Kuniyoshi, Utagawa (1798-1861) Assets (396 in total)

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Ishibashi Yama, Mount Ishibashi. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 11.8 X 12.2 ., Print Shows a Samurai (Yoritomo?) Falling or Pushed Out of a Cave on Mount Ishibashi, Where He May Have Sought Refuge.
Ishibashi Yama, Mount Ishibashi. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 11.8 X 12.2 ., Print Shows a Samurai (Yoritomo?) Falling or Pushed Out of a Cave on Mount Ishibashi, Where He May Have Sought Refuge.

LZT1112021: Ishibashi Yama, Mount Ishibashi. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 11.8 X 12.2 ., Print Shows a Samurai (Yoritomo?) Falling or Pushed Out of a Cave on Mount Ishibashi, Where He May Have Sought Refuge., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Asagao No Hachi O Motsu Bijin, Beauty Carrying Morning Glory in a Basin. [Between 1818 and 1830], 1 Print : Woodcut, Color ; 38.8 X 26.2 ., Print Shows a Woman Holding a Small Bowl with a Blossoming Morning Glory Plant.
Asagao No Hachi O Motsu Bijin, Beauty Carrying Morning Glory in a Basin. [Between 1818 and 1830], 1 Print : Woodcut, Color ; 38.8 X 26.2 ., Print Shows a Woman Holding a Small Bowl with a Blossoming Morning Glory Plant.

LZT1112638: Asagao No Hachi O Motsu Bijin, Beauty Carrying Morning Glory in a Basin. [Between 1818 and 1830], 1 Print : Woodcut, Color ; 38.8 X 26.2 ., Print Shows a Woman Holding a Small Bowl with a Blossoming Morning Glory Plant., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Aoto Fujitsuna, the Kamakura Period Warrior Aoto Fujitsuna. [Between 1845 and 1854], 1 Print (3 Sheets) : Woodcut, Color., Print Shows Aoto Fujitsuna Sitting on a Raised Platform with Two Attendants, and Several Men and Women Sitting in the Foreground.
Aoto Fujitsuna, the Kamakura Period Warrior Aoto Fujitsuna. [Between 1845 and 1854], 1 Print (3 Sheets) : Woodcut, Color., Print Shows Aoto Fujitsuna Sitting on a Raised Platform with Two Attendants, and Several Men and Women Sitting in the Foreground.

LZT1112210: Aoto Fujitsuna, the Kamakura Period Warrior Aoto Fujitsuna. [Between 1845 and 1854], 1 Print (3 Sheets) : Woodcut, Color., Print Shows Aoto Fujitsuna Sitting on a Raised Platform with Two Attendants, and Several Men and Women Sitting in the Foreground., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Gentoku Mitabi Secchu Ni Komei O Otonou No Zu, Xuande Visiting Kongming for the Third Time. 1853., 1 Print (3 Sheets) : Woodcut, Color ; 35 X 23.9  (Left Panel), 34.5 X 24.3  (Center Panel), 34.8 X 23.9  (Right Panel), Print Shows Liu Bei (Xuande) with Two Samurai Paying a Night Visit During a Snow Storm to Zhuge Liang (Kongming) to Request that He Become His Advisor.
Gentoku Mitabi Secchu Ni Komei O Otonou No Zu, Xuande Visiting Kongming for the Third Time. 1853., 1 Print (3 Sheets) : Woodcut, Color ; 35 X 23.9  (Left Panel), 34.5 X 24.3  (Center Panel), 34.8 X 23.9  (Right Panel), Print Shows Liu Bei (Xuande) with Two Samurai Paying a Night Visit During a Snow Storm to Zhuge Liang (Kongming) to Request that He Become His Advisor.

LZT1112563: Gentoku Mitabi Secchu Ni Komei O Otonou No Zu, Xuande Visiting Kongming for the Third Time. 1853., 1 Print (3 Sheets) : Woodcut, Color ; 35 X 23.9 (Left Panel), 34.5 X 24.3 (Center Panel), 34.8 X 23.9 (Right Panel), Print Shows Liu Bei (Xuande) with Two Samurai Paying a Night Visit During a Snow Storm to Zhuge Liang (Kongming) to Request that He Become His Advisor., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Kakizaki Kageige, 1848-1849, (woodblock print on paper)
Kakizaki Kageige, 1848-1849, (woodblock print on paper)

MAI6380000: Kakizaki Kageige, 1848-1849, (woodblock print on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Tsutsui Junkei, 1848-1849, (woodblock print on paper)
Tsutsui Junkei, 1848-1849, (woodblock print on paper)

MAI6380011: Tsutsui Junkei, 1848-1849, (woodblock print on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850
Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850

MSC6332184: Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Panel from a triptych, depicting Oniwaka-maru (the future Musashibo Benkei) about to attack the giant carp which devoured his mother, c.1845 (colour woodblock print)
Panel from a triptych, depicting Oniwaka-maru (the future Musashibo Benkei) about to attack the giant carp which devoured his mother, c.1845 (colour woodblock print)

