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Marie, Adrien Emmanuel (1848-91) Assets (100 in total)

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Letters X and Z: Xeres and Zelee. Engraving in “
Letters X and Z: Xeres and Zelee. Engraving in “

DUV4207450: Letters X and Z: Xeres and Zelee. Engraving in “" Usual alphabet "”. Illustrations on the theme of qualities and defects in children. A. Quantin, printer-publisher, 1885. Collection: The Children's Encyclopedia. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Size: 24x18cm. Private collection, Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: DUV4207450

Letters X and Z: Xeres and Zelee. Engraving in “" Usual alphabet "”. Illustrations on the theme of qualities and defects in children. A. Quantin, printer-publisher, 1885. Collection: The Children's Encyclopedia. Illustrator: Adrien Marie (1848-1891) and engraver: Michelet. 28 pages. Size: 24x18cm. Private collection

Marie, Adrien Emmanuel (1848-91)

The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330180: The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4330180

The first operation of the scraping of the cheeses, eight days after the winery, the down that grew on the surface of the cheese is removed to allow better contact with the fresh air of the cellar, which is removed is used to feed the cattle, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

The scraping and stitching of cheeses, after the winery every eight days, these operations facilitate the fermentation and formation of blue marbling in the Roquefort, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “Le tour du monde”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.
The scraping and stitching of cheeses, after the winery every eight days, these operations facilitate the fermentation and formation of blue marbling in the Roquefort, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “Le tour du monde”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330192: The scraping and stitching of cheeses, after the winery every eight days, these operations facilitate the fermentation and formation of blue marbling in the Roquefort, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “Le tour du monde”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4330192

The scraping and stitching of cheeses, after the winery every eight days, these operations facilitate the fermentation and formation of blue marbling in the Roquefort, engraving after a drawing by A.Marie, illustrating a journey to Roquefort and its surroundings, by Adrien Roques and Jules Charton, in 1874, published in “Le tour du monde”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

Horse racing: hedge jumping, 19th century(litho)
Horse racing: hedge jumping, 19th century(litho)

JLJ4582521: Horse racing: hedge jumping, 19th century(litho), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: JLJ4582521

Horse racing: hedge jumping, 19th century(litho)

Marie, Adrien Emmanuel (1848-91)

The Eiffel Tower A group of children playing on a beach and realizing a replica of the Eiffel Tower with stones and sand. illustration by Adrien Marie (1848-1891). Engraving from 1887 in “” Paris-Illustrous journal weekly””.
The Eiffel Tower A group of children playing on a beach and realizing a replica of the Eiffel Tower with stones and sand. illustration by Adrien Marie (1848-1891). Engraving from 1887 in “” Paris-Illustrous journal weekly””.

XEE4136140: The Eiffel Tower A group of children playing on a beach and realizing a replica of the Eiffel Tower with stones and sand. illustration by Adrien Marie (1848-1891). Engraving from 1887 in “” Paris-Illustrous journal weekly””., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4136140

The Eiffel Tower A group of children playing on a beach and realizing a replica of the Eiffel Tower with stones and sand. illustration by Adrien Marie (1848-1891). Engraving from 1887 in “” Paris-Illustrous journal weekly””.

Marie, Adrien Emmanuel (1848-91)

Peau d'Ane - in “The fairy tales”” by Charles Perrault, illustrations by Adrien Marie, 1884.
Peau d'Ane - in “The fairy tales”” by Charles Perrault, illustrations by Adrien Marie, 1884.

XEE4104816: Peau d'Ane - in “The fairy tales”” by Charles Perrault, illustrations by Adrien Marie, 1884., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4104816

Peau d'Ane - in “The fairy tales”” by Charles Perrault, illustrations by Adrien Marie, 1884.

Marie, Adrien Emmanuel (1848-91)

Cinderella - in “The fairy tales” by Charles Perrault, illustrations by Adrien Marie, 1884.
Cinderella - in “The fairy tales” by Charles Perrault, illustrations by Adrien Marie, 1884.

