostega & Rhacophyton - An Ichthyostega emerge water 365 million years ago to the upper Devonian. Half-fish, half-terrestrial animal, the Ichthyostega was about 1 metre long. On the left, one of the first species of fern, Rhacophyton ceratangium. A Late Devonian Ichthyostega emerges from waters of a floodplain 365 million years ago in what is today the Canadian Arctic. On the left is a four - foot - tall Rhacophyton ceratangium, an ancient shrub that is thought to be one of the earliest ferns. On the horizon are more Rhacophyton, along with towering Archaeopteris and Lycopsids in various stages of growth
Ichthyostega & Rhacophyton - An Ichthyostega emerge water 365 million years ago to the upper Devonian. Half-fish, half-terrestrial animal, the Ichthyostega was about 1 metre long. On the left, one of the first species of fern, Rhacophyton ceratangium. A Late Devonian Ichthyostega emerges from waters of a floodplain 365 million years ago in what is today the Canadian Arctic. On the left is a four - foot - tall Rhacophyton ceratangium, an ancient shrub that is thought to be one of the earliest ferns. On the horizon are more Rhacophyton, along with towering Archaeopteris and Lycopsids in various stages of growth

PIX4632781: Ichthyostega & Rhacophyton - An Ichthyostega emerge water 365 million years ago to the upper Devonian. Half-fish, half-terrestrial animal, the Ichthyostega was about 1 metre long. On the left, one of the first species of fern, Rhacophyton ceratangium. A Late Devonian Ichthyostega emerges from waters of a floodplain 365 million years ago in what is today the Canadian Arctic. On the left is a four - foot - tall Rhacophyton ceratangium, an ancient shrub that is thought to be one of the earliest ferns. On the horizon are more Rhacophyton, along with towering Archaeopteris and Lycopsids in various stages of growth / Bridgeman Images

ID: PIX4632781

Ichthyostega & Rhacophyton - An Ichthyostega emerge water 365 million years ago to the upper Devonian. Half-fish, half-terrestrial animal, the Ichthyostega was about 1 metre long. On the left, one of the first species of fern, Rhacophyton ceratangium. A Late Devonian Ichthyostega emerges from waters of a floodplain 365 million years ago in what is today the Canadian Arctic. On the left is a four - foot - tall Rhacophyton ceratangium, an ancient shrub that is thought to be one of the earliest ferns. On the horizon are more Rhacophyton, along with towering Archaeopteris and Lycopsids in various stages of growth

Ichthyostega - View of an Ichthyostega 365 million years ago at the upper Devonian. Half-fish, half-terrestrial animal, the Ichthyostega was about 1 metre long. On the left, one of the first species of fern, Rhacophyton ceratangium. In the foreground, prehistoric arthropods (diplopods and cockroaches). A close - up of a three foot long Late Devonian Ichthyostega 365 million years ago in what is today the Canadian Arctic. Flanking the Ichthyostega are Rhacophyton ceratangium, ancient shrubs that are thought to be one of the earliest ferns. The reddish fruit - like nodules attached to the fronds on the right are sporangia, enclosures in which spores are formed. The large tree - like trunk on the far left is the base of a young Archaeopteris. In the foreground are prehistoric arthropods - - a millipede on the left and on the right cockroaches on trunk of a decaying Lycopsid. Arthropods had been walking the Earth for 40 million years before vertebrates like Ichthyostega began venturing ashore. Ichthyostega was one of the earliest tetrapods, a descendent of lobe - finned fishes and ancestor of amphibians. Ichthyostega had lungs and seven - toed limbs that allowed it to move about the shallow waters and shores of swamps and floodplains. It was among the first terrestrial vertebrates
Ichthyostega - View of an Ichthyostega 365 million years ago at the upper Devonian. Half-fish, half-terrestrial animal, the Ichthyostega was about 1 metre long. On the left, one of the first species of fern, Rhacophyton ceratangium. In the foreground, prehistoric arthropods (diplopods and cockroaches). A close - up of a three foot long Late Devonian Ichthyostega 365 million years ago in what is today the Canadian Arctic. Flanking the Ichthyostega are Rhacophyton ceratangium, ancient shrubs that are thought to be one of the earliest ferns. The reddish fruit - like nodules attached to the fronds on the right are sporangia, enclosures in which spores are formed. The large tree - like trunk on the far left is the base of a young Archaeopteris. In the foreground are prehistoric arthropods - - a millipede on the left and on the right cockroaches on trunk of a decaying Lycopsid. Arthropods had been walking the Earth for 40 million years before vertebrates like Ichthyostega began venturing ashore. Ichthyostega was one of the earliest tetrapods, a descendent of lobe - finned fishes and ancestor of amphibians. Ichthyostega had lungs and seven - toed limbs that allowed it to move about the shallow waters and shores of swamps and floodplains. It was among the first terrestrial vertebrates

