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Marie, Adrien Emmanuel (1848-91) Assets (100 in total)

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Beard Bleue - in “Les Tales de Fées
Beard Bleue - in “Les Tales de Fées

XEE4104821: Beard Bleue - in “Les Tales de Fées" by Charles Perrault, 1884 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4104821

Beard Bleue - in “Les Tales de Fées" by Charles Perrault, 1884 (engraving)

Marie, Adrien Emmanuel (1848-91)

The Little Thumb - in
The Little Thumb - in

XEE4104829: The Little Thumb - in "Les tales de fées" by Charles Perrault, 1884 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4104829

The Little Thumb - in "Les tales de fées" by Charles Perrault, 1884 (engraving)

Marie, Adrien Emmanuel (1848-91)

Chess players. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Chess players. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330389: Chess players. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4330389

Chess players. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

The entire geographic mission, en route to Mount Hayden, along the Henri River, engraved after A.Marie's drawing, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde” 1874, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.
The entire geographic mission, en route to Mount Hayden, along the Henri River, engraved after A.Marie's drawing, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde” 1874, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329888: The entire geographic mission, en route to Mount Hayden, along the Henri River, engraved after A.Marie's drawing, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde” 1874, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4329888

The entire geographic mission, en route to Mount Hayden, along the Henri River, engraved after A.Marie's drawing, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde” 1874, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

Letters E and F: Cheeky and Fierce. Engraving in “
Letters E and F: Cheeky and Fierce. Engraving in “

DUV4207408: Letters E and F: Cheeky and Fierce. Engraving in “" Usual alphabet "”. Illustrations on the theme of qualities and defects in children. A. Quantin, printer-publisher, 1885. Collection: The Children's Encyclopedia. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Size: 24x18cm. Private collection, Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: DUV4207408

Letters E and F: Cheeky and Fierce. Engraving in “" Usual alphabet "”. Illustrations on the theme of qualities and defects in children. A. Quantin, printer-publisher, 1885. Collection: The Children's Encyclopedia. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Size: 24x18cm. Private collection

Marie, Adrien Emmanuel (1848-91)

Illustration for
Illustration for

XEE4150085: Illustration for "Les Miserables" (Cosette), 1862 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4150085

Illustration for "Les Miserables" (Cosette), 1862 (engraving)

Marie, Adrien Emmanuel (1848-91)

Theatrical representation: 5th act of “Jack” written by Alphonse Daudet, 1881 (engraving)
Theatrical representation: 5th act of “Jack” written by Alphonse Daudet, 1881 (engraving)

XEE4169384: Theatrical representation: 5th act of “Jack” written by Alphonse Daudet, 1881 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4169384

Theatrical representation: 5th act of “Jack” written by Alphonse Daudet, 1881 (engraving)

Marie, Adrien Emmanuel (1848-91)

Theatrical representation:
Theatrical representation:

XEE4169389: Theatrical representation: "Nana" by William Busnach after Emile Zola, 1881 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4169389

Theatrical representation: "Nana" by William Busnach after Emile Zola, 1881 (engraving)

Marie, Adrien Emmanuel (1848-91)

La fete des fleurs, 19th century (engraving)
La fete des fleurs, 19th century (engraving)

JLJ4616332: La fete des fleurs, 19th century (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: JLJ4616332

La fete des fleurs, 19th century (engraving)

Marie, Adrien Emmanuel (1848-91)

A diorama on a road in Beijing, 1873 (litho)
A diorama on a road in Beijing, 1873 (litho)

CHT214745: A diorama on a road in Beijing, 1873 (litho), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: CHT214745

A diorama on a road in Beijing, 1873 (litho)

Marie, Adrien Emmanuel (1848-91)

Terrace in Monte Carlo, 1883 (oil on canvas)
Terrace in Monte Carlo, 1883 (oil on canvas)

JLJ4610661: Terrace in Monte Carlo, 1883 (oil on canvas), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: JLJ4610661

Terrace in Monte Carlo, 1883 (oil on canvas)

