Millais, John Everett (1829-96) Assets (265 in total)

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Studies for Early Pictures [Two Figures on the Ground], 1857 (pencil on paper)
Studies for Early Pictures [Two Figures on the Ground], 1857 (pencil on paper)

HLN428555: Studies for Early Pictures [Two Figures on the Ground], 1857 (pencil on paper), Millais, John Everett (1829-96) / Bridgeman Images

Alfred Lord Tennyson -
Alfred Lord Tennyson -

XLA3773017: Alfred Lord Tennyson -, Millais, John Everett (1829-96) / Bridgeman Images

The Departure of the Crusaders (oil on canvas)
The Departure of the Crusaders (oil on canvas)

OLD37293: The Departure of the Crusaders (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

For the Squire, 1882 (oil on canvas)
For the Squire, 1882 (oil on canvas)

FC12267: For the Squire, 1882 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

The Posy ], 19th century (painting)
The Posy ], 19th century (painting)

FAS45616: The Posy ], 19th century (painting), Millais, John Everett (1829-96) / Bridgeman Images

Palm Trees (pencil on paper)
Palm Trees (pencil on paper)

MAA5889068: Palm Trees (pencil on paper), Millais, John Everett (1829-96) / Bridgeman Images

Infancy, lunette from a series of six, c.1847 (oil on canvas)
Infancy, lunette from a series of six, c.1847 (oil on canvas)

LMG112908: Infancy, lunette from a series of six, c.1847 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

Study for 'The Last Trek', 1895 (charcoal on brown artist's board)
Study for 'The Last Trek', 1895 (charcoal on brown artist's board)

PNH356380: Study for 'The Last Trek', 1895 (charcoal on brown artist's board), Millais, John Everett (1829-96) / Bridgeman Images

Lilly Noble, 1863-64 (oil on canvas)
Lilly Noble, 1863-64 (oil on canvas)

OJ373094: Lilly Noble, 1863-64 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

Alice Stuart-Wortley, Nee Millais, friend of Edward Elgar, portrait by her father John Eve
Alice Stuart-Wortley, Nee Millais, friend of Edward Elgar, portrait by her father John Eve

PUT5510038: Alice Stuart-Wortley, Nee Millais, friend of Edward Elgar, portrait by her father John Eve, Millais, John Everett (1829-96) / Bridgeman Images

Charlie is My Darling (oil on panel)
Charlie is My Darling (oil on panel)

CH377715: Charlie is My Darling (oil on panel), Millais, John Everett (1829-96) / Bridgeman Images

Portrait of Mrs. Joseph Chamberlain (1864-1957), 1891 (oil on canvas)
Portrait of Mrs. Joseph Chamberlain (1864-1957), 1891 (oil on canvas)

XBM190011: Portrait of Mrs. Joseph Chamberlain (1864-1957), 1891 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

The Parable of the Tares, 1865 (oil on canvas)
The Parable of the Tares, 1865 (oil on canvas)

XBM190013: The Parable of the Tares, 1865 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

Lilacs, 1885 (oil on canvas)
Lilacs, 1885 (oil on canvas)

HLN428557: Lilacs, 1885 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

The Dying Man, c.1853 (pen and brush & brown ink on paper)
The Dying Man, c.1853 (pen and brush & brown ink on paper)

XYC253487: The Dying Man, c.1853 (pen and brush & brown ink on paper), Millais, John Everett (1829-96) / Bridgeman Images

Accepted, 1853 (pen & brown ink on wove paper)
Accepted, 1853 (pen & brown ink on wove paper)

XYC285513: Accepted, 1853 (pen & brown ink on wove paper), Millais, John Everett (1829-96) / Bridgeman Images

Old Age, lunette from a series of six, c.1847 (oil on canvas)
Old Age, lunette from a series of six, c.1847 (oil on canvas)

LMG112907: Old Age, lunette from a series of six, c.1847 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

The Introduction (oil on panel)
The Introduction (oil on panel)

PNH356902: The Introduction (oil on panel), Millais, John Everett (1829-96) / Bridgeman Images

Self-portrait
Self-portrait

USB1159624: Self-portrait, Millais, John Everett (1829-96) / Bridgeman Images

An Enemy sowing Tares: Illustration for 'The Parables of Our Lord', 1864 (w/c on paper)
An Enemy sowing Tares: Illustration for 'The Parables of Our Lord', 1864 (w/c on paper)

