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Kuniyoshi, Utagawa (1798-1861) Assets (393 in total)

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Japan: Oda Nobunaga on a piebald horse watching repairs on his castle by Naka-ura Sarukichiro. Utagawa Kuniyoshi (1797-1861), 1847-1852
Japan: Oda Nobunaga on a piebald horse watching repairs on his castle by Naka-ura Sarukichiro. Utagawa Kuniyoshi (1797-1861), 1847-1852

PFH1189093: Japan: Oda Nobunaga on a piebald horse watching repairs on his castle by Naka-ura Sarukichiro. Utagawa Kuniyoshi (1797-1861), 1847-1852, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PFH1189093

Japan: Oda Nobunaga on a piebald horse watching repairs on his castle by Naka-ura Sarukichiro. Utagawa Kuniyoshi (1797-1861), 1847-1852

Kuniyoshi, Utagawa (1798-1861)

Nichiren Confuses his Enemies, 1830 (woodcut)
Nichiren Confuses his Enemies, 1830 (woodcut)

ANC107085: Nichiren Confuses his Enemies, 1830 (woodcut), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: ANC107085

Nichiren Confuses his Enemies, 1830 (woodcut)

Kuniyoshi, Utagawa (1798-1861)

Yoru no sakura [Cherry Blossoms at Night], c.1846 (woodblock print)
Yoru no sakura [Cherry Blossoms at Night], c.1846 (woodblock print)

CH6281857: Yoru no sakura [Cherry Blossoms at Night], c.1846 (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: CH6281857

Yoru no sakura [Cherry Blossoms at Night], c.1846 (woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Asahina Saburo and the crocodiles, pub. 1849 (colour woodblock print)
Asahina Saburo and the crocodiles, pub. 1849 (colour woodblock print)

PHD42532: Asahina Saburo and the crocodiles, pub. 1849 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PHD42532

Asahina Saburo and the crocodiles, pub. 1849 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Brazier (Kotatsu) from the series '108 Designs of Customs of Women Likened to the Suikoden', c.1918-30 (woodblock print)
Brazier (Kotatsu) from the series '108 Designs of Customs of Women Likened to the Suikoden', c.1918-30 (woodblock print)

FIT111480: Brazier (Kotatsu) from the series '108 Designs of Customs of Women Likened to the Suikoden', c.1918-30 (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: FIT111480

Brazier (Kotatsu) from the series '108 Designs of Customs of Women Likened to the Suikoden', c.1918-30 (woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Portrait of a Ronin, from 'Seichin Gushi Shozo' (woodblock print) (b/w print)
Portrait of a Ronin, from 'Seichin Gushi Shozo' (woodblock print) (b/w print)

XIR158690: Portrait of a Ronin, from 'Seichin Gushi Shozo' (woodblock print) (b/w print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: XIR158690

Portrait of a Ronin, from 'Seichin Gushi Shozo' (woodblock print) (b/w print)

Kuniyoshi, Utagawa (1798-1861)

Biographies of Loyal Samurai: Nakamura Kansuke Tadatoki, Edo period, 1847-48 (colour woodblock print)
Biographies of Loyal Samurai: Nakamura Kansuke Tadatoki, Edo period, 1847-48 (colour woodblock print)

FSG349081: Biographies of Loyal Samurai: Nakamura Kansuke Tadatoki, Edo period, 1847-48 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: FSG349081

Biographies of Loyal Samurai: Nakamura Kansuke Tadatoki, Edo period, 1847-48 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

The Earth Spider making magic in the palace of Raiko (woodblock print)
The Earth Spider making magic in the palace of Raiko (woodblock print)

XTD75427: The Earth Spider making magic in the palace of Raiko (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: XTD75427

The Earth Spider making magic in the palace of Raiko (woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Mount Fuji from the Sumida River embankment, one of the views from Edo, c.1842
Mount Fuji from the Sumida River embankment, one of the views from Edo, c.1842

BAL1444: Mount Fuji from the Sumida River embankment, one of the views from Edo, c.1842, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: BAL1444

Mount Fuji from the Sumida River embankment, one of the views from Edo, c.1842

Kuniyoshi, Utagawa (1798-1861)

