Sanquirico, Alessandro (1777-1849) Assets (65 in total)

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Gardens of the House of Diomede at Pompeii, decoration for the opera 'The Last Days of Pompeii' by Giovanni Pacini (1796-1867), performed at La Scala, Milan, 1827 (colour litho)
Gardens of the House of Diomede at Pompeii, decoration for the opera 'The Last Days of Pompeii' by Giovanni Pacini (1796-1867), performed at La Scala, Milan, 1827 (colour litho)

CHT174233: Gardens of the House of Diomede at Pompeii, decoration for the opera 'The Last Days of Pompeii' by Giovanni Pacini (1796-1867), performed at La Scala, Milan, 1827 (colour litho), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Portico of the Grand Theatre in Pompei, in the background the Vesuve. Scenography for the opera The Last Day of Pompei. 1830 (Lithography)
Portico of the Grand Theatre in Pompei, in the background the Vesuve. Scenography for the opera The Last Day of Pompei. 1830 (Lithography)

LRI4627855: Portico of the Grand Theatre in Pompei, in the background the Vesuve. Scenography for the opera The Last Day of Pompei. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

View of the Forum. Scenography for the opera The Last Day of Pompei. 1830 (Lithography)
View of the Forum. Scenography for the opera The Last Day of Pompei. 1830 (Lithography)

LRI4627863: View of the Forum. Scenography for the opera The Last Day of Pompei. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

The eruption of the Vesuve. Scenography for the opera The Last Day of Pompei. 1830 (Lithography)
The eruption of the Vesuve. Scenography for the opera The Last Day of Pompei. 1830 (Lithography)

LRI4627870: The eruption of the Vesuve. Scenography for the opera The Last Day of Pompei. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

View of the Projected Foro Bonaparte, Milan, c.1800 (oil on canvas)
View of the Projected Foro Bonaparte, Milan, c.1800 (oil on canvas)

TW426956: View of the Projected Foro Bonaparte, Milan, c.1800 (oil on canvas), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Norfolk visits the prisoner Leicester. Scenography in 1828 for the opera Elisabetta, Regina d'Inghilterra by Gioacchino Rossini. 1830 (Lithography)
Norfolk visits the prisoner Leicester. Scenography in 1828 for the opera Elisabetta, Regina d'Inghilterra by Gioacchino Rossini. 1830 (Lithography)

LRI4627743: Norfolk visits the prisoner Leicester. Scenography in 1828 for the opera Elisabetta, Regina d'Inghilterra by Gioacchino Rossini. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

View of the Royal Palace of the Queen of Carthage Didon. Scenography for the lyric tragedy Didone by Niccolo Vito Piccinni. 1830 (Lithography)
View of the Royal Palace of the Queen of Carthage Didon. Scenography for the lyric tragedy Didone by Niccolo Vito Piccinni. 1830 (Lithography)

LRI4627788: View of the Royal Palace of the Queen of Carthage Didon. Scenography for the lyric tragedy Didone by Niccolo Vito Piccinni. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Ferdinand I (1793-1875), King of Lombardy-Venetia, in State Robes, from 'Incoronazione de SMIRA Ferdinando I, il Re del Regno Lombard-Veneto', published 1838 (litho)
Ferdinand I (1793-1875), King of Lombardy-Venetia, in State Robes, from 'Incoronazione de SMIRA Ferdinando I, il Re del Regno Lombard-Veneto', published 1838 (litho)

STC188624: Ferdinand I (1793-1875), King of Lombardy-Venetia, in State Robes, from 'Incoronazione de SMIRA Ferdinando I, il Re del Regno Lombard-Veneto', published 1838 (litho), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Scenography for Scene 2 of Act II of the opera “L'elisir d'amore” (The elixir of love) by Gaetano Donizetti (1797-1848) for the performance at the Teatro della Canobbiana in Milan on 12/05/1832. Drawing by Alessandro Sanquirico (1777-1849)
Scenography for Scene 2 of Act II of the opera “L'elisir d'amore” (The elixir of love) by Gaetano Donizetti (1797-1848) for the performance at the Teatro della Canobbiana in Milan on 12/05/1832. Drawing by Alessandro Sanquirico (1777-1849)

