Dore, Gustave (1832-83) Assets (2601 in total)

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Title page from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
Title page from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393821: Title page from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

Job and his friends, engraving by Doré. - Bible
Job and his friends, engraving by Doré. - Bible

XLF3780028: Job and his friends, engraving by Doré. - Bible, Dore, Gustave (1832-83) / Bridgeman Images

The Mariner regrets his shooting of the Albatross, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The Mariner regrets his shooting of the Albatross, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393832: The Mariner regrets his shooting of the Albatross, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 32 : The traitors frozen in the ice of Cocytus (Cocyte), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (coloured engraving)
Inferno, Canto 32 : The traitors frozen in the ice of Cocytus (Cocyte), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (coloured engraving)

GIA745674: Inferno, Canto 32 : The traitors frozen in the ice of Cocytus (Cocyte), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Paradise Lost, by Milton: The serpent approaches.
Paradise Lost, by Milton: The serpent approaches.

XLF3780023: Paradise Lost, by Milton: The serpent approaches., Dore, Gustave (1832-83) / Bridgeman Images

Pantagruel following a course of geography - in “” Gargantua”” by Rabelais, ill. Gustave Dore, 1873
Pantagruel following a course of geography - in “” Gargantua”” by Rabelais, ill. Gustave Dore, 1873

LSE4096511: Pantagruel following a course of geography - in “” Gargantua”” by Rabelais, ill. Gustave Dore, 1873, Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 5 : The souls of Paolo and Francesca, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 5 : The souls of Paolo and Francesca, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745730: Inferno, Canto 5 : The souls of Paolo and Francesca, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gilliatt struggles with the giant octopus, illustration from 'Les Travailleurs de la Mer' by Victor Hugo (1802-85) 1866 (litho) (b/w photo)
Gilliatt struggles with the giant octopus, illustration from 'Les Travailleurs de la Mer' by Victor Hugo (1802-85) 1866 (litho) (b/w photo)

XIR170478: Gilliatt struggles with the giant octopus, illustration from 'Les Travailleurs de la Mer' by Victor Hugo (1802-85) 1866 (litho) (b/w photo), Dore, Gustave (1832-83) / Bridgeman Images

Le Renard et la Cigogne (The Fox and the Stork)
Le Renard et la Cigogne (The Fox and the Stork)

XLA3758823: Le Renard et la Cigogne (The Fox and the Stork), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 23 : Dante recognizes the shade of Forese Donati among the gluttons, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 23 : Dante recognizes the shade of Forese Donati among the gluttons, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745646: Purgatorio, Canto 23 : Dante recognizes the shade of Forese Donati among the gluttons, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Destruction of Leviathan - The destruction of the Leviathan, the marine monster of the Old Testament - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Destruction of Leviathan - The destruction of the Leviathan, the marine monster of the Old Testament - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4161695: Destruction of Leviathan - The destruction of the Leviathan, the marine monster of the Old Testament - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Orlando Furioso illustrated  by Gustave Doré
Orlando Furioso illustrated  by Gustave Doré

XLF3781661: Orlando Furioso illustrated by Gustave Doré, Dore, Gustave (1832-83) / Bridgeman Images

Gargantua on the towers of Notre-Dame at Paris (engraving)
Gargantua on the towers of Notre-Dame at Paris (engraving)

XEE4162075: Gargantua on the towers of Notre-Dame at Paris (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Moses before the Pharaoh (charcoal & pen & ink wash on paper)
Moses before the Pharaoh (charcoal & pen & ink wash on paper)

DAH226359: Moses before the Pharaoh (charcoal & pen & ink wash on paper), Dore, Gustave (1832-83) / Bridgeman Images

Astolfo on the Moon, stanza 70, canto XXXIV from The Frenzy of Orlando by Ludovico Ariosto, 1879 (engraving)
Astolfo on the Moon, stanza 70, canto XXXIV from The Frenzy of Orlando by Ludovico Ariosto, 1879 (engraving)

XRH1703302: Astolfo on the Moon, stanza 70, canto XXXIV from The Frenzy of Orlando by Ludovico Ariosto, 1879 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Lion and the Mouse, from a late 19th century edition of 'Fables de La Fontaine' (wood engraving)
The Lion and the Mouse, from a late 19th century edition of 'Fables de La Fontaine' (wood engraving)

KWE2619164: The Lion and the Mouse, from a late 19th century edition of 'Fables de La Fontaine' (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

' Orlando Furioso '  by Ludovico Ariosto
' Orlando Furioso '  by Ludovico Ariosto

XLF3781829: ' Orlando Furioso ' by Ludovico Ariosto, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145774: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The House of Caiaphas, 1875 (oil on canvas)
The House of Caiaphas, 1875 (oil on canvas)

HST447290: The House of Caiaphas, 1875 (oil on canvas), Dore, Gustave (1832-83) / Bridgeman Images

St. Francis of Assisi (1181-1226) endeavours to convert the Sultan Malek Kamel, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
St. Francis of Assisi (1181-1226) endeavours to convert the Sultan Malek Kamel, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219447: St. Francis of Assisi (1181-1226) endeavours to convert the Sultan Malek Kamel, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

Paradise Lost: Creation of the fish and birds.
Paradise Lost: Creation of the fish and birds.

