Assets (955683 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

At the northern foothills of the western facade of the Cathedrale Notre-Dame de Paris, a representation of Saint Etienne by Chenillion Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
At the northern foothills of the western facade of the Cathedrale Notre-Dame de Paris, a representation of Saint Etienne by Chenillion Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553799: At the northern foothills of the western facade of the Cathedrale Notre-Dame de Paris, a representation of Saint Etienne by Chenillion Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

Vices and virtues on the basements of the central portal of the western facade. The “” style 1200” is characterized by hectic body positions, underscored by the soft and tight folds of the clothing. The virtues break with the traditional hieratism of the sitting figure to take different attitudes. Here, the Humilite sits from side, tilting his head towards the disc she holds. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
Vices and virtues on the basements of the central portal of the western facade. The “” style 1200” is characterized by hectic body positions, underscored by the soft and tight folds of the clothing. The virtues break with the traditional hieratism of the sitting figure to take different attitudes. Here, the Humilite sits from side, tilting his head towards the disc she holds. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553820: Vices and virtues on the basements of the central portal of the western facade. The “” style 1200” is characterized by hectic body positions, underscored by the soft and tight folds of the clothing. The virtues break with the traditional hieratism of the sitting figure to take different attitudes. Here, the Humilite sits from side, tilting his head towards the disc she holds. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

The keys and upper claveals of the four vaults of the Sainte-Anne portal were carved at the beginning of the 13th century to allow the insertion of vaults from a 12th century portal. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
The keys and upper claveals of the four vaults of the Sainte-Anne portal were carved at the beginning of the 13th century to allow the insertion of vaults from a 12th century portal. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553832: The keys and upper claveals of the four vaults of the Sainte-Anne portal were carved at the beginning of the 13th century to allow the insertion of vaults from a 12th century portal. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

Oculi en toile d'araignee, de cathedrale Notre Dame de Paris, invention by Viollet-la-Duc. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Oculi en toile d'araignee, de cathedrale Notre Dame de Paris, invention by Viollet-la-Duc. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553881: Oculi en toile d'araignee, de cathedrale Notre Dame de Paris, invention by Viollet-la-Duc. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

The ambulatory hall of the choir was only covered with slabs forming a terrace in the 14th century, just about when the bays of the stands were enlarged. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
The ambulatory hall of the choir was only covered with slabs forming a terrace in the 14th century, just about when the bays of the stands were enlarged. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553897: The ambulatory hall of the choir was only covered with slabs forming a terrace in the 14th century, just about when the bays of the stands were enlarged. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

Viollet-le-Duc has restored the primitive state of the high windows in the transept and, as here, in the first travee of the choir. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
Viollet-le-Duc has restored the primitive state of the high windows in the transept and, as here, in the first travee of the choir. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553904: Viollet-le-Duc has restored the primitive state of the high windows in the transept and, as here, in the first travee of the choir. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

Detail of the cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
Detail of the cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553910: Detail of the cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

The arches of the apse, at the bedside of the cathedral. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
The arches of the apse, at the bedside of the cathedral. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553930: The arches of the apse, at the bedside of the cathedral. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

The bells of the arrow connected to the clock of the frame of the Cathedrale Notre Dame de Paris replace the bells of the old arrow, broken at the time of the Revolution in 1792. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
The bells of the arrow connected to the clock of the frame of the Cathedrale Notre Dame de Paris replace the bells of the old arrow, broken at the time of the Revolution in 1792. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553942: The bells of the arrow connected to the clock of the frame of the Cathedrale Notre Dame de Paris replace the bells of the old arrow, broken at the time of the Revolution in 1792. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

At the foundry of Villedieu-les-Poles in Normandy, the foundries work on the new bells of Notre-Dame de Paris, created on the occasion of the commemoration of the 850th anniversary of the cathedrale in 2013. Here, making bells molds. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
At the foundry of Villedieu-les-Poles in Normandy, the foundries work on the new bells of Notre-Dame de Paris, created on the occasion of the commemoration of the 850th anniversary of the cathedrale in 2013. Here, making bells molds. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553952: At the foundry of Villedieu-les-Poles in Normandy, the foundries work on the new bells of Notre-Dame de Paris, created on the occasion of the commemoration of the 850th anniversary of the cathedrale in 2013. Here, making bells molds. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

