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Kuniyoshi, Utagawa (1798-1861) Assets (395 in total)

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The Ama diver Princess Tamatori pursued by a Ryujin or Japanese Sea Dragon
The Ama diver Princess Tamatori pursued by a Ryujin or Japanese Sea Dragon

PFH1184301: The Ama diver Princess Tamatori pursued by a Ryujin or Japanese Sea Dragon, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PFH1184301

The Ama diver Princess Tamatori pursued by a Ryujin or Japanese Sea Dragon

Kuniyoshi, Utagawa (1798-1861)

Sanada Yoichi Yoshitada, dressed for the hunt with a bow in hand (colour woodblock print)
Sanada Yoichi Yoshitada, dressed for the hunt with a bow in hand (colour woodblock print)

XOT361876: Sanada Yoichi Yoshitada, dressed for the hunt with a bow in hand (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: XOT361876

Sanada Yoichi Yoshitada, dressed for the hunt with a bow in hand (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

The Courtesan Hanao of Ogi-ya by Kuniyoshi, 1830-44 (colour woodblock print)
The Courtesan Hanao of Ogi-ya by Kuniyoshi, 1830-44 (colour woodblock print)

GRC2630230: The Courtesan Hanao of Ogi-ya by Kuniyoshi, 1830-44 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: GRC2630230

The Courtesan Hanao of Ogi-ya by Kuniyoshi, 1830-44 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Japan: Oda Nobunaga on a piebald horse watching repairs on his castle by Naka-ura Sarukichiro. Utagawa Kuniyoshi (1797-1861), 1847-1852
Japan: Oda Nobunaga on a piebald horse watching repairs on his castle by Naka-ura Sarukichiro. Utagawa Kuniyoshi (1797-1861), 1847-1852

PFH1189093: Japan: Oda Nobunaga on a piebald horse watching repairs on his castle by Naka-ura Sarukichiro. Utagawa Kuniyoshi (1797-1861), 1847-1852, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PFH1189093

Japan: Oda Nobunaga on a piebald horse watching repairs on his castle by Naka-ura Sarukichiro. Utagawa Kuniyoshi (1797-1861), 1847-1852

Kuniyoshi, Utagawa (1798-1861)

Kuwana: the Story of the Sailor Tokuzo, 1845-46 (Koka 2-3) (colour woodblock print)
Kuwana: the Story of the Sailor Tokuzo, 1845-46 (Koka 2-3) (colour woodblock print)

HST2908385: Kuwana: the Story of the Sailor Tokuzo, 1845-46 (Koka 2-3) (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: HST2908385

Kuwana: the Story of the Sailor Tokuzo, 1845-46 (Koka 2-3) (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Asahina Saburo and the crocodiles, pub. 1849 (colour woodblock print)
Asahina Saburo and the crocodiles, pub. 1849 (colour woodblock print)

PHD42532: Asahina Saburo and the crocodiles, pub. 1849 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PHD42532

Asahina Saburo and the crocodiles, pub. 1849 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Brazier (Kotatsu) from the series '108 Designs of Customs of Women Likened to the Suikoden', c.1918-30 (woodblock print)
Brazier (Kotatsu) from the series '108 Designs of Customs of Women Likened to the Suikoden', c.1918-30 (woodblock print)

FIT111480: Brazier (Kotatsu) from the series '108 Designs of Customs of Women Likened to the Suikoden', c.1918-30 (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: FIT111480

Brazier (Kotatsu) from the series '108 Designs of Customs of Women Likened to the Suikoden', c.1918-30 (woodblock print)

Kuniyoshi, Utagawa (1798-1861)

The mortally wounded Taira Tomomori with a huge anchor (print)
The mortally wounded Taira Tomomori with a huge anchor (print)

PFH1188881: The mortally wounded Taira Tomomori with a huge anchor (print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PFH1188881

The mortally wounded Taira Tomomori with a huge anchor (print)

Kuniyoshi, Utagawa (1798-1861)

Portrait of a Ronin, from 'Seichin Gushi Shozo' (woodblock print) (b/w print)
Portrait of a Ronin, from 'Seichin Gushi Shozo' (woodblock print) (b/w print)

XIR158690: Portrait of a Ronin, from 'Seichin Gushi Shozo' (woodblock print) (b/w print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: XIR158690

Portrait of a Ronin, from 'Seichin Gushi Shozo' (woodblock print) (b/w print)

