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Kuniyoshi, Utagawa (1798-1861) Assets (395 in total)

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Japan: Izumi Shikibu (10th-11th century), mid-Heian Period Japanese poetess. From the series 'Lives of Wise and Heroic Women', Utagawa Kuniyoshi (1797-1861), 1841-1842
Japan: Izumi Shikibu (10th-11th century), mid-Heian Period Japanese poetess. From the series 'Lives of Wise and Heroic Women', Utagawa Kuniyoshi (1797-1861), 1841-1842

PFH1773849: Japan: Izumi Shikibu (10th-11th century), mid-Heian Period Japanese poetess. From the series 'Lives of Wise and Heroic Women', Utagawa Kuniyoshi (1797-1861), 1841-1842, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PFH1773849

Japan: Izumi Shikibu (10th-11th century), mid-Heian Period Japanese poetess. From the series 'Lives of Wise and Heroic Women', Utagawa Kuniyoshi (1797-1861), 1841-1842

Kuniyoshi, Utagawa (1798-1861)

Japan: General Tawara Hidesato and the Dragon Princess, from the series '53 Pairings for the Tokaido Road', Utagawa Kuniyoshi (1797-1861), 1845. The giant centipede Seta is depicted in the top left panel
Japan: General Tawara Hidesato and the Dragon Princess, from the series '53 Pairings for the Tokaido Road', Utagawa Kuniyoshi (1797-1861), 1845. The giant centipede Seta is depicted in the top left panel

PFH1773665: Japan: General Tawara Hidesato and the Dragon Princess, from the series '53 Pairings for the Tokaido Road', Utagawa Kuniyoshi (1797-1861), 1845. The giant centipede Seta is depicted in the top left panel, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PFH1773665

Japan: General Tawara Hidesato and the Dragon Princess, from the series '53 Pairings for the Tokaido Road', Utagawa Kuniyoshi (1797-1861), 1845. The giant centipede Seta is depicted in the top left panel

Kuniyoshi, Utagawa (1798-1861)

Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850
Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850

MSC6332184: Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: MSC6332184

Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850

Kuniyoshi, Utagawa (1798-1861)

Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850
Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850

MSC6332185: Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: MSC6332185

Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850

Kuniyoshi, Utagawa (1798-1861)

Panel from a triptych, depicting Oniwaka-maru (the future Musashibo Benkei) about to attack the giant carp which devoured his mother, c.1845 (colour woodblock print)
Panel from a triptych, depicting Oniwaka-maru (the future Musashibo Benkei) about to attack the giant carp which devoured his mother, c.1845 (colour woodblock print)

MSC6332265: Panel from a triptych, depicting Oniwaka-maru (the future Musashibo Benkei) about to attack the giant carp which devoured his mother, c.1845 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: MSC6332265

Panel from a triptych, depicting Oniwaka-maru (the future Musashibo Benkei) about to attack the giant carp which devoured his mother, c.1845 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Kakizaki Kageige, 1848-1849, (woodblock print on paper)
Kakizaki Kageige, 1848-1849, (woodblock print on paper)

MAI6380000: Kakizaki Kageige, 1848-1849, (woodblock print on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: MAI6380000

Kakizaki Kageige, 1848-1849, (woodblock print on paper)

Kuniyoshi, Utagawa (1798-1861)

Tsutsui Junkei, 1848-1849, (woodblock print on paper)
Tsutsui Junkei, 1848-1849, (woodblock print on paper)

MAI6380011: Tsutsui Junkei, 1848-1849, (woodblock print on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: MAI6380011

Tsutsui Junkei, 1848-1849, (woodblock print on paper)

Kuniyoshi, Utagawa (1798-1861)

Taishun hoeing a field with the help of elephants and a flock of sparrows, signed Ichiyusai Kuniyoshi ga, c.1843 (colour woodblock print)
Taishun hoeing a field with the help of elephants and a flock of sparrows, signed Ichiyusai Kuniyoshi ga, c.1843 (colour woodblock print)

CH6295375: Taishun hoeing a field with the help of elephants and a flock of sparrows, signed Ichiyusai Kuniyoshi ga, c.1843 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: CH6295375