PIX4632814: Ichthyostega - View of an Ichthyostega 365 million years ago at the upper Devonian. Half-fish, half-terrestrial animal, the Ichthyostega was about 1 metre long. On the left, one of the first species of fern, Rhacophyton ceratangium. In the foreground, prehistoric arthropods (diplopods and cockroaches). A close - up of a three foot long Late Devonian Ichthyostega 365 million years ago in what is today the Canadian Arctic. Flanking the Ichthyostega are Rhacophyton ceratangium, ancient shrubs that are thought to be one of the earliest ferns. The reddish fruit - like nodules attached to the fronds on the right are sporangia, enclosures in which spores are formed. The large tree - like trunk on the far left is the base of a young Archaeopteris. In the foreground are prehistoric arthropods - - a millipede on the left and on the right cockroaches on trunk of a decaying Lycopsid. Arthropods had been walking the Earth for 40 million years before vertebrates like Ichthyostega began venturing ashore. Ichthyostega was one of the earliest tetrapods, a descendent of lobe - finned fishes and ancestor of amphibians. Ichthyostega had lungs and seven - toed limbs that allowed it to move about the shallow waters and shores of swamps and floodplains. It was among the first terrestrial vertebrates / Bridgeman Images

ID: PIX4632814

Ichthyostega - View of an Ichthyostega 365 million years ago at the upper Devonian. Half-fish, half-terrestrial animal, the Ichthyostega was about 1 metre long. On the left, one of the first species of fern, Rhacophyton ceratangium. In the foreground, prehistoric arthropods (diplopods and cockroaches). A close - up of a three foot long Late Devonian Ichthyostega 365 million years ago in what is today the Canadian Arctic. Flanking the Ichthyostega are Rhacophyton ceratangium, ancient shrubs that are thought to be one of the earliest ferns. The reddish fruit - like nodules attached to the fronds on the right are sporangia, enclosures in which spores are formed. The large tree - like trunk on the far left is the base of a young Archaeopteris. In the foreground are prehistoric arthropods - - a millipede on the left and on the right cockroaches on trunk of a decaying Lycopsid. Arthropods had been walking the Earth for 40 million years before vertebrates like Ichthyostega began venturing ash