Hatsuhana in prayer under the Gongen waterfall at Hakone, illustration from the series 'Stories of wise women and faithful wives', Edo Period, c.1841 (colour woodcut on paper)
Hatsuhana in prayer under the Gongen waterfall at Hakone, illustration from the series 'Stories of wise women and faithful wives', Edo Period, c.1841 (colour woodcut on paper)

ADL362106: Hatsuhana in prayer under the Gongen waterfall at Hakone, illustration from the series 'Stories of wise women and faithful wives', Edo Period, c.1841 (colour woodcut on paper), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: ADL362106

Hatsuhana in prayer under the Gongen waterfall at Hakone, illustration from the series 'Stories of wise women and faithful wives', Edo Period, c.1841 (colour woodcut on paper)

Kuniyoshi, Utagawa (1798-1861)

Kuwana: the Story of the Sailor Tokuzo, 1845-46 (Koka 2-3) (colour woodblock print)
Kuwana: the Story of the Sailor Tokuzo, 1845-46 (Koka 2-3) (colour woodblock print)

HST2908385: Kuwana: the Story of the Sailor Tokuzo, 1845-46 (Koka 2-3) (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: HST2908385

Kuwana: the Story of the Sailor Tokuzo, 1845-46 (Koka 2-3) (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Miyamoto Musashi, c.1843 (colour woodblock print)
Miyamoto Musashi, c.1843 (colour woodblock print)

BST443773: Miyamoto Musashi, c.1843 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: BST443773

Miyamoto Musashi, c.1843 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Ogiya Uchi Hanaogi, the Courtesan Hanao of Ogi-Ya. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 38.7 X 25.9 ., Print Shows Hanao of Ogi-Ya, Full-Length Portrait, Standing, Facing Left, with Attendant.
Ogiya Uchi Hanaogi, the Courtesan Hanao of Ogi-Ya. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 38.7 X 25.9 ., Print Shows Hanao of Ogi-Ya, Full-Length Portrait, Standing, Facing Left, with Attendant.

LZT1111848: Ogiya Uchi Hanaogi, the Courtesan Hanao of Ogi-Ya. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 38.7 X 25.9 ., Print Shows Hanao of Ogi-Ya, Full-Length Portrait, Standing, Facing Left, with Attendant., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: LZT1111848

Ogiya Uchi Hanaogi, the Courtesan Hanao of Ogi-Ya. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 38.7 X 25.9 ., Print Shows Hanao of Ogi-Ya, Full-Length Portrait, Standing, Facing Left, with Attendant.

Kuniyoshi, Utagawa (1798-1861)

Kinki-Myo-Myo (Very, Very Droll) (woodblock print)
Kinki-Myo-Myo (Very, Very Droll) (woodblock print)

XIR151850: Kinki-Myo-Myo (Very, Very Droll) (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: XIR151850

Kinki-Myo-Myo (Very, Very Droll) (woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Yoko and the tiger, from 'Twenty-four Paragons of Filial Piety' ('Nijushi ko doji Kagami'), pub. c.1840 (colour woodblock print)
Yoko and the tiger, from 'Twenty-four Paragons of Filial Piety' ('Nijushi ko doji Kagami'), pub. c.1840 (colour woodblock print)

BCC17743: Yoko and the tiger, from 'Twenty-four Paragons of Filial Piety' ('Nijushi ko doji Kagami'), pub. c.1840 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: BCC17743

Yoko and the tiger, from 'Twenty-four Paragons of Filial Piety' ('Nijushi ko doji Kagami'), pub. c.1840 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Token Gombei, his face reflected in a mirror and wearing a robe decorated with scenes of hell, from the series Kuniyoshi moyo shofuda tsuketari genkin ototo [Typical Types of Manly Fellows in Kuniyoshi's Style], signed Ichiyusai Kuniyoshi ga, published by Ibaya Kyubei (colour woodblock print)
Token Gombei, his face reflected in a mirror and wearing a robe decorated with scenes of hell, from the series Kuniyoshi moyo shofuda tsuketari genkin ototo [Typical Types of Manly Fellows in Kuniyoshi's Style], signed Ichiyusai Kuniyoshi ga, published by Ibaya Kyubei (colour woodblock print)

