ITR4553820: Vices and virtues on the basements of the central portal of the western facade. The “” style 1200” is characterized by hectic body positions, underscored by the soft and tight folds of the clothing. The virtues break with the traditional hieratism of the sitting figure to take different attitudes. Here, the Humilite sits from side, tilting his head towards the disc she holds. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images
ITR4553832: The keys and upper claveals of the four vaults of the Sainte-Anne portal were carved at the beginning of the 13th century to allow the insertion of vaults from a 12th century portal. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images
ITR4553897: The ambulatory hall of the choir was only covered with slabs forming a terrace in the 14th century, just about when the bays of the stands were enlarged. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images
ITR4553942: The bells of the arrow connected to the clock of the frame of the Cathedrale Notre Dame de Paris replace the bells of the old arrow, broken at the time of the Revolution in 1792. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images
ITR4553952: At the foundry of Villedieu-les-Poles in Normandy, the foundries work on the new bells of Notre-Dame de Paris, created on the occasion of the commemoration of the 850th anniversary of the cathedrale in 2013. Here, making bells molds. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images
ITR4553970: Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to Revelation, holding the Book open on his knees and a double sword coming out of his mouth. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images
ITR4554003: On the left, from the nave towards the west: the relatively stale columns contrast with the finesse of the superstructures. The capitals offer variations of the vegetal regne treated with a great plastic sense. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images
ITR4554071: Floor room of one of the towers of Notre-Dame. The elancing of the volumes and the care brought to the decor as to the voutement with eight branches of warheads offered a frame of choice to the chapels that were established in the towers in the Middle Ages. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images
ITR4554081: Blind repacking simulating a window with four lancets adjacent to the south rose: it is an eloquent witness to the refinement of Pierre de Montreuil's art, around 1260. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images