Uranus and three satellites seen by Voyager 2 - Image obtained by the Voyager 2 probe in January 1986 showing the planet Uranus accompanied by the satellites Ariel (top right), Miranda (closest to the planet) and Umbriel (bottom left). This Voyager photograph of Uranus taken in january 1986 is a composite of for images taken by the narrow angle camera. At this range, clouds and other features in the atmosphere as small as 1,370 km. could be detected by Voyager 2. Yet, no such features are visible. This view is toward the illuminated south pole of Uranus. The predominant blue color is the result of atmospheric methane, which absorbs the red wavelengths from incoming sunlight. The spot at the upper left edge of the planet's disk reulted from the removal of a network mark used in making measurments on the photograph. Three of Uranus' five known satellites are visible; Miranda (at far right, closest to the planet), Ariel (next out, at top), and Umbriel (lower left). Titania and Oberon are now outside the narrow angle camera's field of view when it centered on the planet. This color composite was made from images taken through blue, green, orange, and clear filters
Uranus and three satellites seen by Voyager 2 - Image obtained by the Voyager 2 probe in January 1986 showing the planet Uranus accompanied by the satellites Ariel (top right), Miranda (closest to the planet) and Umbriel (bottom left). This Voyager photograph of Uranus taken in january 1986 is a composite of for images taken by the narrow angle camera. At this range, clouds and other features in the atmosphere as small as 1,370 km. could be detected by Voyager 2. Yet, no such features are visible. This view is toward the illuminated south pole of Uranus. The predominant blue color is the result of atmospheric methane, which absorbs the red wavelengths from incoming sunlight. The spot at the upper left edge of the planet's disk reulted from the removal of a network mark used in making measurments on the photograph. Three of Uranus' five known satellites are visible; Miranda (at far right, closest to the planet), Ariel (next out, at top), and Umbriel (lower left). Titania and Oberon are now outside the narrow angle camera's field of view when it centered on the planet. This color composite was made from images taken through blue, green, orange, and clear filters

PIX4634712: Uranus and three satellites seen by Voyager 2 - Image obtained by the Voyager 2 probe in January 1986 showing the planet Uranus accompanied by the satellites Ariel (top right), Miranda (closest to the planet) and Umbriel (bottom left). This Voyager photograph of Uranus taken in january 1986 is a composite of for images taken by the narrow angle camera. At this range, clouds and other features in the atmosphere as small as 1,370 km. could be detected by Voyager 2. Yet, no such features are visible. This view is toward the illuminated south pole of Uranus. The predominant blue color is the result of atmospheric methane, which absorbs the red wavelengths from incoming sunlight. The spot at the upper left edge of the planet's disk reulted from the removal of a network mark used in making measurments on the photograph. Three of Uranus' five known satellites are visible; Miranda (at far right, closest to the planet), Ariel (next out, at top), and Umbriel (lower left). Titania and Oberon are now outside the narrow angle camera's field of view when it centered on the planet. This color composite was made from images taken through blue, green, orange, and clear filters / Bridgeman Images

ID: PIX4634712

Uranus and three satellites seen by Voyager 2 - Image obtained by the Voyager 2 probe in January 1986 showing the planet Uranus accompanied by the satellites Ariel (top right), Miranda (closest to the planet) and Umbriel (bottom left). This Voyager photograph of Uranus taken in january 1986 is a composite of for images taken by the narrow angle camera. At this range, clouds and other features in the atmosphere as small as 1,370 km. could be detected by Voyager 2. Yet, no such features are visible. This view is toward the illuminated south pole of Uranus. The predominant blue color is the result of atmospheric methane, which absorbs the red wavelengths from incoming sunlight. The spot at the upper left edge of the planet's disk reulted from the removal of a network mark used in making measurments on the photograph. Three of Uranus' five known satellites are visible; Miranda (at far right, closest to the planet), Ariel (next out, at top), and Umbriel (lower left). Titania and Oberon are

Residents of the Aleutian Islands (Alaska, USA), inhabitants of the Kourile Islands (Japan) in hunting suit and hunter of Fox Island (Alaska, USA). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Inhabitants of the Aleutian, Kuril and Fuchs islands. Alut men in hunting clothes, Ainu man and woman of Kuril, and a Fuchs islander in hunting garb. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Residents of the Aleutian Islands (Alaska, USA), inhabitants of the Kourile Islands (Japan) in hunting suit and hunter of Fox Island (Alaska, USA). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Inhabitants of the Aleutian, Kuril and Fuchs islands. Alut men in hunting clothes, Ainu man and woman of Kuril, and a Fuchs islander in hunting garb. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634725: Residents of the Aleutian Islands (Alaska, USA), inhabitants of the Kourile Islands (Japan) in hunting suit and hunter of Fox Island (Alaska, USA). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Inhabitants of the Aleutian, Kuril and Fuchs islands. Alut men in hunting clothes, Ainu man and woman of Kuril, and a Fuchs islander in hunting garb. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634725

