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Marie, Adrien Emmanuel (1848-91) Assets (100 in total)

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Swimming lesson - drawing by Adrien Marie (1848 - 1891), late 19th century
Swimming lesson - drawing by Adrien Marie (1848 - 1891), late 19th century

LSE4078756: Swimming lesson - drawing by Adrien Marie (1848 - 1891), late 19th century, Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4078756

Swimming lesson - drawing by Adrien Marie (1848 - 1891), late 19th century

Marie, Adrien Emmanuel (1848-91)

Terrace in Monte Carlo, 1883 (oil on canvas)
Terrace in Monte Carlo, 1883 (oil on canvas)

JLJ4610661: Terrace in Monte Carlo, 1883 (oil on canvas), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: JLJ4610661

Terrace in Monte Carlo, 1883 (oil on canvas)

Marie, Adrien Emmanuel (1848-91)

La fete des fleurs, 19th century (engraving)
La fete des fleurs, 19th century (engraving)

JLJ4616332: La fete des fleurs, 19th century (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: JLJ4616332

La fete des fleurs, 19th century (engraving)

Marie, Adrien Emmanuel (1848-91)

Letters E and F: Cheeky and Fierce. Engraving in “
Letters E and F: Cheeky and Fierce. Engraving in “

DUV4207408: Letters E and F: Cheeky and Fierce. Engraving in “" Usual alphabet "”. Illustrations on the theme of qualities and defects in children. A. Quantin, printer-publisher, 1885. Collection: The Children's Encyclopedia. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Size: 24x18cm. Private collection, Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: DUV4207408

Letters E and F: Cheeky and Fierce. Engraving in “" Usual alphabet "”. Illustrations on the theme of qualities and defects in children. A. Quantin, printer-publisher, 1885. Collection: The Children's Encyclopedia. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Size: 24x18cm. Private collection

Marie, Adrien Emmanuel (1848-91)

Theatrical representation: “” Michel Strogoff”” by Jules Verne (1828-1905) and Adolphe d'Ennery (Dennery) (1811-1899). 9th painting: the camp of the emir and the tartar party, the salvation of the amazons to the emir. Decor de Cheret. Paris, Theatre du Chatelet, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1235 of November 27, 1880.
Theatrical representation: “” Michel Strogoff”” by Jules Verne (1828-1905) and Adolphe d'Ennery (Dennery) (1811-1899). 9th painting: the camp of the emir and the tartar party, the salvation of the amazons to the emir. Decor de Cheret. Paris, Theatre du Chatelet, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1235 of November 27, 1880.

XEE4168651: Theatrical representation: “” Michel Strogoff”” by Jules Verne (1828-1905) and Adolphe d'Ennery (Dennery) (1811-1899). 9th painting: the camp of the emir and the tartar party, the salvation of the amazons to the emir. Decor de Cheret. Paris, Theatre du Chatelet, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1235 of November 27, 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168651

Theatrical representation: “” Michel Strogoff”” by Jules Verne (1828-1905) and Adolphe d'Ennery (Dennery) (1811-1899). 9th painting: the camp of the emir and the tartar party, the salvation of the amazons to the emir. Decor de Cheret. Paris, Theatre du Chatelet, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1235 of November 27, 1880.

Marie, Adrien Emmanuel (1848-91)

Theatrical representation: 5th act of “Jack” written by Alphonse Daudet, 1881 (engraving)
Theatrical representation: 5th act of “Jack” written by Alphonse Daudet, 1881 (engraving)

XEE4169384: Theatrical representation: 5th act of “Jack” written by Alphonse Daudet, 1881 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4169384

Theatrical representation: 5th act of “Jack” written by Alphonse Daudet, 1881 (engraving)

Marie, Adrien Emmanuel (1848-91)

Theatrical representation:
Theatrical representation:

XEE4169389: Theatrical representation: "Nana" by William Busnach after Emile Zola, 1881 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4169389

Theatrical representation: "Nana" by William Busnach after Emile Zola, 1881 (engraving)