View of the chapels built from the 13th century on the north coast of the nef.Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
View of the chapels built from the 13th century on the north coast of the nef.Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553957: View of the chapels built from the 13th century on the north coast of the nef.Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to Revelation, holding the Book open on his knees and a double sword coming out of his mouth. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to Revelation, holding the Book open on his knees and a double sword coming out of his mouth. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553970: Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to Revelation, holding the Book open on his knees and a double sword coming out of his mouth. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

Our Lady invites to contemplation. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Our Lady invites to contemplation. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553984: Our Lady invites to contemplation. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

On the left, from the nave towards the west: the relatively stale columns contrast with the finesse of the superstructures. The capitals offer variations of the vegetal regne treated with a great plastic sense. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
On the left, from the nave towards the west: the relatively stale columns contrast with the finesse of the superstructures. The capitals offer variations of the vegetal regne treated with a great plastic sense. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4554003: On the left, from the nave towards the west: the relatively stale columns contrast with the finesse of the superstructures. The capitals offer variations of the vegetal regne treated with a great plastic sense. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

Floor room of one of the towers of Notre-Dame. The elancing of the volumes and the care brought to the decor as to the voutement with eight branches of warheads offered a frame of choice to the chapels that were established in the towers in the Middle Ages. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
Floor room of one of the towers of Notre-Dame. The elancing of the volumes and the care brought to the decor as to the voutement with eight branches of warheads offered a frame of choice to the chapels that were established in the towers in the Middle Ages. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4554071: Floor room of one of the towers of Notre-Dame. The elancing of the volumes and the care brought to the decor as to the voutement with eight branches of warheads offered a frame of choice to the chapels that were established in the towers in the Middle Ages. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

The room is on the floor of the south tower. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
The room is on the floor of the south tower. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4554077: The room is on the floor of the south tower. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

Blind repacking simulating a window with four lancets adjacent to the south rose: it is an eloquent witness to the refinement of Pierre de Montreuil's art, around 1260. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
Blind repacking simulating a window with four lancets adjacent to the south rose: it is an eloquent witness to the refinement of Pierre de Montreuil's art, around 1260. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4554081: Blind repacking simulating a window with four lancets adjacent to the south rose: it is an eloquent witness to the refinement of Pierre de Montreuil's art, around 1260. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

The vaults are more than 30m high from the Cathedrale Notre Dame de Paris: a record and an architectural feat that stupefy contemporaries of the 12th century. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
The vaults are more than 30m high from the Cathedrale Notre Dame de Paris: a record and an architectural feat that stupefy contemporaries of the 12th century. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4554096: The vaults are more than 30m high from the Cathedrale Notre Dame de Paris: a record and an architectural feat that stupefy contemporaries of the 12th century. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

Saint Bernadette Church in Nevers (Nievre, France). Architects Claude Parent and Paul Virilio, 1965.
Saint Bernadette Church in Nevers (Nievre, France). Architects Claude Parent and Paul Virilio, 1965.

TEC4554108: Saint Bernadette Church in Nevers (Nievre, France). Architects Claude Parent and Paul Virilio, 1965. / Bridgeman Images

Saint Bernadette Church in Nevers (Nievre, France). Architects Claude Parent and Paul Virilio, 1965.
Saint Bernadette Church in Nevers (Nievre, France). Architects Claude Parent and Paul Virilio, 1965.

TEC4554114: Saint Bernadette Church in Nevers (Nievre, France). Architects Claude Parent and Paul Virilio, 1965. / Bridgeman Images

Cathedrale Notre-Dame de Strasbourg, 1 rue de Rohan, Strasbourg (Bas Rhin, Alsace region, France). Construction between 1176 and 1439.
Cathedrale Notre-Dame de Strasbourg, 1 rue de Rohan, Strasbourg (Bas Rhin, Alsace region, France). Construction between 1176 and 1439.

TEC4554132: Cathedrale Notre-Dame de Strasbourg, 1 rue de Rohan, Strasbourg (Bas Rhin, Alsace region, France). Construction between 1176 and 1439. / Bridgeman Images

Cathedrale Saint-Pierre d'Angouleme, Angouleme (Charente, Poitou Charentes region)
Cathedrale Saint-Pierre d'Angouleme, Angouleme (Charente, Poitou Charentes region)

TEC4554156: Cathedrale Saint-Pierre d'Angouleme, Angouleme (Charente, Poitou Charentes region) / Bridgeman Images

Cathedrale Notre Dame de Laon, Laon (Aisne, Picardy region).
Cathedrale Notre Dame de Laon, Laon (Aisne, Picardy region).

