Rubens, Peter Paul (1577-1640) Assets (894 in total)

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The discovery of the purple A phenician finds thanks to his dog a shell producing the red tincture. Wash, 17th century (oil on canvas)
The discovery of the purple A phenician finds thanks to his dog a shell producing the red tincture. Wash, 17th century (oil on canvas)

JLJ4672357: The discovery of the purple A phenician finds thanks to his dog a shell producing the red tincture. Wash, 17th century (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Queen Marie de Medicis (1573-1642), 17th century (oil on canvas)
Queen Marie de Medicis (1573-1642), 17th century (oil on canvas)

JLJ4685387: Queen Marie de Medicis (1573-1642), 17th century (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Eleanor Gonzaga, 1600 (oil on canvas)
Eleanor Gonzaga, 1600 (oil on canvas)

XAM68920: Eleanor Gonzaga, 1600 (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Mary Giving Ildefonso, Archbishop of Toledo the Vestment, with the Arch Duke Albrecht VII and his Patron Saint Albert of Lowen on the Left and the Infanta Isabella Claira Eugenia and her Patron Saint Elizabeth of Hungary on the Left (sketch for the altarpiece in Vienna)
Mary Giving Ildefonso, Archbishop of Toledo the Vestment, with the Arch Duke Albrecht VII and his Patron Saint Albert of Lowen on the Left and the Infanta Isabella Claira Eugenia and her Patron Saint Elizabeth of Hungary on the Left (sketch for the altarpiece in Vienna)

MEL48917: Mary Giving Ildefonso, Archbishop of Toledo the Vestment, with the Arch Duke Albrecht VII and his Patron Saint Albert of Lowen on the Left and the Infanta Isabella Claira Eugenia and her Patron Saint Elizabeth of Hungary on the Left (sketch for the altarpiece in Vienna), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Young nude woman, seated, turned to the right (pierre noire, red chalk, white highlights & brown wash on paper)
Young nude woman, seated, turned to the right (pierre noire, red chalk, white highlights & brown wash on paper)

XIR346693: Young nude woman, seated, turned to the right (pierre noire, red chalk, white highlights & brown wash on paper), Rubens, Peter Paul (1577-1640) / Bridgeman Images

St Basil, 1620 (oil on board)
St Basil, 1620 (oil on board)

BFM286855: St Basil, 1620 (oil on board), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Woman with a Fan (pencil on paper)
Woman with a Fan (pencil on paper)

PHD565: Woman with a Fan (pencil on paper), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Louis XIII of France, 1622 (oil on paper, on panel)
Louis XIII of France, 1622 (oil on paper, on panel)

NGV909228: Louis XIII of France, 1622 (oil on paper, on panel), Rubens, Peter Paul (1577-1640) / Bridgeman Images

The Meeting of Abraham and Melchizedek, c.1626 (oil  on panel)
The Meeting of Abraham and Melchizedek, c.1626 (oil  on panel)

XOS3038273: The Meeting of Abraham and Melchizedek, c.1626 (oil on panel), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Portrait of a commander, three-quarter length, being dressed for battle (oil on panel)
Portrait of a commander, three-quarter length, being dressed for battle (oil on panel)

CH3505968: Portrait of a commander, three-quarter length, being dressed for battle (oil on panel), Rubens, Peter Paul (1577-1640) / Bridgeman Images

The Dispute of the Holy Sacrament, c.1609 (oil on panel)
The Dispute of the Holy Sacrament, c.1609 (oil on panel)

LAF715424: The Dispute of the Holy Sacrament, c.1609 (oil on panel), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Saint Bonaventure, c.1620 (oil on canvas)
Saint Bonaventure, c.1620 (oil on canvas)

XIR896313: Saint Bonaventure, c.1620 (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images

The Andrians, c.1635 (oil on canvas)
The Andrians, c.1635 (oil on canvas)

XOS3588402: The Andrians, c.1635 (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Girl with fan, 1628-1629 (oil on canvas)
Girl with fan, 1628-1629 (oil on canvas)