Marie, Adrien Emmanuel (1848-91)

A young boy make a speech , children clinking glass, llustration by Adrien Marie in the book Tout a la joie by Zari, Emile Guerin publication 1890
A young boy make a speech , children clinking glass, llustration by Adrien Marie in the book Tout a la joie by Zari, Emile Guerin publication 1890

PVD1689700: A young boy make a speech , children clinking glass, llustration by Adrien Marie in the book Tout a la joie by Zari, Emile Guerin publication 1890, Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: PVD1689700

A young boy make a speech , children clinking glass, llustration by Adrien Marie in the book Tout a la joie by Zari, Emile Guerin publication 1890

Marie, Adrien Emmanuel (1848-91)

Portraits of three Chinese archers in traditional costume, in the 1870s. Engraving from a drawing by Marie, from a photograph by Thomson, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876.
Portraits of three Chinese archers in traditional costume, in the 1870s. Engraving from a drawing by Marie, from a photograph by Thomson, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876.

LSE4322321: Portraits of three Chinese archers in traditional costume, in the 1870s. Engraving from a drawing by Marie, from a photograph by Thomson, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4322321

Portraits of three Chinese archers in traditional costume, in the 1870s. Engraving from a drawing by Marie, from a photograph by Thomson, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876.

Marie, Adrien Emmanuel (1848-91)

Portrait of Daniel Wilson, French politician with his wife, Alice Grevy. Engraving by Adrien Marie. “Le Monde Illustré” No. 1282 of October 22, 1881.
Portrait of Daniel Wilson, French politician with his wife, Alice Grevy. Engraving by Adrien Marie. “Le Monde Illustré” No. 1282 of October 22, 1881.

XEE4171062: Portrait of Daniel Wilson, French politician with his wife, Alice Grevy. Engraving by Adrien Marie. “Le Monde Illustré” No. 1282 of October 22, 1881., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4171062

Portrait of Daniel Wilson, French politician with his wife, Alice Grevy. Engraving by Adrien Marie. “Le Monde Illustré” No. 1282 of October 22, 1881.

Marie, Adrien Emmanuel (1848-91)

A mother kisses her son during the award distribution at the College Sainte Barbe, 1881 (engraving)
A mother kisses her son during the award distribution at the College Sainte Barbe, 1881 (engraving)

XEE4171141: A mother kisses her son during the award distribution at the College Sainte Barbe, 1881 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4171141

A mother kisses her son during the award distribution at the College Sainte Barbe, 1881 (engraving)

Marie, Adrien Emmanuel (1848-91)

Letter K and L: Kakatoes and Laureat. Engraving in “” Usual Alphabet””. Illustrations on the theme of quality and defect in children. A. Quinn, printer-publisher, 1885. Collection: The Children's Encyclopedie. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Dim: 24x18cm. Private Collection
Letter K and L: Kakatoes and Laureat. Engraving in “” Usual Alphabet””. Illustrations on the theme of quality and defect in children. A. Quinn, printer-publisher, 1885. Collection: The Children's Encyclopedie. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Dim: 24x18cm. Private Collection

DUV4207422: Letter K and L: Kakatoes and Laureat. Engraving in “” Usual Alphabet””. Illustrations on the theme of quality and defect in children. A. Quinn, printer-publisher, 1885. Collection: The Children's Encyclopedie. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Dim: 24x18cm. Private Collection, Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: DUV4207422

Letter K and L: Kakatoes and Laureat. Engraving in “” Usual Alphabet””. Illustrations on the theme of quality and defect in children. A. Quinn, printer-publisher, 1885. Collection: The Children's Encyclopedie. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Dim: 24x18cm. Private Collection

Marie, Adrien Emmanuel (1848-91)

Letter M and N: Messy and Niais. Engraving in “” Usual Alphabet””. Illustrations on the theme of quality and defect in children. A. Quinn, printer-publisher, 1885. Collection: The Children's Encyclopedie. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Dim: 24x18cm. Private Collection
Letter M and N: Messy and Niais. Engraving in “” Usual Alphabet””. Illustrations on the theme of quality and defect in children. A. Quinn, printer-publisher, 1885. Collection: The Children's Encyclopedie. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Dim: 24x18cm. Private Collection