Marie, Adrien Emmanuel (1848-91)

Illustration for
Illustration for

XEE4150085: Illustration for "Les Miserables" (Cosette), 1862 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4150085

Illustration for "Les Miserables" (Cosette), 1862 (engraving)

Marie, Adrien Emmanuel (1848-91)

La Belle au Bois Dormant - in “Les Contes de Fées
La Belle au Bois Dormant - in “Les Contes de Fées

XEE4104801: La Belle au Bois Dormant - in “Les Contes de Fées" by Charles Perrault, 1884 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4104801

La Belle au Bois Dormant - in “Les Contes de Fées" by Charles Perrault, 1884 (engraving)

Marie, Adrien Emmanuel (1848-91)

Beard Bleue - in “Les Tales de Fées
Beard Bleue - in “Les Tales de Fées

XEE4104821: Beard Bleue - in “Les Tales de Fées" by Charles Perrault, 1884 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4104821

Beard Bleue - in “Les Tales de Fées" by Charles Perrault, 1884 (engraving)

Marie, Adrien Emmanuel (1848-91)

The Little Thumb - in
The Little Thumb - in

XEE4104829: The Little Thumb - in "Les tales de fées" by Charles Perrault, 1884 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4104829

The Little Thumb - in "Les tales de fées" by Charles Perrault, 1884 (engraving)

Marie, Adrien Emmanuel (1848-91)

A young boy make a speech , children clinking glass, llustration by Adrien Marie in the book Tout a la joie by Zari, Emile Guerin publication 1890
A young boy make a speech , children clinking glass, llustration by Adrien Marie in the book Tout a la joie by Zari, Emile Guerin publication 1890

PVD1689700: A young boy make a speech , children clinking glass, llustration by Adrien Marie in the book Tout a la joie by Zari, Emile Guerin publication 1890, Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: PVD1689700

A young boy make a speech , children clinking glass, llustration by Adrien Marie in the book Tout a la joie by Zari, Emile Guerin publication 1890

Marie, Adrien Emmanuel (1848-91)

Portraits of three Chinese archers in traditional costume, in the 1870s. Engraving from a drawing by Marie, from a photograph by Thomson, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876.
Portraits of three Chinese archers in traditional costume, in the 1870s. Engraving from a drawing by Marie, from a photograph by Thomson, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876.

LSE4322321: Portraits of three Chinese archers in traditional costume, in the 1870s. Engraving from a drawing by Marie, from a photograph by Thomson, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4322321

Portraits of three Chinese archers in traditional costume, in the 1870s. Engraving from a drawing by Marie, from a photograph by Thomson, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876.

Marie, Adrien Emmanuel (1848-91)

The interior of an East Indian Railway railway bed wagon, on the route to Azimgange, in a large compartment, a removable berth and a washroom, as well as the staff of the car who oversees the comfort of the passengers, available to wax boots, prepare hot drinks and water pipes, engraving after the drawing of A. Marie, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The interior of an East Indian Railway railway bed wagon, on the route to Azimgange, in a large compartment, a removable berth and a washroom, as well as the staff of the car who oversees the comfort of the passengers, available to wax boots, prepare hot drinks and water pipes, engraving after the drawing of A. Marie, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329667: The interior of an East Indian Railway railway bed wagon, on the route to Azimgange, in a large compartment, a removable berth and a washroom, as well as the staff of the car who oversees the comfort of the passengers, available to wax boots, prepare hot drinks and water pipes, engraving after the drawing of A. Marie, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4329667

The interior of an East Indian Railway railway bed wagon, on the route to Azimgange, in a large compartment, a removable berth and a washroom, as well as the staff of the car who oversees the comfort of the passengers, available to wax boots, prepare hot drinks and water pipes, engraving after the drawing of A. Marie, illustrating the voyage in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

A caravan of Mormon neophytes en route to Lake Sale, in its camp in the desert, engraving after A.Marie's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A caravan of Mormon neophytes en route to Lake Sale, in its camp in the desert, engraving after A.Marie's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329680: A caravan of Mormon neophytes en route to Lake Sale, in its camp in the desert, engraving after A.Marie's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4329680