MSC6332265: Panel from a triptych, depicting Oniwaka-maru (the future Musashibo Benkei) about to attack the giant carp which devoured his mother, c.1845 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850
Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850

MSC6332185: Sheet from a colour woodblock triptych print entitled Imayo Teru-uji furudera no kozu (Up-to-date Teruuji in an Old Picture at an Old Temple), depicting a scene in a ruined temple by moonlight with torn and peeling fusuma, with Teru-uji offering a towel to his lover Tasogare, and behind the screens the latter's mother, Shinonome, in No costume holding a Hannya mask by its cord in her teeth: Japan, by Utagawa Kuniyoshi, 1849 - 1850, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

The Rival Generals fording the Ujigawa, 1849
The Rival Generals fording the Ujigawa, 1849

PHD42528: The Rival Generals fording the Ujigawa, 1849, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Japan: Statesman and Adviser to Empress Jingu, Takeshiuchi-no-sukune, carrying the infant Emperor Ojin on his shoulders. Kiritsubo or 'Paulownia Court', from the series 'Heroic Comparisons for the Chapters of Genji'. Utagawa Kuniyoshi (1797-1861), c. 1843
Japan: Statesman and Adviser to Empress Jingu, Takeshiuchi-no-sukune, carrying the infant Emperor Ojin on his shoulders. Kiritsubo or 'Paulownia Court', from the series 'Heroic Comparisons for the Chapters of Genji'. Utagawa Kuniyoshi (1797-1861), c. 1843

PFH1190552: Japan: Statesman and Adviser to Empress Jingu, Takeshiuchi-no-sukune, carrying the infant Emperor Ojin on his shoulders. Kiritsubo or 'Paulownia Court', from the series 'Heroic Comparisons for the Chapters of Genji'. Utagawa Kuniyoshi (1797-1861), c. 1843, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Japan: Woodblock print of a Japanese lady in kimono and geta, by Utagawa Kuniyoshi (1798-1861)
Japan: Woodblock print of a Japanese lady in kimono and geta, by Utagawa Kuniyoshi (1798-1861)

PFH1170645: Japan: Woodblock print of a Japanese lady in kimono and geta, by Utagawa Kuniyoshi (1798-1861), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Japan: General Tawara Hidesato and the Dragon Princess, from the series '53 Pairings for the Tokaido Road', Utagawa Kuniyoshi (1797-1861), 1845. The giant centipede Seta is depicted in the top left panel
Japan: General Tawara Hidesato and the Dragon Princess, from the series '53 Pairings for the Tokaido Road', Utagawa Kuniyoshi (1797-1861), 1845. The giant centipede Seta is depicted in the top left panel

PFH1773665: Japan: General Tawara Hidesato and the Dragon Princess, from the series '53 Pairings for the Tokaido Road', Utagawa Kuniyoshi (1797-1861), 1845. The giant centipede Seta is depicted in the top left panel, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Japan: The apparition of the Sea-Monk looms over the captain of a ship. Utagawa Kuniyoshi (1797-1861), c. 1845
Japan: The apparition of the Sea-Monk looms over the captain of a ship. Utagawa Kuniyoshi (1797-1861), c. 1845

PFH2562401: Japan: The apparition of the Sea-Monk looms over the captain of a ship. Utagawa Kuniyoshi (1797-1861), c. 1845, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

The Abalone Fishing. Prints by Utagawa Kuniyoshi (v.1797-1861)
The Abalone Fishing. Prints by Utagawa Kuniyoshi (v.1797-1861)

GIA4788090: The Abalone Fishing. Prints by Utagawa Kuniyoshi (v.1797-1861), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Actor Seki Sajuro III in the role of Giheji Oba and actor Bando Shuka in the role of Danshichi Okaji, 1830 (xylography on paper)
Actor Seki Sajuro III in the role of Giheji Oba and actor Bando Shuka in the role of Danshichi Okaji, 1830 (xylography on paper)

SYC6333620: Actor Seki Sajuro III in the role of Giheji Oba and actor Bando Shuka in the role of Danshichi Okaji, 1830 (xylography on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Tokiwa Gozen, mistress of Minamoto no Yoshitsune, in a scene of Kabuki (xylography on paper)
Tokiwa Gozen, mistress of Minamoto no Yoshitsune, in a scene of Kabuki (xylography on paper)

SYC6333628: Tokiwa Gozen, mistress of Minamoto no Yoshitsune, in a scene of Kabuki (xylography on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Taishun hoeing a field with the help of elephants and a flock of sparrows, signed Ichiyusai Kuniyoshi ga, c.1843 (colour woodblock print)
Taishun hoeing a field with the help of elephants and a flock of sparrows, signed Ichiyusai Kuniyoshi ga, c.1843 (colour woodblock print)