DUV4207427: Letter M and N: Messy and Niais. Engraving in “” Usual Alphabet””. Illustrations on the theme of quality and defect in children. A. Quinn, printer-publisher, 1885. Collection: The Children's Encyclopedie. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Dim: 24x18cm. Private Collection, Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: DUV4207427

Letter M and N: Messy and Niais. Engraving in “” Usual Alphabet””. Illustrations on the theme of quality and defect in children. A. Quinn, printer-publisher, 1885. Collection: The Children's Encyclopedie. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Dim: 24x18cm. Private Collection

Marie, Adrien Emmanuel (1848-91)

Allegory of the Pyrenees Peace Treaty on November 7, 1659, 19th century (engraving)
Allegory of the Pyrenees Peace Treaty on November 7, 1659, 19th century (engraving)

XEE4142386: Allegory of the Pyrenees Peace Treaty on November 7, 1659, 19th century (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4142386

Allegory of the Pyrenees Peace Treaty on November 7, 1659, 19th century (engraving)

Marie, Adrien Emmanuel (1848-91)

Le Chat Bottté - in “Les Contes de Fées
Le Chat Bottté - in “Les Contes de Fées

XEE4104809: Le Chat Bottté - in “Les Contes de Fées" by Charles Perrault, 1884 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4104809

Le Chat Bottté - in “Les Contes de Fées" by Charles Perrault, 1884 (engraving)

Marie, Adrien Emmanuel (1848-91)

Riquet a la Houppe - in “Les contes de fees
Riquet a la Houppe - in “Les contes de fees

XEE4104810: Riquet a la Houppe - in “Les contes de fees" by Charles Perrault, 1884 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4104810

Riquet a la Houppe - in “Les contes de fees" by Charles Perrault, 1884 (engraving)

Marie, Adrien Emmanuel (1848-91)

The Sleeping Beauty - in “Les Contes de Fées
The Sleeping Beauty - in “Les Contes de Fées

XEE4104835: The Sleeping Beauty - in “Les Contes de Fées" by Charles Perrault, 1884 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4104835

The Sleeping Beauty - in “Les Contes de Fées" by Charles Perrault, 1884 (engraving)

Marie, Adrien Emmanuel (1848-91)

The interior of an East Indian Railway railway bed wagon, on the route to Azimgange, in a large compartment, a removable berth and a washroom, as well as the staff of the car who oversees the comfort of the passengers, available to wax boots, prepare hot drinks and water pipes, engraving after the drawing of A. Marie, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The interior of an East Indian Railway railway bed wagon, on the route to Azimgange, in a large compartment, a removable berth and a washroom, as well as the staff of the car who oversees the comfort of the passengers, available to wax boots, prepare hot drinks and water pipes, engraving after the drawing of A. Marie, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329667: The interior of an East Indian Railway railway bed wagon, on the route to Azimgange, in a large compartment, a removable berth and a washroom, as well as the staff of the car who oversees the comfort of the passengers, available to wax boots, prepare hot drinks and water pipes, engraving after the drawing of A. Marie, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4329667

The interior of an East Indian Railway railway bed wagon, on the route to Azimgange, in a large compartment, a removable berth and a washroom, as well as the staff of the car who oversees the comfort of the passengers, available to wax boots, prepare hot drinks and water pipes, engraving after the drawing of A. Marie, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

A caravan of Mormon neophytes en route to Lake Sale, in its camp in the desert, engraving after A.Marie's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A caravan of Mormon neophytes en route to Lake Sale, in its camp in the desert, engraving after A.Marie's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329680: A caravan of Mormon neophytes en route to Lake Sale, in its camp in the desert, engraving after A.Marie's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4329680

A caravan of Mormon neophytes en route to Lake Sale, in its camp in the desert, engraving after A.Marie's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

