Kuniyoshi, Utagawa (1798-1861) Assets (395 in total)

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Actor Ichikawa Danjuro VIII as Yoshiie, Edo period, 1852 (colour woodblock print)
Actor Ichikawa Danjuro VIII as Yoshiie, Edo period, 1852 (colour woodblock print)

FSG349085: Actor Ichikawa Danjuro VIII as Yoshiie, Edo period, 1852 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

The Rival Generals fording the Ujigawa, 1849
The Rival Generals fording the Ujigawa, 1849

PHD42528: The Rival Generals fording the Ujigawa, 1849, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Japan: Woodblock print of a Japanese lady in kimono and geta, by Utagawa Kuniyoshi (1798-1861)
Japan: Woodblock print of a Japanese lady in kimono and geta, by Utagawa Kuniyoshi (1798-1861)

PFH1170645: Japan: Woodblock print of a Japanese lady in kimono and geta, by Utagawa Kuniyoshi (1798-1861), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Girl with Geisha (colour woodcut)
Girl with Geisha (colour woodcut)

XDM1067932: Girl with Geisha (colour woodcut), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Japan: Statesman and Adviser to Empress Jingu, Takeshiuchi-no-sukune, carrying the infant Emperor Ojin on his shoulders. Kiritsubo or 'Paulownia Court', from the series 'Heroic Comparisons for the Chapters of Genji'. Utagawa Kuniyoshi (1797-1861), c. 1843
Japan: Statesman and Adviser to Empress Jingu, Takeshiuchi-no-sukune, carrying the infant Emperor Ojin on his shoulders. Kiritsubo or 'Paulownia Court', from the series 'Heroic Comparisons for the Chapters of Genji'. Utagawa Kuniyoshi (1797-1861), c. 1843

PFH1190552: Japan: Statesman and Adviser to Empress Jingu, Takeshiuchi-no-sukune, carrying the infant Emperor Ojin on his shoulders. Kiritsubo or 'Paulownia Court', from the series 'Heroic Comparisons for the Chapters of Genji'. Utagawa Kuniyoshi (1797-1861), c. 1843, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Ishibashi Yama, Mount Ishibashi. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 11.8 X 12.2 ., Print Shows a Samurai (Yoritomo?) Falling or Pushed Out of a Cave on Mount Ishibashi, Where He May Have Sought Refuge.
Ishibashi Yama, Mount Ishibashi. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 11.8 X 12.2 ., Print Shows a Samurai (Yoritomo?) Falling or Pushed Out of a Cave on Mount Ishibashi, Where He May Have Sought Refuge.

LZT1112021: Ishibashi Yama, Mount Ishibashi. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 11.8 X 12.2 ., Print Shows a Samurai (Yoritomo?) Falling or Pushed Out of a Cave on Mount Ishibashi, Where He May Have Sought Refuge., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Aoto Fujitsuna, the Kamakura Period Warrior Aoto Fujitsuna. [Between 1845 and 1854], 1 Print (3 Sheets) : Woodcut, Color., Print Shows Aoto Fujitsuna Sitting on a Raised Platform with Two Attendants, and Several Men and Women Sitting in the Foreground.
Aoto Fujitsuna, the Kamakura Period Warrior Aoto Fujitsuna. [Between 1845 and 1854], 1 Print (3 Sheets) : Woodcut, Color., Print Shows Aoto Fujitsuna Sitting on a Raised Platform with Two Attendants, and Several Men and Women Sitting in the Foreground.

LZT1112210: Aoto Fujitsuna, the Kamakura Period Warrior Aoto Fujitsuna. [Between 1845 and 1854], 1 Print (3 Sheets) : Woodcut, Color., Print Shows Aoto Fujitsuna Sitting on a Raised Platform with Two Attendants, and Several Men and Women Sitting in the Foreground., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Gentoku Mitabi Secchu Ni Komei O Otonou No Zu, Xuande Visiting Kongming for the Third Time. 1853., 1 Print (3 Sheets) : Woodcut, Color ; 35 X 23.9  (Left Panel), 34.5 X 24.3  (Center Panel), 34.8 X 23.9  (Right Panel), Print Shows Liu Bei (Xuande) with Two Samurai Paying a Night Visit During a Snow Storm to Zhuge Liang (Kongming) to Request that He Become His Advisor.
Gentoku Mitabi Secchu Ni Komei O Otonou No Zu, Xuande Visiting Kongming for the Third Time. 1853., 1 Print (3 Sheets) : Woodcut, Color ; 35 X 23.9  (Left Panel), 34.5 X 24.3  (Center Panel), 34.8 X 23.9  (Right Panel), Print Shows Liu Bei (Xuande) with Two Samurai Paying a Night Visit During a Snow Storm to Zhuge Liang (Kongming) to Request that He Become His Advisor.

