GIA745621:
Paradiso, Canto 14 : Dante and Beatrice translated to the sphere of Mars, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images
KWE219442:
Richard I (1157-99) the Lionheart in battle at Arsuf in 1191, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images
GIA745680:
Inferno, Canto 34 : Lucifer, king of Hell, frozen in the ice, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images
XEE4145570:
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 34: Lucifer, king of Hell, frozen in the ice - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images
XEE4145713:
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 8: Phlegyas ferries Dante and Virgil across the Styx - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images
XLA3763921:
The Divine Comedy, Paradiso, Canto 31: The saintly throng form a rose in the empyrean (rose celeste) - by Dante Alighieri (1265-1321), (engraving), Dore, Gustave (1832-83) / Bridgeman Images
GIA4776972:
The Leviathan, sea monster resembling the sea snake referred to in the Bible. Illustrations of the Bible by Gustave Dore. Engraving of the 19th century., Dore, Gustave (1832-83) / Bridgeman Images
GIA745676:
Inferno, Canto 32 : Ugolino (Ugolin della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images
GIA745740:
Inferno, Canto 1 : Dante in the savage wood, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images
GIA4811067:
Astolph (Astolfo) on Elias's chariot leaves for Roland's reason on the moon Illustration by Gustave Dore (1832-1883) for “The Furious Roland” (Orlando Furioso) by Ludovico Ariosto called Ariosto. 19th century, Dore, Gustave (1832-83) / Bridgeman Images
XJF393843:
The Mariner gazes on the serpents in the ocean, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images
GIA745713:
Inferno, Canto 8 : The soul of the Florentine Philippo Argenti (Filippo Argenti) accosts the poets on the Styx, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images
XJF393821:
Title page from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images
XJF393832:
The Mariner regrets his shooting of the Albatross, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images