FIA5394868: Girl with fan, 1628-1629 (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images

The death of Henri IV (1553-1610), 1622 (oil on wood)
The death of Henri IV (1553-1610), 1622 (oil on wood)

FIA5342338: The death of Henri IV (1553-1610), 1622 (oil on wood), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Portrait of a Man, c.1630 (oil on panel)
Portrait of a Man, c.1630 (oil on panel)

XOS5671806: Portrait of a Man, c.1630 (oil on panel), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Matthaeus Yrsselius (1541-1629), Abbot of Sint-Michiel's Abbey in Antwerp, c. 1624 (oil on oak)
Matthaeus Yrsselius (1541-1629), Abbot of Sint-Michiel's Abbey in Antwerp, c. 1624 (oil on oak)

XOS1249127: Matthaeus Yrsselius (1541-1629), Abbot of Sint-Michiel's Abbey in Antwerp, c. 1624 (oil on oak) , Rubens, Peter Paul (1577-1640) / Bridgeman Images

Sleeping nymphs (recto), 1615-16 (pen & brown ink on paper)
Sleeping nymphs (recto), 1615-16 (pen & brown ink on paper)

COU5934458: Sleeping nymphs (recto), 1615-16 (pen & brown ink on paper), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Ornamental frames (verso of Creation of Animals), c. 1610
Ornamental frames (verso of Creation of Animals), c. 1610

COU7109090: Ornamental frames (verso of Creation of Animals), c. 1610, Rubens, Peter Paul (1577-1640) / Bridgeman Images

Allegory of sight and smell Detail. Young women near a table covered with flowers and jewels, an angel presents a mirror to one of the women who admire herself. Works of art accumulate in the background. A ferret is lying on the left. Painting by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus) (1577-1640) and Jan Breugel the Elder calls Bruegel de Velours (Brueghel or Breughel, 1568-1625) 1618 Sun. 175x263 cm Madrid, Musee del Prado
Allegory of sight and smell Detail. Young women near a table covered with flowers and jewels, an angel presents a mirror to one of the women who admire herself. Works of art accumulate in the background. A ferret is lying on the left. Painting by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus) (1577-1640) and Jan Breugel the Elder calls Bruegel de Velours (Brueghel or Breughel, 1568-1625) 1618 Sun. 175x263 cm Madrid, Musee del Prado

LRI4651962: Allegory of sight and smell Detail. Young women near a table covered with flowers and jewels, an angel presents a mirror to one of the women who admire herself. Works of art accumulate in the background. A ferret is lying on the left. Painting by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus) (1577-1640) and Jan Breugel the Elder calls Bruegel de Velours (Brueghel or Breughel, 1568-1625) 1618 Sun. 175x263 cm Madrid, Musee del Prado, Rubens, Peter Paul (1577-1640) / Bridgeman Images

Portrait of the Duke of Lerma on horseback (Drawing, 17th century)
Portrait of the Duke of Lerma on horseback (Drawing, 17th century)

LRI4611278: Portrait of the Duke of Lerma on horseback (Drawing, 17th century), Rubens, Peter Paul (1577-1640) / Bridgeman Images

The Incarnation as Fulfillment of all Prophecies, c.1628-29 (oil on wood panel)
The Incarnation as Fulfillment of all Prophecies, c.1628-29 (oil on wood panel)

BRN198233: The Incarnation as Fulfillment of all Prophecies, c.1628-29 (oil on wood panel), Rubens, Peter Paul (1577-1640) / Bridgeman Images

The Rubens ceiling
The Rubens ceiling

HRP5245765: The Rubens ceiling, Rubens, Peter Paul (1577-1640) / Bridgeman Images

The Triumph of Divine Love, c.1625-26 (oil on panel)
The Triumph of Divine Love, c.1625-26 (oil on panel)