TEC4554158: Cathedrale Notre Dame de Laon, Laon (Aisne, Picardy region). / Bridgeman Images

Boutique Lanvin Men and Women, Rue du faubourg Saint Honore, Paris 8. Architecture by Conran Terence, 1992. Photography 1992.
Boutique Lanvin Men and Women, Rue du faubourg Saint Honore, Paris 8. Architecture by Conran Terence, 1992. Photography 1992.

TEC4554365: Boutique Lanvin Men and Women, Rue du faubourg Saint Honore, Paris 8. Architecture by Conran Terence, 1992. Photography 1992. / Bridgeman Images

Urban poster in Paris, Bache and canvas stretched, La Madeleine. Realisation of the tarpaulin: Catherine Feff.
Urban poster in Paris, Bache and canvas stretched, La Madeleine. Realisation of the tarpaulin: Catherine Feff.

TEC4557330: Urban poster in Paris, Bache and canvas stretched, La Madeleine. Realisation of the tarpaulin: Catherine Feff. / Bridgeman Images

Urban display in Paris, Bache sur le Pepetit Palais en construction, Paris 75008. Photography 01/03/01
Urban display in Paris, Bache sur le Pepetit Palais en construction, Paris 75008. Photography 01/03/01

TEC4557337: Urban display in Paris, Bache sur le Pepetit Palais en construction, Paris 75008. Photography 01/03/01 / Bridgeman Images

Tarpaulin and canvas stretched on the scaffolding of a Parisian building under construction, Avenue de l'Opera, Paris 75001.
Tarpaulin and canvas stretched on the scaffolding of a Parisian building under construction, Avenue de l'Opera, Paris 75001.

TEC4557338: Tarpaulin and canvas stretched on the scaffolding of a Parisian building under construction, Avenue de l'Opera, Paris 75001. / Bridgeman Images

Bache overlooking the peripheric boulevard at the height of the Porte de la Chapelle in Paris 75018. Photography 01/03/01
Bache overlooking the peripheric boulevard at the height of the Porte de la Chapelle in Paris 75018. Photography 01/03/01

TEC4557340: Bache overlooking the peripheric boulevard at the height of the Porte de la Chapelle in Paris 75018. Photography 01/03/01 / Bridgeman Images

Urban display in Paris, Paris 75011
Urban display in Paris, Paris 75011

TEC4557343: Urban display in Paris, Paris 75011 / Bridgeman Images

Tarpaulin and canvas stretched on the scaffolding of a Parisian building under construction, Avenue de l'Opera, Paris 75001.
Tarpaulin and canvas stretched on the scaffolding of a Parisian building under construction, Avenue de l'Opera, Paris 75001.

TEC4557375: Tarpaulin and canvas stretched on the scaffolding of a Parisian building under construction, Avenue de l'Opera, Paris 75001. / Bridgeman Images

Social Housing on Rue Ramponneau-Montes (Ramponneau Montes), Paris 19, France
Social Housing on Rue Ramponneau-Montes (Ramponneau Montes), Paris 19, France

TEC4557404: Social Housing on Rue Ramponneau-Montes (Ramponneau Montes), Paris 19, France / Bridgeman Images

The interior of a house in Paris 17. Architecture by Cristophe Lab, 1999.
The interior of a house in Paris 17. Architecture by Cristophe Lab, 1999.

TEC4557408: The interior of a house in Paris 17. Architecture by Cristophe Lab, 1999. / Bridgeman Images

Development in Tijuana, Mexico, Detached house, Mexico.
Development in Tijuana, Mexico, Detached house, Mexico.

TEC4557422: Development in Tijuana, Mexico, Detached house, Mexico. / Bridgeman Images

Window window
Window window

TEC4557438: Window window / Bridgeman Images

Painted wall, Paris
Painted wall, Paris

TEC4557520: Painted wall, Paris / Bridgeman Images

Artist squat, Paris
Artist squat, Paris

TEC4557531: Artist squat, Paris / Bridgeman Images


Back to top