Vinci, Leonardo da (1452-1519) Assets (3165 in total)

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Studies for an equestrian monument, c.1517-18 (pen & ink and chalk on paper)
Studies for an equestrian monument, c.1517-18 (pen & ink and chalk on paper)

ROC399230: Studies for an equestrian monument, c.1517-18 (pen & ink and chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Self-Portrait, c.1516 (red chalk)
Self-Portrait, c.1516 (red chalk)

JLJ4678271: Self-Portrait, c.1516 (red chalk), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Study for a Madonna with a Cat, c.1478-80 (pen and ink over stylus underdrawing on paper)
Study for a Madonna with a Cat, c.1478-80 (pen and ink over stylus underdrawing on paper)

XJF311691: Study for a Madonna with a Cat, c.1478-80 (pen and ink over stylus underdrawing on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The anatomy of a bear's foot, c.1485-90 (pen & ink with heightening over metalpoint on paper)
The anatomy of a bear's foot, c.1485-90 (pen & ink with heightening over metalpoint on paper)

ROC399233: The anatomy of a bear's foot, c.1485-90 (pen & ink with heightening over metalpoint on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The stomach and intestines, c.1508-09 (pen and ink over black chalk on paper)
The stomach and intestines, c.1508-09 (pen and ink over black chalk on paper)

ROC399279: The stomach and intestines, c.1508-09 (pen and ink over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

A page from the Codex Leicester, 1508-12 (sepia ink on linen paper)
A page from the Codex Leicester, 1508-12 (sepia ink on linen paper)

XBP340118: A page from the Codex Leicester, 1508-12 (sepia ink on linen paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Virgin and Child with St. Anne, c.1501-10 (pen and ink on paper)
Virgin and Child with St. Anne, c.1501-10 (pen and ink on paper)

FTB165451: Virgin and Child with St. Anne, c.1501-10 (pen and ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Asses and an ox, c.1478 (pen & ink with chalk on paper)
Asses and an ox, c.1478 (pen & ink with chalk on paper)

ROC487772: Asses and an ox, c.1478 (pen & ink with chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The Alps seen from Milan, c.1510-11 (red chalk with white heightening on pale red prepared paper)
The Alps seen from Milan, c.1510-11 (red chalk with white heightening on pale red prepared paper)

ROC3740752: The Alps seen from Milan, c.1510-11 (red chalk with white heightening on pale red prepared paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Recto: The bones and schematised muscles of the leg, c.1510 (pen & ink over traces of black chalk on paper)
Recto: The bones and schematised muscles of the leg, c.1510 (pen & ink over traces of black chalk on paper)

ROC5892727: Recto: The bones and schematised muscles of the leg, c.1510 (pen & ink over traces of black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The drapery of a kneeling figure, c.1491-94 (brush & black ink heightened with white on blue prepared paper)
The drapery of a kneeling figure, c.1491-94 (brush & black ink heightened with white on blue prepared paper)

ROC409848: The drapery of a kneeling figure, c.1491-94 (brush & black ink heightened with white on blue prepared paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The arm of St Peter in the Last Supper c.1495 (black chalk, with white chalk, pen and ink and white heightening on paper)
The arm of St Peter in the Last Supper c.1495 (black chalk, with white chalk, pen and ink and white heightening on paper)

ROC3703861: The arm of St Peter in the Last Supper c.1495 (black chalk, with white chalk, pen and ink and white heightening on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The tendons of the lower leg and foot, c.1510 (pen & ink over black chalk on paper)
The tendons of the lower leg and foot, c.1510 (pen & ink over black chalk on paper)

ROC399278: The tendons of the lower leg and foot, c.1510 (pen & ink over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

A study of drapery for a Salvator Mundi, c.1504-8 (red chalk with touches of white chalk and pen and ink on pale red prepared paper)
A study of drapery for a Salvator Mundi, c.1504-8 (red chalk with touches of white chalk and pen and ink on pale red prepared paper)

ROC3703867: A study of drapery for a Salvator Mundi, c.1504-8 (red chalk with touches of white chalk and pen and ink on pale red prepared paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Codex Atlanticus, sheet 149 recto, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 149 recto, 1478-1518 (pen & ink)

MEV5045480: Codex Atlanticus, sheet 149 recto, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Portrait of a young woman in profile, c.1490 (metalpoint on pale buff prepared paper)
Portrait of a young woman in profile, c.1490 (metalpoint on pale buff prepared paper)

ROC3740753: Portrait of a young woman in profile, c.1490 (metalpoint on pale buff prepared paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

A rocky outcrop, c.1510 (black chalk on paper)
A rocky outcrop, c.1510 (black chalk on paper)

ROC478415: A rocky outcrop, c.1510 (black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

A standing masquerader, c.1517 (black chalk on paper)
A standing masquerader, c.1517 (black chalk on paper)

ROC478422: A standing masquerader, c.1517 (black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The rivers and mountains of central Italy, c.1502-4 (pen and ink, and brown and blue wash, over black chalk)
The rivers and mountains of central Italy, c.1502-4 (pen and ink, and brown and blue wash, over black chalk)

ROC3955998: The rivers and mountains of central Italy, c.1502-4 (pen and ink, and brown and blue wash, over black chalk), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Battle of Horsemen Study for the Battle of Anghiari (opposing the Milanese against the Florentines on 29/06/1440) Drawing in the pen of Leonardo da Vinci (Leonard de Vinci) (1452-1519) Sun. 14,7 x 15,5 cm Venice Gallerie dell'Accademia
Battle of Horsemen Study for the Battle of Anghiari (opposing the Milanese against the Florentines on 29/06/1440) Drawing in the pen of Leonardo da Vinci (Leonard de Vinci) (1452-1519) Sun. 14,7 x 15,5 cm Venice Gallerie dell'Accademia