FIT936983: The Triumph of Divine Love, c.1625-26 (oil on panel), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Titus, from ten drawings of eight of the first twelve Caesars, after Giovanni da Cavino's medals (pen & ink on paper)
Titus, from ten drawings of eight of the first twelve Caesars, after Giovanni da Cavino's medals (pen & ink on paper)

CTS5905717: Titus, from ten drawings of eight of the first twelve Caesars, after Giovanni da Cavino's medals (pen & ink on paper), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Galba, from ten drawings of eight of the first twelve Caesars, after Giovanni da Cavino's medals (pen & ink on paper)
Galba, from ten drawings of eight of the first twelve Caesars, after Giovanni da Cavino's medals (pen & ink on paper)

CTS5905722: Galba, from ten drawings of eight of the first twelve Caesars, after Giovanni da Cavino's medals (pen & ink on paper), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Study of an antique head of Silenus (pen & ink on paper)
Study of an antique head of Silenus (pen & ink on paper)

CTS5905728: Study of an antique head of Silenus (pen & ink on paper), Rubens, Peter Paul (1577-1640) / Bridgeman Images

St. Amandus and St. Walburga (oil on panel)
St. Amandus and St. Walburga (oil on panel)

DPG67335: St. Amandus and St. Walburga (oil on panel), Rubens, Peter Paul (1577-1640) / Bridgeman Images

The Union of Henri IV and Marie de Medicis, 1628 (oil on oak panel)
The Union of Henri IV and Marie de Medicis, 1628 (oil on oak panel)

TWC62153: The Union of Henri IV and Marie de Medicis, 1628 (oil on oak panel), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Portrait of Helene Fourment on the carriage, 17th century (oil on wood)
Portrait of Helene Fourment on the carriage, 17th century (oil on wood)

JLJ4611813: Portrait of Helene Fourment on the carriage, 17th century (oil on wood), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Cycle of Medicis: 'The Triumph of the Verite' King Louis XIII and Queen Mary of Medici, 17th century (oil on canvas)
Cycle of Medicis: 'The Triumph of the Verite' King Louis XIII and Queen Mary of Medici, 17th century (oil on canvas)

JLJ4573290: Cycle of Medicis: 'The Triumph of the Verite' King Louis XIII and Queen Mary of Medici, 17th century (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Portrait Of Joan Of Austria (1547-1578), 16th century (oil on canvas)
Portrait Of Joan Of Austria (1547-1578), 16th century (oil on canvas)

JLJ4688554: Portrait Of Joan Of Austria (1547-1578), 16th century (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images

The Interview of King and Mary of Medici in Lyon, November 9, 1600 King Henry IV and the future queen were represented shortly after the marriage by proxy, 1621-25 (oil on canvas)
The Interview of King and Mary of Medici in Lyon, November 9, 1600 King Henry IV and the future queen were represented shortly after the marriage by proxy, 1621-25 (oil on canvas)

JLJ4589107: The Interview of King and Mary of Medici in Lyon, November 9, 1600 King Henry IV and the future queen were represented shortly after the marriage by proxy, 1621-25 (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Bellerophon climbs on Pegase through his spear the chimere, 17th century (oil on canvas)
Bellerophon climbs on Pegase through his spear the chimere, 17th century (oil on canvas)

JLJ4593751: Bellerophon climbs on Pegase through his spear the chimere, 17th century (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Portrait of Helene Fourment on the carriage. Helene Fourment (1614-1673), 17th century (oil on wood)
Portrait of Helene Fourment on the carriage. Helene Fourment (1614-1673), 17th century (oil on wood)

JLJ4662818: Portrait of Helene Fourment on the carriage. Helene Fourment (1614-1673), 17th century (oil on wood), Rubens, Peter Paul (1577-1640) / Bridgeman Images

Self Portrait, c.1618 (oil on panel)
Self Portrait, c.1618 (oil on panel)

SCP50164: Self Portrait, c.1618 (oil on panel), Rubens, Peter Paul (1577-1640) / Bridgeman Images


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