Residents of the Aleutian Islands (Alaska, USA), inhabitants of the Kourile Islands (Japan) in hunting suit and hunter of Fox Island (Alaska, USA). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Inhabitants of the Aleutian, Kuril and Fuchs islands. Alut men in hunting clothes, Ainu man and woman of Kuril, and a Fuchs islander in hunting garb. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Miranda satellite d'Uranus - Miranda satellite seen by the Voyager 2 probe on January 24, 1986. With a diameter of 480 km, it is the smallest of the five main satellites of Uranus. Mosaic of several images
Miranda satellite d'Uranus - Miranda satellite seen by the Voyager 2 probe on January 24, 1986. With a diameter of 480 km, it is the smallest of the five main satellites of Uranus. Mosaic of several images

PIX4634735: Miranda satellite d'Uranus - Miranda satellite seen by the Voyager 2 probe on January 24, 1986. With a diameter of 480 km, it is the smallest of the five main satellites of Uranus. Mosaic of several images / Bridgeman Images

ID: PIX4634735

Miranda satellite d'Uranus - Miranda satellite seen by the Voyager 2 probe on January 24, 1986. With a diameter of 480 km, it is the smallest of the five main satellites of Uranus. Mosaic of several images

Egyptian costumes: turban riders and tunics. Underneath, women in burqa and a woman of harem has the elaboree headdress, wearing an embroidered coat and puffy pants. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian riders wearing turbans and robes, Egyptian women and a girl in burqa, and a woman from a harem in elaborate headdress and coat over embroidered harem pants. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Egyptian costumes: turban riders and tunics. Underneath, women in burqa and a woman of harem has the elaboree headdress, wearing an embroidered coat and puffy pants. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian riders wearing turbans and robes, Egyptian women and a girl in burqa, and a woman from a harem in elaborate headdress and coat over embroidered harem pants. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634758: Egyptian costumes: turban riders and tunics. Underneath, women in burqa and a woman of harem has the elaboree headdress, wearing an embroidered coat and puffy pants. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian riders wearing turbans and robes, Egyptian women and a girl in burqa, and a woman from a harem in elaborate headdress and coat over embroidered harem pants. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634758

Egyptian costumes: turban riders and tunics. Underneath, women in burqa and a woman of harem has the elaboree headdress, wearing an embroidered coat and puffy pants. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian riders wearing turbans and robes, Egyptian women and a girl in burqa, and a woman from a harem in elaborate headdress and coat over embroidered harem pants. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Some Egyptian hieroglyphs and mummy in her urn as well as sarcophagus. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Examples of Egyptian hieroglyphs and writing on papyrus, an embalmed mummy in an urn, a mummy in its coffin and coffin lid. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Some Egyptian hieroglyphs and mummy in her urn as well as sarcophagus. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Examples of Egyptian hieroglyphs and writing on papyrus, an embalmed mummy in an urn, a mummy in its coffin and coffin lid. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634759: Some Egyptian hieroglyphs and mummy in her urn as well as sarcophagus. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Examples of Egyptian hieroglyphs and writing on papyrus, an embalmed mummy in an urn, a mummy in its coffin and coffin lid. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634759

Some Egyptian hieroglyphs and mummy in her urn as well as sarcophagus. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Examples of Egyptian hieroglyphs and writing on papyrus, an embalmed mummy in an urn, a mummy in its coffin and coffin lid. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Scene of the festival of Isis, ancient Egypt: scene with priests, musicians and dancers performing the ritual in front of the sacred fire. Below, the priests making sacrificial offerings before an assembly of faithful. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Festivals of Isis in ancient Egypt. Above, priests, musicians and dancers perform a ritual before a sacred flame, and below, priests make sacrificial offerings before a crowd of worshippers. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Scene of the festival of Isis, ancient Egypt: scene with priests, musicians and dancers performing the ritual in front of the sacred fire. Below, the priests making sacrificial offerings before an assembly of faithful. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Festivals of Isis in ancient Egypt. Above, priests, musicians and dancers perform a ritual before a sacred flame, and below, priests make sacrificial offerings before a crowd of worshippers. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634775: Scene of the festival of Isis, ancient Egypt: scene with priests, musicians and dancers performing the ritual in front of the sacred fire. Below, the priests making sacrificial offerings before an assembly of faithful. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Festivals of Isis in ancient Egypt. Above, priests, musicians and dancers perform a ritual before a sacred flame, and below, priests make sacrificial offerings before a crowd of worshippers. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634775