A caravan of Mormon neophytes en route to Lake Sale, in its camp in the desert, engraving after A.Marie's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

Le Chat Bottté - in “Les Contes de Fées
Le Chat Bottté - in “Les Contes de Fées

XEE4104809: Le Chat Bottté - in “Les Contes de Fées" by Charles Perrault, 1884 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4104809

Le Chat Bottté - in “Les Contes de Fées" by Charles Perrault, 1884 (engraving)

Marie, Adrien Emmanuel (1848-91)

Riquet a la Houppe - in “Les contes de fees
Riquet a la Houppe - in “Les contes de fees

XEE4104810: Riquet a la Houppe - in “Les contes de fees" by Charles Perrault, 1884 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4104810

Riquet a la Houppe - in “Les contes de fees" by Charles Perrault, 1884 (engraving)

Marie, Adrien Emmanuel (1848-91)

The Sleeping Beauty - in “Les Contes de Fées
The Sleeping Beauty - in “Les Contes de Fées

XEE4104835: The Sleeping Beauty - in “Les Contes de Fées" by Charles Perrault, 1884 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4104835

The Sleeping Beauty - in “Les Contes de Fées" by Charles Perrault, 1884 (engraving)

Marie, Adrien Emmanuel (1848-91)

Allegory of the Pyrenees Peace Treaty on November 7, 1659, 19th century (engraving)
Allegory of the Pyrenees Peace Treaty on November 7, 1659, 19th century (engraving)

XEE4142386: Allegory of the Pyrenees Peace Treaty on November 7, 1659, 19th century (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4142386

Allegory of the Pyrenees Peace Treaty on November 7, 1659, 19th century (engraving)

Marie, Adrien Emmanuel (1848-91)

Letter K and L: Kakatoes and Laureat. Engraving in “” Usual Alphabet””. Illustrations on the theme of quality and defect in children. A. Quinn, printer-publisher, 1885. Collection: The Children's Encyclopedie. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Dim: 24x18cm. Private Collection
Letter K and L: Kakatoes and Laureat. Engraving in “” Usual Alphabet””. Illustrations on the theme of quality and defect in children. A. Quinn, printer-publisher, 1885. Collection: The Children's Encyclopedie. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Dim: 24x18cm. Private Collection

DUV4207422: Letter K and L: Kakatoes and Laureat. Engraving in “” Usual Alphabet””. Illustrations on the theme of quality and defect in children. A. Quinn, printer-publisher, 1885. Collection: The Children's Encyclopedie. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Dim: 24x18cm. Private Collection, Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: DUV4207422

Letter K and L: Kakatoes and Laureat. Engraving in “” Usual Alphabet””. Illustrations on the theme of quality and defect in children. A. Quinn, printer-publisher, 1885. Collection: The Children's Encyclopedie. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Dim: 24x18cm. Private Collection

Marie, Adrien Emmanuel (1848-91)

Letter M and N: Messy and Niais. Engraving in “” Usual Alphabet””. Illustrations on the theme of quality and defect in children. A. Quinn, printer-publisher, 1885. Collection: The Children's Encyclopedie. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Dim: 24x18cm. Private Collection
Letter M and N: Messy and Niais. Engraving in “” Usual Alphabet””. Illustrations on the theme of quality and defect in children. A. Quinn, printer-publisher, 1885. Collection: The Children's Encyclopedie. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Dim: 24x18cm. Private Collection

DUV4207427: Letter M and N: Messy and Niais. Engraving in “” Usual Alphabet””. Illustrations on the theme of quality and defect in children. A. Quinn, printer-publisher, 1885. Collection: The Children's Encyclopedie. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Dim: 24x18cm. Private Collection, Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: DUV4207427

Letter M and N: Messy and Niais. Engraving in “” Usual Alphabet””. Illustrations on the theme of quality and defect in children. A. Quinn, printer-publisher, 1885. Collection: The Children's Encyclopedie. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Dim: 24x18cm. Private Collection