GIA4709486: Scenography for Scene 2 of Act II of the opera “L'elisir d'amore” (The elixir of love) by Gaetano Donizetti (1797-1848) for the performance at the Teatro della Canobbiana in Milan on 12/05/1832. Drawing by Alessandro Sanquirico (1777-1849), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Appearance of the kingdom of Jupiter. Scenography for the opera drama Enea nel Lazio. 1830 (Lithography)
Appearance of the kingdom of Jupiter. Scenography for the opera drama Enea nel Lazio. 1830 (Lithography)

LRI4627874: Appearance of the kingdom of Jupiter. Scenography for the opera drama Enea nel Lazio. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

View of the entrance to the Royal Palace of Cleophis, mistress of King Poros. Scenography for opera Alessandro Nell'Indie by Metastase. 1830 (Lithography)
View of the entrance to the Royal Palace of Cleophis, mistress of King Poros. Scenography for opera Alessandro Nell'Indie by Metastase. 1830 (Lithography)

LRI4627805: View of the entrance to the Royal Palace of Cleophis, mistress of King Poros. Scenography for opera Alessandro Nell'Indie by Metastase. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

A temple at the time of Genghis Khan. Scenography for the ballet Gengis-Kan. 1830 (Lithography)
A temple at the time of Genghis Khan. Scenography for the ballet Gengis-Kan. 1830 (Lithography)

LRI4627932: A temple at the time of Genghis Khan. Scenography for the ballet Gengis-Kan. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

View of the Royal Court of the Palace of Genghis Khan. Scenography for the ballet Gengis-Khan. 1830 (lithography)
View of the Royal Court of the Palace of Genghis Khan. Scenography for the ballet Gengis-Khan. 1830 (lithography)

LRI4627939: View of the Royal Court of the Palace of Genghis Khan. Scenography for the ballet Gengis-Khan. 1830 (lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Il crociato in Egitto (The Crusader in Egypt) by Giacomo Meyerbeer (1791-1864): scenography by Alessandro Sanquirico, 1826. Sketch for the port of Damietta, Museo del Teatro alla Scala, Milan.
Il crociato in Egitto (The Crusader in Egypt) by Giacomo Meyerbeer (1791-1864): scenography by Alessandro Sanquirico, 1826. Sketch for the port of Damietta, Museo del Teatro alla Scala, Milan.

GIA4776841: Il crociato in Egitto (The Crusader in Egypt) by Giacomo Meyerbeer (1791-1864): scenography by Alessandro Sanquirico, 1826. Sketch for the port of Damietta, Museo del Teatro alla Scala, Milan., Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Como. Cadenabbia. La Villa Carlotta (ex Sommariva), 1830 Drawing by Sanquirico
Como. Cadenabbia. La Villa Carlotta (ex Sommariva), 1830 Drawing by Sanquirico

GIA4746545: Como. Cadenabbia. La Villa Carlotta (ex Sommariva), 1830 Drawing by Sanquirico, Sanquirico, Alessandro (1777-1849) / Bridgeman Images

View of the hall of the palace of the Duke of Gloucester. Scenography for the opera Giovanna Shore by Carlo Ponti. 1830 (Lithography)
View of the hall of the palace of the Duke of Gloucester. Scenography for the opera Giovanna Shore by Carlo Ponti. 1830 (Lithography)

LRI4627845: View of the hall of the palace of the Duke of Gloucester. Scenography for the opera Giovanna Shore by Carlo Ponti. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Scenography of Sanquirico for the opera “Buondelmonte” by Gaetano Donizetti, 1828.
Scenography of Sanquirico for the opera “Buondelmonte” by Gaetano Donizetti, 1828.

