Kuniyoshi, Utagawa (1798-1861) Assets (395 in total)

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Japan: Emperor Koko, 58th ruler of Japan (notionally r. 884-887), with a poem by Emperor Koko. From the series 'One Hundred Poems by One Hundred Poets' (Hyakunin isshu no uchi), Utagawa Kuniyoshi (1797-1861), c. 1840-1842
Japan: Emperor Koko, 58th ruler of Japan (notionally r. 884-887), with a poem by Emperor Koko. From the series 'One Hundred Poems by One Hundred Poets' (Hyakunin isshu no uchi), Utagawa Kuniyoshi (1797-1861), c. 1840-1842

PFH1773612: Japan: Emperor Koko, 58th ruler of Japan (notionally r. 884-887), with a poem by Emperor Koko. From the series 'One Hundred Poems by One Hundred Poets' (Hyakunin isshu no uchi), Utagawa Kuniyoshi (1797-1861), c. 1840-1842, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Kakizaki Kageige, 1848-1849, (woodblock print on paper)
Kakizaki Kageige, 1848-1849, (woodblock print on paper)

MAI6380000: Kakizaki Kageige, 1848-1849, (woodblock print on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Tsutsui Junkei, 1848-1849, (woodblock print on paper)
Tsutsui Junkei, 1848-1849, (woodblock print on paper)

MAI6380011: Tsutsui Junkei, 1848-1849, (woodblock print on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

The Abalone Fishing. Prints by Utagawa Kuniyoshi (v.1797-1861)
The Abalone Fishing. Prints by Utagawa Kuniyoshi (v.1797-1861)

GIA4788090: The Abalone Fishing. Prints by Utagawa Kuniyoshi (v.1797-1861), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850
Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850

MSC6332184: Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850
Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850

MSC6332185: Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Panel from a triptych, depicting Oniwaka-maru (the future Musashibo Benkei) about to attack the giant carp which devoured his mother, c.1845 (colour woodblock print)
Panel from a triptych, depicting Oniwaka-maru (the future Musashibo Benkei) about to attack the giant carp which devoured his mother, c.1845 (colour woodblock print)

MSC6332265: Panel from a triptych, depicting Oniwaka-maru (the future Musashibo Benkei) about to attack the giant carp which devoured his mother, c.1845 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

A group of actors on their way to the Oji (Inari jinja) Shrine on New Year's Day, signed Kuniyoshi, kiwame seal, Oban tate-e triptych (colour woodblock print)
A group of actors on their way to the Oji (Inari jinja) Shrine on New Year's Day, signed Kuniyoshi, kiwame seal, Oban tate-e triptych (colour woodblock print)

CH6295670: A group of actors on their way to the Oji (Inari jinja) Shrine on New Year's Day, signed Kuniyoshi, kiwame seal, Oban tate-e triptych (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Taishun hoeing a field with the help of elephants and a flock of sparrows, signed Ichiyusai Kuniyoshi ga, c.1843 (colour woodblock print)
Taishun hoeing a field with the help of elephants and a flock of sparrows, signed Ichiyusai Kuniyoshi ga, c.1843 (colour woodblock print)

CH6295375: Taishun hoeing a field with the help of elephants and a flock of sparrows, signed Ichiyusai Kuniyoshi ga, c.1843 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Taishun, [Shun the Great], signed Ichiyusai Kuniyoshi ga, c.1848 (colour woodblock print)
Taishun, [Shun the Great], signed Ichiyusai Kuniyoshi ga, c.1848 (colour woodblock print)

CH6295377: Taishun, [Shun the Great], signed Ichiyusai Kuniyoshi ga, c.1848 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Actor Seki Sajuro III in the role of Giheji Oba and actor Bando Shuka in the role of Danshichi Okaji, 1830 (xylography on paper)
Actor Seki Sajuro III in the role of Giheji Oba and actor Bando Shuka in the role of Danshichi Okaji, 1830 (xylography on paper)

SYC6333620: Actor Seki Sajuro III in the role of Giheji Oba and actor Bando Shuka in the role of Danshichi Okaji, 1830 (xylography on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Tokiwa Gozen, mistress of Minamoto no Yoshitsune, in a scene of Kabuki (xylography on paper)
Tokiwa Gozen, mistress of Minamoto no Yoshitsune, in a scene of Kabuki (xylography on paper)

SYC6333628: Tokiwa Gozen, mistress of Minamoto no Yoshitsune, in a scene of Kabuki (xylography on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

The Rival Generals fording the Ujigawa, 1849
The Rival Generals fording the Ujigawa, 1849

PHD42528: The Rival Generals fording the Ujigawa, 1849, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Goshaku Somegoro, 1845 (colour woodblock print)
Goshaku Somegoro, 1845 (colour woodblock print)