GIA4707673: Battle of Horsemen Study for the Battle of Anghiari (opposing the Milanese against the Florentines on 29/06/1440) Drawing in the pen of Leonardo da Vinci (Leonard de Vinci) (1452-1519) Sun. 14,7 x 15,5 cm Venice Gallerie dell'Accademia, Vinci, Leonardo da (1452-1519) / Bridgeman Images

The arm of the Virgin, c.1508-10 (black & red chalks, pen, brush and ink heightened with white on red paper)
The arm of the Virgin, c.1508-10 (black & red chalks, pen, brush and ink heightened with white on red paper)

ROC409849: The arm of the Virgin, c.1508-10 (black & red chalks, pen, brush and ink heightened with white on red paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Recto: The bones of the foot, and the shoulder, c.1510-11 (pen & ink with wash, over traces of black chalk on paper)
Recto: The bones of the foot, and the shoulder, c.1510-11 (pen & ink with wash, over traces of black chalk on paper)

ROC5674268: Recto: The bones of the foot, and the shoulder, c.1510-11 (pen & ink with wash, over traces of black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Study of female nude probably the Mona Lisa Bust denude assumes Mona Lisa (or Monna Lisa) (drawing)
Study of female nude probably the Mona Lisa Bust denude assumes Mona Lisa (or Monna Lisa) (drawing)

JLJ4653223: Study of female nude probably the Mona Lisa Bust denude assumes Mona Lisa (or Monna Lisa) (drawing), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Dodecahedron, from 'De Divina Proportione' by Luca Pacioli, published 1509, Venice (engraving) (b/w photo)
Dodecahedron, from 'De Divina Proportione' by Luca Pacioli, published 1509, Venice (engraving) (b/w photo)

XIR217648: Dodecahedron, from 'De Divina Proportione' by Luca Pacioli, published 1509, Venice (engraving) (b/w photo), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The Last Supper, 1495-97 (fresco) (post restoration)
The Last Supper, 1495-97 (fresco) (post restoration)

BAL230520: The Last Supper, 1495-97 (fresco) (post restoration), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The anatomy of the mouth, c.1508-09 (pen & ink over black chalk on paper)
The anatomy of the mouth, c.1508-09 (pen & ink over black chalk on paper)

ROC430769: The anatomy of the mouth, c.1508-09 (pen & ink over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Marsh marigold (Caltha palustris) and wood anemone (Anemone nemorosa), c.1505 (pen & ink over chalk on paper)
Marsh marigold (Caltha palustris) and wood anemone (Anemone nemorosa), c.1505 (pen & ink over chalk on paper)

ROC493253: Marsh marigold (Caltha palustris) and wood anemone (Anemone nemorosa), c.1505 (pen & ink over chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Adoration of the Magi - oil on wood, 1481-1482
Adoration of the Magi - oil on wood, 1481-1482

LRI4572936: Adoration of the Magi - oil on wood, 1481-1482, Vinci, Leonardo da (1452-1519) / Bridgeman Images

The Ermine as a Symbol of Purity, c.1494 (pen and brown ink over black on paper)
The Ermine as a Symbol of Purity, c.1494 (pen and brown ink over black on paper)

FIT167665: The Ermine as a Symbol of Purity, c.1494 (pen and brown ink over black on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

UV image of studies of hands, c.1480 (metalpoint, much faded, on pink prepared paper) (see also 3740756)
UV image of studies of hands, c.1480 (metalpoint, much faded, on pink prepared paper) (see also 3740756)

ROC3899946: UV image of studies of hands, c.1480 (metalpoint, much faded, on pink prepared paper) (see also 3740756), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Studies of horses and soldiers for the 'Battle of Anghiari', c.1503-04 (chalk on paper)
Studies of horses and soldiers for the 'Battle of Anghiari', c.1503-04 (chalk on paper)

ROC399226: Studies of horses and soldiers for the 'Battle of Anghiari', c.1503-04 (chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The veins and muscles of the arm, c.1510 (pen & ink over black chalk on paper)
The veins and muscles of the arm, c.1510 (pen & ink over black chalk on paper)

ROC399275: The veins and muscles of the arm, c.1510 (pen & ink over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The mesentery of the bowel and its blood supply, with notes, c.1508 (pen & ink over chalk on paper)
The mesentery of the bowel and its blood supply, with notes, c.1508 (pen & ink over chalk on paper)

ROC443645: The mesentery of the bowel and its blood supply, with notes, c.1508 (pen & ink over chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Study for the Adoration of the Magi (Pencil drawing, 15th-16th century)
Study for the Adoration of the Magi (Pencil drawing, 15th-16th century)

LRI4572912: Study for the Adoration of the Magi (Pencil drawing, 15th-16th century), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Study of a Horse (metal point on paper) (b/w photo)
Study of a Horse (metal point on paper) (b/w photo)

XIR161933: Study of a Horse (metal point on paper) (b/w photo), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Annunciation, (detail), c.1475 (oil and tempera on wood) (post-restoration)
Annunciation, (detail), c.1475 (oil and tempera on wood) (post-restoration)

BEN140572: Annunciation, (detail), c.1475 (oil and tempera on wood) (post-restoration), Vinci, Leonardo da (1452-1519) / Bridgeman Images


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