Scene of the festival of Isis, ancient Egypt: scene with priests, musicians and dancers performing the ritual in front of the sacred fire. Below, the priests making sacrificial offerings before an assembly of faithful. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Festivals of Isis in ancient Egypt. Above, priests, musicians and dancers perform a ritual before a sacred flame, and below, priests make sacrificial offerings before a crowd of worshippers. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Temple and pyramids on Lake Qarun, near the oasis of Fayoum (Egypt). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Temple and pyramids on Lake Karun (Moeris) in El Faiyum, north Egypt. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Temple and pyramids on Lake Qarun, near the oasis of Fayoum (Egypt). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Temple and pyramids on Lake Karun (Moeris) in El Faiyum, north Egypt. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634793: Temple and pyramids on Lake Qarun, near the oasis of Fayoum (Egypt). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Temple and pyramids on Lake Karun (Moeris) in El Faiyum, north Egypt. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634793

Temple and pyramids on Lake Qarun, near the oasis of Fayoum (Egypt). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Temple and pyramids on Lake Karun (Moeris) in El Faiyum, north Egypt. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

The double wall of the temple of Kom Ombo (Egypt), beginning 2nd century BC. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Double temple of Kom Ombo (Ombos) in ancient Egypt with papyrus shaped columns built by Ptolemy VI Philometer. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The double wall of the temple of Kom Ombo (Egypt), beginning 2nd century BC. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Double temple of Kom Ombo (Ombos) in ancient Egypt with papyrus shaped columns built by Ptolemy VI Philometer. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634810: The double wall of the temple of Kom Ombo (Egypt), beginning 2nd century BC. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Double temple of Kom Ombo (Ombos) in ancient Egypt with papyrus shaped columns built by Ptolemy VI Philometer. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634810

The double wall of the temple of Kom Ombo (Egypt), beginning 2nd century BC. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Double temple of Kom Ombo (Ombos) in ancient Egypt with papyrus shaped columns built by Ptolemy VI Philometer. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Uranus and its satellite Puck - Illustration - Uranus and Puck - Illustration - Planet Uranus with its Puck satellite in the foreground. On the right, closer to the planet, is the Belinda satellite. Even closer to Uranus, on the left, the Portia satellite. On Uranus, a giant storm is represented. This is how Uranus and its tiny satellite Puck might look from a position in space about a thousand miles above and beyond Puck itself. With a diameter of about 100 miles, Puck is the largest and outermost of the ten known “” inner”” satellites that orbit Uranus within a radius of 51 thousand miles. Further in toward Uranus on the right is Belinda, a satellite that is about 40 miles in diameter. Even closer to Uranus on the far left is the 60 - mile - diameter satellite Portia. On Uranus itself can be seen a giant, cyclonic storm that's almost as big as the Earth
Uranus and its satellite Puck - Illustration - Uranus and Puck - Illustration - Planet Uranus with its Puck satellite in the foreground. On the right, closer to the planet, is the Belinda satellite. Even closer to Uranus, on the left, the Portia satellite. On Uranus, a giant storm is represented. This is how Uranus and its tiny satellite Puck might look from a position in space about a thousand miles above and beyond Puck itself. With a diameter of about 100 miles, Puck is the largest and outermost of the ten known “” inner”” satellites that orbit Uranus within a radius of 51 thousand miles. Further in toward Uranus on the right is Belinda, a satellite that is about 40 miles in diameter. Even closer to Uranus on the far left is the 60 - mile - diameter satellite Portia. On Uranus itself can be seen a giant, cyclonic storm that's almost as big as the Earth