WHT6398356: An Enemy sowing Tares: Illustration for 'The Parables of Our Lord', 1864 (w/c on paper), Millais, John Everett (1829-96) / Bridgeman Images

Sophie Gray, 1854 (w/c on paper)
Sophie Gray, 1854 (w/c on paper)

GLY309777: Sophie Gray, 1854 (w/c on paper), Millais, John Everett (1829-96) / Bridgeman Images

Constance (1834-80) Duchess of Westminster, 1874 (oil on canvas)
Constance (1834-80) Duchess of Westminster, 1874 (oil on canvas)

WST199303: Constance (1834-80) Duchess of Westminster, 1874 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

Elizabeth Grosvenor, Marchioness of Ormonde, 1876 (oil on canvas)
Elizabeth Grosvenor, Marchioness of Ormonde, 1876 (oil on canvas)

WST199309: Elizabeth Grosvenor, Marchioness of Ormonde, 1876 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

Salmon a Myth (pen & ink on paper)
Salmon a Myth (pen & ink on paper)

BBC199383: Salmon a Myth (pen & ink on paper), Millais, John Everett (1829-96) / Bridgeman Images

The Toilet, 19th century (w/c)
The Toilet, 19th century (w/c)

DNE6198951: The Toilet, 19th century (w/c), Millais, John Everett (1829-96) / Bridgeman Images

The Honorable John Neville Manners (oil on canvas)
The Honorable John Neville Manners (oil on canvas)

CH2975699: The Honorable John Neville Manners (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

Effie Deans
Effie Deans

XLA3754976: Effie Deans, Millais, John Everett (1829-96) / Bridgeman Images

The Bride of Lammermoor
The Bride of Lammermoor

XLA3754985: The Bride of Lammermoor, Millais, John Everett (1829-96) / Bridgeman Images

Garland Weavers, c.1846 (oil on panel)
Garland Weavers, c.1846 (oil on panel)

CH658585: Garland Weavers, c.1846 (oil on panel), Millais, John Everett (1829-96) / Bridgeman Images

Study for the figures in 'The Black Brunswickers', c.1860 (pencil on paper) (see also 308311)
Study for the figures in 'The Black Brunswickers', c.1860 (pencil on paper) (see also 308311)

WGL429871: Study for the figures in 'The Black Brunswickers', c.1860 (pencil on paper) (see also 308311), Millais, John Everett (1829-96) / Bridgeman Images

Autumn Leaves, 1856 (oil on canvas)
Autumn Leaves, 1856 (oil on canvas)

JLJ4680202: Autumn Leaves, 1856 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

Study for 'Romeo and Juliet, The Last Scene', 1848 (pencil on paper)
Study for 'Romeo and Juliet, The Last Scene', 1848 (pencil on paper)

XBM108319: Study for 'Romeo and Juliet, The Last Scene', 1848 (pencil on paper), Millais, John Everett (1829-96) / Bridgeman Images

Portrait of Cecil Webb, seated full length, wearing a Black Coat with a Fur Collar, 1887 (oil on canvas)
Portrait of Cecil Webb, seated full length, wearing a Black Coat with a Fur Collar, 1887 (oil on canvas)

CH658895: Portrait of Cecil Webb, seated full length, wearing a Black Coat with a Fur Collar, 1887 (oil on canvas), Millais, John Everett (1829-96) / Bridgeman Images

Awful Protection Against Midges, 1853 (pen & brown ink on paper)
Awful Protection Against Midges, 1853 (pen & brown ink on paper)

XYC182768: Awful Protection Against Midges, 1853 (pen & brown ink on paper), Millais, John Everett (1829-96) / Bridgeman Images

Rejected, Verso: Sketch of a Woman, 1853 (pen and brown ink on paper)
Rejected, Verso: Sketch of a Woman, 1853 (pen and brown ink on paper)

XYC309853: Rejected, Verso: Sketch of a Woman, 1853 (pen and brown ink on paper), Millais, John Everett (1829-96) / Bridgeman Images

Mrs. Gresham and Miss Dunstable: An illustration to 'Framley Parsonage', 1861 (w/c on paper)
Mrs. Gresham and Miss Dunstable: An illustration to 'Framley Parsonage', 1861 (w/c on paper)

CH377723: Mrs. Gresham and Miss Dunstable: An illustration to 'Framley Parsonage', 1861 (w/c on paper), Millais, John Everett (1829-96) / Bridgeman Images


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