XLF3779890: Paradise Lost: Creation of the fish and birds., Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 10 : Farinata degli Uberti addresses Dante, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 10 : Farinata degli Uberti addresses Dante, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745718: Inferno, Canto 10 : Farinata degli Uberti addresses Dante, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Baron Münchausen: Voyage to the moon, by Doré.
Baron Münchausen: Voyage to the moon, by Doré.

XLF3780228: Baron Münchausen: Voyage to the moon, by Doré., Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore (1832-1883) for Edgar Allan Poe's short story “” The Raven”” (The Raven). This series was completed by Dore in 1883, the year of his death and is therefore one of his most recent works -
Illustration by Gustave Dore (1832-1883) for Edgar Allan Poe's short story “” The Raven”” (The Raven). This series was completed by Dore in 1883, the year of his death and is therefore one of his most recent works -

PCT4285025: Illustration by Gustave Dore (1832-1883) for Edgar Allan Poe's short story “” The Raven”” (The Raven). This series was completed by Dore in 1883, the year of his death and is therefore one of his most recent works -, Dore, Gustave (1832-83) / Bridgeman Images

Little Red Riding Hood and Wolf dislike like Grandma. Illustration of “The Tales” by Charles Perrault (1628-1703) by Gustave Dore (1832-1883) 1867 - Little Red Riding Hood - Gustave Dore (1832-1883) Engraving
Little Red Riding Hood and Wolf dislike like Grandma. Illustration of “The Tales” by Charles Perrault (1628-1703) by Gustave Dore (1832-1883) 1867 - Little Red Riding Hood - Gustave Dore (1832-1883) Engraving

XEE4156976: Little Red Riding Hood and Wolf dislike like Grandma. Illustration of “The Tales” by Charles Perrault (1628-1703) by Gustave Dore (1832-1883) 1867 - Little Red Riding Hood - Gustave Dore (1832-1883) Engraving, Dore, Gustave (1832-83) / Bridgeman Images

Dante and Virgil in Hell, illustration from 'The Divine Comedy', 1861 (engraving)
Dante and Virgil in Hell, illustration from 'The Divine Comedy', 1861 (engraving)

XJF394293: Dante and Virgil in Hell, illustration from 'The Divine Comedy', 1861 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Richard I (1157-99) the Lionheart delivering Jaffa, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
Richard I (1157-99) the Lionheart delivering Jaffa, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219441: Richard I (1157-99) the Lionheart delivering Jaffa, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 3 : Charon (Caron) on the River Acheron, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 3 : Charon (Caron) on the River Acheron, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745724: Inferno, Canto 3 : Charon (Caron) on the River Acheron, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

The vision of Ezekiel
The vision of Ezekiel

XLF3793248: The vision of Ezekiel, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 6: Virgil feeds Cerberus in the third circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 6: Virgil feeds Cerberus in the third circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145727: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 6: Virgil feeds Cerberus in the third circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

Large barrels in a brewery, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Pannemaker, pub. 1872 (engraving)
Large barrels in a brewery, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Pannemaker, pub. 1872 (engraving)

XJF396025: Large barrels in a brewery, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Pannemaker, pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Entry of the Crusaders in Constantinople in 1204, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
Entry of the Crusaders in Constantinople in 1204, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219431: Entry of the Crusaders in Constantinople in 1204, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

The army of the Second Crusade find the remains of the soldiers of the First Crusade, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
The army of the Second Crusade find the remains of the soldiers of the First Crusade, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219449: The army of the Second Crusade find the remains of the soldiers of the First Crusade, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

First song of Hell: the poet Dante finds himself in a forest. Illustration by Gustave Dore, 1852 (engraving)
First song of Hell: the poet Dante finds himself in a forest. Illustration by Gustave Dore, 1852 (engraving)

ELD4831197: First song of Hell: the poet Dante finds himself in a forest. Illustration by Gustave Dore, 1852 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)
Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)

XLA3758435: Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Angel of Tobias, c.1865 (oil on canvas)
The Angel of Tobias, c.1865 (oil on canvas)

XIR473643: The Angel of Tobias, c.1865 (oil on canvas), Dore, Gustave (1832-83) / Bridgeman Images


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