Marie, Adrien Emmanuel (1848-91) Assets (100 in total)

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Distributing Left-overs to the Poor after the Lord Mayor's Banquet at the Guildhall, 1882 (oil on canvas)
Distributing Left-overs to the Poor after the Lord Mayor's Banquet at the Guildhall, 1882 (oil on canvas)

NUM38819: Distributing Left-overs to the Poor after the Lord Mayor's Banquet at the Guildhall, 1882 (oil on canvas), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

An Elegant Beach, 1887 (colour litho)
An Elegant Beach, 1887 (colour litho)

CHT307867: An Elegant Beach, 1887 (colour litho), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Horse racing: hedge jumping, 19th century(litho)
Horse racing: hedge jumping, 19th century(litho)

JLJ4582521: Horse racing: hedge jumping, 19th century(litho), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

The Eiffel Tower A group of children playing on a beach and realizing a replica of the Eiffel Tower with stones and sand. illustration by Adrien Marie (1848-1891). Engraving from 1887 in “” Paris-Illustrous journal weekly””.
The Eiffel Tower A group of children playing on a beach and realizing a replica of the Eiffel Tower with stones and sand. illustration by Adrien Marie (1848-1891). Engraving from 1887 in “” Paris-Illustrous journal weekly””.

XEE4136140: The Eiffel Tower A group of children playing on a beach and realizing a replica of the Eiffel Tower with stones and sand. illustration by Adrien Marie (1848-1891). Engraving from 1887 in “” Paris-Illustrous journal weekly””., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Theatrical representation: “” Turenne”” by Marc Fournier (1818-1879), Alfred Delacour (1815-1883), Jules Lermina (1839-1915). Henri de La Tour d'Auvergne, Viscount of Turenne (1611-1675) (played by Lacressonniere, 1819-1893) recognizing the dead at the Battle of Turckheim. Paris, Theatre de l'Ambigu, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1194 of 14 February 1880.
Theatrical representation: “” Turenne”” by Marc Fournier (1818-1879), Alfred Delacour (1815-1883), Jules Lermina (1839-1915). Henri de La Tour d'Auvergne, Viscount of Turenne (1611-1675) (played by Lacressonniere, 1819-1893) recognizing the dead at the Battle of Turckheim. Paris, Theatre de l'Ambigu, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1194 of 14 February 1880.

XEE4168549: Theatrical representation: “” Turenne”” by Marc Fournier (1818-1879), Alfred Delacour (1815-1883), Jules Lermina (1839-1915). Henri de La Tour d'Auvergne, Viscount of Turenne (1611-1675) (played by Lacressonniere, 1819-1893) recognizing the dead at the Battle of Turckheim. Paris, Theatre de l'Ambigu, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1194 of 14 February 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Theatrical representation: “The Christmas Tree” by Eugene Letterier (1843-1884), Albert Vanloo (1846-1920) and Arnold Mortier (1843-1885). Painting by the bear wrestler with Zulma Bouffar (Madeleine Boufflar, 1843-1909) in the role of Bagatelle and Alexandre (Augustin Guillemet, 1814-1904) in the role of Eucalyptus. Paris, Theatre de la Porte Saint Martin, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1229 of 17 October 1880.
Theatrical representation: “The Christmas Tree” by Eugene Letterier (1843-1884), Albert Vanloo (1846-1920) and Arnold Mortier (1843-1885). Painting by the bear wrestler with Zulma Bouffar (Madeleine Boufflar, 1843-1909) in the role of Bagatelle and Alexandre (Augustin Guillemet, 1814-1904) in the role of Eucalyptus. Paris, Theatre de la Porte Saint Martin, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1229 of 17 October 1880.

XEE4168604: Theatrical representation: “The Christmas Tree” by Eugene Letterier (1843-1884), Albert Vanloo (1846-1920) and Arnold Mortier (1843-1885). Painting by the bear wrestler with Zulma Bouffar (Madeleine Boufflar, 1843-1909) in the role of Bagatelle and Alexandre (Augustin Guillemet, 1814-1904) in the role of Eucalyptus. Paris, Theatre de la Porte Saint Martin, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1229 of 17 October 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.
Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880.

XEE4168705: Theatrical representation: “The son of Coralie”” by Albert Delpit (1849-1893) with Aimee Jeanne Tessandier (1851-1923) (Coralie) and Lucien Guitry (1860-1925) (Daniel). Paris, Theatre du Gymnasium, 1880. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1191 of 24 January 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Portrait of Emile Littre (1801-1881), French philologist, doctor and politician. Engraving by Adrien Marie In “” The Illustrous World”” n°1263 of June 11, 1881.
Portrait of Emile Littre (1801-1881), French philologist, doctor and politician. Engraving by Adrien Marie In “” The Illustrous World”” n°1263 of June 11, 1881.