The beautiful Nicolas surrounds by the girls of the village. Juliette Simon-Girard (Simon Girard) (1859-1959) in the role of Nicolas for the opera “Le beau Nicolas” (Act II) after a libretto by Eugene Leterrier (1843-1884), Albert Vanloo (1846-1920) and a music by Paul Lacome (1838-1920). Paris, Theatre des Folies dramatiques, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1230 of October 24, 1880.
The beautiful Nicolas surrounds by the girls of the village. Juliette Simon-Girard (Simon Girard) (1859-1959) in the role of Nicolas for the opera “Le beau Nicolas” (Act II) after a libretto by Eugene Leterrier (1843-1884), Albert Vanloo (1846-1920) and a music by Paul Lacome (1838-1920). Paris, Theatre des Folies dramatiques, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1230 of October 24, 1880.

XEE4168610: The beautiful Nicolas surrounds by the girls of the village. Juliette Simon-Girard (Simon Girard) (1859-1959) in the role of Nicolas for the opera “Le beau Nicolas” (Act II) after a libretto by Eugene Leterrier (1843-1884), Albert Vanloo (1846-1920) and a music by Paul Lacome (1838-1920). Paris, Theatre des Folies dramatiques, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1230 of October 24, 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168610

The beautiful Nicolas surrounds by the girls of the village. Juliette Simon-Girard (Simon Girard) (1859-1959) in the role of Nicolas for the opera “Le beau Nicolas” (Act II) after a libretto by Eugene Leterrier (1843-1884), Albert Vanloo (1846-1920) and a music by Paul Lacome (1838-1920). Paris, Theatre des Folies dramatiques, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1230 of October 24, 1880.

Marie, Adrien Emmanuel (1848-91)

Theatrical representation: “” Le beau Solignac”” by Jules Claretie (1840-1913) and William Busnach (1832-1907) with Edouard Angelo (Solignac) and Melle Cassothy (Louise de Farges). Paris, theatre du Chatelet, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.
Theatrical representation: “” Le beau Solignac”” by Jules Claretie (1840-1913) and William Busnach (1832-1907) with Edouard Angelo (Solignac) and Melle Cassothy (Louise de Farges). Paris, theatre du Chatelet, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.

XEE4168707: Theatrical representation: “” Le beau Solignac”” by Jules Claretie (1840-1913) and William Busnach (1832-1907) with Edouard Angelo (Solignac) and Melle Cassothy (Louise de Farges). Paris, theatre du Chatelet, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168707

Theatrical representation: “” Le beau Solignac”” by Jules Claretie (1840-1913) and William Busnach (1832-1907) with Edouard Angelo (Solignac) and Melle Cassothy (Louise de Farges). Paris, theatre du Chatelet, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.

Marie, Adrien Emmanuel (1848-91)

Horse racing: hedge jumping, 19th century(litho)
Horse racing: hedge jumping, 19th century(litho)

JLJ4582521: Horse racing: hedge jumping, 19th century(litho), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: JLJ4582521

Horse racing: hedge jumping, 19th century(litho)

Marie, Adrien Emmanuel (1848-91)

Theatrical representation: “” Turenne”” by Marc Fournier (1818-1879), Alfred Delacour (1815-1883), Jules Lermina (1839-1915). Henri de La Tour d'Auvergne, Viscount of Turenne (1611-1675) (played by Lacressonniere, 1819-1893) recognizing the dead at the Battle of Turckheim. Paris, Theatre de l'Ambigu, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1194 of 14 February 1880.
Theatrical representation: “” Turenne”” by Marc Fournier (1818-1879), Alfred Delacour (1815-1883), Jules Lermina (1839-1915). Henri de La Tour d'Auvergne, Viscount of Turenne (1611-1675) (played by Lacressonniere, 1819-1893) recognizing the dead at the Battle of Turckheim. Paris, Theatre de l'Ambigu, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1194 of 14 February 1880.