GIA4776267: Scenography of Sanquirico for the opera “Buondelmonte” by Gaetano Donizetti, 1828., Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Scenography of Sanquirico for the opera “Bianca e Fernando” by Vincenzo Bellini, 1829.
Scenography of Sanquirico for the opera “Bianca e Fernando” by Vincenzo Bellini, 1829.

GIA4776345: Scenography of Sanquirico for the opera “Bianca e Fernando” by Vincenzo Bellini, 1829., Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Prison Cell. Scenography in 1829 for the opera Tancredi by Gioacchino Rossini. 1830 (Lithography)
Prison Cell. Scenography in 1829 for the opera Tancredi by Gioacchino Rossini. 1830 (Lithography)

LRI4627710: Prison Cell. Scenography in 1829 for the opera Tancredi by Gioacchino Rossini. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

The Great Hall of the Royal Palace. Scenography in 1828 for the opera Elisabetta, Regina d'Inghilterra by Gioacchino Rossini. 1830 (Lithography)
The Great Hall of the Royal Palace. Scenography in 1828 for the opera Elisabetta, Regina d'Inghilterra by Gioacchino Rossini. 1830 (Lithography)

LRI4627736: The Great Hall of the Royal Palace. Scenography in 1828 for the opera Elisabetta, Regina d'Inghilterra by Gioacchino Rossini. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Isoletta's cabinet at Montolino Castle in Brittany. Scenography in 1829 of the opera La Straniera by Vincenzo Bellini. 1830 (Lithography)
Isoletta's cabinet at Montolino Castle in Brittany. Scenography in 1829 of the opera La Straniera by Vincenzo Bellini. 1830 (Lithography)

LRI4627754: Isoletta's cabinet at Montolino Castle in Brittany. Scenography in 1829 of the opera La Straniera by Vincenzo Bellini. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

View of the large illuminated courtyard. Scenography for the opera Il pirata by Vincenzo Bellini. 1830 (Lithography)
View of the large illuminated courtyard. Scenography for the opera Il pirata by Vincenzo Bellini. 1830 (Lithography)

LRI4627767: View of the large illuminated courtyard. Scenography for the opera Il pirata by Vincenzo Bellini. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

A magnificent place: grand palace hall vaulted. Scenography in 1829 for the opera Giulietta e Romeo by Niccolo Antonio Zingarelli. 1830 (Lithography)
A magnificent place: grand palace hall vaulted. Scenography in 1829 for the opera Giulietta e Romeo by Niccolo Antonio Zingarelli. 1830 (Lithography)

LRI4627772: A magnificent place: grand palace hall vaulted. Scenography in 1829 for the opera Giulietta e Romeo by Niccolo Antonio Zingarelli. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

View of the palace where public hearings take place. Scenography for the lyric tragedy  Didone by Niccolo Vito Piccinni. 1830 (Lithography)
View of the palace where public hearings take place. Scenography for the lyric tragedy  Didone by Niccolo Vito Piccinni. 1830 (Lithography)

LRI4627802: View of the palace where public hearings take place. Scenography for the lyric tragedy Didone by Niccolo Vito Piccinni. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

View of the hall of the royal palace. Scenography in 1829 of the opera Bianca e Fernando by Vincenzo Bellini. 1830 (Lithography)
View of the hall of the royal palace. Scenography in 1829 of the opera Bianca e Fernando by Vincenzo Bellini. 1830 (Lithography)

LRI4627837: View of the hall of the royal palace. Scenography in 1829 of the opera Bianca e Fernando by Vincenzo Bellini. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

A magnificent place: view of a temple. Scenography for the lyrical drama  Enea nel Lazio. 1830 (Lithography)
A magnificent place: view of a temple. Scenography for the lyrical drama  Enea nel Lazio. 1830 (Lithography)

LRI4627886: A magnificent place: view of a temple. Scenography for the lyrical drama Enea nel Lazio. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

A delicious place: view from the interior of a temple with statues. Scenography for the ballet Ottaviano in Egitto. 1830 (Lithography)
A delicious place: view from the interior of a temple with statues. Scenography for the ballet Ottaviano in Egitto. 1830 (Lithography)