CH6295665: Token Gombei, his face reflected in a mirror and wearing a robe decorated with scenes of hell, from the series Kuniyoshi moyo shofuda tsuketari genkin ototo [Typical Types of Manly Fellows in Kuniyoshi's Style], signed Ichiyusai Kuniyoshi ga, published by Ibaya Kyubei (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: CH6295665

Token Gombei, his face reflected in a mirror and wearing a robe decorated with scenes of hell, from the series Kuniyoshi moyo shofuda tsuketari genkin ototo [Typical Types of Manly Fellows in Kuniyoshi's Style], signed Ichiyusai Kuniyoshi ga, published by Ibaya Kyubei (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Japan: The suicide of samurai general Morozumi Masakiyo (Morozumi Torasada, c.1480-1561). Utagawa Kuniyoshi (1797-1861), 1848-1849
Japan: The suicide of samurai general Morozumi Masakiyo (Morozumi Torasada, c.1480-1561). Utagawa Kuniyoshi (1797-1861), 1848-1849

PFH1189288: Japan: The suicide of samurai general Morozumi Masakiyo (Morozumi Torasada, c.1480-1561). Utagawa Kuniyoshi (1797-1861), 1848-1849, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PFH1189288

Japan: The suicide of samurai general Morozumi Masakiyo (Morozumi Torasada, c.1480-1561). Utagawa Kuniyoshi (1797-1861), 1848-1849

Kuniyoshi, Utagawa (1798-1861)

Japan: Horikoshi Masatomo tormented on his sickbed by ghosts at Hosokute Station on the Kisokaido (Nakasendo). Utagawa Kuniyoshi (1797-1861), 1852
Japan: Horikoshi Masatomo tormented on his sickbed by ghosts at Hosokute Station on the Kisokaido (Nakasendo). Utagawa Kuniyoshi (1797-1861), 1852

PFH2562509: Japan: Horikoshi Masatomo tormented on his sickbed by ghosts at Hosokute Station on the Kisokaido (Nakasendo). Utagawa Kuniyoshi (1797-1861), 1852, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PFH2562509

Japan: Horikoshi Masatomo tormented on his sickbed by ghosts at Hosokute Station on the Kisokaido (Nakasendo). Utagawa Kuniyoshi (1797-1861), 1852

Kuniyoshi, Utagawa (1798-1861)

Shower on the Banks of the Sumida River at Ommaya Embankment in Edo, c.1834 (woodblock print)
Shower on the Banks of the Sumida River at Ommaya Embankment in Edo, c.1834 (woodblock print)

FIT111464: Shower on the Banks of the Sumida River at Ommaya Embankment in Edo, c.1834 (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: FIT111464

Shower on the Banks of the Sumida River at Ommaya Embankment in Edo, c.1834 (woodblock print)

Kuniyoshi, Utagawa (1798-1861)

One Hundred Poets, One Poem Each: Sutokuin, Edo period, c.1840-42 (colour woodblock print)
One Hundred Poets, One Poem Each: Sutokuin, Edo period, c.1840-42 (colour woodblock print)

FSG349069: One Hundred Poets, One Poem Each: Sutokuin, Edo period, c.1840-42 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: FSG349069

One Hundred Poets, One Poem Each: Sutokuin, Edo period, c.1840-42 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

In the Waves at Kakuda enroute to Sado Island, Edo period, c.1835 (colour woodblock print)
In the Waves at Kakuda enroute to Sado Island, Edo period, c.1835 (colour woodblock print)

FSG349062: In the Waves at Kakuda enroute to Sado Island, Edo period, c.1835 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: FSG349062

In the Waves at Kakuda enroute to Sado Island, Edo period, c.1835 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Rori Hakucho Chojun, Lang Libai and Fei Zhangfan. [Between 1826 and 1830], 1 Print : Woodcut, Color ; 36.3 X 24.8 ., Print Shows a Warrior with a Sword in His Mouth, Climbing Netting above Water, Through a Hail of Arrows.
Rori Hakucho Chojun, Lang Libai and Fei Zhangfan. [Between 1826 and 1830], 1 Print : Woodcut, Color ; 36.3 X 24.8 ., Print Shows a Warrior with a Sword in His Mouth, Climbing Netting above Water, Through a Hail of Arrows.

