Millais, John Everett (1829-96) Assets (265 in total)

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Rejected, Verso: Sketch of a Woman, 1853 (pen and brown ink on paper)
Rejected, Verso: Sketch of a Woman, 1853 (pen and brown ink on paper)

XYC309853: Rejected, Verso: Sketch of a Woman, 1853 (pen and brown ink on paper), Millais, John Everett (1829-96) / Bridgeman Images

Portrait of Cecil Webb, seated full length, wearing a Black Coat with a Fur Collar, 1887 (oil on canvas)
Portrait of Cecil Webb, seated full length, wearing a Black Coat with a Fur Collar, 1887 (oil on canvas)

CH658895: Portrait of Cecil Webb, seated full length, wearing a Black Coat with a Fur Collar, 1887 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

Mrs. Gresham and Miss Dunstable: An illustration to 'Framley Parsonage', 1861 (w/c on paper)
Mrs. Gresham and Miss Dunstable: An illustration to 'Framley Parsonage', 1861 (w/c on paper)

CH377723: Mrs. Gresham and Miss Dunstable: An illustration to 'Framley Parsonage', 1861 (w/c on paper), Millais, John Everett (1829-96) / Bridgeman Images

Study for portrait of R. Stephens of Merton College, Oxford, c.1850 (pencil & w/c on paper)
Study for portrait of R. Stephens of Merton College, Oxford, c.1850 (pencil & w/c on paper)

PNH356376: Study for portrait of R. Stephens of Merton College, Oxford, c.1850 (pencil & w/c on paper), Millais, John Everett (1829-96) / Bridgeman Images

Various sketches of country scenes (juvenilia), c.1842 (pencil on paper)
Various sketches of country scenes (juvenilia), c.1842 (pencil on paper)

PNH356377: Various sketches of country scenes (juvenilia), c.1842 (pencil on paper), Millais, John Everett (1829-96) / Bridgeman Images

Harry and Arthur Reid Lempriere and Emily Lempriere, 1847 (pencil on paper)
Harry and Arthur Reid Lempriere and Emily Lempriere, 1847 (pencil on paper)

PNH356379: Harry and Arthur Reid Lempriere and Emily Lempriere, 1847 (pencil on paper), Millais, John Everett (1829-96) / Bridgeman Images

Married for Love, 1853 (pen & ink on paper)
Married for Love, 1853 (pen & ink on paper)

XJF441944: Married for Love, 1853 (pen & ink on paper), Millais, John Everett (1829-96) / Bridgeman Images

Study for the figures in 'The Black Brunswickers', c.1860 (pencil on paper) (see also 308311)
Study for the figures in 'The Black Brunswickers', c.1860 (pencil on paper) (see also 308311)

WGL429871: Study for the figures in 'The Black Brunswickers', c.1860 (pencil on paper) (see also 308311), Millais, John Everett (1829-96) / Bridgeman Images

Sweetest eyes that were ever seen..., 1881 (oil on canvas)
Sweetest eyes that were ever seen..., 1881 (oil on canvas)

NGS68046: Sweetest eyes that were ever seen..., 1881 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

Puss in Boots, 1877 (oil on canvas)
Puss in Boots, 1877 (oil on canvas)

DNE6198925: Puss in Boots, 1877 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

Sir Arthur Seymour Sullivan (1842 - 1900). Painting by J. E. Millais. National Portrait Gallery, London.
Sir Arthur Seymour Sullivan (1842 - 1900). Painting by J. E. Millais. National Portrait Gallery, London.

GIA4740908: Sir Arthur Seymour Sullivan (1842 - 1900). Painting by J. E. Millais. National Portrait Gallery, London., Millais, John Everett (1829-96) / Bridgeman Images

The Return of the Dove to the Ark, 1851 (oil on canvas)
The Return of the Dove to the Ark, 1851 (oil on canvas)

HLN428553: The Return of the Dove to the Ark, 1851 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

Autumn Leaves, 1856 (oil on canvas)
Autumn Leaves, 1856 (oil on canvas)

JLJ4680202: Autumn Leaves, 1856 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images


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