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A bakery in Paris in the 18th century (a french bakery, 18th century) Engraving from “” La mosaique”” 1873
A bakery in Paris in the 18th century (a french bakery, 18th century) Engraving from “” La mosaique”” 1873

ELD4959905: A bakery in Paris in the 18th century (a french bakery, 18th century) Engraving from “” La mosaique”” 1873 / Bridgeman Images

ID: ELD4959905

A bakery in Paris in the 18th century (a french bakery, 18th century) Engraving from “” La mosaique”” 1873

Portrait of Marion delorme (Marie de Lon, damoiselle de Lorme, dit Marion de Lorme) courtesan francaise (1613-1650) (Portrait of Marion Delorme a French courtesan known for her relationships with the important men of her time) Engraving from “La mosaique” 1873
Portrait of Marion delorme (Marie de Lon, damoiselle de Lorme, dit Marion de Lorme) courtesan francaise (1613-1650) (Portrait of Marion Delorme a French courtesan known for her relationships with the important men of her time) Engraving from “La mosaique” 1873

ELD4959939: Portrait of Marion delorme (Marie de Lon, damoiselle de Lorme, dit Marion de Lorme) courtesan francaise (1613-1650) (Portrait of Marion Delorme a French courtesan known for her relationships with the important men of her time) Engraving from “La mosaique” 1873 / Bridgeman Images

ID: ELD4959939

Portrait of Marion delorme (Marie de Lon, damoiselle de Lorme, dit Marion de Lorme) courtesan francaise (1613-1650) (Portrait of Marion Delorme a French courtesan known for her relationships with the important men of her time) Engraving from “La mosaique” 1873

Production of Cognac, brandy made in the region of Cognac in Charente, view of the stage of bottling (production of Cognac, variety of brandy named after the town of Cognac, France, the bottling) Engraving from “” La mosaique” 1873
Production of Cognac, brandy made in the region of Cognac in Charente, view of the stage of bottling (production of Cognac, variety of brandy named after the town of Cognac, France, the bottling) Engraving from “” La mosaique” 1873

ELD4959962: Production of Cognac, brandy made in the region of Cognac in Charente, view of the stage of bottling (production of Cognac, variety of brandy named after the town of Cognac, France, the bottling) Engraving from “” La mosaique” 1873 / Bridgeman Images

ID: ELD4959962

Production of Cognac, brandy made in the region of Cognac in Charente, view of the stage of bottling (production of Cognac, variety of brandy named after the town of Cognac, France, the bottling) Engraving from “” La mosaique” 1873

Margaret of Anjou and her son Edward of Westminster meet Richard Neville Count of Warwick at St Albans on 17th February 1461 (engraving)
Margaret of Anjou and her son Edward of Westminster meet Richard Neville Count of Warwick at St Albans on 17th February 1461 (engraving)

ELD4960023: Margaret of Anjou and her son Edward of Westminster meet Richard Neville Count of Warwick at St Albans on 17th February 1461 (engraving), English School, (19th century) / Bridgeman Images

ID: ELD4960023

Margaret of Anjou and her son Edward of Westminster meet Richard Neville Count of Warwick at St Albans on 17th February 1461 (engraving)

English School, (19th century)

Le Proces de Charlotte Corday July 11, 1793 (Trial of Charlotte Corday, July 1793) Engraving from Les Prisons-de-l'Europe” d'Alboize et Maquet, 1845
Le Proces de Charlotte Corday July 11, 1793 (Trial of Charlotte Corday, July 1793) Engraving from Les Prisons-de-l'Europe” d'Alboize et Maquet, 1845

ELD4960101: Le Proces de Charlotte Corday July 11, 1793 (Trial of Charlotte Corday, July 1793) Engraving from Les Prisons-de-l'Europe” d'Alboize et Maquet, 1845 / Bridgeman Images

ID: ELD4960101

Le Proces de Charlotte Corday July 11, 1793 (Trial of Charlotte Corday, July 1793) Engraving from Les Prisons-de-l'Europe” d'Alboize et Maquet, 1845

A revolt in the galleys in Toulon in 1824, 1845 (engraving)
A revolt in the galleys in Toulon in 1824, 1845 (engraving)

ELD4960184: A revolt in the galleys in Toulon in 1824, 1845 (engraving) / Bridgeman Images

ID: ELD4960184

A revolt in the galleys in Toulon in 1824, 1845 (engraving)

Tribute to the King (Darius or Dareios) Darios 1st (-522 - -486). Relief in basalt 6 and 4th century BC. Archeological Museum of Tehran, Iran.
Tribute to the King (Darius or Dareios) Darios 1st (-522 - -486). Relief in basalt 6 and 4th century BC. Archeological Museum of Tehran, Iran.

