Kuniyoshi, Utagawa (1798-1861) Assets (393 in total)

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Tsutsui Junkei, 1848-1849, (woodblock print on paper)
Tsutsui Junkei, 1848-1849, (woodblock print on paper)

MAI6380011: Tsutsui Junkei, 1848-1849, (woodblock print on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Actor Seki Sajuro III in the role of Giheji Oba and actor Bando Shuka in the role of Danshichi Okaji, 1830 (xylography on paper)
Actor Seki Sajuro III in the role of Giheji Oba and actor Bando Shuka in the role of Danshichi Okaji, 1830 (xylography on paper)

SYC6333620: Actor Seki Sajuro III in the role of Giheji Oba and actor Bando Shuka in the role of Danshichi Okaji, 1830 (xylography on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Tokiwa Gozen, mistress of Minamoto no Yoshitsune, in a scene of Kabuki (xylography on paper)
Tokiwa Gozen, mistress of Minamoto no Yoshitsune, in a scene of Kabuki (xylography on paper)

SYC6333628: Tokiwa Gozen, mistress of Minamoto no Yoshitsune, in a scene of Kabuki (xylography on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Japan: The apparition of the Sea-Monk looms over the captain of a ship. Utagawa Kuniyoshi (1797-1861), c. 1845
Japan: The apparition of the Sea-Monk looms over the captain of a ship. Utagawa Kuniyoshi (1797-1861), c. 1845

PFH2562401: Japan: The apparition of the Sea-Monk looms over the captain of a ship. Utagawa Kuniyoshi (1797-1861), c. 1845, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850
Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850

MSC6332184: Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850
Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850

MSC6332185: Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Panel from a triptych, depicting Oniwaka-maru (the future Musashibo Benkei) about to attack the giant carp which devoured his mother, c.1845 (colour woodblock print)
Panel from a triptych, depicting Oniwaka-maru (the future Musashibo Benkei) about to attack the giant carp which devoured his mother, c.1845 (colour woodblock print)

MSC6332265: Panel from a triptych, depicting Oniwaka-maru (the future Musashibo Benkei) about to attack the giant carp which devoured his mother, c.1845 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Japan: Statesman and Adviser to Empress Jingu, Takeshiuchi-no-sukune, carrying the infant Emperor Ojin on his shoulders. Kiritsubo or 'Paulownia Court', from the series 'Heroic Comparisons for the Chapters of Genji'. Utagawa Kuniyoshi (1797-1861), c. 1843
Japan: Statesman and Adviser to Empress Jingu, Takeshiuchi-no-sukune, carrying the infant Emperor Ojin on his shoulders. Kiritsubo or 'Paulownia Court', from the series 'Heroic Comparisons for the Chapters of Genji'. Utagawa Kuniyoshi (1797-1861), c. 1843

PFH1190552: Japan: Statesman and Adviser to Empress Jingu, Takeshiuchi-no-sukune, carrying the infant Emperor Ojin on his shoulders. Kiritsubo or 'Paulownia Court', from the series 'Heroic Comparisons for the Chapters of Genji'. Utagawa Kuniyoshi (1797-1861), c. 1843, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Japan: General Tawara Hidesato and the Dragon Princess, from the series '53 Pairings for the Tokaido Road', Utagawa Kuniyoshi (1797-1861), 1845. The giant centipede Seta is depicted in the top left panel
Japan: General Tawara Hidesato and the Dragon Princess, from the series '53 Pairings for the Tokaido Road', Utagawa Kuniyoshi (1797-1861), 1845. The giant centipede Seta is depicted in the top left panel

PFH1773665: Japan: General Tawara Hidesato and the Dragon Princess, from the series '53 Pairings for the Tokaido Road', Utagawa Kuniyoshi (1797-1861), 1845. The giant centipede Seta is depicted in the top left panel, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Japan: Izumi Shikibu (10th-11th century), mid-Heian Period Japanese poetess. From the series 'Lives of Wise and Heroic Women', Utagawa Kuniyoshi (1797-1861), 1841-1842
Japan: Izumi Shikibu (10th-11th century), mid-Heian Period Japanese poetess. From the series 'Lives of Wise and Heroic Women', Utagawa Kuniyoshi (1797-1861), 1841-1842