PIX4634813: Uranus and its satellite Puck - Illustration - Uranus and Puck - Illustration - Planet Uranus with its Puck satellite in the foreground. On the right, closer to the planet, is the Belinda satellite. Even closer to Uranus, on the left, the Portia satellite. On Uranus, a giant storm is represented. This is how Uranus and its tiny satellite Puck might look from a position in space about a thousand miles above and beyond Puck itself. With a diameter of about 100 miles, Puck is the largest and outermost of the ten known “” inner”” satellites that orbit Uranus within a radius of 51 thousand miles. Further in toward Uranus on the right is Belinda, a satellite that is about 40 miles in diameter. Even closer to Uranus on the far left is the 60 - mile - diameter satellite Portia. On Uranus itself can be seen a giant, cyclonic storm that's almost as big as the Earth / Bridgeman Images

ID: PIX4634813

Uranus and its satellite Puck - Illustration - Uranus and Puck - Illustration - Planet Uranus with its Puck satellite in the foreground. On the right, closer to the planet, is the Belinda satellite. Even closer to Uranus, on the left, the Portia satellite. On Uranus, a giant storm is represented. This is how Uranus and its tiny satellite Puck might look from a position in space about a thousand miles above and beyond Puck itself. With a diameter of about 100 miles, Puck is the largest and outermost of the ten known “” inner”” satellites that orbit Uranus within a radius of 51 thousand miles. Further in toward Uranus on the right is Belinda, a satellite that is about 40 miles in diameter. Even closer to Uranus on the far left is the 60 - mile - diameter satellite Portia. On Uranus itself can be seen a giant, cyclonic storm that's almost as big as the Earth

The Great Pyramid of Giza (Egypt). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840.The great pyramids of Giza, Egypt. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The Great Pyramid of Giza (Egypt). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840.The great pyramids of Giza, Egypt. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634841: The Great Pyramid of Giza (Egypt). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840.The great pyramids of Giza, Egypt. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634841

The Great Pyramid of Giza (Egypt). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840.The great pyramids of Giza, Egypt. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Venus rise and zodiacal light - Venus rise and zodiacal light - Venus is the brilliant point above the horizon. 12 September 2007, Monts d'Arree (Finistere). The bright dot above horizon is Venus. September 12 2007, Monts d'Arree (Finistere - France)
Venus rise and zodiacal light - Venus rise and zodiacal light - Venus is the brilliant point above the horizon. 12 September 2007, Monts d'Arree (Finistere). The bright dot above horizon is Venus. September 12 2007, Monts d'Arree (Finistere - France)

PIX4634846: Venus rise and zodiacal light - Venus rise and zodiacal light - Venus is the brilliant point above the horizon. 12 September 2007, Monts d'Arree (Finistere). The bright dot above horizon is Venus. September 12 2007, Monts d'Arree (Finistere - France) / Bridgeman Images

ID: PIX4634846

Venus rise and zodiacal light - Venus rise and zodiacal light - Venus is the brilliant point above the horizon. 12 September 2007, Monts d'Arree (Finistere). The bright dot above horizon is Venus. September 12 2007, Monts d'Arree (Finistere - France)

Venus Sunset - Venus setting - The planet Venus (the shepherd's star) shines in the sky at bedtime. The brilliant planet Venus is setting near an isolated tree
Venus Sunset - Venus setting - The planet Venus (the shepherd's star) shines in the sky at bedtime. The brilliant planet Venus is setting near an isolated tree

PIX4634966: Venus Sunset - Venus setting - The planet Venus (the shepherd's star) shines in the sky at bedtime. The brilliant planet Venus is setting near an isolated tree / Bridgeman Images

ID: PIX4634966

Venus Sunset - Venus setting - The planet Venus (the shepherd's star) shines in the sky at bedtime. The brilliant planet Venus is setting near an isolated tree