ANJ4987567: Tribute to the King (Darius or Dareios) Darios 1st (-522 - -486). Relief in basalt 6 and 4th century BC. Archeological Museum of Tehran, Iran., Persian School, (6th century BC) / Bridgeman Images

ID: ANJ4987567

Tribute to the King (Darius or Dareios) Darios 1st (-522 - -486). Relief in basalt 6 and 4th century BC. Archeological Museum of Tehran, Iran.

Persian School, (6th century BC)

Portrait of Saint Paul depicts with his epitres, 12th century (mural)
Portrait of Saint Paul depicts with his epitres, 12th century (mural)

ANJ4987633: Portrait of Saint Paul depicts with his epitres, 12th century (mural) / Bridgeman Images

ID: ANJ4987633

Portrait of Saint Paul depicts with his epitres, 12th century (mural)

Tomb of Jules II: man's face (detail). Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome.
Tomb of Jules II: man's face (detail). Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome.

ANJ4987641: Tomb of Jules II: man's face (detail). Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome., Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: ANJ4987641

Tomb of Jules II: man's face (detail). Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome.

Buonarroti, Michelangelo (1475-1564)

Tomb of Jules II: hands (detail). Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome.
Tomb of Jules II: hands (detail). Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome.

ANJ4987643: Tomb of Jules II: hands (detail). Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome., Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: ANJ4987643

Tomb of Jules II: hands (detail). Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome.

Buonarroti, Michelangelo (1475-1564)

Tomb of Jules II (detail): face of a howling man. Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome.
Tomb of Jules II (detail): face of a howling man. Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome.

ANJ4987684: Tomb of Jules II (detail): face of a howling man. Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome., Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: ANJ4987684

Tomb of Jules II (detail): face of a howling man. Sculpture of the Renaissance by Michelangelo Buonarroti called Michael Angel (Michelangelo or Michelangelo, 1475-1564), 1513-1545. Church of San Pietro in Vincoli, Rome.

Buonarroti, Michelangelo (1475-1564)

La Cene. Medieval painting by Jaime Serra, 14th century. Palazzo Abatellis, National Gallery of Palermo.
La Cene. Medieval painting by Jaime Serra, 14th century. Palazzo Abatellis, National Gallery of Palermo.

ANJ4987713: La Cene. Medieval painting by Jaime Serra, 14th century. Palazzo Abatellis, National Gallery of Palermo., Serra, Jaume (fl.1358-95) / Bridgeman Images

ID: ANJ4987713

La Cene. Medieval painting by Jaime Serra, 14th century. Palazzo Abatellis, National Gallery of Palermo.

Serra, Jaume (fl.1358-95)

English plum, Prunus domestica. Handcoloured lithograph by Hanhart after a botanical illustration by David Blair from Robert Bentley and Henry Trimen's Medicinal Plants, London, 1880.
English plum, Prunus domestica. Handcoloured lithograph by Hanhart after a botanical illustration by David Blair from Robert Bentley and Henry Trimen's Medicinal Plants, London, 1880.

FLO4987735: English plum, Prunus domestica. Handcoloured lithograph by Hanhart after a botanical illustration by David Blair from Robert Bentley and Henry Trimen's Medicinal Plants, London, 1880. / Bridgeman Images

ID: FLO4987735

English plum, Prunus domestica. Handcoloured lithograph by Hanhart after a botanical illustration by David Blair from Robert Bentley and Henry Trimen's Medicinal Plants, London, 1880.

