Ward, James (1769-1859) Assets (174 in total)

CH332996: The Miner (oil on canvas), Ward, James (1769-1859) / Private Collection / Bridgeman Images

FAS331570: The Falls of the Clyde after a Flood, 1852 (oil on canvas), Ward, James (1769-1859) / Private Collection / Bridgeman Images

XYC217386: Venus Rising from her Couch, 1823 (oil on panel), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

SGS106156: A Grey Charger in a Landscape (pencil and oil on paper laid on panel), Ward, James (1769-1859) / The Berger Collection at the Denver Art Museum, USA / Bridgeman Images

XYC223180: Portraits of two extraordinary oxen, the property of the Earl of Powis, 1814 (oil on panel), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Fund, USA / Bridgeman Images

XYC217172: Ferrets (black chalk heightened with white on paper), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

XYC217387: Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether, c.1801-07 (oil on panel), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

NP125575: The Dairy Farm, engraved by the artist, pub. by R. Ackermann, 1801 (mezzotint engraving), Ward, James (1769-1859) / Private Collection / Bridgeman Images

XYC158063: Landscape near Swansea, South Wales (oil on panel), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

XYC216268: Study of a Sleeping Dog (black chalk on buff paper), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

SJS1065268: 'Fanny', a Favourite Dog, 1822 (oil on panel), Ward, James (1769-1859) / Courtesy of the Trustees of Sir John Soane's Museum, London / Bridgeman Images

CH35054: "Elevation", Ward, James (1769-1859) / Private Collection / Bridgeman Images

CH433490: Group portrait of John, Theophilus and Frances Levett, 1811 (oil on board), Ward, James (1769-1859) / Private Collection / Bridgeman Images

CH377730: Smolensko, 1826 (oil on panel), Ward, James (1769-1859) / Private Collection / Bridgeman Images

USB1160688: River Landscape with Bridge, Figures and Cattle, Ward, James (1769-1859) / Basildon Park, Berkshire, UK (National Trust) / Bridgeman Images

USB1158123: Jerry Hudson, a Farm Labourer with a Brindled Staffordshire Long-horn Cow, Ward, James (1769-1859) / Shugborough Hall, Staffordshire, UK / Bridgeman Images

XYC216259: Sir Charles Blunt (b.1775) Hunting the Boar and Escaping from the Tiger: a study for one of a set of four paintings made in 1815 (pencil heightened with white on grey paper), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

XYC216256: A Thatched Shelter Suspended from a Tree (pencil & black ink on paper), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

XYC216257: A Timber Cart Laden with Tree Trunks, Drawn by a Pair of Horses and a Pair of Oxen (pencil on paper), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

XYC216264: Lord Stanhope (1753-1816) as a Boy Riding a Pony (pencil on paper), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

XYC216270: A Mare: possibly a study for 'L'Amour de Cheval', 1827 (charcoal heightened with white on paper), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

HTL93695: Crouching Man, study for 'The Triumph of Wellington' (charcoal & chalk on paper), Ward, James (1769-1859) / Private Collection / Bridgeman Images

RUS161576: Dr Syntax, 1823 (litho), Ward, James (1769-1859) / Russell-Cotes Art Gallery and Museum, Bournemouth, UK / Bridgeman Images

WHT161690: Chiseldon, near Marlborough, Wiltshire, 1822 (w/c on paper), Ward, James (1769-1859) / The Whitworth, The University of Manchester / Bridgeman Images

FIT167642: Design for 'The Waterloo Allegory', c.1815-22 (pen and black ink on paper), Ward, James (1769-1859) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

THA781803: Interior of a Stable, 1810 (oil on canvas), Ward, James (1769-1859) / Towneley Hall Art Gallery and Museum, Burnley, Lancashire / Bridgeman Images

PHD30783: Ralph Lambton and his Hounds, Ward, James (1769-1859) / Private Collection / Bridgeman Images

XYC217390: An Overshot Mill, c.1802-07 (oil on panel), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

XYC217173: Eagles (pen & brown ink on paper), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

XYC217179: Study of Two Headless Classical Statues (pencil on paper), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

XYC290767: Study of a Mountain with Trees (black chalk on paper), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

JMT332619: Startled Horse (oil on panel), Ward, James (1769-1859) / Private Collection / Bridgeman Images

XYC220908: A Cedar on a Rise with a Herd of Deer Grouped Beneath its Shade, 1814 (pen & black chalk and ink on paper), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

XYC220910: A Bat (pencil & w/c on paper), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

XYC258606: The Straw Yard, 1810 (oil on panel), Ward, James (1769-1859) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

XBM122823: Sheep Salving, 1828 (oil on canvas), Ward, James (1769-1859) / Birmingham Museums and Art Gallery / Bridgeman Images