Kuniyoshi, Utagawa (1798-1861)

Biographies of Loyal Samurai: Nakamura Kansuke Tadatoki, Edo period, 1847-48 (colour woodblock print)
Biographies of Loyal Samurai: Nakamura Kansuke Tadatoki, Edo period, 1847-48 (colour woodblock print)

FSG349081: Biographies of Loyal Samurai: Nakamura Kansuke Tadatoki, Edo period, 1847-48 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: FSG349081

Biographies of Loyal Samurai: Nakamura Kansuke Tadatoki, Edo period, 1847-48 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

The Earth Spider making magic in the palace of Raiko (woodblock print)
The Earth Spider making magic in the palace of Raiko (woodblock print)

XTD75427: The Earth Spider making magic in the palace of Raiko (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: XTD75427

The Earth Spider making magic in the palace of Raiko (woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Kinki-Myo-Myo (Very, Very Droll) (woodblock print)
Kinki-Myo-Myo (Very, Very Droll) (woodblock print)

XIR151850: Kinki-Myo-Myo (Very, Very Droll) (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: XIR151850

Kinki-Myo-Myo (Very, Very Droll) (woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Hatsuhana in prayer under the Gongen waterfall at Hakone, illustration from the series 'Stories of wise women and faithful wives', Edo Period, c.1841 (colour woodcut on paper)
Hatsuhana in prayer under the Gongen waterfall at Hakone, illustration from the series 'Stories of wise women and faithful wives', Edo Period, c.1841 (colour woodcut on paper)

ADL362106: Hatsuhana in prayer under the Gongen waterfall at Hakone, illustration from the series 'Stories of wise women and faithful wives', Edo Period, c.1841 (colour woodcut on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: ADL362106

Hatsuhana in prayer under the Gongen waterfall at Hakone, illustration from the series 'Stories of wise women and faithful wives', Edo Period, c.1841 (colour woodcut on paper)

Kuniyoshi, Utagawa (1798-1861)

Mount Fuji from the Sumida River embankment, one of the views from Edo, c.1842
Mount Fuji from the Sumida River embankment, one of the views from Edo, c.1842

BAL1444: Mount Fuji from the Sumida River embankment, one of the views from Edo, c.1842, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: BAL1444

Mount Fuji from the Sumida River embankment, one of the views from Edo, c.1842

Kuniyoshi, Utagawa (1798-1861)

Miyamoto Musashi, c.1843 (colour woodblock print)
Miyamoto Musashi, c.1843 (colour woodblock print)

BST443773: Miyamoto Musashi, c.1843 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: BST443773

Miyamoto Musashi, c.1843 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Token Gombei, his face reflected in a mirror and wearing a robe decorated with scenes of hell, from the series Kuniyoshi moyo shofuda tsuketari genkin ototo [Typical Types of Manly Fellows in Kuniyoshi's Style], signed Ichiyusai Kuniyoshi ga, published by Ibaya Kyubei (colour woodblock print)
Token Gombei, his face reflected in a mirror and wearing a robe decorated with scenes of hell, from the series Kuniyoshi moyo shofuda tsuketari genkin ototo [Typical Types of Manly Fellows in Kuniyoshi's Style], signed Ichiyusai Kuniyoshi ga, published by Ibaya Kyubei (colour woodblock print)

CH6295665: Token Gombei, his face reflected in a mirror and wearing a robe decorated with scenes of hell, from the series Kuniyoshi moyo shofuda tsuketari genkin ototo [Typical Types of Manly Fellows in Kuniyoshi's Style], signed Ichiyusai Kuniyoshi ga, published by Ibaya Kyubei (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: CH6295665

Token Gombei, his face reflected in a mirror and wearing a robe decorated with scenes of hell, from the series Kuniyoshi moyo shofuda tsuketari genkin ototo [Typical Types of Manly Fellows in Kuniyoshi's Style], signed Ichiyusai Kuniyoshi ga, published by Ibaya Kyubei (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Sun Erniang (Boyasha Sonjiro), one of the '108 Heroes of the Water Margin', 1827-30 (print)
Sun Erniang (Boyasha Sonjiro), one of the '108 Heroes of the Water Margin', 1827-30 (print)

PFH1182687: Sun Erniang (Boyasha Sonjiro), one of the '108 Heroes of the Water Margin', 1827-30 (print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PFH1182687