Taishun hoeing a field with the help of elephants and a flock of sparrows, signed Ichiyusai Kuniyoshi ga, c.1843 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Taishun, [Shun the Great], signed Ichiyusai Kuniyoshi ga, c.1848 (colour woodblock print)
Taishun, [Shun the Great], signed Ichiyusai Kuniyoshi ga, c.1848 (colour woodblock print)

CH6295377: Taishun, [Shun the Great], signed Ichiyusai Kuniyoshi ga, c.1848 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: CH6295377

Taishun, [Shun the Great], signed Ichiyusai Kuniyoshi ga, c.1848 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

A group of actors on their way to the Oji (Inari jinja) Shrine on New Year's Day, signed Kuniyoshi, kiwame seal, Oban tate-e triptych (colour woodblock print)
A group of actors on their way to the Oji (Inari jinja) Shrine on New Year's Day, signed Kuniyoshi, kiwame seal, Oban tate-e triptych (colour woodblock print)

CH6295670: A group of actors on their way to the Oji (Inari jinja) Shrine on New Year's Day, signed Kuniyoshi, kiwame seal, Oban tate-e triptych (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: CH6295670

A group of actors on their way to the Oji (Inari jinja) Shrine on New Year's Day, signed Kuniyoshi, kiwame seal, Oban tate-e triptych (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Goshaku Somegoro, 1845 (colour woodblock print)
Goshaku Somegoro, 1845 (colour woodblock print)

HST2908391: Goshaku Somegoro, 1845 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: HST2908391

Goshaku Somegoro, 1845 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Scene from a Ghost Story: The Okazaki Cat Demon, 1847-48 (colour woodblock print)
Scene from a Ghost Story: The Okazaki Cat Demon, 1847-48 (colour woodblock print)

HST2908429: Scene from a Ghost Story: The Okazaki Cat Demon, 1847-48 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: HST2908429

Scene from a Ghost Story: The Okazaki Cat Demon, 1847-48 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

One Hundred Poets, One Poem Each: Sangi Takamura, Edo period, c.1840-42 (colour woodblock print)
One Hundred Poets, One Poem Each: Sangi Takamura, Edo period, c.1840-42 (colour woodblock print)

FSG349068: One Hundred Poets, One Poem Each: Sangi Takamura, Edo period, c.1840-42 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: FSG349068

One Hundred Poets, One Poem Each: Sangi Takamura, Edo period, c.1840-42 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Twenty-Four Examples of Filial Devotion in Japan: Kamata Matahachi, Edo period, c.1842-43 (colour woodblock print)
Twenty-Four Examples of Filial Devotion in Japan: Kamata Matahachi, Edo period, c.1842-43 (colour woodblock print)

FSG349073: Twenty-Four Examples of Filial Devotion in Japan: Kamata Matahachi, Edo period, c.1842-43 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: FSG349073

Twenty-Four Examples of Filial Devotion in Japan: Kamata Matahachi, Edo period, c.1842-43 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Shoki and Demon, Edo period, c.1845 (colour woodblock print)
Shoki and Demon, Edo period, c.1845 (colour woodblock print)

FSG349077: Shoki and Demon, Edo period, c.1845 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: FSG349077

Shoki and Demon, Edo period, c.1845 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Actor Ichikawa Danjuro VIII as Yoshiie, Edo period, 1852 (colour woodblock print)
Actor Ichikawa Danjuro VIII as Yoshiie, Edo period, 1852 (colour woodblock print)

FSG349085: Actor Ichikawa Danjuro VIII as Yoshiie, Edo period, 1852 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: FSG349085

Actor Ichikawa Danjuro VIII as Yoshiie, Edo period, 1852 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Oyone Magoshichi Taheiji, Actors in the Roles of Oyone Magoshichi and Taheiji. [Between 1848 and 1854], 1 Print (2 Sheets) : Woodcut, Color ; 36.6 X 24.2 (Left Panel), 35.9 X 23.8 (Right Panel), Print Shows Two Warriors and a Woman Around a Fire, One Warrior Appears to Be Protecting the Woman from the Other Warrior.
Oyone Magoshichi Taheiji, Actors in the Roles of Oyone Magoshichi and Taheiji. [Between 1848 and 1854], 1 Print (2 Sheets) : Woodcut, Color ; 36.6 X 24.2 (Left Panel), 35.9 X 23.8 (Right Panel), Print Shows Two Warriors and a Woman Around a Fire, One Warrior Appears to Be Protecting the Woman from the Other Warrior.