LZT1112563: Gentoku Mitabi Secchu Ni Komei O Otonou No Zu, Xuande Visiting Kongming for the Third Time. 1853., 1 Print (3 Sheets) : Woodcut, Color ; 35 X 23.9 (Left Panel), 34.5 X 24.3 (Center Panel), 34.8 X 23.9 (Right Panel), Print Shows Liu Bei (Xuande) with Two Samurai Paying a Night Visit During a Snow Storm to Zhuge Liang (Kongming) to Request that He Become His Advisor., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

E O Narau Kodomo Tachi, Children in a Painting Class. [Between 1830 and 1848], 1 Print : Woodcut, Color ; 36.8 X 25.8 ., Print Shows Children Painting on Large Sheets of Paper.
E O Narau Kodomo Tachi, Children in a Painting Class. [Between 1830 and 1848], 1 Print : Woodcut, Color ; 36.8 X 25.8 ., Print Shows Children Painting on Large Sheets of Paper.

LZT1112636: E O Narau Kodomo Tachi, Children in a Painting Class. [Between 1830 and 1848], 1 Print : Woodcut, Color ; 36.8 X 25.8 ., Print Shows Children Painting on Large Sheets of Paper., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Asagao No Hachi O Motsu Bijin, Beauty Carrying Morning Glory in a Basin. [Between 1818 and 1830], 1 Print : Woodcut, Color ; 38.8 X 26.2 ., Print Shows a Woman Holding a Small Bowl with a Blossoming Morning Glory Plant.
Asagao No Hachi O Motsu Bijin, Beauty Carrying Morning Glory in a Basin. [Between 1818 and 1830], 1 Print : Woodcut, Color ; 38.8 X 26.2 ., Print Shows a Woman Holding a Small Bowl with a Blossoming Morning Glory Plant.

LZT1112638: Asagao No Hachi O Motsu Bijin, Beauty Carrying Morning Glory in a Basin. [Between 1818 and 1830], 1 Print : Woodcut, Color ; 38.8 X 26.2 ., Print Shows a Woman Holding a Small Bowl with a Blossoming Morning Glory Plant., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Japan: General Tawara Hidesato and the Dragon Princess, from the series '53 Pairings for the Tokaido Road', Utagawa Kuniyoshi (1797-1861), 1845. The giant centipede Seta is depicted in the top left panel
Japan: General Tawara Hidesato and the Dragon Princess, from the series '53 Pairings for the Tokaido Road', Utagawa Kuniyoshi (1797-1861), 1845. The giant centipede Seta is depicted in the top left panel

PFH1773665: Japan: General Tawara Hidesato and the Dragon Princess, from the series '53 Pairings for the Tokaido Road', Utagawa Kuniyoshi (1797-1861), 1845. The giant centipede Seta is depicted in the top left panel, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Japan: Izumi Shikibu (10th-11th century), mid-Heian Period Japanese poetess. From the series 'Lives of Wise and Heroic Women', Utagawa Kuniyoshi (1797-1861), 1841-1842
Japan: Izumi Shikibu (10th-11th century), mid-Heian Period Japanese poetess. From the series 'Lives of Wise and Heroic Women', Utagawa Kuniyoshi (1797-1861), 1841-1842

PFH1773849: Japan: Izumi Shikibu (10th-11th century), mid-Heian Period Japanese poetess. From the series 'Lives of Wise and Heroic Women', Utagawa Kuniyoshi (1797-1861), 1841-1842, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Japan: The apparition of the Sea-Monk looms over the captain of a ship. Utagawa Kuniyoshi (1797-1861), c. 1845
Japan: The apparition of the Sea-Monk looms over the captain of a ship. Utagawa Kuniyoshi (1797-1861), c. 1845

PFH2562401: Japan: The apparition of the Sea-Monk looms over the captain of a ship. Utagawa Kuniyoshi (1797-1861), c. 1845, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Actor Seki Sajuro III in the role of Giheji Oba and actor Bando Shuka in the role of Danshichi Okaji, 1830 (xylography on paper)
Actor Seki Sajuro III in the role of Giheji Oba and actor Bando Shuka in the role of Danshichi Okaji, 1830 (xylography on paper)

SYC6333620: Actor Seki Sajuro III in the role of Giheji Oba and actor Bando Shuka in the role of Danshichi Okaji, 1830 (xylography on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Tokiwa Gozen, mistress of Minamoto no Yoshitsune, in a scene of Kabuki (xylography on paper)
Tokiwa Gozen, mistress of Minamoto no Yoshitsune, in a scene of Kabuki (xylography on paper)

SYC6333628: Tokiwa Gozen, mistress of Minamoto no Yoshitsune, in a scene of Kabuki (xylography on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Taishun hoeing a field with the help of elephants and a flock of sparrows, signed Ichiyusai Kuniyoshi ga, c.1843 (colour woodblock print)
Taishun hoeing a field with the help of elephants and a flock of sparrows, signed Ichiyusai Kuniyoshi ga, c.1843 (colour woodblock print)

CH6295375: Taishun hoeing a field with the help of elephants and a flock of sparrows, signed Ichiyusai Kuniyoshi ga, c.1843 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Taishun, [Shun the Great], signed Ichiyusai Kuniyoshi ga, c.1848 (colour woodblock print)
Taishun, [Shun the Great], signed Ichiyusai Kuniyoshi ga, c.1848 (colour woodblock print)