PFH1773849: Japan: Izumi Shikibu (10th-11th century), mid-Heian Period Japanese poetess. From the series 'Lives of Wise and Heroic Women', Utagawa Kuniyoshi (1797-1861), 1841-1842, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120841: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120844: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120847: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120848: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120851: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120854: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

An Actor in the role of Kaminari Sho_kuro_, 1847-1852
An Actor in the role of Kaminari Sho_kuro_, 1847-1852

MNS881829: An Actor in the role of Kaminari Sho_kuro_, 1847-1852, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Illustration of of the Sangi Ko_mura's Poem, c. 1840-1842
Illustration of of the Sangi Ko_mura's Poem, c. 1840-1842

MNS881835: Illustration of of the Sangi Ko_mura's Poem, c. 1840-1842, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

MNS881875: "Yo_ko_", 1844-1846, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Illustration of the Abe no Nakamaro's Poem, c. 1840-1842
Illustration of the Abe no Nakamaro's Poem, c. 1840-1842

MNS882046: Illustration of the Abe no Nakamaro's Poem, c. 1840-1842, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

(Two Ghosts from Famous Ghosts Series), 1847-1852
(Two Ghosts from Famous Ghosts Series), 1847-1852

MNS882060: (Two Ghosts from Famous Ghosts Series), 1847-1852, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

MNS883553: "Ensei", c. 1829, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Cho_o_; Fourth Piece of the 5 Serial Images of Making Sea Salt, c. 1830
Cho_o_; Fourth Piece of the 5 Serial Images of Making Sea Salt, c. 1830

MNS883015: Cho_o_; Fourth Piece of the 5 Serial Images of Making Sea Salt, c. 1830, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Girl with Geisha (colour woodcut)
Girl with Geisha (colour woodcut)

XDM1067932: Girl with Geisha (colour woodcut), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Aoto Fujitsuna, the Kamakura Period Warrior Aoto Fujitsuna. [Between 1845 and 1854], 1 Print (3 Sheets) : Woodcut, Color., Print Shows Aoto Fujitsuna Sitting on a Raised Platform with Two Attendants, and Several Men and Women Sitting in the Foreground.
Aoto Fujitsuna, the Kamakura Period Warrior Aoto Fujitsuna. [Between 1845 and 1854], 1 Print (3 Sheets) : Woodcut, Color., Print Shows Aoto Fujitsuna Sitting on a Raised Platform with Two Attendants, and Several Men and Women Sitting in the Foreground.

LZT1112210: Aoto Fujitsuna, the Kamakura Period Warrior Aoto Fujitsuna. [Between 1845 and 1854], 1 Print (3 Sheets) : Woodcut, Color., Print Shows Aoto Fujitsuna Sitting on a Raised Platform with Two Attendants, and Several Men and Women Sitting in the Foreground., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Ishibashi Yama, Mount Ishibashi. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 11.8 X 12.2 ., Print Shows a Samurai (Yoritomo?) Falling or Pushed Out of a Cave on Mount Ishibashi, Where He May Have Sought Refuge.
Ishibashi Yama, Mount Ishibashi. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 11.8 X 12.2 ., Print Shows a Samurai (Yoritomo?) Falling or Pushed Out of a Cave on Mount Ishibashi, Where He May Have Sought Refuge.

LZT1112021: Ishibashi Yama, Mount Ishibashi. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 11.8 X 12.2 ., Print Shows a Samurai (Yoritomo?) Falling or Pushed Out of a Cave on Mount Ishibashi, Where He May Have Sought Refuge., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Gentoku Mitabi Secchu Ni Komei O Otonou No Zu, Xuande Visiting Kongming for the Third Time. 1853., 1 Print (3 Sheets) : Woodcut, Color ; 35 X 23.9  (Left Panel), 34.5 X 24.3  (Center Panel), 34.8 X 23.9  (Right Panel), Print Shows Liu Bei (Xuande) with Two Samurai Paying a Night Visit During a Snow Storm to Zhuge Liang (Kongming) to Request that He Become His Advisor.
Gentoku Mitabi Secchu Ni Komei O Otonou No Zu, Xuande Visiting Kongming for the Third Time. 1853., 1 Print (3 Sheets) : Woodcut, Color ; 35 X 23.9  (Left Panel), 34.5 X 24.3  (Center Panel), 34.8 X 23.9  (Right Panel), Print Shows Liu Bei (Xuande) with Two Samurai Paying a Night Visit During a Snow Storm to Zhuge Liang (Kongming) to Request that He Become His Advisor.

