Beccafumi, Domenico (1484-1551) Assets (142 in total)

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Ecce homo. Christ carrying the cross. circa 1540 (painting on wood)
Ecce homo. Christ carrying the cross. circa 1540 (painting on wood)

LRI4601736: Ecce homo. Christ carrying the cross. circa 1540 (painting on wood), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Saint Anthony blessing, 1540-1545 (Oil on wood)
Saint Anthony blessing, 1540-1545 (Oil on wood)

LRI4601775: Saint Anthony blessing, 1540-1545 (Oil on wood), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Angels carrying a medallion above their heads, 1520-1525 (Oil on wood)
Angels carrying a medallion above their heads, 1520-1525 (Oil on wood)

LRI4601791: Angels carrying a medallion above their heads, 1520-1525 (Oil on wood), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Representation of the Universal Deluge, 1524-1530 (fresco)
Representation of the Universal Deluge, 1524-1530 (fresco)

LRI4601877: Representation of the Universal Deluge, 1524-1530 (fresco), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Tondo of the Holy Family with Saint John the Baptist child. 16th century (painting on wood)
Tondo of the Holy Family with Saint John the Baptist child. 16th century (painting on wood)

LRI4601772: Tondo of the Holy Family with Saint John the Baptist child. 16th century (painting on wood), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Female figure. 16th century (painting on wood)
Female figure. 16th century (painting on wood)

LRI4601774: Female figure. 16th century (painting on wood), Beccafumi, Domenico (1484-1551) / Bridgeman Images

The sacrifice of Zaleucos, 1524-1530 (fresco)
The sacrifice of Zaleucos, 1524-1530 (fresco)

LRI4601864: The sacrifice of Zaleucos, 1524-1530 (fresco), Beccafumi, Domenico (1484-1551) / Bridgeman Images

L'amor di patria. Painting by Domenico Beccafumi (1486-1551), 1529-1535. Octagonal fresco. Italy, Siena, Public Palace (Siena, Palazzo Pubblico)
L'amor di patria. Painting by Domenico Beccafumi (1486-1551), 1529-1535. Octagonal fresco. Italy, Siena, Public Palace (Siena, Palazzo Pubblico)

LRI4601476: L'amor di patria. Painting by Domenico Beccafumi (1486-1551), 1529-1535. Octagonal fresco. Italy, Siena, Public Palace (Siena, Palazzo Pubblico), Beccafumi, Domenico (1484-1551) / Bridgeman Images

The sacrifice of Seleucos de Locres (Seleucus de Locride) Seleucos to blind his son, in order to punish him for a raping he had committed, prefere to die one of his eyes. Fresco by Domenico di Giacomo di Pace dit Beccafumi (1486-1551) 1529-1535 Siena, Palazzo Pubblico
The sacrifice of Seleucos de Locres (Seleucus de Locride) Seleucos to blind his son, in order to punish him for a raping he had committed, prefere to die one of his eyes. Fresco by Domenico di Giacomo di Pace dit Beccafumi (1486-1551) 1529-1535 Siena, Palazzo Pubblico

LRI4601510: The sacrifice of Seleucos de Locres (Seleucus de Locride) Seleucos to blind his son, in order to punish him for a raping he had committed, prefere to die one of his eyes. Fresco by Domenico di Giacomo di Pace dit Beccafumi (1486-1551) 1529-1535 Siena, Palazzo Pubblico, Beccafumi, Domenico (1484-1551) / Bridgeman Images

Saint Catherine of Siena Receiving the Stigmata, c.1513-15 (oil and gold leaf on panel)
Saint Catherine of Siena Receiving the Stigmata, c.1513-15 (oil and gold leaf on panel)

XOS3545793: Saint Catherine of Siena Receiving the Stigmata, c.1513-15 (oil and gold leaf on panel), Beccafumi, Domenico (1484-1551) / Bridgeman Images

The Holy Family with the Infant Saint John the Baptist,  (oil on panel)
The Holy Family with the Infant Saint John the Baptist,  (oil on panel)

CH990270: The Holy Family with the Infant Saint John the Baptist, (oil on panel), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Praetor Genucio Cipo and Thrasybulus of Athens, 16th century (fresco)
Praetor Genucio Cipo and Thrasybulus of Athens, 16th century (fresco)

MEP3705402: Praetor Genucio Cipo and Thrasybulus of Athens, 16th century (fresco), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Floor of the Cathedral of Siena, 1531 (intarsia)
Floor of the Cathedral of Siena, 1531 (intarsia)