LZT1112664: Rori Hakucho Chojun, Lang Libai and Fei Zhangfan. [Between 1826 and 1830], 1 Print : Woodcut, Color ; 36.3 X 24.8 ., Print Shows a Warrior with a Sword in His Mouth, Climbing Netting above Water, Through a Hail of Arrows., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: LZT1112664

Rori Hakucho Chojun, Lang Libai and Fei Zhangfan. [Between 1826 and 1830], 1 Print : Woodcut, Color ; 36.3 X 24.8 ., Print Shows a Warrior with a Sword in His Mouth, Climbing Netting above Water, Through a Hail of Arrows.

Kuniyoshi, Utagawa (1798-1861)

Tametomo's Shipwreck, pub. c.1836, (colour woodblock print)
Tametomo's Shipwreck, pub. c.1836, (colour woodblock print)

PHD42540: Tametomo's Shipwreck, pub. c.1836, (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PHD42540

Tametomo's Shipwreck, pub. c.1836, (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Japan: The samurai Daito Kansho holding a long naginata (glaive or polearm weapon) with both hands. Utagawa Kuniyoshi (1797-1861), 1856
Japan: The samurai Daito Kansho holding a long naginata (glaive or polearm weapon) with both hands. Utagawa Kuniyoshi (1797-1861), 1856

PFH1188937: Japan: The samurai Daito Kansho holding a long naginata (glaive or polearm weapon) with both hands. Utagawa Kuniyoshi (1797-1861), 1856, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PFH1188937

Japan: The samurai Daito Kansho holding a long naginata (glaive or polearm weapon) with both hands. Utagawa Kuniyoshi (1797-1861), 1856

Kuniyoshi, Utagawa (1798-1861)

A Snowstorm at Kinryozan Temple (colour woodblock print)
A Snowstorm at Kinryozan Temple (colour woodblock print)

CFA12828: A Snowstorm at Kinryozan Temple (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: CFA12828

A Snowstorm at Kinryozan Temple (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

The Ashikaga fleet sailing into attack Nitta, c.1840, (colour woodblock print)
The Ashikaga fleet sailing into attack Nitta, c.1840, (colour woodblock print)

PHD42526: The Ashikaga fleet sailing into attack Nitta, c.1840, (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PHD42526

The Ashikaga fleet sailing into attack Nitta, c.1840, (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120853: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: UOL120853

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Kisibe No Matsu, Pine Tree on the Shore. [Between 1820 and 1860, Printed Later], 1 Print : Woodcut, Color ; 19.5 X 9.3 ., Print Shows a Pine Tree Leaning on Supports Over Body of Water, with Birds Flying About, and a View of Mount Fuji.
Kisibe No Matsu, Pine Tree on the Shore. [Between 1820 and 1860, Printed Later], 1 Print : Woodcut, Color ; 19.5 X 9.3 ., Print Shows a Pine Tree Leaning on Supports Over Body of Water, with Birds Flying About, and a View of Mount Fuji.

LZT1112026: Kisibe No Matsu, Pine Tree on the Shore. [Between 1820 and 1860, Printed Later], 1 Print : Woodcut, Color ; 19.5 X 9.3 ., Print Shows a Pine Tree Leaning on Supports Over Body of Water, with Birds Flying About, and a View of Mount Fuji., Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: LZT1112026

Kisibe No Matsu, Pine Tree on the Shore. [Between 1820 and 1860, Printed Later], 1 Print : Woodcut, Color ; 19.5 X 9.3 ., Print Shows a Pine Tree Leaning on Supports Over Body of Water, with Birds Flying About, and a View of Mount Fuji.