LZT1112549: Oyone Magoshichi Taheiji, Actors in the Roles of Oyone Magoshichi and Taheiji. [Between 1848 and 1854], 1 Print (2 Sheets) : Woodcut, Color ; 36.6 X 24.2 (Left Panel), 35.9 X 23.8 (Right Panel), Print Shows Two Warriors and a Woman Around a Fire, One Warrior Appears to Be Protecting the Woman from the Other Warrior., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: LZT1112549

Oyone Magoshichi Taheiji, Actors in the Roles of Oyone Magoshichi and Taheiji. [Between 1848 and 1854], 1 Print (2 Sheets) : Woodcut, Color ; 36.6 X 24.2 (Left Panel), 35.9 X 23.8 (Right Panel), Print Shows Two Warriors and a Woman Around a Fire, One Warrior Appears to Be Protecting the Woman from the Other Warrior.

Kuniyoshi, Utagawa (1798-1861)

Nakasaina Sonja, Actor in the Role of Nakasaina Sonja. [1847 or 1848], 1 Print : Woodcut, Color ; 36.9 X 25.7 ., Print Shows Possibly the Center Panel of a Tripytch an Actor Portraying Nakasaina Sonja, a Buddhist Holy Man or Rakan, Sitting on the Head of a Large Frog(?), Holding an Incense Bowl in Right Hand, with a Small Dragon Fleeing to the Left.
Nakasaina Sonja, Actor in the Role of Nakasaina Sonja. [1847 or 1848], 1 Print : Woodcut, Color ; 36.9 X 25.7 ., Print Shows Possibly the Center Panel of a Tripytch an Actor Portraying Nakasaina Sonja, a Buddhist Holy Man or Rakan, Sitting on the Head of a Large Frog(?), Holding an Incense Bowl in Right Hand, with a Small Dragon Fleeing to the Left.

LZT1112637: Nakasaina Sonja, Actor in the Role of Nakasaina Sonja. [1847 or 1848], 1 Print : Woodcut, Color ; 36.9 X 25.7 ., Print Shows Possibly the Center Panel of a Tripytch an Actor Portraying Nakasaina Sonja, a Buddhist Holy Man or Rakan, Sitting on the Head of a Large Frog(?), Holding an Incense Bowl in Right Hand, with a Small Dragon Fleeing to the Left., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: LZT1112637

Nakasaina Sonja, Actor in the Role of Nakasaina Sonja. [1847 or 1848], 1 Print : Woodcut, Color ; 36.9 X 25.7 ., Print Shows Possibly the Center Panel of a Tripytch an Actor Portraying Nakasaina Sonja, a Buddhist Holy Man or Rakan, Sitting on the Head of a Large Frog(?), Holding an Incense Bowl in Right Hand, with a Small Dragon Fleeing to the Left.

Kuniyoshi, Utagawa (1798-1861)

Prints by Utagawa KUNIYOSHI (1797-1861) depicting the fish.
Prints by Utagawa KUNIYOSHI (1797-1861) depicting the fish.

GIA4768885: Prints by Utagawa KUNIYOSHI (1797-1861) depicting the fish., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: GIA4768885

Prints by Utagawa KUNIYOSHI (1797-1861) depicting the fish.