HST2908391: Goshaku Somegoro, 1845 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Scene from a Ghost Story: The Okazaki Cat Demon, 1847-48 (colour woodblock print)
Scene from a Ghost Story: The Okazaki Cat Demon, 1847-48 (colour woodblock print)

HST2908429: Scene from a Ghost Story: The Okazaki Cat Demon, 1847-48 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120841: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120844: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120847: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120848: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120851: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120854: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Gio and Giji Gathering Flowers, from the 'Stories of Wise Women and Faithful Wives' series (Kenjo reppuden) published by Iba-ya Sensaburo (pen, ink & w/c on paper)
Gio and Giji Gathering Flowers, from the 'Stories of Wise Women and Faithful Wives' series (Kenjo reppuden) published by Iba-ya Sensaburo (pen, ink & w/c on paper)

ASC140153: Gio and Giji Gathering Flowers, from the 'Stories of Wise Women and Faithful Wives' series (Kenjo reppuden) published by Iba-ya Sensaburo (pen, ink & w/c on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Actor as the Yakko Okahei, c.1850 (woodblock print)
Actor as the Yakko Okahei, c.1850 (woodblock print)

MAM714373: Actor as the Yakko Okahei, c.1850 (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Woman and Child on the Shore, c.1828-1830 (woodblock print)
Woman and Child on the Shore, c.1828-1830 (woodblock print)

MAM713362: Woman and Child on the Shore, c.1828-1830 (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Daidozan, Famous Boy Sumo Wrestler (woodblock)
Daidozan, Famous Boy Sumo Wrestler (woodblock)

MAM713768: Daidozan, Famous Boy Sumo Wrestler (woodblock), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Japan: The apparition of the Sea-Monk looms over the captain of a ship. Utagawa Kuniyoshi (1797-1861), c. 1845
Japan: The apparition of the Sea-Monk looms over the captain of a ship. Utagawa Kuniyoshi (1797-1861), c. 1845

PFH2562401: Japan: The apparition of the Sea-Monk looms over the captain of a ship. Utagawa Kuniyoshi (1797-1861), c. 1845, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

One Hundred Poets, One Poem Each: Sangi Takamura, Edo period, c.1840-42 (colour woodblock print)
One Hundred Poets, One Poem Each: Sangi Takamura, Edo period, c.1840-42 (colour woodblock print)

FSG349068: One Hundred Poets, One Poem Each: Sangi Takamura, Edo period, c.1840-42 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Twenty-Four Examples of Filial Devotion in Japan: Kamata Matahachi, Edo period, c.1842-43 (colour woodblock print)
Twenty-Four Examples of Filial Devotion in Japan: Kamata Matahachi, Edo period, c.1842-43 (colour woodblock print)

FSG349073: Twenty-Four Examples of Filial Devotion in Japan: Kamata Matahachi, Edo period, c.1842-43 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Shoki and Demon, Edo period, c.1845 (colour woodblock print)
Shoki and Demon, Edo period, c.1845 (colour woodblock print)

FSG349077: Shoki and Demon, Edo period, c.1845 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Actor Ichikawa Danjuro VIII as Yoshiie, Edo period, 1852 (colour woodblock print)
Actor Ichikawa Danjuro VIII as Yoshiie, Edo period, 1852 (colour woodblock print)

FSG349085: Actor Ichikawa Danjuro VIII as Yoshiie, Edo period, 1852 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

The Charity Sermon, c.1843-47 (colour woodblock print)
The Charity Sermon, c.1843-47 (colour woodblock print)

RUS447533: The Charity Sermon, c.1843-47 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Illustration of the Abe no Nakamaro's Poem, c. 1840-1842
Illustration of the Abe no Nakamaro's Poem, c. 1840-1842

MNS882046: Illustration of the Abe no Nakamaro's Poem, c. 1840-1842, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

(Two Ghosts from Famous Ghosts Series), 1847-1852
(Two Ghosts from Famous Ghosts Series), 1847-1852

MNS882060: (Two Ghosts from Famous Ghosts Series), 1847-1852, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Cho_o_; Fourth Piece of the 5 Serial Images of Making Sea Salt, c. 1830
Cho_o_; Fourth Piece of the 5 Serial Images of Making Sea Salt, c. 1830

MNS883015: Cho_o_; Fourth Piece of the 5 Serial Images of Making Sea Salt, c. 1830, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

MNS883553: "Ensei", c. 1829, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

An Actor in the role of Kaminari Sho_kuro_, 1847-1852
An Actor in the role of Kaminari Sho_kuro_, 1847-1852

MNS881829: An Actor in the role of Kaminari Sho_kuro_, 1847-1852, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images


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