XEE4104826: Cinderella - in “The fairy tales” by Charles Perrault, illustrations by Adrien Marie, 1884., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4104826

Cinderella - in “The fairy tales” by Charles Perrault, illustrations by Adrien Marie, 1884.

Marie, Adrien Emmanuel (1848-91)

Portrait of Charles Perrault - in “Les contes de fees”” by Charles Perrault, illustrations by Adrien Marie, 1884.
Portrait of Charles Perrault - in “Les contes de fees”” by Charles Perrault, illustrations by Adrien Marie, 1884.

XEE4104827: Portrait of Charles Perrault - in “Les contes de fees”” by Charles Perrault, illustrations by Adrien Marie, 1884., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4104827

Portrait of Charles Perrault - in “Les contes de fees”” by Charles Perrault, illustrations by Adrien Marie, 1884.

Marie, Adrien Emmanuel (1848-91)

Kadjaveh of the wife of a rose water dealer (Iran). Engraving by Adrien Marie, to illustrate the story “” Persia, Chaldee and Susiane””, 1881-1882, by Jane Dieulafoy (1851-1916), writer and archeologist. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
Kadjaveh of the wife of a rose water dealer (Iran). Engraving by Adrien Marie, to illustrate the story “” Persia, Chaldee and Susiane””, 1881-1882, by Jane Dieulafoy (1851-1916), writer and archeologist. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4333930: Kadjaveh of the wife of a rose water dealer (Iran). Engraving by Adrien Marie, to illustrate the story “” Persia, Chaldee and Susiane””, 1881-1882, by Jane Dieulafoy (1851-1916), writer and archeologist. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4333930

Kadjaveh of the wife of a rose water dealer (Iran). Engraving by Adrien Marie, to illustrate the story “” Persia, Chaldee and Susiane””, 1881-1882, by Jane Dieulafoy (1851-1916), writer and archeologist. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

Marie, Adrien Emmanuel (1848-91)

Conversion of Saint Paul: Saulus, performance under french king Charles VI. 1872 (engraving)
Conversion of Saint Paul: Saulus, performance under french king Charles VI. 1872 (engraving)

JAB7073053: Conversion of Saint Paul: Saulus, performance under french king Charles VI. 1872 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: JAB7073053

Conversion of Saint Paul: Saulus, performance under french king Charles VI. 1872 (engraving)

Marie, Adrien Emmanuel (1848-91)

The Family, 19th Century (b/w engraving)
The Family, 19th Century (b/w engraving)

DGC909597: The Family, 19th Century (b/w engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: DGC909597

The Family, 19th Century (b/w engraving)

Marie, Adrien Emmanuel (1848-91)

Illustration from Les Feuilles d’Automne,19th Century (b/w engraving)
Illustration from Les Feuilles d’Automne,19th Century (b/w engraving)

DGC909601: Illustration from Les Feuilles d’Automne,19th Century (b/w engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: DGC909601

Illustration from Les Feuilles d’Automne,19th Century (b/w engraving)

Marie, Adrien Emmanuel (1848-91)

La Grand’Mère, 19th Century (b/w engraving)
La Grand’Mère, 19th Century (b/w engraving)

DGC909674: La Grand’Mère, 19th Century (b/w engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: DGC909674

La Grand’Mère, 19th Century (b/w engraving)

Marie, Adrien Emmanuel (1848-91)

View of the Black Buttes camp, last station in the red desert (Mojave desert) of the Pacific Railway, in September 1868, engraving after the drawing of A.Marie, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
View of the Black Buttes camp, last station in the red desert (Mojave desert) of the Pacific Railway, in September 1868, engraving after the drawing of A.Marie, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329662: View of the Black Buttes camp, last station in the red desert (Mojave desert) of the Pacific Railway, in September 1868, engraving after the drawing of A.Marie, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4329662

View of the Black Buttes camp, last station in the red desert (Mojave desert) of the Pacific Railway, in September 1868, engraving after the drawing of A.Marie, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