MEP3706565: Floor of the Cathedral of Siena, 1531 (intarsia), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Allegory of the Common Goodwill, 16th century (fresco)
Allegory of the Common Goodwill, 16th century (fresco)

MEP3706717: Allegory of the Common Goodwill, 16th century (fresco), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Altarpiece of the stigmas of St. Catherine: The mystical wedding. Detail of the Predelle, 1513-1515 (painting on wood)
Altarpiece of the stigmas of St. Catherine: The mystical wedding. Detail of the Predelle, 1513-1515 (painting on wood)

LRI4601663: Altarpiece of the stigmas of St. Catherine: The mystical wedding. Detail of the Predelle, 1513-1515 (painting on wood), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Descent of christ into limbo, detail (painting, 1530-1535)
Descent of christ into limbo, detail (painting, 1530-1535)

LRI4577207: Descent of christ into limbo, detail (painting, 1530-1535), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Self-portrait, 1525-1530. (Tempera on paper glued to wood)
Self-portrait, 1525-1530. (Tempera on paper glued to wood)

LRI4601465: Self-portrait, 1525-1530. (Tempera on paper glued to wood), Beccafumi, Domenico (1484-1551) / Bridgeman Images

The Holy Family and St. John the Baptist (oil on canvas)
The Holy Family and St. John the Baptist (oil on canvas)

XIR438816: The Holy Family and St. John the Baptist (oil on canvas), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Study for the Nativity of St Martin, 1522 (pen)
Study for the Nativity of St Martin, 1522 (pen)

MEB857723: Study for the Nativity of St Martin, 1522 (pen), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Friesland: the sacrifice of Codros king of Athens, detail. Greek mythology: Codros (or Codrus) learning from an oracle that the advantage of war between the Dorians and the Athenians would belong to those whose leader would be killed, voluntarily devoured himself by fighting in the middle of the melee to find death. Painting by Domenico Beccafumi (1486-1551), 1529-1535. Fresco. italy, Siena, Public Palace (Siena, Palazzo Pubblico)
Friesland: the sacrifice of Codros king of Athens, detail. Greek mythology: Codros (or Codrus) learning from an oracle that the advantage of war between the Dorians and the Athenians would belong to those whose leader would be killed, voluntarily devoured himself by fighting in the middle of the melee to find death. Painting by Domenico Beccafumi (1486-1551), 1529-1535. Fresco. italy, Siena, Public Palace (Siena, Palazzo Pubblico)

LRI4601504: Friesland: the sacrifice of Codros king of Athens, detail. Greek mythology: Codros (or Codrus) learning from an oracle that the advantage of war between the Dorians and the Athenians would belong to those whose leader would be killed, voluntarily devoured himself by fighting in the middle of the melee to find death. Painting by Domenico Beccafumi (1486-1551), 1529-1535. Fresco. italy, Siena, Public Palace (Siena, Palazzo Pubblico), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Female character, perhaps Minerva. 16th century (painting)
Female character, perhaps Minerva. 16th century (painting)

LRI4601768: Female character, perhaps Minerva. 16th century (painting), Beccafumi, Domenico (1484-1551) / Bridgeman Images

The oath of Marcus Atilius Regulus (Il giuramento di Marco Attilio Regolo). The Roman consul swore to the Carthaginians that he would return to Carthage if he did not obtain the cessation of fighting in the Roman Senate during the first Punic War. Fresco by Domenico Beccafumi (1486-1551) 1524-1530 Sun. 1,00x1,30 m Siena, Palazzo Casini Casuccini
The oath of Marcus Atilius Regulus (Il giuramento di Marco Attilio Regolo). The Roman consul swore to the Carthaginians that he would return to Carthage if he did not obtain the cessation of fighting in the Roman Senate during the first Punic War. Fresco by Domenico Beccafumi (1486-1551) 1524-1530 Sun. 1,00x1,30 m Siena, Palazzo Casini Casuccini

LRI4601858: The oath of Marcus Atilius Regulus (Il giuramento di Marco Attilio Regolo). The Roman consul swore to the Carthaginians that he would return to Carthage if he did not obtain the cessation of fighting in the Roman Senate during the first Punic War. Fresco by Domenico Beccafumi (1486-1551) 1524-1530 Sun. 1,00x1,30 m Siena, Palazzo Casini Casuccini, Beccafumi, Domenico (1484-1551) / Bridgeman Images

An Apostle (Paul?), Between 1500 and 1552
An Apostle (Paul?), Between 1500 and 1552

LZT1013825: An Apostle (Paul?), Between 1500 and 1552, Beccafumi, Domenico (1484-1551) / Bridgeman Images