XEE4168549: Theatrical representation: “” Turenne”” by Marc Fournier (1818-1879), Alfred Delacour (1815-1883), Jules Lermina (1839-1915). Henri de La Tour d'Auvergne, Viscount of Turenne (1611-1675) (played by Lacressonniere, 1819-1893) recognizing the dead at the Battle of Turckheim. Paris, Theatre de l'Ambigu, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1194 of 14 February 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168549

Theatrical representation: “” Turenne”” by Marc Fournier (1818-1879), Alfred Delacour (1815-1883), Jules Lermina (1839-1915). Henri de La Tour d'Auvergne, Viscount of Turenne (1611-1675) (played by Lacressonniere, 1819-1893) recognizing the dead at the Battle of Turckheim. Paris, Theatre de l'Ambigu, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1194 of 14 February 1880.

Marie, Adrien Emmanuel (1848-91)

Theatrical representation: “The Christmas Tree” by Eugene Letterier (1843-1884), Albert Vanloo (1846-1920) and Arnold Mortier (1843-1885). Painting by the bear wrestler with Zulma Bouffar (Madeleine Boufflar, 1843-1909) in the role of Bagatelle and Alexandre (Augustin Guillemet, 1814-1904) in the role of Eucalyptus. Paris, Theatre de la Porte Saint Martin, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1229 of 17 October 1880.
Theatrical representation: “The Christmas Tree” by Eugene Letterier (1843-1884), Albert Vanloo (1846-1920) and Arnold Mortier (1843-1885). Painting by the bear wrestler with Zulma Bouffar (Madeleine Boufflar, 1843-1909) in the role of Bagatelle and Alexandre (Augustin Guillemet, 1814-1904) in the role of Eucalyptus. Paris, Theatre de la Porte Saint Martin, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1229 of 17 October 1880.

XEE4168604: Theatrical representation: “The Christmas Tree” by Eugene Letterier (1843-1884), Albert Vanloo (1846-1920) and Arnold Mortier (1843-1885). Painting by the bear wrestler with Zulma Bouffar (Madeleine Boufflar, 1843-1909) in the role of Bagatelle and Alexandre (Augustin Guillemet, 1814-1904) in the role of Eucalyptus. Paris, Theatre de la Porte Saint Martin, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1229 of 17 October 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168604

Theatrical representation: “The Christmas Tree” by Eugene Letterier (1843-1884), Albert Vanloo (1846-1920) and Arnold Mortier (1843-1885). Painting by the bear wrestler with Zulma Bouffar (Madeleine Boufflar, 1843-1909) in the role of Bagatelle and Alexandre (Augustin Guillemet, 1814-1904) in the role of Eucalyptus. Paris, Theatre de la Porte Saint Martin, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1229 of 17 October 1880.

Marie, Adrien Emmanuel (1848-91)

Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.
Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.

XEE4168705: Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168705

Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.

Marie, Adrien Emmanuel (1848-91)

Portrait of Emile Littre (1801-1881), French philologist, doctor and politician. Engraving by Adrien Marie In “” The Illustrous World”” n°1263 of June 11, 1881.
Portrait of Emile Littre (1801-1881), French philologist, doctor and politician. Engraving by Adrien Marie In “” The Illustrous World”” n°1263 of June 11, 1881.

XEE4169368: Portrait of Emile Littre (1801-1881), French philologist, doctor and politician. Engraving by Adrien Marie In “” The Illustrous World”” n°1263 of June 11, 1881., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4169368

Portrait of Emile Littre (1801-1881), French philologist, doctor and politician. Engraving by Adrien Marie In “” The Illustrous World”” n°1263 of June 11, 1881.

