Beerbohm, Max (1872-1956) Assets (158 in total)
Results
JEP99765: Mr. H.G. Wells (1866-1946) Foreseeing Things, from a supplement to the Spectator, 1931 (litho), Beerbohm, Max (1872-1956) / Bridgeman Images
CSM73838: Mr. Matthew Arnold. To him, Miss Mary Augusta, his niece: "Why Uncle Matthew, oh why, will you not be always wholly serious", from 'The Poets Corner', pub. by William Heinemann, 1904 (engraving), Beerbohm, Max (1872-1956) / Bridgeman Images
CSM73843: Paul Verlaine (usher in private school in Bournemouth, 1877-1878), from 'Poets Corner', pub. by William Heinemann, 1904 (engraving), Beerbohm, Max (1872-1956) / Bridgeman Images
RMS68596: Mr Asquith, 'Ex Forti Dulcedo', 1920, (caricature, pencil on paper), Beerbohm, Max (1872-1956) / Bridgeman Images
BAL105266: Caricature of Aubrey Beardsley (1872-98) for 'The Pall Mall Budget', 7th June 1894 (pen & ink on paper), Beerbohm, Max (1872-1956) / Bridgeman Images
STC135720: 'The St. James'', Sir George Alexander (1858-1918) from Vanity Fair, 14 April 1881 (engraving), Beerbohm, Max (1872-1956) / Bridgeman Images
MAA199033: James Pryde (1866-1941) 1911 (pencil on paper), Beerbohm, Max (1872-1956) / Bridgeman Images
GUL232018: Blue China, from 'The Poets Corner', 1943 (colour litho), Beerbohm, Max (1872-1956) / Bridgeman Images
HLN428405: Sir Hugh Lane producing Masterpieces for Dublin, 1909 (ink & pencil on paper), Beerbohm, Max (1872-1956) / Bridgeman Images
XJF618930: “You know, Mr. Woolner, I'm the most un-meddlesome of women, but - When (I'm only asking) when do you begin modelling his halo?”, published in 1917 (w/c on paper), Beerbohm, Max (1872-1956) / Bridgeman Images
LLM2800796: George Meredith, Our first novelist (colour litho), Beerbohm, Max (1872-1956) / Bridgeman Images
CH657102: Chelsea and Mr Steer by Moonlight, (pencil, pen and black ink and watercolour), Beerbohm, Max (1872-1956) / Bridgeman Images
STC781089: Robert Browning taking tea with the Browning Society, illustration from 'The Poets Corner', pub. by William Heinemann, 1904 (engraving), Beerbohm, Max (1872-1956) / Bridgeman Images
STC781098: Samuel Taylor Coleridge, table talking, illustration from 'The Poets Corner', pub. by William Heinemann, 1904 (engraving), Beerbohm, Max (1872-1956) / Bridgeman Images
INC2971517: Burning Incense to Whistler, 1892-98 (pen & black ink on cream laid paper, laid down on cream board), Beerbohm, Max (1872-1956) / Bridgeman Images
LLM5229036: The Old and the Young Self: David Lloyd George, Welsh Liberal politician and Prime Minister (colour litho), Beerbohm, Max (1872-1956) / Bridgeman Images
LLM5229042: The Old and the Young Self: Arnold Bennett, English writer (colour litho), Beerbohm, Max (1872-1956) / Bridgeman Images
LLM5229045: The Old and the Young Self: Arthur Balfour, Scottish Conservative politician and Prime Minister (colour litho), Beerbohm, Max (1872-1956) / Bridgeman Images
CSM73837: Goethe watching the shadow of Lili on the blind, from 'The Poets Corner', pub. by William Heinemann, 1904 (engraving), Beerbohm, Max (1872-1956) / Bridgeman Images
JEP99755: A Self Made Man, Sir Oswald Moseley (1896-1980) from a supplement to the Spectator, 1931 (litho), Beerbohm, Max (1872-1956) / Bridgeman Images
STC135715: Caricature of Mr Frank Harris (pen and ink on paper) (b/w photo), Beerbohm, Max (1872-1956) / Bridgeman Images
STC135732: Caricature of a literary figure (litho) (b/w photo), Beerbohm, Max (1872-1956) / Bridgeman Images
STC781090: Mr. Matthew Arnold. To him, Miss Mary Augusta, his niece: "Why Uncle Matthew, oh why, will you not be always wholly serious", illustration from 'The Poets Corner', pub. by William Heinemann, 1904 (engraving), Beerbohm, Max (1872-1956) / Bridgeman Images
STC781092: Lord Byron, shaking the dust of England from his shoes, illustration from 'The Poets Corner', pub. by William Heinemann, 1904 (engraving), Beerbohm, Max (1872-1956) / Bridgeman Images
STC781097: Paul Verlaine (usher in private school in Bournemouth, 1877-1878), illustration from 'The Poets Corner', pub. by William Heinemann, 1904 (engraving), Beerbohm, Max (1872-1956) / Bridgeman Images