Sun Erniang (Boyasha Sonjiro), one of the '108 Heroes of the Water Margin', 1827-30 (print)

Kuniyoshi, Utagawa (1798-1861)

Yoko and the tiger, from 'Twenty-four Paragons of Filial Piety' ('Nijushi ko doji Kagami'), pub. c.1840 (colour woodblock print)
Yoko and the tiger, from 'Twenty-four Paragons of Filial Piety' ('Nijushi ko doji Kagami'), pub. c.1840 (colour woodblock print)

BCC17743: Yoko and the tiger, from 'Twenty-four Paragons of Filial Piety' ('Nijushi ko doji Kagami'), pub. c.1840 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: BCC17743

Yoko and the tiger, from 'Twenty-four Paragons of Filial Piety' ('Nijushi ko doji Kagami'), pub. c.1840 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

One Hundred Poets, One Poem Each: Sutokuin, Edo period, c.1840-42 (colour woodblock print)
One Hundred Poets, One Poem Each: Sutokuin, Edo period, c.1840-42 (colour woodblock print)

FSG349069: One Hundred Poets, One Poem Each: Sutokuin, Edo period, c.1840-42 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: FSG349069

One Hundred Poets, One Poem Each: Sutokuin, Edo period, c.1840-42 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Japan: The suicide of samurai general Morozumi Masakiyo (Morozumi Torasada, c.1480-1561). Utagawa Kuniyoshi (1797-1861), 1848-1849
Japan: The suicide of samurai general Morozumi Masakiyo (Morozumi Torasada, c.1480-1561). Utagawa Kuniyoshi (1797-1861), 1848-1849

PFH1189288: Japan: The suicide of samurai general Morozumi Masakiyo (Morozumi Torasada, c.1480-1561). Utagawa Kuniyoshi (1797-1861), 1848-1849, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PFH1189288

Japan: The suicide of samurai general Morozumi Masakiyo (Morozumi Torasada, c.1480-1561). Utagawa Kuniyoshi (1797-1861), 1848-1849

Kuniyoshi, Utagawa (1798-1861)

Japan: Horikoshi Masatomo tormented on his sickbed by ghosts at Hosokute Station on the Kisokaido (Nakasendo). Utagawa Kuniyoshi (1797-1861), 1852
Japan: Horikoshi Masatomo tormented on his sickbed by ghosts at Hosokute Station on the Kisokaido (Nakasendo). Utagawa Kuniyoshi (1797-1861), 1852

PFH2562509: Japan: Horikoshi Masatomo tormented on his sickbed by ghosts at Hosokute Station on the Kisokaido (Nakasendo). Utagawa Kuniyoshi (1797-1861), 1852, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PFH2562509

Japan: Horikoshi Masatomo tormented on his sickbed by ghosts at Hosokute Station on the Kisokaido (Nakasendo). Utagawa Kuniyoshi (1797-1861), 1852

Kuniyoshi, Utagawa (1798-1861)

Shower on the Banks of the Sumida River at Ommaya Embankment in Edo, c.1834 (woodblock print)
Shower on the Banks of the Sumida River at Ommaya Embankment in Edo, c.1834 (woodblock print)

FIT111464: Shower on the Banks of the Sumida River at Ommaya Embankment in Edo, c.1834 (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: FIT111464

Shower on the Banks of the Sumida River at Ommaya Embankment in Edo, c.1834 (woodblock print)

Kuniyoshi, Utagawa (1798-1861)

In the Waves at Kakuda enroute to Sado Island, Edo period, c.1835 (colour woodblock print)
In the Waves at Kakuda enroute to Sado Island, Edo period, c.1835 (colour woodblock print)

FSG349062: In the Waves at Kakuda enroute to Sado Island, Edo period, c.1835 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: FSG349062

In the Waves at Kakuda enroute to Sado Island, Edo period, c.1835 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Rori Hakucho Chojun, Lang Libai and Fei Zhangfan. [Between 1826 and 1830], 1 Print : Woodcut, Color ; 36.3 X 24.8 ., Print Shows a Warrior with a Sword in His Mouth, Climbing Netting above Water, Through a Hail of Arrows.
Rori Hakucho Chojun, Lang Libai and Fei Zhangfan. [Between 1826 and 1830], 1 Print : Woodcut, Color ; 36.3 X 24.8 ., Print Shows a Warrior with a Sword in His Mouth, Climbing Netting above Water, Through a Hail of Arrows.

