Vinci, Leonardo da (1452-1519) Assets (3165 in total)
Results
ROC399243: A man tricked by gypsies, c.1493 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
CTS366722: Leda and the swan (pen & brown ink over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
ROC443677: Heads of horses, a lion and a man, c.1504 (pen & ink with wash and chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
CND152191: La Gioconda Nude (gouache & black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
XJF308791: M S B 2173 fol. 74r Studies of wing articulation, 1487-90 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
XBP340119: Studies of the Illumination of the Moon, A page from the Codex Leicester, 1508-12 (sepia ink on linen paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
ROC405162: A woman in a landscape, c.1517 (black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
JLJ4685104: Ritratto di dama, Portrait of a lady from the court of Milan, 15th century (oil on wood), Vinci, Leonardo da (1452-1519) / Bridgeman Images
ROC399234: A tempest, c.1517-18 (pen & ink, chalk, wash and heightening on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
ROC475901: The Bones and Muscle of the arm, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
FTB165450: Torso of a Man in Profile, the Head Squared for Proportion, and Sketches of Two Horsemen, c.1490 and c.1504 (pen & ink and red chalk over metalpoint on paper, Vinci, Leonardo da (1452-1519) / Bridgeman Images
FIT63167: Study of Horses and Riders, c.1480 (metalpoint on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
BAL72633: The Virgin of the Rocks (with the Infant St. John adoring the Infant Christ accompanied by an Angel), detail, c.1508 (oil on panel), Vinci, Leonardo da (1452-1519) / Bridgeman Images
LRI4572981: Landscape of Santa Maria della Neve: the landscape of the Arno Valley (pencil drawing, 1473), Vinci, Leonardo da (1452-1519) / Bridgeman Images
ROC399266: The superficial anatomy of the shoulder and neck, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
ROC399283: A skull sectioned, 1489 (pen & ink over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
ROC399218: Map of the Valdichiana, c.1503-04 (pen & ink, w/c, bodycolour and chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
ROC399273: The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
ROC427439: Head of St. James in the Last Supper and architectural sketches, c.1495 (red chalk, pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
XJF311683: Studies of military tank-like machines; including one at the top with horses pulling a contraption with revolving scythes, c.1485 (pen & ink and brown wash on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
RTR5315970: Self-portrait, c.1515-16 (red chalk on white paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
ROC409851: The head of Judas in the Last Supper, c.1495 (red chalk on pale red prepared paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
ROC427467: The anatomy of the neck, c.1512-13 (pen & ink on blue paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
MEV5044343: Portrait of a Musician, 1485-90 (tempera & oil on panel), Vinci, Leonardo da (1452-1519) / Bridgeman Images
XAL152901: Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
LRI4615986: Two male profiles, an old man and a young man - The young man represents Gian Giacomo Caprotti dit Andrea Salai or Salaij (circa 1480-1524), Leonard's pupil and lover - Drawing a la sanguine by Leonardo da Vinci (Leonard de Vinci) (1452-1519) - Florence, Galleria degli Uffizi (Offices) - Two male profiles, old man and a young man - The young one is Gian Giacomo Caprotti da Oreno, better known as Andrea Salai (c. 1480-1524), pupil and lover of Leonardo - Red chalk on paper by Leonardo Da Vinci (1452-1519) - Galleria degli Uffizi, Florence (Italy), Vinci, Leonardo da (1452-1519) / Bridgeman Images
ROC399269: The muscles of the shoulder and arm, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
ROC412168: A design for a costume of an imaginary beast, c.1517-18 (black chalk with pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
XJF308792: Diagram of a mechanical wing, manuscript B, 1488-89 (pen & ink on paper) (b/w photo), Vinci, Leonardo da (1452-1519) / Bridgeman Images
MEV5045218: Codex Atlanticus, sheet 26 verso, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Bridgeman Images
ROC480619: A bird's-eye view of western Tuscany, c.1503-34 (pen & ink with wash and gouache over chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
ROC399277: The muscles of the shoulder and arm, and the bones of the foot, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
ROC399220: A horse in profile, and from the front (metalpoint on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
ROC399268: The muscles and veins of the arm and torso, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images