Painted Byzantine ornaments. From C6th mosaics and marble pavements in Sta. Sofia, Constantinople 1-6, 8-9, 10-11, marble pavement in Agios Pantokrator 7, illuminated Greek manuscript 12-17, from St. Mark's Venice 18,24, Greek manuscripts 19-23, enamels 26-29, marble pavement St. Denis 30. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.
Painted Byzantine ornaments. From C6th mosaics and marble pavements in Sta. Sofia, Constantinople 1-6, 8-9, 10-11, marble pavement in Agios Pantokrator 7, illuminated Greek manuscript 12-17, from St. Mark's Venice 18,24, Greek manuscripts 19-23, enamels 26-29, marble pavement St. Denis 30. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

FLO4987765: Painted Byzantine ornaments. From C6th mosaics and marble pavements in Sta. Sofia, Constantinople 1-6, 8-9, 10-11, marble pavement in Agios Pantokrator 7, illuminated Greek manuscript 12-17, from St. Mark's Venice 18,24, Greek manuscripts 19-23, enamels 26-29, marble pavement St. Denis 30. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868. / Bridgeman Images

ID: FLO4987765

Painted Byzantine ornaments. From C6th mosaics and marble pavements in Sta. Sofia, Constantinople 1-6, 8-9, 10-11, marble pavement in Agios Pantokrator 7, illuminated Greek manuscript 12-17, from St. Mark's Venice 18,24, Greek manuscripts 19-23, enamels 26-29, marble pavement St. Denis 30. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

Pope Gregory (S. Gregorio 540-604), Oratory of St. Gregory of the Church S. Gregorio al Celio, Rome. Baroque sculpture by Nicola Cordier (1567-1612).
Pope Gregory (S. Gregorio 540-604), Oratory of St. Gregory of the Church S. Gregorio al Celio, Rome. Baroque sculpture by Nicola Cordier (1567-1612).

ANJ4988840: Pope Gregory (S. Gregorio 540-604), Oratory of St. Gregory of the Church S. Gregorio al Celio, Rome. Baroque sculpture by Nicola Cordier (1567-1612)., Cordier, Nicolas (Il Franciosino) (1567-1612) / Bridgeman Images

ID: ANJ4988840

Pope Gregory (S. Gregorio 540-604), Oratory of St. Gregory of the Church S. Gregorio al Celio, Rome. Baroque sculpture by Nicola Cordier (1567-1612).

Cordier, Nicolas (Il Franciosino) (1567-1612)

Palazzo della Civilta del Lavoro, EUR quarter, Rome. Architecture of the fascist era by Angolo Bruno La Padula (or Lapadula) and Mario Romano, 1938-1943.
Palazzo della Civilta del Lavoro, EUR quarter, Rome. Architecture of the fascist era by Angolo Bruno La Padula (or Lapadula) and Mario Romano, 1938-1943.

ANJ4988921: Palazzo della Civilta del Lavoro, EUR quarter, Rome. Architecture of the fascist era by Angolo Bruno La Padula (or Lapadula) and Mario Romano, 1938-1943., Piacentini, Marcello (1881-1960) / Bridgeman Images

ID: ANJ4988921

Palazzo della Civilta del Lavoro, EUR quarter, Rome. Architecture of the fascist era by Angolo Bruno La Padula (or Lapadula) and Mario Romano, 1938-1943.

Piacentini, Marcello (1881-1960)

The kidnapping of Europe. Europe is a beloved Phenician princess of Zeus who kidnap her, metamorphosis into white bull. Baroque painting by Mattia Preti Il Cavaliere Calabrese (1613-1699). Galleria Pallavicini, Rome.
The kidnapping of Europe. Europe is a beloved Phenician princess of Zeus who kidnap her, metamorphosis into white bull. Baroque painting by Mattia Preti Il Cavaliere Calabrese (1613-1699). Galleria Pallavicini, Rome.

ANJ4988973: The kidnapping of Europe. Europe is a beloved Phenician princess of Zeus who kidnap her, metamorphosis into white bull. Baroque painting by Mattia Preti Il Cavaliere Calabrese (1613-1699). Galleria Pallavicini, Rome., Preti, Mattia (Il Calabrese) (1613-99) / Bridgeman Images

ID: ANJ4988973

The kidnapping of Europe. Europe is a beloved Phenician princess of Zeus who kidnap her, metamorphosis into white bull. Baroque painting by Mattia Preti Il Cavaliere Calabrese (1613-1699). Galleria Pallavicini, Rome.