Kuniyoshi, Utagawa (1798-1861)

Life of Nichiren, 1835. Under the snow in Tsukahara in Sado. Prints by Utagawa KUNIYOSHI. (1797-1861)
Life of Nichiren, 1835. Under the snow in Tsukahara in Sado. Prints by Utagawa KUNIYOSHI. (1797-1861)

GIA4768902: Life of Nichiren, 1835. Under the snow in Tsukahara in Sado. Prints by Utagawa KUNIYOSHI. (1797-1861), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: GIA4768902

Life of Nichiren, 1835. Under the snow in Tsukahara in Sado. Prints by Utagawa KUNIYOSHI. (1797-1861)

Kuniyoshi, Utagawa (1798-1861)

Blind Men in Brawl, c.1850 (woodblock print) (see also 714066)
Blind Men in Brawl, c.1850 (woodblock print) (see also 714066)

MAM714069: Blind Men in Brawl, c.1850 (woodblock print) (see also 714066), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: MAM714069

Blind Men in Brawl, c.1850 (woodblock print) (see also 714066)

Kuniyoshi, Utagawa (1798-1861)

The Filial Son. Yoji training a monkey from a series: Twenty-four Paragons of Filial Piety in Japan, middle 1840's (woodblock print)
The Filial Son. Yoji training a monkey from a series: Twenty-four Paragons of Filial Piety in Japan, middle 1840's (woodblock print)

MAM714414: The Filial Son. Yoji training a monkey from a series: Twenty-four Paragons of Filial Piety in Japan, middle 1840's (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: MAM714414

The Filial Son. Yoji training a monkey from a series: Twenty-four Paragons of Filial Piety in Japan, middle 1840's (woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Scenes from dramatized legends (woodblock print)
Scenes from dramatized legends (woodblock print)

MAM713656: Scenes from dramatized legends (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: MAM713656

Scenes from dramatized legends (woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Kabuki Actor, 18th-19th century (woodblock print)
Kabuki Actor, 18th-19th century (woodblock print)

MAM713425: Kabuki Actor, 18th-19th century (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: MAM713425

Kabuki Actor, 18th-19th century (woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Fashionable Crowd of the New Year's Day, 1847-1852
Fashionable Crowd of the New Year's Day, 1847-1852

MNS881836: Fashionable Crowd of the New Year's Day, 1847-1852, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: MNS881836

Fashionable Crowd of the New Year's Day, 1847-1852

Kuniyoshi, Utagawa (1798-1861)

Woman as the Hero Taiso_ in Palanquin Holding a Pipe, c. 1830
Woman as the Hero Taiso_ in Palanquin Holding a Pipe, c. 1830

MNS883014: Woman as the Hero Taiso_ in Palanquin Holding a Pipe, c. 1830, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: MNS883014

Woman as the Hero Taiso_ in Palanquin Holding a Pipe, c. 1830

Kuniyoshi, Utagawa (1798-1861)

Gensho_go; Fifth Piece of the 5 Serial Images of Making Sea Salt, c. 1830
Gensho_go; Fifth Piece of the 5 Serial Images of Making Sea Salt, c. 1830

MNS883016: Gensho_go; Fifth Piece of the 5 Serial Images of Making Sea Salt, c. 1830, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: MNS883016

Gensho_go; Fifth Piece of the 5 Serial Images of Making Sea Salt, c. 1830

Kuniyoshi, Utagawa (1798-1861)

Two Views of Edo (colour woodcut)
Two Views of Edo (colour woodcut)

XDM1067933: Two Views of Edo (colour woodcut), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: XDM1067933

Two Views of Edo (colour woodcut)

Kuniyoshi, Utagawa (1798-1861)

Shibakari to Sentaku, Washing Clothes Next to a Woodpile. [Between 1844 and 1854], 1 Print : Woodcut, Color.
Shibakari to Sentaku, Washing Clothes Next to a Woodpile. [Between 1844 and 1854], 1 Print : Woodcut, Color.

LZT1112212: Shibakari to Sentaku, Washing Clothes Next to a Woodpile. [Between 1844 and 1854], 1 Print : Woodcut, Color., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: LZT1112212

Shibakari to Sentaku, Washing Clothes Next to a Woodpile. [Between 1844 and 1854], 1 Print : Woodcut, Color.