LZT1112563: Gentoku Mitabi Secchu Ni Komei O Otonou No Zu, Xuande Visiting Kongming for the Third Time. 1853., 1 Print (3 Sheets) : Woodcut, Color ; 35 X 23.9 (Left Panel), 34.5 X 24.3 (Center Panel), 34.8 X 23.9 (Right Panel), Print Shows Liu Bei (Xuande) with Two Samurai Paying a Night Visit During a Snow Storm to Zhuge Liang (Kongming) to Request that He Become His Advisor., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

E O Narau Kodomo Tachi, Children in a Painting Class. [Between 1830 and 1848], 1 Print : Woodcut, Color ; 36.8 X 25.8 ., Print Shows Children Painting on Large Sheets of Paper.
E O Narau Kodomo Tachi, Children in a Painting Class. [Between 1830 and 1848], 1 Print : Woodcut, Color ; 36.8 X 25.8 ., Print Shows Children Painting on Large Sheets of Paper.

LZT1112636: E O Narau Kodomo Tachi, Children in a Painting Class. [Between 1830 and 1848], 1 Print : Woodcut, Color ; 36.8 X 25.8 ., Print Shows Children Painting on Large Sheets of Paper., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Asagao No Hachi O Motsu Bijin, Beauty Carrying Morning Glory in a Basin. [Between 1818 and 1830], 1 Print : Woodcut, Color ; 38.8 X 26.2 ., Print Shows a Woman Holding a Small Bowl with a Blossoming Morning Glory Plant.
Asagao No Hachi O Motsu Bijin, Beauty Carrying Morning Glory in a Basin. [Between 1818 and 1830], 1 Print : Woodcut, Color ; 38.8 X 26.2 ., Print Shows a Woman Holding a Small Bowl with a Blossoming Morning Glory Plant.

LZT1112638: Asagao No Hachi O Motsu Bijin, Beauty Carrying Morning Glory in a Basin. [Between 1818 and 1830], 1 Print : Woodcut, Color ; 38.8 X 26.2 ., Print Shows a Woman Holding a Small Bowl with a Blossoming Morning Glory Plant., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Japan: Woodblock print of a Japanese lady in kimono and geta, by Utagawa Kuniyoshi (1798-1861)
Japan: Woodblock print of a Japanese lady in kimono and geta, by Utagawa Kuniyoshi (1798-1861)

PFH1170645: Japan: Woodblock print of a Japanese lady in kimono and geta, by Utagawa Kuniyoshi (1798-1861), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

One Hundred Poets, One Poem Each: Sangi Takamura, Edo period, c.1840-42 (colour woodblock print)
One Hundred Poets, One Poem Each: Sangi Takamura, Edo period, c.1840-42 (colour woodblock print)

FSG349068: One Hundred Poets, One Poem Each: Sangi Takamura, Edo period, c.1840-42 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Twenty-Four Examples of Filial Devotion in Japan: Kamata Matahachi, Edo period, c.1842-43 (colour woodblock print)
Twenty-Four Examples of Filial Devotion in Japan: Kamata Matahachi, Edo period, c.1842-43 (colour woodblock print)

FSG349073: Twenty-Four Examples of Filial Devotion in Japan: Kamata Matahachi, Edo period, c.1842-43 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Shoki and Demon, Edo period, c.1845 (colour woodblock print)
Shoki and Demon, Edo period, c.1845 (colour woodblock print)

FSG349077: Shoki and Demon, Edo period, c.1845 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Actor Ichikawa Danjuro VIII as Yoshiie, Edo period, 1852 (colour woodblock print)
Actor Ichikawa Danjuro VIII as Yoshiie, Edo period, 1852 (colour woodblock print)

FSG349085: Actor Ichikawa Danjuro VIII as Yoshiie, Edo period, 1852 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

The Abalone Fishing. Prints by Utagawa Kuniyoshi (v.1797-1861)
The Abalone Fishing. Prints by Utagawa Kuniyoshi (v.1797-1861)

GIA4788090: The Abalone Fishing. Prints by Utagawa Kuniyoshi (v.1797-1861), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Goshaku Somegoro, 1845 (colour woodblock print)
Goshaku Somegoro, 1845 (colour woodblock print)

HST2908391: Goshaku Somegoro, 1845 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images


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