Venus rise and zodiacal light - Venus rise and zodiacal light - At the bottom of the picture, a man looks at Venus, the bright point above the horizon. The zodiacal light is the extended glow blade inclined to the right that extends to the lactee lane at Les Gemeaux. Higher, the Coach, then Persee. Saint-michel-de-brasparts, Finistere, 23 September 2009. A man is watching Venus, the bright dot above horizon. Zodiacal light is the pale light coming from the horizon reaching the milky way. Saint-michel-de-brasparts, Finistere, Brittany, september 23, 2009
Venus rise and zodiacal light - Venus rise and zodiacal light - At the bottom of the picture, a man looks at Venus, the bright point above the horizon. The zodiacal light is the extended glow blade inclined to the right that extends to the lactee lane at Les Gemeaux. Higher, the Coach, then Persee. Saint-michel-de-brasparts, Finistere, 23 September 2009. A man is watching Venus, the bright dot above horizon. Zodiacal light is the pale light coming from the horizon reaching the milky way. Saint-michel-de-brasparts, Finistere, Brittany, september 23, 2009

PIX4635010: Venus rise and zodiacal light - Venus rise and zodiacal light - At the bottom of the picture, a man looks at Venus, the bright point above the horizon. The zodiacal light is the extended glow blade inclined to the right that extends to the lactee lane at Les Gemeaux. Higher, the Coach, then Persee. Saint-michel-de-brasparts, Finistere, 23 September 2009. A man is watching Venus, the bright dot above horizon. Zodiacal light is the pale light coming from the horizon reaching the milky way. Saint-michel-de-brasparts, Finistere, Brittany, september 23, 2009 / Bridgeman Images

ID: PIX4635010

Venus rise and zodiacal light - Venus rise and zodiacal light - At the bottom of the picture, a man looks at Venus, the bright point above the horizon. The zodiacal light is the extended glow blade inclined to the right that extends to the lactee lane at Les Gemeaux. Higher, the Coach, then Persee. Saint-michel-de-brasparts, Finistere, 23 September 2009. A man is watching Venus, the bright dot above horizon. Zodiacal light is the pale light coming from the horizon reaching the milky way. Saint-michel-de-brasparts, Finistere, Brittany, september 23, 2009

Military exercises, the charge of Arab horsemen. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Arab military exercises: mounted cavalry armed with spears and muskets charging. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Military exercises, the charge of Arab horsemen. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Arab military exercises: mounted cavalry armed with spears and muskets charging. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4635019: Military exercises, the charge of Arab horsemen. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Arab military exercises: mounted cavalry armed with spears and muskets charging. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4635019

Military exercises, the charge of Arab horsemen. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Arab military exercises: mounted cavalry armed with spears and muskets charging. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Touareg rider on his camel (North Africa). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tuareg man mounted on a camel carrying spears. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Touareg rider on his camel (North Africa). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tuareg man mounted on a camel carrying spears. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4635039: Touareg rider on his camel (North Africa). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tuareg man mounted on a camel carrying spears. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4635039

Touareg rider on his camel (North Africa). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tuareg man mounted on a camel carrying spears. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

The top of the great pyramid of Giza (Egypt), with men in tunic and turban climbing the stones of the building. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840.Summit of the great pyramid of Giza, Egypt, with men in turbans and robes carrying sticks climbing over the stones. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The top of the great pyramid of Giza (Egypt), with men in tunic and turban climbing the stones of the building. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840.Summit of the great pyramid of Giza, Egypt, with men in turbans and robes carrying sticks climbing over the stones. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4635042: The top of the great pyramid of Giza (Egypt), with men in tunic and turban climbing the stones of the building. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840.Summit of the great pyramid of Giza, Egypt, with men in turbans and robes carrying sticks climbing over the stones. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4635042

The top of the great pyramid of Giza (Egypt), with men in tunic and turban climbing the stones of the building. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840.Summit of the great pyramid of Giza, Egypt, with men in turbans and robes carrying sticks climbing over the stones. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.


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