Ward, James (1769-1859) Assets (174 in total)
Results
NTE6374600: Count Platoff's favourite charger and five of his cossacks, c.1815 (oil on canvas), Ward, James (1769-1859) / Bridgeman Images
NTE6374604: Copenhagen, Wellington's favourite charger, in a landscape, 1824 (oil on canvas), Ward, James (1769-1859) / Bridgeman Images
NTE6374605: Marengo, the Arab charger, ridden by Napoleon Bonaparte at the Battle of Waterloo, 1824 (oil on panel), Ward, James (1769-1859) / Bridgeman Images
HMG392123: Mrs McNab at her spinning wheel, Loch Lomond (pencil on paper), Ward, James (1769-1859) / Bridgeman Images
NUM116870: Cattle, Donkeys and Pigs by a Pool (oil on panel), Ward, James (1769-1859) / Bridgeman Images
XYC158047: Portrait of the Rev. Thomas Levett and Favourite Dogs, Cock-Shooting, 1811 (oil on canvas), Ward, James (1769-1859) / Bridgeman Images
CH22105: A farmer and his wife with cows, donkeys and animals by a barn in a farmyard, Ward, James (1769-1859) / Bridgeman Images
LMG109135: Study for 'Gordale Scar', c.1811-13 (oil on canvas), Ward, James (1769-1859) / Bridgeman Images
HTL93695: Crouching Man, study for 'The Triumph of Wellington' (charcoal & chalk on paper), Ward, James (1769-1859) / Bridgeman Images
XYC216257: A Timber Cart Laden with Tree Trunks, Drawn by a Pair of Horses and a Pair of Oxen (pencil on paper), Ward, James (1769-1859) / Bridgeman Images
XYC216258: A Wild Boar, Asleep or Dead, 1814 (pen & ink on paper), Ward, James (1769-1859) / Bridgeman Images
XYC216264: Lord Stanhope (1753-1816) as a Boy Riding a Pony (pencil on paper), Ward, James (1769-1859) / Bridgeman Images
XYC216272: An Approaching Storm (pen & brown ink on paper), Ward, James (1769-1859) / Bridgeman Images
XYC217174: A Horseman in a Landscape, probably a study for 'Theophilus Levett Fox Hunting in Wychnor Park', 1814 (pen & brown ink on paper), Ward, James (1769-1859) / Bridgeman Images
XYC217385: Studies of Jacky Turner and the Reverend Charles Hope's Gardener, c.1800-15 (oil on panel), Ward, James (1769-1859) / Bridgeman Images
XYC220905: The Vale of Llangollen (pen & brown ink on paper), Ward, James (1769-1859) / Bridgeman Images
XYC220949: Portraits of two extraordinary oxen, the property of the Earl of Powis, 1814 (oil on panel), Ward, James (1769-1859) / Bridgeman Images
FIT424854: The Descent of the Swan, illustration for 'The Social Day' by Peter Coxe (oil on panel), Ward, James (1769-1859) / Bridgeman Images
TBL1113260: Sir John Fleming Leicester, Bt (oil on canvas), Ward, James (1769-1859) / Bridgeman Images
ENG3963292: Sheep Shearing (Sheep and a Shorn Fleece), c.1846 (oil on canvas), Ward, James (1769-1859) / Bridgeman Images
XYC158059: Dr. Syntax, a bay racehorse, standing in a coastal landscape, an estuary beyond (oil on canvas), Ward, James (1769-1859) / Bridgeman Images
XYC158062: A Harvest Scene with Workers loading Hay on to a Farm Wagon (oil on panel), Ward, James (1769-1859) / Bridgeman Images
XYC158065: A Grey Arabian Stallion, the Property of Sir Watkin Williams-Wynn, c.1815-20 (oil on canvas), Ward, James (1769-1859) / Bridgeman Images
LLJ586545: Regent's Park, London; painted 1807 (engraving), Ward, James (1769-1859) / Bridgeman Images
XYC174466: Man Struggling with a Boa Constrictor, Study for 'Liboya Serpent Seizing its Prey', c.1803 (oil on canvas), Ward, James (1769-1859) / Bridgeman Images
FIT167642: Design for 'The Waterloo Allegory', c.1815-22 (pen and black ink on paper), Ward, James (1769-1859) / Bridgeman Images
XYC216260: Studies of a Standing Figure, and a Boot, 1825 (graphite & sepia wash on paper), Ward, James (1769-1859) / Bridgeman Images