Marie, Adrien Emmanuel (1848-91)

The beautiful Nicolas surrounds by the girls of the village. Juliette Simon-Girard (Simon Girard) (1859-1959) in the role of Nicolas for the opera “Le beau Nicolas” (Act II) after a libretto by Eugene Leterrier (1843-1884), Albert Vanloo (1846-1920) and a music by Paul Lacome (1838-1920). Paris, Theatre des Folies dramatiques, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1230 of October 24, 1880.
The beautiful Nicolas surrounds by the girls of the village. Juliette Simon-Girard (Simon Girard) (1859-1959) in the role of Nicolas for the opera “Le beau Nicolas” (Act II) after a libretto by Eugene Leterrier (1843-1884), Albert Vanloo (1846-1920) and a music by Paul Lacome (1838-1920). Paris, Theatre des Folies dramatiques, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1230 of October 24, 1880.

XEE4168610: The beautiful Nicolas surrounds by the girls of the village. Juliette Simon-Girard (Simon Girard) (1859-1959) in the role of Nicolas for the opera “Le beau Nicolas” (Act II) after a libretto by Eugene Leterrier (1843-1884), Albert Vanloo (1846-1920) and a music by Paul Lacome (1838-1920). Paris, Theatre des Folies dramatiques, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1230 of October 24, 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168610

The beautiful Nicolas surrounds by the girls of the village. Juliette Simon-Girard (Simon Girard) (1859-1959) in the role of Nicolas for the opera “Le beau Nicolas” (Act II) after a libretto by Eugene Leterrier (1843-1884), Albert Vanloo (1846-1920) and a music by Paul Lacome (1838-1920). Paris, Theatre des Folies dramatiques, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1230 of October 24, 1880.

Marie, Adrien Emmanuel (1848-91)

Theatrical representation: “” Le beau Solignac”” by Jules Claretie (1840-1913) and William Busnach (1832-1907) with Edouard Angelo (Solignac) and Melle Cassothy (Louise de Farges). Paris, theatre du Chatelet, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.
Theatrical representation: “” Le beau Solignac”” by Jules Claretie (1840-1913) and William Busnach (1832-1907) with Edouard Angelo (Solignac) and Melle Cassothy (Louise de Farges). Paris, theatre du Chatelet, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.

XEE4168707: Theatrical representation: “” Le beau Solignac”” by Jules Claretie (1840-1913) and William Busnach (1832-1907) with Edouard Angelo (Solignac) and Melle Cassothy (Louise de Farges). Paris, theatre du Chatelet, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168707

Theatrical representation: “” Le beau Solignac”” by Jules Claretie (1840-1913) and William Busnach (1832-1907) with Edouard Angelo (Solignac) and Melle Cassothy (Louise de Farges). Paris, theatre du Chatelet, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.

Marie, Adrien Emmanuel (1848-91)

Portrait of Daniel Wilson, French politician with his wife, Alice Grevy. Engraving by Adrien Marie. “Le Monde Illustré” No. 1282 of October 22, 1881.
Portrait of Daniel Wilson, French politician with his wife, Alice Grevy. Engraving by Adrien Marie. “Le Monde Illustré” No. 1282 of October 22, 1881.

XEE4171062: Portrait of Daniel Wilson, French politician with his wife, Alice Grevy. Engraving by Adrien Marie. “Le Monde Illustré” No. 1282 of October 22, 1881., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4171062

Portrait of Daniel Wilson, French politician with his wife, Alice Grevy. Engraving by Adrien Marie. “Le Monde Illustré” No. 1282 of October 22, 1881.