Aemilius Lepidus makes his peace with Fulvius Flaccus, 16th century (fresco)
Aemilius Lepidus makes his peace with Fulvius Flaccus, 16th century (fresco)

MEP3705411: Aemilius Lepidus makes his peace with Fulvius Flaccus, 16th century (fresco), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Meeting at the Golden Gate (Incontro alla Porta Aurea), by Domenico di Giacomo di Pace known as Domenico Beccafumi, 1513, 16th Century, fresco
Meeting at the Golden Gate (Incontro alla Porta Aurea), by Domenico di Giacomo di Pace known as Domenico Beccafumi, 1513, 16th Century, fresco

ELC850766: Meeting at the Golden Gate (Incontro alla Porta Aurea), by Domenico di Giacomo di Pace known as Domenico Beccafumi, 1513, 16th Century, fresco, Beccafumi, Domenico (1484-1551) / Bridgeman Images

Madonna with the Child (Madonna col Bambino), by Domenico di Giacomo di Pace known as Domenico Beccafumi, 1538, 16th Century, oil on panel, 75 x 40 cm
Madonna with the Child (Madonna col Bambino), by Domenico di Giacomo di Pace known as Domenico Beccafumi, 1538, 16th Century, oil on panel, 75 x 40 cm

ELC851324: Madonna with the Child (Madonna col Bambino), by Domenico di Giacomo di Pace known as Domenico Beccafumi, 1538, 16th Century, oil on panel, 75 x 40 cm, Beccafumi, Domenico (1484-1551) / Bridgeman Images

Christ crowning the Virgin Mary and four Saints, 1540 (painting on wood)
Christ crowning the Virgin Mary and four Saints, 1540 (painting on wood)

LRI4601442: Christ crowning the Virgin Mary and four Saints, 1540 (painting on wood), Beccafumi, Domenico (1484-1551) / Bridgeman Images

The nativity. 1523-1524  (painting on wood)
The nativity. 1523-1524  (painting on wood)

LRI4601585: The nativity. 1523-1524 (painting on wood), Beccafumi, Domenico (1484-1551) / Bridgeman Images

The dispute between Minerva and Neptune to give a name to the city of Athens, 1524-1525 or 1528-1530 (fresco)
The dispute between Minerva and Neptune to give a name to the city of Athens, 1524-1525 or 1528-1530 (fresco)

LRI4601832: The dispute between Minerva and Neptune to give a name to the city of Athens, 1524-1525 or 1528-1530 (fresco), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Prometheus creating man under the gaze of Mercury, 1524-1530 (fresco)
Prometheus creating man under the gaze of Mercury, 1524-1530 (fresco)

LRI4601854: Prometheus creating man under the gaze of Mercury, 1524-1530 (fresco), Beccafumi, Domenico (1484-1551) / Bridgeman Images

The fall of Marcus Manlius Capitolinus, from the Citadel of the Capitol during the Gallic invasion in 390 BC. 1529-1530 (fresco)
The fall of Marcus Manlius Capitolinus, from the Citadel of the Capitol during the Gallic invasion in 390 BC. 1529-1530 (fresco)

LRI4601542: The fall of Marcus Manlius Capitolinus, from the Citadel of the Capitol during the Gallic invasion in 390 BC. 1529-1530 (fresco), Beccafumi, Domenico (1484-1551) / Bridgeman Images

St. Philip (or Andrew?), Between 1500 and 1552
St. Philip (or Andrew?), Between 1500 and 1552

LZT1013786: St. Philip (or Andrew?), Between 1500 and 1552, Beccafumi, Domenico (1484-1551) / Bridgeman Images

A Philosopher, Between 1500 and 1552
A Philosopher, Between 1500 and 1552

LZT1013826: A Philosopher, Between 1500 and 1552, Beccafumi, Domenico (1484-1551) / Bridgeman Images

St. Philip, Between 1500 and 1552
St. Philip, Between 1500 and 1552

LZT1013783: St. Philip, Between 1500 and 1552, Beccafumi, Domenico (1484-1551) / Bridgeman Images

Bearded man (red chalk)
Bearded man (red chalk)

AGN81806: Bearded man (red chalk), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Two male nudes in a landscape, c.1540-80 (engraving and woodblock)
Two male nudes in a landscape, c.1540-80 (engraving and woodblock)

FIT290436: Two male nudes in a landscape, c.1540-80 (engraving and woodblock), Beccafumi, Domenico (1484-1551) / Bridgeman Images


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