LRI4627922: A delicious place: view from the interior of a temple with statues. Scenography for the ballet Ottaviano in Egitto. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

View of a large palace room. Scenography for the ballet Gli spagnoli nel Peru. 1830 (lithography)
View of a large palace room. Scenography for the ballet Gli spagnoli nel Peru. 1830 (lithography)

LRI4628036: View of a large palace room. Scenography for the ballet Gli spagnoli nel Peru. 1830 (lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

The bedroom of Elmiro. Scenography for the opera Otello by Gioacchino Rossini. 1830 (lithography)
The bedroom of Elmiro. Scenography for the opera Otello by Gioacchino Rossini. 1830 (lithography)

LRI4627691: The bedroom of Elmiro. Scenography for the opera Otello by Gioacchino Rossini. 1830 (lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

The tomb of the Capulet family. Scenography in 1829 for the opera Giulietta e Romeo by Niccolo Antonio Zingarelli. 1830 (Lithography)
The tomb of the Capulet family. Scenography in 1829 for the opera Giulietta e Romeo by Niccolo Antonio Zingarelli. 1830 (Lithography)

LRI4627785: The tomb of the Capulet family. Scenography in 1829 for the opera Giulietta e Romeo by Niccolo Antonio Zingarelli. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

View of the temple of Neptune. Scenography for the lyrical tragedy Didone by Niccolo Vito Piccinni. 1830 (Lithography)
View of the temple of Neptune. Scenography for the lyrical tragedy Didone by Niccolo Vito Piccinni. 1830 (Lithography)

LRI4627794: View of the temple of Neptune. Scenography for the lyrical tragedy Didone by Niccolo Vito Piccinni. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

View of the interior of the temple of Bacchus. Scenography for the opera Alessandro Nell'Indie. 1830 (Lithography)
View of the interior of the temple of Bacchus. Scenography for the opera Alessandro Nell'Indie. 1830 (Lithography)

LRI4627866: View of the interior of the temple of Bacchus. Scenography for the opera Alessandro Nell'Indie. 1830 (Lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

View of a delicious valley at the time of the spanish conquest of the New World. Scenography for the ballet Gli spagnoli nel Peru. 1830 (lithography)
View of a delicious valley at the time of the spanish conquest of the New World. Scenography for the ballet Gli spagnoli nel Peru. 1830 (lithography)

LRI4627967: View of a delicious valley at the time of the spanish conquest of the New World. Scenography for the ballet Gli spagnoli nel Peru. 1830 (lithography), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Gran Sala D'Armi, set design for the Opera 'I Cavalieri di Valenza' by Giovanni Pacini (colour litho)
Gran Sala D'Armi, set design for the Opera 'I Cavalieri di Valenza' by Giovanni Pacini (colour litho)

LRI3043022: Gran Sala D'Armi, set design for the Opera 'I Cavalieri di Valenza' by Giovanni Pacini (colour litho), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Dance scene in ancient Egypt at Memphis, 19th century (illustration)
Dance scene in ancient Egypt at Memphis, 19th century (illustration)

CCI1968016: Dance scene in ancient Egypt at Memphis, 19th century (illustration), Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Scenography of Sanquirico for the opera “Semiramis”” (Semiramide) by Gioacchino Rossini represents at the Teatro alla Scala, 1824: the interior of the sanctuary. Museo del Teatro alla Scala, Milan
Scenography of Sanquirico for the opera “Semiramis”” (Semiramide) by Gioacchino Rossini represents at the Teatro alla Scala, 1824: the interior of the sanctuary. Museo del Teatro alla Scala, Milan

GIA4776920: Scenography of Sanquirico for the opera “Semiramis”” (Semiramide) by Gioacchino Rossini represents at the Teatro alla Scala, 1824: the interior of the sanctuary. Museo del Teatro alla Scala, Milan, Sanquirico, Alessandro (1777-1849) / Bridgeman Images


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