Marie, Adrien Emmanuel (1848-91)

A mother kisses her son during the award distribution at the College Sainte Barbe, 1881 (engraving)
A mother kisses her son during the award distribution at the College Sainte Barbe, 1881 (engraving)

XEE4171141: A mother kisses her son during the award distribution at the College Sainte Barbe, 1881 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4171141

A mother kisses her son during the award distribution at the College Sainte Barbe, 1881 (engraving)

Marie, Adrien Emmanuel (1848-91)

An Elegant Beach, 1887 (colour litho)
An Elegant Beach, 1887 (colour litho)

CHT307867: An Elegant Beach, 1887 (colour litho), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: CHT307867

An Elegant Beach, 1887 (colour litho)

Marie, Adrien Emmanuel (1848-91)

Conversion of Saint Paul: Saulus, performance under french king Charles VI. 1872 (engraving)
Conversion of Saint Paul: Saulus, performance under french king Charles VI. 1872 (engraving)

JAB7073053: Conversion of Saint Paul: Saulus, performance under french king Charles VI. 1872 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: JAB7073053

Conversion of Saint Paul: Saulus, performance under french king Charles VI. 1872 (engraving)

Marie, Adrien Emmanuel (1848-91)

Distributing Left-overs to the Poor after the Lord Mayor's Banquet at the Guildhall, 1882 (oil on canvas)
Distributing Left-overs to the Poor after the Lord Mayor's Banquet at the Guildhall, 1882 (oil on canvas)

NUM38819: Distributing Left-overs to the Poor after the Lord Mayor's Banquet at the Guildhall, 1882 (oil on canvas), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: NUM38819

Distributing Left-overs to the Poor after the Lord Mayor's Banquet at the Guildhall, 1882 (oil on canvas)

Marie, Adrien Emmanuel (1848-91)

The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330180: The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4330180

The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

The scraping and stitching of cheeses, after the winery every eight days, these operations facilitate the fermentation and formation of blue marbling in the Roquefort, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “Le tour du monde”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.
The scraping and stitching of cheeses, after the winery every eight days, these operations facilitate the fermentation and formation of blue marbling in the Roquefort, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “Le tour du monde”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330192: The scraping and stitching of cheeses, after the winery every eight days, these operations facilitate the fermentation and formation of blue marbling in the Roquefort, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “Le tour du monde”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4330192

The scraping and stitching of cheeses, after the winery every eight days, these operations facilitate the fermentation and formation of blue marbling in the Roquefort, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “Le tour du monde”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

Kadjaveh of the wife of a rose water dealer (Iran). Engraving by Adrien Marie, to illustrate the story “” Persia, Chaldee and Susiane””, 1881-1882, by Jane Dieulafoy (1851-1916), writer and archeologist. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
Kadjaveh of the wife of a rose water dealer (Iran). Engraving by Adrien Marie, to illustrate the story “” Persia, Chaldee and Susiane””, 1881-1882, by Jane Dieulafoy (1851-1916), writer and archeologist. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4333930: Kadjaveh of the wife of a rose water dealer (Iran). Engraving by Adrien Marie, to illustrate the story “” Persia, Chaldee and Susiane””, 1881-1882, by Jane Dieulafoy (1851-1916), writer and archeologist. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4333930

Kadjaveh of the wife of a rose water dealer (Iran). Engraving by Adrien Marie, to illustrate the story “” Persia, Chaldee and Susiane””, 1881-1882, by Jane Dieulafoy (1851-1916), writer and archeologist. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

Marie, Adrien Emmanuel (1848-91)

'Please choose', illustration from 'Le Monde Illustre', c.1890 (colour litho)
'Please choose', illustration from 'Le Monde Illustre', c.1890 (colour litho)

CHT383137: 'Please choose', illustration from 'Le Monde Illustre', c.1890 (colour litho), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: CHT383137

'Please choose', illustration from 'Le Monde Illustre', c.1890 (colour litho)

Marie, Adrien Emmanuel (1848-91)

Victor Hugo observing a child sleeping in his crib. Illustration of “History of a Crime” by Victor Hugo (1802-1885). Illustration by M. A. Marie, 19th century.
Victor Hugo observing a child sleeping in his crib. Illustration of “History of a Crime” by Victor Hugo (1802-1885). Illustration by M. A. Marie, 19th century.

