Sanquirico, Alessandro (1777-1849) Assets (65 in total)
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GIA4730267: Scenography by Alessandro Sanquirico (1777-1849) for “The Clemence of Tito” by Wolfgang Amadeus Mozart (1756-1791) climbs to La Scala in Milan in 1819 and represents the atrium of the Temple of Jupiter Stator Statore: Sextus is stopped; to preserve Viterlia, he alone endorses the conspiracy in front of the and before Titus who condemn him to death. Taking remorse, Vitellia abandons her dreams of power and confesses her betrayal. Magnanimous, refusing to regain by terror, Titus forgives everything and has all under the ovations of his subjects., Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4776920: Scenography of Sanquirico for the opera “Semiramis”” (Semiramide) by Gioacchino Rossini represents at the Teatro alla Scala, 1824: the interior of the sanctuary. Museo del Teatro alla Scala, Milan, Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627713: The vestibule of the Palace of the Senat (Act I). Scenography in 1829 for the opera The siege of Corinth by Gioacchino Rossini. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627834: View of the gallery decorated with paintings. Scenography for the opera I due figaro by Giuseppe Saverio Raffaele Mercadante. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627858: View of the House of Salustio. Scenography for the opera The Last Day of Pompei. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4776223: Scenography of Sanquirico for the opera “L'esule di Roma” by Gaetano Donizetti, La Scala, 1828., Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4776935: Scenography of Sanquirico for the opera “La gazza ladra” by Gioacchino Rossini represented at the Teatro alla Scala in Milan in 1817: the Tribunal du Podestat near Paris., Sanquirico, Alessandro (1777-1849) / Bridgeman Images
STC102008: Brahmins singing praises to the god Rama, from 'Il costume antico e moderno...', compiled by Giulio Ferrario (1767-1847) pub. Rome, 1820s-30s (colour litho), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627912: View of the Roman camp. Scenography for the ballet Ottaviano in Egitto. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4709530: Scenography for the opera “L'elisir d'amore”” (The elixir of love) by Gaetano Donizetti (1797-1848) for the performance at the Teatro della Canobbiana in Milan on 12/05/1832. Drawing by Alessandro Sanquirico (1777-1849), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627702: View of the palace of the king of Syracuse Argirio. Scenography in 1829 for the opera Tancredi by Gioacchino Rossini. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627735: The bedroom of the Royal Palace. Scenography in 1828 for the opera Elisabetta, Regina d'Inghilterra by Gioacchino Rossini. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627777: Juliet's private apartments. Scenography in 1829 for the opera Giulietta e Romeo by Niccolo Antonio Zingarelli. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627813: Joan of Arc, child in the woods. Scenography for the opera Giovanna d'Arco. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627838: View of the large weapons room. Scenography for the opera I cavalieri di Valenza. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627851: View of the suburbs of London. Scenography for the opera Giovanna Shore by Carlo Ponti. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627882: The forest of the Sibyl Albunea. Scenography for the opera drama Enea nel Lazio. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4769985: The temple of Irminsul in the opera “” Norma”” by Vincenzo Bellini (1801 - 1835): Scenography by Sanquirico for the performance at the theatre of La Scala in Milan in 1833., Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4776333: Scenography of Sanquirico for the opera “La straniera”” (L'etrangere) by Vincenzo Bellini, 1829., Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4776827: Scenography of Sanquirico for the opera “Anna Bolena” by Gaetano Donizetti (1797-1848) represented at the Teatro Carcano in Milan, 1831. Museo del Teatro alla Scala, Milan, Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627747: The vestibule of the castle of Montolino in Brittany. Scenography in 1829 of the opera La straniera by Vincenzo Bellini. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627951: View of the royal tent of Genghis Khan. Scenography for the ballet Gengis-Khan. 1830 (lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627682: View of Otello's garden and house. Scenography for the opera by Gioacchino Rossini. 1830 (lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627721: The Pavilion of Muhammad (Act II). Scenography in 1829 for the opera The siege of Corinth by Gioacchino Rossini. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4709543: Scenography for the opera “L'elisir d'amore”” (The elixir of love) by Gaetano Donizetti (1797-1848) for the performance at the Teatro della Canobbiana in Milan on 12/05/1832. Drawing by Alessandro Sanquirico (1777-1849), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4776257: Scenography of Sanquirico for the opera by Gaetano Donizetti: “” Ugo, conte di Parigi”””. 1832., Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4776260: Scenography of Sanquirico for the opera “Anna Bolena” by Gaetano Donizetti. Teatro Carcano, Milan, 1831. Representation of Windsor Castle Park., Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4776341: Scenography of Sanquirico for the opera “” Il pirata”” (The Pirate) by Vincenzo Bellini, 1827., Sanquirico, Alessandro (1777-1849) / Bridgeman Images
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