Preti, Mattia (Il Calabrese) (1613-99)

Square and Fountain Pretoria in Palermo, Italy. Renaissance architecture by Francesco Camilliani, 1554.
Square and Fountain Pretoria in Palermo, Italy. Renaissance architecture by Francesco Camilliani, 1554.

ANJ4988976: Square and Fountain Pretoria in Palermo, Italy. Renaissance architecture by Francesco Camilliani, 1554., Camilliani, Francesco (d.1586) / Bridgeman Images

ID: ANJ4988976

Square and Fountain Pretoria in Palermo, Italy. Renaissance architecture by Francesco Camilliani, 1554.

Camilliani, Francesco (d.1586)

The Amone of Saint Charles Borromee (in Italian: S. Carlo Borromeo), 1652 (oil)
The Amone of Saint Charles Borromee (in Italian: S. Carlo Borromeo), 1652 (oil)

ANJ4988978: The Amone of Saint Charles Borromee (in Italian: S. Carlo Borromeo), 1652 (oil), Preti, Mattia (Il Calabrese) (1613-99) / Bridgeman Images

ID: ANJ4988978

The Amone of Saint Charles Borromee (in Italian: S. Carlo Borromeo), 1652 (oil)

Preti, Mattia (Il Calabrese) (1613-99)

Mosaics and marble pavements in the Byzantine style. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.
Mosaics and marble pavements in the Byzantine style. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

FLO4987767: Mosaics and marble pavements in the Byzantine style. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868. / Bridgeman Images

ID: FLO4987767

Mosaics and marble pavements in the Byzantine style. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

The triumph of love. Baroque painting by Mattia Preti il Cavaliere Calabrese (1613-1699). Private collection, Rome.
The triumph of love. Baroque painting by Mattia Preti il Cavaliere Calabrese (1613-1699). Private collection, Rome.

ANJ4987780: The triumph of love. Baroque painting by Mattia Preti il Cavaliere Calabrese (1613-1699). Private collection, Rome. / Bridgeman Images

ID: ANJ4987780

The triumph of love. Baroque painting by Mattia Preti il Cavaliere Calabrese (1613-1699). Private collection, Rome.

Varieties of Moorish lozenge diapers from the Alhambra, Granada, Spain. From the Hall of the Boat 1, Hall of the Ambassadors 2.5, entrance to Court of Lions 3.8, doorway of the Divan, Hall of Two Sisters 4, Courts of the Mosque 6, and Hall of the Abencerrages 7. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.
Varieties of Moorish lozenge diapers from the Alhambra, Granada, Spain. From the Hall of the Boat 1, Hall of the Ambassadors 2.5, entrance to Court of Lions 3.8, doorway of the Divan, Hall of Two Sisters 4, Courts of the Mosque 6, and Hall of the Abencerrages 7. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

FLO4987794: Varieties of Moorish lozenge diapers from the Alhambra, Granada, Spain. From the Hall of the Boat 1, Hall of the Ambassadors 2.5, entrance to Court of Lions 3.8, doorway of the Divan, Hall of Two Sisters 4, Courts of the Mosque 6, and Hall of the Abencerrages 7. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868. / Bridgeman Images

ID: FLO4987794

Varieties of Moorish lozenge diapers from the Alhambra, Granada, Spain. From the Hall of the Boat 1, Hall of the Ambassadors 2.5, entrance to Court of Lions 3.8, doorway of the Divan, Hall of Two Sisters 4, Courts of the Mosque 6, and Hall of the Abencerrages 7. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

Specimens of the interlaced style in Celtic ornament. Ribbons from illuminated manuscripts, gospels, Bibles, etc. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.
Specimens of the interlaced style in Celtic ornament. Ribbons from illuminated manuscripts, gospels, Bibles, etc. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

FLO4987842: Specimens of the interlaced style in Celtic ornament. Ribbons from illuminated manuscripts, gospels, Bibles, etc. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868. / Bridgeman Images

ID: FLO4987842

Specimens of the interlaced style in Celtic ornament. Ribbons from illuminated manuscripts, gospels, Bibles, etc. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

Conventional rendering of flowers and fruit painted on porcelain, China. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.
Conventional rendering of flowers and fruit painted on porcelain, China. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

FLO4987848: Conventional rendering of flowers and fruit painted on porcelain, China. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868. / Bridgeman Images

ID: FLO4987848

Conventional rendering of flowers and fruit painted on porcelain, China. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

San Michele (St. Michael), children's prison, girls' cells, Rome. Baroque architecture by Carlo Fontana and Ferdinando Fuga, 1700-1735.
San Michele (St. Michael), children's prison, girls' cells, Rome. Baroque architecture by Carlo Fontana and Ferdinando Fuga, 1700-1735.