Photographers of the American geological mission, on horseback, carefully packaged material ready for a new stage, engraving after the drawing of A.Marie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde”” 1874, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.
Photographers of the American geological mission, on horseback, carefully packaged material ready for a new stage, engraving after the drawing of A.Marie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde”” 1874, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329895: Photographers of the American geological mission, on horseback, carefully packaged material ready for a new stage, engraving after the drawing of A.Marie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde”” 1874, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4329895

Photographers of the American geological mission, on horseback, carefully packaged material ready for a new stage, engraving after the drawing of A.Marie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde”” 1874, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

An elegant beach. Charming ladies with their children among a crowd entertaining on a beach in France, 1887 (engraving)
An elegant beach. Charming ladies with their children among a crowd entertaining on a beach in France, 1887 (engraving)

JLJ4689469: An elegant beach. Charming ladies with their children among a crowd entertaining on a beach in France, 1887 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: JLJ4689469

An elegant beach. Charming ladies with their children among a crowd entertaining on a beach in France, 1887 (engraving)

Marie, Adrien Emmanuel (1848-91)

Barking, the Republic pursued by royalist or bonapartist dogs. Cover in “” L'Eclipse”” by Adrien Marie, June 1871, Paris.
Barking, the Republic pursued by royalist or bonapartist dogs. Cover in “” L'Eclipse”” by Adrien Marie, June 1871, Paris.

LSE4319021: Barking, the Republic pursued by royalist or bonapartist dogs. Cover in “” L'Eclipse”” by Adrien Marie, June 1871, Paris., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4319021

Barking, the Republic pursued by royalist or bonapartist dogs. Cover in “” L'Eclipse”” by Adrien Marie, June 1871, Paris.

Marie, Adrien Emmanuel (1848-91)

Course a cross by Berny, 19th century (engraving)
Course a cross by Berny, 19th century (engraving)

JLJ4586191: Course a cross by Berny, 19th century (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: JLJ4586191

Course a cross by Berny, 19th century (engraving)

Marie, Adrien Emmanuel (1848-91)

Chinese lady has her toilet. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Chinese lady has her toilet. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330370: Chinese lady has her toilet. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4330370

Chinese lady has her toilet. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

A barber working with a client, 1876 (engraving)
A barber working with a client, 1876 (engraving)

LSE4330383: A barber working with a client, 1876 (engraving), Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4330383

A barber working with a client, 1876 (engraving)

Marie, Adrien Emmanuel (1848-91)

Three funeral workers in Pekin. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Three funeral workers in Pekin. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330405: Three funeral workers in Pekin. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4330405

Three funeral workers in Pekin. Engraving after A.Marie's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

The toy dealer hitting a copper gong to draw attention to his dolls, cars, silk butterflies and whistles, walking the Oriental Flower Gate of the Imperial Palace in Pekin. Engraving after A.Marie's drawing, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The toy dealer hitting a copper gong to draw attention to his dolls, cars, silk butterflies and whistles, walking the Oriental Flower Gate of the Imperial Palace in Pekin. Engraving after A.Marie's drawing, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330487: The toy dealer hitting a copper gong to draw attention to his dolls, cars, silk butterflies and whistles, walking the Oriental Flower Gate of the Imperial Palace in Pekin. Engraving after A.Marie's drawing, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4330487

The toy dealer hitting a copper gong to draw attention to his dolls, cars, silk butterflies and whistles, walking the Oriental Flower Gate of the Imperial Palace in Pekin. Engraving after A.Marie's drawing, to illustrate the journey to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

Portrait of Prince Gustave of Suede (Oscar Gustaf Adolf, 1858-1950), future king of Suede under the name of Gustave V and Victoria of Baden (Sophie Marie Victoria) (1862-1930). Engraving by Adrien Marie. One of “The Illustrious World” No. 1278 of September 24, 1881.
Portrait of Prince Gustave of Suede (Oscar Gustaf Adolf, 1858-1950), future king of Suede under the name of Gustave V and Victoria of Baden (Sophie Marie Victoria) (1862-1930). Engraving by Adrien Marie. One of “The Illustrious World” No. 1278 of September 24, 1881.