CH6295375: Taishun hoeing a field with the help of elephants and a flock of sparrows, signed Ichiyusai Kuniyoshi ga, c.1843 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

A group of actors on their way to the Oji (Inari jinja) Shrine on New Year's Day, signed Kuniyoshi, kiwame seal, Oban tate-e triptych (colour woodblock print)
A group of actors on their way to the Oji (Inari jinja) Shrine on New Year's Day, signed Kuniyoshi, kiwame seal, Oban tate-e triptych (colour woodblock print)

CH6295670: A group of actors on their way to the Oji (Inari jinja) Shrine on New Year's Day, signed Kuniyoshi, kiwame seal, Oban tate-e triptych (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Girl with Geisha (colour woodcut)
Girl with Geisha (colour woodcut)

XDM1067932: Girl with Geisha (colour woodcut), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Scene from a Ghost Story: The Okazaki Cat Demon, 1847-48 (colour woodblock print)
Scene from a Ghost Story: The Okazaki Cat Demon, 1847-48 (colour woodblock print)

HST2908429: Scene from a Ghost Story: The Okazaki Cat Demon, 1847-48 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

The Five Festivals: Hidden Moon Month (5Th)
The Five Festivals: Hidden Moon Month (5Th)

IMA1559804: The Five Festivals: Hidden Moon Month (5Th), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Fuwa Bansaku, 1845-1846, (woodblock print on paper)
Fuwa Bansaku, 1845-1846, (woodblock print on paper)

MAI6378673: Fuwa Bansaku, 1845-1846, (woodblock print on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Ten Warriors of the Oguri Clan: Ikeno Shoji Sukenaga, Edo period, c.1843 (colour woodblock print)
Ten Warriors of the Oguri Clan: Ikeno Shoji Sukenaga, Edo period, c.1843 (colour woodblock print)

FSG349074: Ten Warriors of the Oguri Clan: Ikeno Shoji Sukenaga, Edo period, c.1843 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

The One and Only Eight Dog History of Old Kyokutei (Bakin) Edo period. C.1835 (colour woodblock print)
The One and Only Eight Dog History of Old Kyokutei (Bakin) Edo period. C.1835 (colour woodblock print)

FSG349061: The One and Only Eight Dog History of Old Kyokutei (Bakin) Edo period. C.1835 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Shi Yong, Edo period, c.1848-51 (colour woodblock print)
Shi Yong, Edo period, c.1848-51 (colour woodblock print)

FSG349082: Shi Yong, Edo period, c.1848-51 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

A Jelly fish of Bizen and a woman preparing to write a letter, 1852 (colour woodblock print)
A Jelly fish of Bizen and a woman preparing to write a letter, 1852 (colour woodblock print)

UOL120855: A Jelly fish of Bizen and a woman preparing to write a letter, 1852 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120843: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120850: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Diptych (LtoR): The Actors Bando Mitugoro III and Segawa Kikunojo V, 1826 (woodblock print)
Diptych (LtoR): The Actors Bando Mitugoro III and Segawa Kikunojo V, 1826 (woodblock print)

FIT111487: Diptych (LtoR): The Actors Bando Mitugoro III and Segawa Kikunojo V, 1826 (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Pairings of the Fifty-three Stations along the Tokaido (Tokaido gojusantsugi) Edo period, 1844-47 (colour woodblock print)
Pairings of the Fifty-three Stations along the Tokaido (Tokaido gojusantsugi) Edo period, 1844-47 (colour woodblock print)

FSG349076: Pairings of the Fifty-three Stations along the Tokaido (Tokaido gojusantsugi) Edo period, 1844-47 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Famous Places at the Sixth of the Fifty-Three Stations along the Tokaido, Edo period, late 1830s (colour woodblock print)
Famous Places at the Sixth of the Fifty-Three Stations along the Tokaido, Edo period, late 1830s (colour woodblock print)

FSG349065: Famous Places at the Sixth of the Fifty-Three Stations along the Tokaido, Edo period, late 1830s (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Old Man Gen Exorcise the Bad Spirit of a Haunting Fox, c. 1850
Old Man Gen Exorcise the Bad Spirit of a Haunting Fox, c. 1850

MNS881824: Old Man Gen Exorcise the Bad Spirit of a Haunting Fox, c. 1850, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

No Matter What You Do Someone Will Hear and Talk, c. 1842
No Matter What You Do Someone Will Hear and Talk, c. 1842

MNS881841: No Matter What You Do Someone Will Hear and Talk, c. 1842, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Night Scene with a Beauty and Bush Clovers, 1847-1852
Night Scene with a Beauty and Bush Clovers, 1847-1852

MNS881826: Night Scene with a Beauty and Bush Clovers, 1847-1852, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Illustration of the Gonchu_nagon Atsutada's Poem, c. 1840-1842
Illustration of the Gonchu_nagon Atsutada's Poem, c. 1840-1842

MNS881839: Illustration of the Gonchu_nagon Atsutada's Poem, c. 1840-1842, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images


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