Millais, John Everett (1829-96) Assets (265 in total)

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Study for 'Romeo and Juliet, The Last Scene', 1848 (pencil on paper)
Study for 'Romeo and Juliet, The Last Scene', 1848 (pencil on paper)

XBM108319: Study for 'Romeo and Juliet, The Last Scene', 1848 (pencil on paper), Millais, John Everett (1829-96) / Bridgeman Images

Mrs. Gresham and Miss Dunstable: An illustration to 'Framley Parsonage', 1861 (w/c on paper)
Mrs. Gresham and Miss Dunstable: An illustration to 'Framley Parsonage', 1861 (w/c on paper)

CH377723: Mrs. Gresham and Miss Dunstable: An illustration to 'Framley Parsonage', 1861 (w/c on paper), Millais, John Everett (1829-96) / Bridgeman Images

Awful Protection Against Midges, 1853 (pen & brown ink on paper)
Awful Protection Against Midges, 1853 (pen & brown ink on paper)

XYC182768: Awful Protection Against Midges, 1853 (pen & brown ink on paper), Millais, John Everett (1829-96) / Bridgeman Images

The Blind Man, 1853 (pen, ink, wash and graphite on wove paper)
The Blind Man, 1853 (pen, ink, wash and graphite on wove paper)

XYC136948: The Blind Man, 1853 (pen, ink, wash and graphite on wove paper), Millais, John Everett (1829-96) / Bridgeman Images

Portrait of Cecil Webb, seated full length, wearing a Black Coat with a Fur Collar, 1887 (oil on canvas)
Portrait of Cecil Webb, seated full length, wearing a Black Coat with a Fur Collar, 1887 (oil on canvas)

CH658895: Portrait of Cecil Webb, seated full length, wearing a Black Coat with a Fur Collar, 1887 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

Sir Arthur Seymour Sullivan (1842 - 1900). Painting by J. E. Millais. National Portrait Gallery, London.
Sir Arthur Seymour Sullivan (1842 - 1900). Painting by J. E. Millais. National Portrait Gallery, London.

GIA4740908: Sir Arthur Seymour Sullivan (1842 - 1900). Painting by J. E. Millais. National Portrait Gallery, London., Millais, John Everett (1829-96) / Bridgeman Images

Portrait of Amy Jones (Mrs. John Joseph Jones), 1885 (oil on canvas)
Portrait of Amy Jones (Mrs. John Joseph Jones), 1885 (oil on canvas)

SRR6370421: Portrait of Amy Jones (Mrs. John Joseph Jones), 1885 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

Puss in Boots, 1877 (oil on canvas)
Puss in Boots, 1877 (oil on canvas)

DNE6198925: Puss in Boots, 1877 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

Music, lunette from a series of six, c.1847 (oil on canvas)
Music, lunette from a series of six, c.1847 (oil on canvas)

LMG112910: Music, lunette from a series of six, c.1847 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

Study for portrait of R. Stephens of Merton College, Oxford, c.1850 (pencil & w/c on paper)
Study for portrait of R. Stephens of Merton College, Oxford, c.1850 (pencil & w/c on paper)

PNH356376: Study for portrait of R. Stephens of Merton College, Oxford, c.1850 (pencil & w/c on paper), Millais, John Everett (1829-96) / Bridgeman Images

Various sketches of country scenes (juvenilia), c.1842 (pencil on paper)
Various sketches of country scenes (juvenilia), c.1842 (pencil on paper)

PNH356377: Various sketches of country scenes (juvenilia), c.1842 (pencil on paper), Millais, John Everett (1829-96) / Bridgeman Images

Harry and Arthur Reid Lempriere and Emily Lempriere, 1847 (pencil on paper)
Harry and Arthur Reid Lempriere and Emily Lempriere, 1847 (pencil on paper)

PNH356379: Harry and Arthur Reid Lempriere and Emily Lempriere, 1847 (pencil on paper), Millais, John Everett (1829-96) / Bridgeman Images

Sweetest eyes that were ever seen..., 1881 (oil on canvas)
Sweetest eyes that were ever seen..., 1881 (oil on canvas)

NGS68046: Sweetest eyes that were ever seen..., 1881 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images


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