LZT1112664: Rori Hakucho Chojun, Lang Libai and Fei Zhangfan. [Between 1826 and 1830], 1 Print : Woodcut, Color ; 36.3 X 24.8 ., Print Shows a Warrior with a Sword in His Mouth, Climbing Netting above Water, Through a Hail of Arrows., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: LZT1112664

Rori Hakucho Chojun, Lang Libai and Fei Zhangfan. [Between 1826 and 1830], 1 Print : Woodcut, Color ; 36.3 X 24.8 ., Print Shows a Warrior with a Sword in His Mouth, Climbing Netting above Water, Through a Hail of Arrows.

Kuniyoshi, Utagawa (1798-1861)

Tametomo's Shipwreck, pub. c.1836, (colour woodblock print)
Tametomo's Shipwreck, pub. c.1836, (colour woodblock print)

PHD42540: Tametomo's Shipwreck, pub. c.1836, (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PHD42540

Tametomo's Shipwreck, pub. c.1836, (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Japan: The samurai Daito Kansho holding a long naginata (glaive or polearm weapon) with both hands. Utagawa Kuniyoshi (1797-1861), 1856
Japan: The samurai Daito Kansho holding a long naginata (glaive or polearm weapon) with both hands. Utagawa Kuniyoshi (1797-1861), 1856

PFH1188937: Japan: The samurai Daito Kansho holding a long naginata (glaive or polearm weapon) with both hands. Utagawa Kuniyoshi (1797-1861), 1856, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PFH1188937

Japan: The samurai Daito Kansho holding a long naginata (glaive or polearm weapon) with both hands. Utagawa Kuniyoshi (1797-1861), 1856

Kuniyoshi, Utagawa (1798-1861)

A Snowstorm at Kinryozan Temple (colour woodblock print)
A Snowstorm at Kinryozan Temple (colour woodblock print)

CFA12828: A Snowstorm at Kinryozan Temple (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: CFA12828

A Snowstorm at Kinryozan Temple (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Sheet from a colour woodblock print triptych, entitled Kawanakajima kassen (The Battle of Kawanakajima), depicting a close-up of the personal encounter of the two leaders, Uesugi Kenshin (left) and Takeda Shingen: Japan, Edo, by Utagawa Kuniyoshi, 1855
Sheet from a colour woodblock print triptych, entitled Kawanakajima kassen (The Battle of Kawanakajima), depicting a close-up of the personal encounter of the two leaders, Uesugi Kenshin (left) and Takeda Shingen: Japan, Edo, by Utagawa Kuniyoshi, 1855

MSC6332218: Sheet from a colour woodblock print triptych, entitled Kawanakajima kassen (The Battle of Kawanakajima), depicting a close-up of the personal encounter of the two leaders, Uesugi Kenshin (left) and Takeda Shingen: Japan, Edo, by Utagawa Kuniyoshi, 1855, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: MSC6332218

Sheet from a colour woodblock print triptych, entitled Kawanakajima kassen (The Battle of Kawanakajima), depicting a close-up of the personal encounter of the two leaders, Uesugi Kenshin (left) and Takeda Shingen: Japan, Edo, by Utagawa Kuniyoshi, 1855

Kuniyoshi, Utagawa (1798-1861)

The Ashikaga fleet sailing into attack Nitta, c.1840, (colour woodblock print)
The Ashikaga fleet sailing into attack Nitta, c.1840, (colour woodblock print)

PHD42526: The Ashikaga fleet sailing into attack Nitta, c.1840, (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PHD42526

The Ashikaga fleet sailing into attack Nitta, c.1840, (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Kisibe No Matsu, Pine Tree on the Shore. [Between 1820 and 1860, Printed Later], 1 Print : Woodcut, Color ; 19.5 X 9.3 ., Print Shows a Pine Tree Leaning on Supports Over Body of Water, with Birds Flying About, and a View of Mount Fuji.
Kisibe No Matsu, Pine Tree on the Shore. [Between 1820 and 1860, Printed Later], 1 Print : Woodcut, Color ; 19.5 X 9.3 ., Print Shows a Pine Tree Leaning on Supports Over Body of Water, with Birds Flying About, and a View of Mount Fuji.