ANJ4987860: San Michele (St. Michael), children's prison, girls' cells, Rome. Baroque architecture by Carlo Fontana and Ferdinando Fuga, 1700-1735., Fuga, Ferdinando (1699-1782) & Fontana, Carlo (1638-1714) / Bridgeman Images

ID: ANJ4987860

San Michele (St. Michael), children's prison, girls' cells, Rome. Baroque architecture by Carlo Fontana and Ferdinando Fuga, 1700-1735.

Fuga, Ferdinando (1699-1782) & Fontana, Carlo (1638-1714)

Barbary ape or Barbary macaque, Macaca sylvanus (Inuus sylvanus). Endangered. Handcoloured steel engraving by W.H. Lizars after an illustration by James Stewart from Sir William Jardine's Naturalist's Library: Monkeys, Edinburgh, 1844.
Barbary ape or Barbary macaque, Macaca sylvanus (Inuus sylvanus). Endangered. Handcoloured steel engraving by W.H. Lizars after an illustration by James Stewart from Sir William Jardine's Naturalist's Library: Monkeys, Edinburgh, 1844.

FLO4987967: Barbary ape or Barbary macaque, Macaca sylvanus (Inuus sylvanus). Endangered. Handcoloured steel engraving by W.H. Lizars after an illustration by James Stewart from Sir William Jardine's Naturalist's Library: Monkeys, Edinburgh, 1844. / Bridgeman Images

ID: FLO4987967

Barbary ape or Barbary macaque, Macaca sylvanus (Inuus sylvanus). Endangered. Handcoloured steel engraving by W.H. Lizars after an illustration by James Stewart from Sir William Jardine's Naturalist's Library: Monkeys, Edinburgh, 1844.

Black-bearded saki, Chiropotes satanas (Couxio, Pithecia satanas). Critically endangered. Handcoloured steel engraving by W.H. Lizars after an illustration by James Stewart from Sir William Jardine's Naturalist's Library: Monkeys, Edinburgh, 1844.
Black-bearded saki, Chiropotes satanas (Couxio, Pithecia satanas). Critically endangered. Handcoloured steel engraving by W.H. Lizars after an illustration by James Stewart from Sir William Jardine's Naturalist's Library: Monkeys, Edinburgh, 1844.

FLO4987999: Black-bearded saki, Chiropotes satanas (Couxio, Pithecia satanas). Critically endangered. Handcoloured steel engraving by W.H. Lizars after an illustration by James Stewart from Sir William Jardine's Naturalist's Library: Monkeys, Edinburgh, 1844. / Bridgeman Images

ID: FLO4987999

Black-bearded saki, Chiropotes satanas (Couxio, Pithecia satanas). Critically endangered. Handcoloured steel engraving by W.H. Lizars after an illustration by James Stewart from Sir William Jardine's Naturalist's Library: Monkeys, Edinburgh, 1844.

Western hoolock gibbon, Hoolock hoolock. Endangered. (Hoolock, Hylobates hoolock.) Handcoloured steel engraving by W.H. Lizars after an illustration by James Stewart from Sir William Jardine's Naturalist's Library: Monkeys, Edinburgh, 1844.
Western hoolock gibbon, Hoolock hoolock. Endangered. (Hoolock, Hylobates hoolock.) Handcoloured steel engraving by W.H. Lizars after an illustration by James Stewart from Sir William Jardine's Naturalist's Library: Monkeys, Edinburgh, 1844.