XEE4171045: Portrait of Prince Gustave of Suede (Oscar Gustaf Adolf, 1858-1950), future king of Suede under the name of Gustave V and Victoria of Baden (Sophie Marie Victoria) (1862-1930). Engraving by Adrien Marie. One of “The Illustrious World” No. 1278 of September 24, 1881., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4171045

Portrait of Prince Gustave of Suede (Oscar Gustaf Adolf, 1858-1950), future king of Suede under the name of Gustave V and Victoria of Baden (Sophie Marie Victoria) (1862-1930). Engraving by Adrien Marie. One of “The Illustrious World” No. 1278 of September 24, 1881.

Marie, Adrien Emmanuel (1848-91)

Banquet given by the Scandinavian colony of Paris in honor of the explorer Nils Adolf Erik (Eric) Baron Nordenskjold (Nordenskiold) (1832-1901) at the Hotel Continental. Presents are: Count Kapnitz, Professor Nordenskjold, Prince Oscar of Sweden (1859-1953), Lieutenant Palander and Christine Nilsson. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1202 of April 10, 1880.
Banquet given by the Scandinavian colony of Paris in honor of the explorer Nils Adolf Erik (Eric) Baron Nordenskjold (Nordenskiold) (1832-1901) at the Hotel Continental. Presents are: Count Kapnitz, Professor Nordenskjold, Prince Oscar of Sweden (1859-1953), Lieutenant Palander and Christine Nilsson. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1202 of April 10, 1880.

XEE4168598: Banquet given by the Scandinavian colony of Paris in honor of the explorer Nils Adolf Erik (Eric) Baron Nordenskjold (Nordenskiold) (1832-1901) at the Hotel Continental. Presents are: Count Kapnitz, Professor Nordenskjold, Prince Oscar of Sweden (1859-1953), Lieutenant Palander and Christine Nilsson. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1202 of April 10, 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168598

Banquet given by the Scandinavian colony of Paris in honor of the explorer Nils Adolf Erik (Eric) Baron Nordenskjold (Nordenskiold) (1832-1901) at the Hotel Continental. Presents are: Count Kapnitz, Professor Nordenskjold, Prince Oscar of Sweden (1859-1953), Lieutenant Palander and Christine Nilsson. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1202 of April 10, 1880.

Marie, Adrien Emmanuel (1848-91)

Theatrical representation: “The King has fun” by Victor Hugo (1808-1883). Act II scene 5: the house of Triboulet, King Francois 1st (Mounet Sully (or Mounet Sully) 1841-1916) at the feet of Blanche (Julia Bartet, 1854-1941). Paris, Comedie Francaise, 1882. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1339 of 25 November 1882.
Theatrical representation: “The King has fun” by Victor Hugo (1808-1883). Act II scene 5: the house of Triboulet, King Francois 1st (Mounet Sully (or Mounet Sully) 1841-1916) at the feet of Blanche (Julia Bartet, 1854-1941). Paris, Comedie Francaise, 1882. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1339 of 25 November 1882.

XEE4178820: Theatrical representation: “The King has fun” by Victor Hugo (1808-1883). Act II scene 5: the house of Triboulet, King Francois 1st (Mounet Sully (or Mounet Sully) 1841-1916) at the feet of Blanche (Julia Bartet, 1854-1941). Paris, Comedie Francaise, 1882. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1339 of 25 November 1882., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4178820

Theatrical representation: “The King has fun” by Victor Hugo (1808-1883). Act II scene 5: the house of Triboulet, King Francois 1st (Mounet Sully (or Mounet Sully) 1841-1916) at the feet of Blanche (Julia Bartet, 1854-1941). Paris, Comedie Francaise, 1882. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1339 of 25 November 1882.

Marie, Adrien Emmanuel (1848-91)

Theatrical representation: “” Garin”” by Paul Delair (1842-1894) with Henri Maubant (1821-1908) (Herbert), Adeline Dudlay (Aischa) and Jean Sully Mounet dit Mounet Sully (Mounet-Sully) (1841-1916) (Garin). Paris, Comedie Francaise, 1880. Engraving by Marie in “” Le Monde Illustré”” n°1218 of July 31, 1880.
Theatrical representation: “” Garin”” by Paul Delair (1842-1894) with Henri Maubant (1821-1908) (Herbert), Adeline Dudlay (Aischa) and Jean Sully Mounet dit Mounet Sully (Mounet-Sully) (1841-1916) (Garin). Paris, Comedie Francaise, 1880. Engraving by Marie in “” Le Monde Illustré”” n°1218 of July 31, 1880.