LZT1112026: Kisibe No Matsu, Pine Tree on the Shore. [Between 1820 and 1860, Printed Later], 1 Print : Woodcut, Color ; 19.5 X 9.3 ., Print Shows a Pine Tree Leaning on Supports Over Body of Water, with Birds Flying About, and a View of Mount Fuji., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: LZT1112026

Kisibe No Matsu, Pine Tree on the Shore. [Between 1820 and 1860, Printed Later], 1 Print : Woodcut, Color ; 19.5 X 9.3 ., Print Shows a Pine Tree Leaning on Supports Over Body of Water, with Birds Flying About, and a View of Mount Fuji.

Kuniyoshi, Utagawa (1798-1861)

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120853: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: UOL120853

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Kiyomori Arresting the Sunset by Incantations
Kiyomori Arresting the Sunset by Incantations

PHD42525: Kiyomori Arresting the Sunset by Incantations, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PHD42525

Kiyomori Arresting the Sunset by Incantations

Kuniyoshi, Utagawa (1798-1861)

The Official Move to the Rebuilt Ise Shrine (Ise Daijingū sengyo no zu) Edo period, 1849 (woodblock print)
The Official Move to the Rebuilt Ise Shrine (Ise Daijingū sengyo no zu) Edo period, 1849 (woodblock print)

BST1262498: The Official Move to the Rebuilt Ise Shrine (Ise Daijingū sengyo no zu) Edo period, 1849 (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: BST1262498

The Official Move to the Rebuilt Ise Shrine (Ise Daijingū sengyo no zu) Edo period, 1849 (woodblock print)

Kuniyoshi, Utagawa (1798-1861)

The Actor Miyamoto Musashi by Kuniyoshi, 1852 (woodblock print)
The Actor Miyamoto Musashi by Kuniyoshi, 1852 (woodblock print)

GRC3036399: The Actor Miyamoto Musashi by Kuniyoshi, 1852 (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: GRC3036399

The Actor Miyamoto Musashi by Kuniyoshi, 1852 (woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Sheet from a colour woodblock print triptych, depicting Minamoto no Yorimasa, aided by Ii Hayata and Watanabe Choshichi, shooting down the nue from the roof of the Emperor Konoe's palace: Japan, Edo, by Utagawa Kuniyoshi, c. 1820 - 1825
Sheet from a colour woodblock print triptych, depicting Minamoto no Yorimasa, aided by Ii Hayata and Watanabe Choshichi, shooting down the nue from the roof of the Emperor Konoe's palace: Japan, Edo, by Utagawa Kuniyoshi, c. 1820 - 1825

MSC6332195: Sheet from a colour woodblock print triptych, depicting Minamoto no Yorimasa, aided by Ii Hayata and Watanabe Choshichi, shooting down the nue from the roof of the Emperor Konoe's palace: Japan, Edo, by Utagawa Kuniyoshi, c. 1820 - 1825, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: MSC6332195

Sheet from a colour woodblock print triptych, depicting Minamoto no Yorimasa, aided by Ii Hayata and Watanabe Choshichi, shooting down the nue from the roof of the Emperor Konoe's palace: Japan, Edo, by Utagawa Kuniyoshi, c. 1820 - 1825

Kuniyoshi, Utagawa (1798-1861)

Sheet from a colour woodblock print triptych, entitled Kawanakajima kassen (The Battle of Kawanakajima), depicting a close-up of the personal encounter of the two leaders, Uesugi Kenshin (left) and Takeda Shingen: Japan, Edo, by Utagawa Kuniyoshi, 1855
Sheet from a colour woodblock print triptych, entitled Kawanakajima kassen (The Battle of Kawanakajima), depicting a close-up of the personal encounter of the two leaders, Uesugi Kenshin (left) and Takeda Shingen: Japan, Edo, by Utagawa Kuniyoshi, 1855

MSC6332206: Sheet from a colour woodblock print triptych, entitled Kawanakajima kassen (The Battle of Kawanakajima), depicting a close-up of the personal encounter of the two leaders, Uesugi Kenshin (left) and Takeda Shingen: Japan, Edo, by Utagawa Kuniyoshi, 1855, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: MSC6332206

Sheet from a colour woodblock print triptych, entitled Kawanakajima kassen (The Battle of Kawanakajima), depicting a close-up of the personal encounter of the two leaders, Uesugi Kenshin (left) and Takeda Shingen: Japan, Edo, by Utagawa Kuniyoshi, 1855

Kuniyoshi, Utagawa (1798-1861)


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