XEE4169368: Portrait of Emile Littre (1801-1881), French philologist, doctor and politician. Engraving by Adrien Marie In “” The Illustrous World”” n°1263 of June 11, 1881., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Representation theatrale : 4eme acte de
Representation theatrale : 4eme acte de

XEE4169380: Representation theatrale : 4eme acte de ""Jean Baudry"" par Auguste Vacquerie (1819-1895) avec Gustave Hippolyte Worms (1836-1910) (Olivier), Edmond Got (1822-1901) (Jean Beaudry). Paris, Comedie Francaise, 1880. Gravure de Adrien Marie in ""Le Monde Illustre"" n°1240 du 1er janvier 1881., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Conversion of Saint Paul: Saulus, performance under french king Charles VI. 1872 (engraving)
Conversion of Saint Paul: Saulus, performance under french king Charles VI. 1872 (engraving)

JAB7073053: Conversion of Saint Paul: Saulus, performance under french king Charles VI. 1872 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

La Grand’Mère, 19th Century (b/w engraving)
La Grand’Mère, 19th Century (b/w engraving)

DGC909674: La Grand’Mère, 19th Century (b/w engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

The Family, 19th Century (b/w engraving)
The Family, 19th Century (b/w engraving)

DGC909597: The Family, 19th Century (b/w engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Illustration from  Les Feuilles d’Automne,19th Century (b/w engraving)
Illustration from  Les Feuilles d’Automne,19th Century (b/w engraving)

DGC909601: Illustration from Les Feuilles d’Automne,19th Century (b/w engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Barking, the Republic pursued by royalist or bonapartist dogs. Cover in “” L'Eclipse”” by Adrien Marie, June 1871, Paris.
Barking, the Republic pursued by royalist or bonapartist dogs. Cover in “” L'Eclipse”” by Adrien Marie, June 1871, Paris.

LSE4319021: Barking, the Republic pursued by royalist or bonapartist dogs. Cover in “” L'Eclipse”” by Adrien Marie, June 1871, Paris., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

View of the Black Buttes camp, last station in the red desert (Mojave desert) of the Pacific Railway, in September 1868, engraving after the drawing of A.Marie, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
View of the Black Buttes camp, last station in the red desert (Mojave desert) of the Pacific Railway, in September 1868, engraving after the drawing of A.Marie, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329662: View of the Black Buttes camp, last station in the red desert (Mojave desert) of the Pacific Railway, in September 1868, engraving after the drawing of A.Marie, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Photographers of the American geological mission, on horseback, carefully packaged material ready for a new stage, engraving after the drawing of A.Marie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde”” 1874, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.
Photographers of the American geological mission, on horseback, carefully packaged material ready for a new stage, engraving after the drawing of A.Marie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde”” 1874, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329895: Photographers of the American geological mission, on horseback, carefully packaged material ready for a new stage, engraving after the drawing of A.Marie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde”” 1874, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Chinese lady has her toilet. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Chinese lady has her toilet. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330370: Chinese lady has her toilet. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

A barber working with a client, 1876 (engraving)
A barber working with a client, 1876 (engraving)

LSE4330383: A barber working with a client, 1876 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Three funeral workers in Pekin. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Three funeral workers in Pekin. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330405: Three funeral workers in Pekin. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

The toy dealer hitting a copper gong to draw attention to his dolls, cars, silk butterflies and whistles, walking the Oriental Flower Gate of the Imperial Palace in Pekin. Engraving after A.Marie's drawing, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The toy dealer hitting a copper gong to draw attention to his dolls, cars, silk butterflies and whistles, walking the Oriental Flower Gate of the Imperial Palace in Pekin. Engraving after A.Marie's drawing, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330487: The toy dealer hitting a copper gong to draw attention to his dolls, cars, silk butterflies and whistles, walking the Oriental Flower Gate of the Imperial Palace in Pekin. Engraving after A.Marie's drawing, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Theatrical representation: “The King has fun” by Victor Hugo (1808-1883). Act II scene 5: the house of Triboulet, King Francois 1st (Mounet Sully (or Mounet Sully) 1841-1916) at the feet of Blanche (Julia Bartet, 1854-1941). Paris, Comedie Francaise, 1882. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1339 of 25 November 1882.
Theatrical representation: “The King has fun” by Victor Hugo (1808-1883). Act II scene 5: the house of Triboulet, King Francois 1st (Mounet Sully (or Mounet Sully) 1841-1916) at the feet of Blanche (Julia Bartet, 1854-1941). Paris, Comedie Francaise, 1882. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1339 of 25 November 1882.

XEE4178820: Theatrical representation: “The King has fun” by Victor Hugo (1808-1883). Act II scene 5: the house of Triboulet, King Francois 1st (Mounet Sully (or Mounet Sully) 1841-1916) at the feet of Blanche (Julia Bartet, 1854-1941). Paris, Comedie Francaise, 1882. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1339 of 25 November 1882., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Theatrical representation: Scene VI of 'Le Pritre' by Charles Buet (1846-1897) with Paul Felix Joseph Tailliade (1826-1896) (Abbe Patrice) and Montal (Nicolas Charles Bonlarron, 1837-1903) (Rajah Rue Sangor Sing). Paris, Theatre de la Porte Saint Martin, 1881. Engraving by Adrien Marie In “” The Illustrous World”” n°1263 of June 11, 1881.
Theatrical representation: Scene VI of 'Le Pritre' by Charles Buet (1846-1897) with Paul Felix Joseph Tailliade (1826-1896) (Abbe Patrice) and Montal (Nicolas Charles Bonlarron, 1837-1903) (Rajah Rue Sangor Sing). Paris, Theatre de la Porte Saint Martin, 1881. Engraving by Adrien Marie In “” The Illustrous World”” n°1263 of June 11, 1881.