Kuniyoshi, Utagawa (1798-1861)

Band? Hikosabur? Iv As Ashikaga Yoshimasa And Ichikawa Kodanji Iv As Asakura T?go From Kabuki Play, Higashiyama Sakura S?shi (colour woodblock print)
Band? Hikosabur? Iv As Ashikaga Yoshimasa And Ichikawa Kodanji Iv As Asakura T?go From Kabuki Play, Higashiyama Sakura S?shi (colour woodblock print)

IMA1561716: Band? Hikosabur? Iv As Ashikaga Yoshimasa And Ichikawa Kodanji Iv As Asakura T?go From Kabuki Play, Higashiyama Sakura S?shi (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: IMA1561716

Band? Hikosabur? Iv As Ashikaga Yoshimasa And Ichikawa Kodanji Iv As Asakura T?go From Kabuki Play, Higashiyama Sakura S?shi (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Band? Hikosabur? Iv As Ashikaga Yoshimasa And Ichikawa Kodanji Iv As Asakura T?go From Kabuki Play, Higashiyama Sakura S?shi (colour woodblock print)
Band? Hikosabur? Iv As Ashikaga Yoshimasa And Ichikawa Kodanji Iv As Asakura T?go From Kabuki Play, Higashiyama Sakura S?shi (colour woodblock print)

IMA1561718: Band? Hikosabur? Iv As Ashikaga Yoshimasa And Ichikawa Kodanji Iv As Asakura T?go From Kabuki Play, Higashiyama Sakura S?shi (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: IMA1561718

Band? Hikosabur? Iv As Ashikaga Yoshimasa And Ichikawa Kodanji Iv As Asakura T?go From Kabuki Play, Higashiyama Sakura S?shi (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Colour woodblock print from the series Shinshū Kawanakajima hyaku yūshō sen no zu (A Hundred Generals, Brave in Battle, at Kawanakajima in Shinano Province), entitled Arakawa Izu no kami, depicting Arakawa Izu no Kami, the brave general, under streamers: Japan, Edo, by Utagawa Kuniyoshi, c. 1845
Colour woodblock print from the series Shinshū Kawanakajima hyaku yūshō sen no zu (A Hundred Generals, Brave in Battle, at Kawanakajima in Shinano Province), entitled Arakawa Izu no kami, depicting Arakawa Izu no Kami, the brave general, under streamers: Japan, Edo, by Utagawa Kuniyoshi, c. 1845

MSC6332200: Colour woodblock print from the series Shinshū Kawanakajima hyaku yūshō sen no zu (A Hundred Generals, Brave in Battle, at Kawanakajima in Shinano Province), entitled Arakawa Izu no kami, depicting Arakawa Izu no Kami, the brave general, under streamers: Japan, Edo, by Utagawa Kuniyoshi, c. 1845, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: MSC6332200

Colour woodblock print from the series Shinshū Kawanakajima hyaku yūshō sen no zu (A Hundred Generals, Brave in Battle, at Kawanakajima in Shinano Province), entitled Arakawa Izu no kami, depicting Arakawa Izu no Kami, the brave general, under streamers: Japan, Edo, by Utagawa Kuniyoshi, c. 1845

Kuniyoshi, Utagawa (1798-1861)

Hataori (weaving on a loom) c.1840 (ink on paper)
Hataori (weaving on a loom) c.1840 (ink on paper)

IMA374408: Hataori (weaving on a loom) c.1840 (ink on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: IMA374408

Hataori (weaving on a loom) c.1840 (ink on paper)

Kuniyoshi, Utagawa (1798-1861)

Diptych (LtoR): The Actors Bando Mitugoro III and Segawa Kikunojo V, 1826 (woodblock print)
Diptych (LtoR): The Actors Bando Mitugoro III and Segawa Kikunojo V, 1826 (woodblock print)

FIT111487: Diptych (LtoR): The Actors Bando Mitugoro III and Segawa Kikunojo V, 1826 (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: FIT111487

Diptych (LtoR): The Actors Bando Mitugoro III and Segawa Kikunojo V, 1826 (woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120843: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: UOL120843

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120850: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: UOL120850

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)


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