Kuniyoshi, Utagawa (1798-1861)

The Official Move to the Rebuilt Ise Shrine (Ise Daijingū sengyo no zu) Edo period, 1849 (woodblock print)
The Official Move to the Rebuilt Ise Shrine (Ise Daijingū sengyo no zu) Edo period, 1849 (woodblock print)

BST1262498: The Official Move to the Rebuilt Ise Shrine (Ise Daijingū sengyo no zu) Edo period, 1849 (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: BST1262498

The Official Move to the Rebuilt Ise Shrine (Ise Daijingū sengyo no zu) Edo period, 1849 (woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Japan: In Daimotsu Bay, Minamoto Yoshitsune encounters a severe storm made worse by sea demons. Utagawa Kuniyoshi (1797-1861), 1853
Japan: In Daimotsu Bay, Minamoto Yoshitsune encounters a severe storm made worse by sea demons. Utagawa Kuniyoshi (1797-1861), 1853

PFH2562510: Japan: In Daimotsu Bay, Minamoto Yoshitsune encounters a severe storm made worse by sea demons. Utagawa Kuniyoshi (1797-1861), 1853, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PFH2562510

Japan: In Daimotsu Bay, Minamoto Yoshitsune encounters a severe storm made worse by sea demons. Utagawa Kuniyoshi (1797-1861), 1853

Kuniyoshi, Utagawa (1798-1861)

Japan: Benkei Fighting the Ghost of Taira Tomomori. Utagawa Kuniyoshi (1797-1861), 1818
Japan: Benkei Fighting the Ghost of Taira Tomomori. Utagawa Kuniyoshi (1797-1861), 1818

PFH2562527: Japan: Benkei Fighting the Ghost of Taira Tomomori. Utagawa Kuniyoshi (1797-1861), 1818, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PFH2562527

Japan: Benkei Fighting the Ghost of Taira Tomomori. Utagawa Kuniyoshi (1797-1861), 1818

Kuniyoshi, Utagawa (1798-1861)

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)
Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

UOL120846: Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: UOL120846

Moral teaching for shopboys, giving good and bad examples of behaviour, 1857 (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

The Actor Miyamoto Musashi by Kuniyoshi, 1852 (woodblock print)
The Actor Miyamoto Musashi by Kuniyoshi, 1852 (woodblock print)

GRC3036399: The Actor Miyamoto Musashi by Kuniyoshi, 1852 (woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: GRC3036399

The Actor Miyamoto Musashi by Kuniyoshi, 1852 (woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Courtesan with musical instrument, pub. c.1830, (oban size, colour woodblock print)
Courtesan with musical instrument, pub. c.1830, (oban size, colour woodblock print)

VAM11300: Courtesan with musical instrument, pub. c.1830, (oban size, colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: VAM11300

Courtesan with musical instrument, pub. c.1830, (oban size, colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Tameijiro dan Shogo grappling with an adversary under water, from the series '108 Chinese Heroes of the Suikoden goketsu hyakuhachinin no hitori', pub. by Kagaya Kichiemon, 1827-30, (colour woodblock print)
Tameijiro dan Shogo grappling with an adversary under water, from the series '108 Chinese Heroes of the Suikoden goketsu hyakuhachinin no hitori', pub. by Kagaya Kichiemon, 1827-30, (colour woodblock print)

PHD672: Tameijiro dan Shogo grappling with an adversary under water, from the series '108 Chinese Heroes of the Suikoden goketsu hyakuhachinin no hitori', pub. by Kagaya Kichiemon, 1827-30, (colour woodblock print), Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PHD672

Tameijiro dan Shogo grappling with an adversary under water, from the series '108 Chinese Heroes of the Suikoden goketsu hyakuhachinin no hitori', pub. by Kagaya Kichiemon, 1827-30, (colour woodblock print)

Kuniyoshi, Utagawa (1798-1861)

Japan: 'Returning Boats from Tsukushi' The Empress Jingu watching the return of her victorious fleet of ships from Korea. Utagawa Kuniyoshi (1797-1861), c. 1842-1843
Japan: 'Returning Boats from Tsukushi' The Empress Jingu watching the return of her victorious fleet of ships from Korea. Utagawa Kuniyoshi (1797-1861), c. 1842-1843

PFH1190536: Japan: 'Returning Boats from Tsukushi' The Empress Jingu watching the return of her victorious fleet of ships from Korea. Utagawa Kuniyoshi (1797-1861), c. 1842-1843, Kuniyoshi, Utagawa (1798-1861) / Bridgeman Images

ID: PFH1190536

Japan: 'Returning Boats from Tsukushi' The Empress Jingu watching the return of her victorious fleet of ships from Korea. Utagawa Kuniyoshi (1797-1861), c. 1842-1843

Kuniyoshi, Utagawa (1798-1861)


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