XEE4169362: Theatrical representation: Scene VI of 'Le Pritre' by Charles Buet (1846-1897) with Paul Felix Joseph Tailliade (1826-1896) (Abbe Patrice) and Montal (Nicolas Charles Bonlarron, 1837-1903) (Rajah Rue Sangor Sing). Paris, Theatre de la Porte Saint Martin, 1881. Engraving by Adrien Marie In “” The Illustrous World”” n°1263 of June 11, 1881., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Representation theatrale : 1er acte de
Representation theatrale : 1er acte de

XEE4169379: Representation theatrale : 1er acte de ""Jean Baudry"" par Auguste Vacquerie (1819-1895) avec Melle Bertet (Andree), M. Barre (Bruel), Edmond Got (1822-1901) (Jean Beaudry). Paris, Comedie Francaise, 1880. Gravure de Adrien Marie in ""Le Monde Illustre"" n°1240 du 1er janvier 1881., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Banquet given by the Scandinavian colony of Paris in honor of the explorer Nils Adolf Erik (Eric) Baron Nordenskjold (Nordenskiold) (1832-1901) at the Hotel Continental. Presents are: Count Kapnitz, Professor Nordenskjold, Prince Oscar of Sweden (1859-1953), Lieutenant Palander and Christine Nilsson. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1202 of April 10, 1880.
Banquet given by the Scandinavian colony of Paris in honor of the explorer Nils Adolf Erik (Eric) Baron Nordenskjold (Nordenskiold) (1832-1901) at the Hotel Continental. Presents are: Count Kapnitz, Professor Nordenskjold, Prince Oscar of Sweden (1859-1953), Lieutenant Palander and Christine Nilsson. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1202 of April 10, 1880.

XEE4168598: Banquet given by the Scandinavian colony of Paris in honor of the explorer Nils Adolf Erik (Eric) Baron Nordenskjold (Nordenskiold) (1832-1901) at the Hotel Continental. Presents are: Count Kapnitz, Professor Nordenskjold, Prince Oscar of Sweden (1859-1953), Lieutenant Palander and Christine Nilsson. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1202 of April 10, 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Theatrical representation: “” Garin”” by Paul Delair (1842-1894) with Henri Maubant (1821-1908) (Herbert), Adeline Dudlay (Aischa) and Jean Sully Mounet dit Mounet Sully (Mounet-Sully) (1841-1916) (Garin). Paris, Comedie Francaise, 1880. Engraving by Marie in “” Le Monde Illustré”” n°1218 of July 31, 1880.
Theatrical representation: “” Garin”” by Paul Delair (1842-1894) with Henri Maubant (1821-1908) (Herbert), Adeline Dudlay (Aischa) and Jean Sully Mounet dit Mounet Sully (Mounet-Sully) (1841-1916) (Garin). Paris, Comedie Francaise, 1880. Engraving by Marie in “” Le Monde Illustré”” n°1218 of July 31, 1880.

XEE4168706: Theatrical representation: “” Garin”” by Paul Delair (1842-1894) with Henri Maubant (1821-1908) (Herbert), Adeline Dudlay (Aischa) and Jean Sully Mounet dit Mounet Sully (Mounet-Sully) (1841-1916) (Garin). Paris, Comedie Francaise, 1880. Engraving by Marie in “” Le Monde Illustré”” n°1218 of July 31, 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Portrait of Prince Gustave of Suede (Oscar Gustaf Adolf, 1858-1950), future king of Suede under the name of Gustave V and Victoria of Baden (Sophie Marie Victoria) (1862-1930). Engraving by Adrien Marie. One of “The Illustrious World” No. 1278 of September 24, 1881.
Portrait of Prince Gustave of Suede (Oscar Gustaf Adolf, 1858-1950), future king of Suede under the name of Gustave V and Victoria of Baden (Sophie Marie Victoria) (1862-1930). Engraving by Adrien Marie. One of “The Illustrious World” No. 1278 of September 24, 1881.

XEE4171045: Portrait of Prince Gustave of Suede (Oscar Gustaf Adolf, 1858-1950), future king of Suede under the name of Gustave V and Victoria of Baden (Sophie Marie Victoria) (1862-1930). Engraving by Adrien Marie. One of “The Illustrious World” No. 1278 of September 24, 1881., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Course a cross by Berny, 19th century (engraving)
Course a cross by Berny, 19th century (engraving)

JLJ4586191: Course a cross by Berny, 19th century (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

An elegant beach. Charming ladies with their children among a crowd entertaining on a beach in France, 1887 (engraving)
An elegant beach. Charming ladies with their children among a crowd entertaining on a beach in France, 1887 (engraving)

JLJ4689469: An elegant beach. Charming ladies with their children among a crowd entertaining on a beach in France, 1887 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images


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