Sanquirico, Alessandro (1777-1849) Assets (65 in total)
Results
CHT174233: Gardens of the House of Diomede at Pompeii, decoration for the opera 'The Last Days of Pompeii' by Giovanni Pacini (1796-1867), performed at La Scala, Milan, 1827 (colour litho), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627855: Portico of the Grand Theatre in Pompei, in the background the Vesuve. Scenography for the opera The Last Day of Pompei. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627863: View of the Forum. Scenography for the opera The Last Day of Pompei. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627870: The eruption of the Vesuve. Scenography for the opera The Last Day of Pompei. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627932: A temple at the time of Genghis Khan. Scenography for the ballet Gengis-Kan. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627939: View of the Royal Court of the Palace of Genghis Khan. Scenography for the ballet Gengis-Khan. 1830 (lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
TW426956: View of the Projected Foro Bonaparte, Milan, c.1800 (oil on canvas), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627743: Norfolk visits the prisoner Leicester. Scenography in 1828 for the opera Elisabetta, Regina d'Inghilterra by Gioacchino Rossini. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627788: View of the Royal Palace of the Queen of Carthage Didon. Scenography for the lyric tragedy Didone by Niccolo Vito Piccinni. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
STC188624: Ferdinand I (1793-1875), King of Lombardy-Venetia, in State Robes, from 'Incoronazione de SMIRA Ferdinando I, il Re del Regno Lombard-Veneto', published 1838 (litho), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627874: Appearance of the kingdom of Jupiter. Scenography for the opera drama Enea nel Lazio. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4709486: Scenography for Scene 2 of Act II of the opera “L'elisir d'amore” (The elixir of love) by Gaetano Donizetti (1797-1848) for the performance at the Teatro della Canobbiana in Milan on 12/05/1832. Drawing by Alessandro Sanquirico (1777-1849), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627805: View of the entrance to the Royal Palace of Cleophis, mistress of King Poros. Scenography for opera Alessandro Nell'Indie by Metastase. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4776841: Il crociato in Egitto (The Crusader in Egypt) by Giacomo Meyerbeer (1791-1864): scenography by Alessandro Sanquirico, 1826. Sketch for the port of Damietta, Museo del Teatro alla Scala, Milan., Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4746545: Como. Cadenabbia. La Villa Carlotta (ex Sommariva), 1830 Drawing by Sanquirico, Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627845: View of the hall of the palace of the Duke of Gloucester. Scenography for the opera Giovanna Shore by Carlo Ponti. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4776267: Scenography of Sanquirico for the opera “Buondelmonte” by Gaetano Donizetti, 1828., Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4776345: Scenography of Sanquirico for the opera “Bianca e Fernando” by Vincenzo Bellini, 1829., Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627886: A magnificent place: view of a temple. Scenography for the lyrical drama Enea nel Lazio. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627922: A delicious place: view from the interior of a temple with statues. Scenography for the ballet Ottaviano in Egitto. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4628036: View of a large palace room. Scenography for the ballet Gli spagnoli nel Peru. 1830 (lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627710: Prison Cell. Scenography in 1829 for the opera Tancredi by Gioacchino Rossini. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627736: The Great Hall of the Royal Palace. Scenography in 1828 for the opera Elisabetta, Regina d'Inghilterra by Gioacchino Rossini. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627754: Isoletta's cabinet at Montolino Castle in Brittany. Scenography in 1829 of the opera La Straniera by Vincenzo Bellini. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627767: View of the large illuminated courtyard. Scenography for the opera Il pirata by Vincenzo Bellini. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627772: A magnificent place: grand palace hall vaulted. Scenography in 1829 for the opera Giulietta e Romeo by Niccolo Antonio Zingarelli. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627802: View of the palace where public hearings take place. Scenography for the lyric tragedy Didone by Niccolo Vito Piccinni. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627837: View of the hall of the royal palace. Scenography in 1829 of the opera Bianca e Fernando by Vincenzo Bellini. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4730267: Scenography by Alessandro Sanquirico (1777-1849) for “The Clemence of Tito” by Wolfgang Amadeus Mozart (1756-1791) climbs to La Scala in Milan in 1819 and represents the atrium of the Temple of Jupiter Stator Statore: Sextus is stopped; to preserve Viterlia, he alone endorses the conspiracy in front of the and before Titus who condemn him to death. Taking remorse, Vitellia abandons her dreams of power and confesses her betrayal. Magnanimous, refusing to regain by terror, Titus forgives everything and has all under the ovations of his subjects., Sanquirico, Alessandro (1777-1849) / Bridgeman Images
GIA4776309: Scenography of Sanquirico for the opera “” Il pirata”” (The Pirate) by Vincenzo Bellini, 1827., Sanquirico, Alessandro (1777-1849) / Bridgeman Images
CCI1968016: Dance scene in ancient Egypt at Memphis, 19th century (illustration), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI3043022: Gran Sala D'Armi, set design for the Opera 'I Cavalieri di Valenza' by Giovanni Pacini (colour litho), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627785: The tomb of the Capulet family. Scenography in 1829 for the opera Giulietta e Romeo by Niccolo Antonio Zingarelli. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627794: View of the temple of Neptune. Scenography for the lyrical tragedy Didone by Niccolo Vito Piccinni. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
LRI4627866: View of the interior of the temple of Bacchus. Scenography for the opera Alessandro Nell'Indie. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images