CH6295377: Taishun, [Shun the Great], signed Ichiyusai Kuniyoshi ga, c.1848 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

The Abalone Fishing. Prints by Utagawa Kuniyoshi (v.1797-1861)
The Abalone Fishing. Prints by Utagawa Kuniyoshi (v.1797-1861)

GIA4788090: The Abalone Fishing. Prints by Utagawa Kuniyoshi (v.1797-1861), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Clearing weather: Miyamoto Musashi, from the series 'Selected Eight Views of Combat (Mitate hakkei)', c.1846 (colour woodblock print)
Clearing weather: Miyamoto Musashi, from the series 'Selected Eight Views of Combat (Mitate hakkei)', c.1846 (colour woodblock print)

BST443774: Clearing weather: Miyamoto Musashi, from the series 'Selected Eight Views of Combat (Mitate hakkei)', c.1846 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Pilgrims at the Roben Waterfall at Oyama, signed Ichiyusai Kuniyoshi, published by Azumaya Daisuke, kiwame seal, Oban tate-e triptych (colour woodblock print)
Pilgrims at the Roben Waterfall at Oyama, signed Ichiyusai Kuniyoshi, published by Azumaya Daisuke, kiwame seal, Oban tate-e triptych (colour woodblock print)

CH6295666: Pilgrims at the Roben Waterfall at Oyama, signed Ichiyusai Kuniyoshi, published by Azumaya Daisuke, kiwame seal, Oban tate-e triptych (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

A group of actors on their way to the Oji (Inari jinja) Shrine on New Year's Day, signed Kuniyoshi, kiwame seal, Oban tate-e triptych (colour woodblock print)
A group of actors on their way to the Oji (Inari jinja) Shrine on New Year's Day, signed Kuniyoshi, kiwame seal, Oban tate-e triptych (colour woodblock print)

CH6295668: A group of actors on their way to the Oji (Inari jinja) Shrine on New Year's Day, signed Kuniyoshi, kiwame seal, Oban tate-e triptych (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Hataori (weaving on a loom) c.1840 (ink on paper)
Hataori (weaving on a loom) c.1840 (ink on paper)

IMA374408: Hataori (weaving on a loom) c.1840 (ink on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Yanagibashi Bridge at Ryo_goku, 1830-1844
Yanagibashi Bridge at Ryo_goku, 1830-1844

MNS882196: Yanagibashi Bridge at Ryo_goku, 1830-1844, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

God of Poverty
God of Poverty

MNS882032: God of Poverty, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Old Man Gen Exorcise the Bad Spirit of a Haunting Fox, c. 1850
Old Man Gen Exorcise the Bad Spirit of a Haunting Fox, c. 1850

MNS881824: Old Man Gen Exorcise the Bad Spirit of a Haunting Fox, c. 1850, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Night Scene with a Beauty and Bush Clovers, 1847-1852
Night Scene with a Beauty and Bush Clovers, 1847-1852

MNS881826: Night Scene with a Beauty and Bush Clovers, 1847-1852, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Illustration of the Suo_ no Naishi's Poem, c. 1840-1842
Illustration of the Suo_ no Naishi's Poem, c. 1840-1842

MNS881834: Illustration of the Suo_ no Naishi's Poem, c. 1840-1842, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Fashionable Crowd of the New Year's Day, 1847-1852
Fashionable Crowd of the New Year's Day, 1847-1852

MNS881836: Fashionable Crowd of the New Year's Day, 1847-1852, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Illustration of the Gonchu_nagon Atsutada's Poem, c. 1840-1842
Illustration of the Gonchu_nagon Atsutada's Poem, c. 1840-1842

MNS881839: Illustration of the Gonchu_nagon Atsutada's Poem, c. 1840-1842, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

No Matter What You Do Someone Will Hear and Talk, c. 1842
No Matter What You Do Someone Will Hear and Talk, c. 1842

MNS881841: No Matter What You Do Someone Will Hear and Talk, c. 1842, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

MNS882540: "Popular O_tsu-e Phenomenon", 1848, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

(Two Women Fighting under Cherry Tree, a Scene from a Kabuki Play), 1847-1852
(Two Women Fighting under Cherry Tree, a Scene from a Kabuki Play), 1847-1852

MNS882541: (Two Women Fighting under Cherry Tree, a Scene from a Kabuki Play), 1847-1852, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

(Woman with Fan and Cricket Cage), 1843-1847
(Woman with Fan and Cricket Cage), 1843-1847

MNS882766: (Woman with Fan and Cricket Cage), 1843-1847, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Mo_so_, 1844-1846
Mo_so_, 1844-1846

MNS881664: Mo_so_, 1844-1846, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Shu Jusho_ c. 1847
Shu Jusho_ c. 1847

MNS881672: Shu Jusho_ c. 1847, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

Actor as the Yakko Okahei, c.1850 (Woodblock print)
Actor as the Yakko Okahei, c.1850 (Woodblock print)

MAM714374: Actor as the Yakko Okahei, c.1850 (Woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images


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