Marie, Adrien Emmanuel (1848-91)

Representation theatrale : 4eme acte de
Representation theatrale : 4eme acte de

XEE4169380: Representation theatrale : 4eme acte de ""Jean Baudry"" par Auguste Vacquerie (1819-1895) avec Gustave Hippolyte Worms (1836-1910) (Olivier), Edmond Got (1822-1901) (Jean Beaudry). Paris, Comedie Francaise, 1880. Gravure de Adrien Marie in ""Le Monde Illustre"" n°1240 du 1er janvier 1881., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4169380

Representation theatrale : 4eme acte de ""Jean Baudry"" par Auguste Vacquerie (1819-1895) avec Gustave Hippolyte Worms (1836-1910) (Olivier), Edmond Got (1822-1901) (Jean Beaudry). Paris, Comedie Francaise, 1880. Gravure de Adrien Marie in ""Le Monde Illustre"" n°1240 du 1er janvier 1881.

Marie, Adrien Emmanuel (1848-91)

Victor Hugo observing a child sleeping in his crib. Illustration of “History of a Crime” by Victor Hugo (1802-1885). Illustration by M. A. Marie, 19th century.
Victor Hugo observing a child sleeping in his crib. Illustration of “History of a Crime” by Victor Hugo (1802-1885). Illustration by M. A. Marie, 19th century.

XEE4168237: Victor Hugo observing a child sleeping in his crib. Illustration of “History of a Crime” by Victor Hugo (1802-1885). Illustration by M. A. Marie, 19th century., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168237

Victor Hugo observing a child sleeping in his crib. Illustration of “History of a Crime” by Victor Hugo (1802-1885). Illustration by M. A. Marie, 19th century.

Marie, Adrien Emmanuel (1848-91)

The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330180: The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4330180

The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

The scraping and stitching of cheeses, after the winery every eight days, these operations facilitate the fermentation and formation of blue marbling in the Roquefort, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “Le tour du monde”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.
The scraping and stitching of cheeses, after the winery every eight days, these operations facilitate the fermentation and formation of blue marbling in the Roquefort, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “Le tour du monde”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330192: The scraping and stitching of cheeses, after the winery every eight days, these operations facilitate the fermentation and formation of blue marbling in the Roquefort, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “Le tour du monde”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4330192

The scraping and stitching of cheeses, after the winery every eight days, these operations facilitate the fermentation and formation of blue marbling in the Roquefort, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “Le tour du monde”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

Kadjaveh of the wife of a rose water dealer (Iran). Engraving by Adrien Marie, to illustrate the story “” Persia, Chaldee and Susiane””, 1881-1882, by Jane Dieulafoy (1851-1916), writer and archeologist. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
Kadjaveh of the wife of a rose water dealer (Iran). Engraving by Adrien Marie, to illustrate the story “” Persia, Chaldee and Susiane””, 1881-1882, by Jane Dieulafoy (1851-1916), writer and archeologist. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4333930: Kadjaveh of the wife of a rose water dealer (Iran). Engraving by Adrien Marie, to illustrate the story “” Persia, Chaldee and Susiane””, 1881-1882, by Jane Dieulafoy (1851-1916), writer and archeologist. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4333930

Kadjaveh of the wife of a rose water dealer (Iran). Engraving by Adrien Marie, to illustrate the story “” Persia, Chaldee and Susiane””, 1881-1882, by Jane Dieulafoy (1851-1916), writer and archeologist. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

Marie, Adrien Emmanuel (1848-91)

The procession of the knights of the Order of the Holy Spirit (Holy Spirit) in the ice gallery of the castle of Versailles on the day of Pentecoot in 1789. Drawing by Adrien Marie from 1889.
The procession of the knights of the Order of the Holy Spirit (Holy Spirit) in the ice gallery of the castle of Versailles on the day of Pentecoot in 1789. Drawing by Adrien Marie from 1889.

XEE4164768: The procession of the knights of the Order of the Holy Spirit (Holy Spirit) in the ice gallery of the castle of Versailles on the day of Pentecoot in 1789. Drawing by Adrien Marie from 1889., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4164768

The procession of the knights of the Order of the Holy Spirit (Holy Spirit) in the ice gallery of the castle of Versailles on the day of Pentecoot in 1789. Drawing by Adrien Marie from 1889.

Marie, Adrien Emmanuel (1848-91)


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