FLO4988015: Western hoolock gibbon, Hoolock hoolock. Endangered. (Hoolock, Hylobates hoolock.) Handcoloured steel engraving by W.H. Lizars after an illustration by James Stewart from Sir William Jardine's Naturalist's Library: Monkeys, Edinburgh, 1844. / Bridgeman Images

ID: FLO4988015

Western hoolock gibbon, Hoolock hoolock. Endangered. (Hoolock, Hylobates hoolock.) Handcoloured steel engraving by W.H. Lizars after an illustration by James Stewart from Sir William Jardine's Naturalist's Library: Monkeys, Edinburgh, 1844.

Ring monstrance, 1748, The FM Redelmeier, The Treasury, Church of Our Lady of Loreto, Prague., Czech Republic
Ring monstrance, 1748, The FM Redelmeier, The Treasury, Church of Our Lady of Loreto, Prague., Czech Republic

GNG4985930: Ring monstrance, 1748, The FM Redelmeier, The Treasury, Church of Our Lady of Loreto, Prague., Czech Republic / Bridgeman Images

ID: GNG4985930

Ring monstrance, 1748, The FM Redelmeier, The Treasury, Church of Our Lady of Loreto, Prague., Czech Republic

Ciborium., Czech Republic
Ciborium., Czech Republic

GNG4985942: Ciborium., Czech Republic / Bridgeman Images

ID: GNG4985942

Ciborium., Czech Republic

The 10 Commandments, Spanish Synagogue, Prague., Czech Republic
The 10 Commandments, Spanish Synagogue, Prague., Czech Republic

GNG4985982: The 10 Commandments, Spanish Synagogue, Prague., Czech Republic / Bridgeman Images

ID: GNG4985982

The 10 Commandments, Spanish Synagogue, Prague., Czech Republic

The 10 Commandments, Spanish Synagogue, Prague., Czech Republic
The 10 Commandments, Spanish Synagogue, Prague., Czech Republic

GNG4985986: The 10 Commandments, Spanish Synagogue, Prague., Czech Republic / Bridgeman Images

ID: GNG4985986

The 10 Commandments, Spanish Synagogue, Prague., Czech Republic

Spanish Synagogue, Prague., Czech Republic
Spanish Synagogue, Prague., Czech Republic

GNG4986001: Spanish Synagogue, Prague., Czech Republic / Bridgeman Images

ID: GNG4986001

Spanish Synagogue, Prague., Czech Republic

Portrait of Fayoum (Fayum) girl, Coptic art, 2nd century - Museum of Egypt, Cairo
Portrait of Fayoum (Fayum) girl, Coptic art, 2nd century - Museum of Egypt, Cairo

ANJ4986318: Portrait of Fayoum (Fayum) girl, Coptic art, 2nd century - Museum of Egypt, Cairo / Bridgeman Images

ID: ANJ4986318

Portrait of Fayoum (Fayum) girl, Coptic art, 2nd century - Museum of Egypt, Cairo

Saint Peter distributing alms and punishment of Anania - by Tommaso di Giovanni Cassai dit Masaccio (1401-1428), Brancacci Chapel at the Church of Carmine, Florence
Saint Peter distributing alms and punishment of Anania - by Tommaso di Giovanni Cassai dit Masaccio (1401-1428), Brancacci Chapel at the Church of Carmine, Florence

ANJ4986442: Saint Peter distributing alms and punishment of Anania - by Tommaso di Giovanni Cassai dit Masaccio (1401-1428), Brancacci Chapel at the Church of Carmine, Florence / Bridgeman Images

ID: ANJ4986442

Saint Peter distributing alms and punishment of Anania - by Tommaso di Giovanni Cassai dit Masaccio (1401-1428), Brancacci Chapel at the Church of Carmine, Florence

The Tribute by Tommaso di Giovanni Cassai dit Masaccio (1401-1428) - Brancacci Chapel at the Church of Carmine, Florence
The Tribute by Tommaso di Giovanni Cassai dit Masaccio (1401-1428) - Brancacci Chapel at the Church of Carmine, Florence

ANJ4986461: The Tribute by Tommaso di Giovanni Cassai dit Masaccio (1401-1428) - Brancacci Chapel at the Church of Carmine, Florence / Bridgeman Images

ID: ANJ4986461

The Tribute by Tommaso di Giovanni Cassai dit Masaccio (1401-1428) - Brancacci Chapel at the Church of Carmine, Florence


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