XEE4168706: Theatrical representation: “” Garin”” by Paul Delair (1842-1894) with Henri Maubant (1821-1908) (Herbert), Adeline Dudlay (Aischa) and Jean Sully Mounet dit Mounet Sully (Mounet-Sully) (1841-1916) (Garin). Paris, Comedie Francaise, 1880. Engraving by Marie in “” Le Monde Illustré”” n°1218 of July 31, 1880., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4168706

Theatrical representation: “” Garin”” by Paul Delair (1842-1894) with Henri Maubant (1821-1908) (Herbert), Adeline Dudlay (Aischa) and Jean Sully Mounet dit Mounet Sully (Mounet-Sully) (1841-1916) (Garin). Paris, Comedie Francaise, 1880. Engraving by Marie in “” Le Monde Illustré”” n°1218 of July 31, 1880.

Marie, Adrien Emmanuel (1848-91)

Theatrical representation: Scene VI of 'Le Pritre' by Charles Buet (1846-1897) with Paul Felix Joseph Tailliade (1826-1896) (Abbe Patrice) and Montal (Nicolas Charles Bonlarron, 1837-1903) (Rajah Rue Sangor Sing). Paris, Theatre de la Porte Saint Martin, 1881. Engraving by Adrien Marie In “” The Illustrous World”” n°1263 of June 11, 1881.
Theatrical representation: Scene VI of 'Le Pritre' by Charles Buet (1846-1897) with Paul Felix Joseph Tailliade (1826-1896) (Abbe Patrice) and Montal (Nicolas Charles Bonlarron, 1837-1903) (Rajah Rue Sangor Sing). Paris, Theatre de la Porte Saint Martin, 1881. Engraving by Adrien Marie In “” The Illustrous World”” n°1263 of June 11, 1881.

XEE4169362: Theatrical representation: Scene VI of 'Le Pritre' by Charles Buet (1846-1897) with Paul Felix Joseph Tailliade (1826-1896) (Abbe Patrice) and Montal (Nicolas Charles Bonlarron, 1837-1903) (Rajah Rue Sangor Sing). Paris, Theatre de la Porte Saint Martin, 1881. Engraving by Adrien Marie In “” The Illustrous World”” n°1263 of June 11, 1881., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4169362

Theatrical representation: Scene VI of 'Le Pritre' by Charles Buet (1846-1897) with Paul Felix Joseph Tailliade (1826-1896) (Abbe Patrice) and Montal (Nicolas Charles Bonlarron, 1837-1903) (Rajah Rue Sangor Sing). Paris, Theatre de la Porte Saint Martin, 1881. Engraving by Adrien Marie In “” The Illustrous World”” n°1263 of June 11, 1881.

Marie, Adrien Emmanuel (1848-91)

Representation theatrale : 1er acte de
Representation theatrale : 1er acte de

XEE4169379: Representation theatrale : 1er acte de ""Jean Baudry"" par Auguste Vacquerie (1819-1895) avec Melle Bertet (Andree), M. Barre (Bruel), Edmond Got (1822-1901) (Jean Beaudry). Paris, Comedie Francaise, 1880. Gravure de Adrien Marie in ""Le Monde Illustre"" n°1240 du 1er janvier 1881., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4169379

Representation theatrale : 1er acte de ""Jean Baudry"" par Auguste Vacquerie (1819-1895) avec Melle Bertet (Andree), M. Barre (Bruel), Edmond Got (1822-1901) (Jean Beaudry). Paris, Comedie Francaise, 1880. Gravure de Adrien Marie in ""Le Monde Illustre"" n°1240 du 1er janvier 1881.

Marie, Adrien Emmanuel (1848-91)


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