XEE4168237: Victor Hugo observing a child sleeping in his crib. Illustration of “History of a Crime” by Victor Hugo (1802-1885). Illustration by M. A. Marie, 19th century., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168237

Victor Hugo observing a child sleeping in his crib. Illustration of “History of a Crime” by Victor Hugo (1802-1885). Illustration by M. A. Marie, 19th century.

Marie, Adrien Emmanuel (1848-91)

Theatrical representation: “” Turenne”” by Marc Fournier (1818-1879), Alfred Delacour (1815-1883), Jules Lermina (1839-1915). Henri de La Tour d'Auvergne, Viscount of Turenne (1611-1675) (played by Lacressonniere, 1819-1893) recognizing the dead at the Battle of Turckheim. Paris, Theatre de l'Ambigu, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1194 of 14 February 1880.
Theatrical representation: “” Turenne”” by Marc Fournier (1818-1879), Alfred Delacour (1815-1883), Jules Lermina (1839-1915). Henri de La Tour d'Auvergne, Viscount of Turenne (1611-1675) (played by Lacressonniere, 1819-1893) recognizing the dead at the Battle of Turckheim. Paris, Theatre de l'Ambigu, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1194 of 14 February 1880.

XEE4168549: Theatrical representation: “” Turenne”” by Marc Fournier (1818-1879), Alfred Delacour (1815-1883), Jules Lermina (1839-1915). Henri de La Tour d'Auvergne, Viscount of Turenne (1611-1675) (played by Lacressonniere, 1819-1893) recognizing the dead at the Battle of Turckheim. Paris, Theatre de l'Ambigu, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1194 of 14 February 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168549

Theatrical representation: “” Turenne”” by Marc Fournier (1818-1879), Alfred Delacour (1815-1883), Jules Lermina (1839-1915). Henri de La Tour d'Auvergne, Viscount of Turenne (1611-1675) (played by Lacressonniere, 1819-1893) recognizing the dead at the Battle of Turckheim. Paris, Theatre de l'Ambigu, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1194 of 14 February 1880.

Marie, Adrien Emmanuel (1848-91)

Theatrical representation: “The Christmas Tree” by Eugene Letterier (1843-1884), Albert Vanloo (1846-1920) and Arnold Mortier (1843-1885). Painting by the bear wrestler with Zulma Bouffar (Madeleine Boufflar, 1843-1909) in the role of Bagatelle and Alexandre (Augustin Guillemet, 1814-1904) in the role of Eucalyptus. Paris, Theatre de la Porte Saint Martin, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1229 of 17 October 1880.
Theatrical representation: “The Christmas Tree” by Eugene Letterier (1843-1884), Albert Vanloo (1846-1920) and Arnold Mortier (1843-1885). Painting by the bear wrestler with Zulma Bouffar (Madeleine Boufflar, 1843-1909) in the role of Bagatelle and Alexandre (Augustin Guillemet, 1814-1904) in the role of Eucalyptus. Paris, Theatre de la Porte Saint Martin, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1229 of 17 October 1880.

XEE4168604: Theatrical representation: “The Christmas Tree” by Eugene Letterier (1843-1884), Albert Vanloo (1846-1920) and Arnold Mortier (1843-1885). Painting by the bear wrestler with Zulma Bouffar (Madeleine Boufflar, 1843-1909) in the role of Bagatelle and Alexandre (Augustin Guillemet, 1814-1904) in the role of Eucalyptus. Paris, Theatre de la Porte Saint Martin, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1229 of 17 October 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168604

Theatrical representation: “The Christmas Tree” by Eugene Letterier (1843-1884), Albert Vanloo (1846-1920) and Arnold Mortier (1843-1885). Painting by the bear wrestler with Zulma Bouffar (Madeleine Boufflar, 1843-1909) in the role of Bagatelle and Alexandre (Augustin Guillemet, 1814-1904) in the role of Eucalyptus. Paris, Theatre de la Porte Saint Martin, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1229 of 17 October 1880.

Marie, Adrien Emmanuel (1848-91)

Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.
Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.

XEE4168705: Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168705

Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.

Marie, Adrien Emmanuel (1848-91)


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