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View of Mammoth Hot Springs (1988 - Photography)
View of Mammoth Hot Springs (1988 - Photography)

LRI4597737: View of Mammoth Hot Springs (1988 - Photography) / Bridgeman Images

Aerial view of cereal fields (1988 - Photography)
Aerial view of cereal fields (1988 - Photography)

LRI4597761: Aerial view of cereal fields (1988 - Photography) / Bridgeman Images

Rue de l'Echaude in Paris 6th arrondissement.
Rue de l'Echaude in Paris 6th arrondissement.

TEC4597797: Rue de l'Echaude in Paris 6th arrondissement. / Bridgeman Images

Place de l'Odeon in Paris 6th arrondissement. Architect Marie Joseph Peyre (1730-1785) and Charles De Wailly (1730-1798), 1779.
Place de l'Odeon in Paris 6th arrondissement. Architect Marie Joseph Peyre (1730-1785) and Charles De Wailly (1730-1798), 1779.

TEC4597870: Place de l'Odeon in Paris 6th arrondissement. Architect Marie Joseph Peyre (1730-1785) and Charles De Wailly (1730-1798), 1779. / Bridgeman Images

Place de l'Odeon in Paris 6th arrondissement. Architect Marie Joseph Peyre (1730-1785) and Charles De Wailly (1730-1798), 1779.
Place de l'Odeon in Paris 6th arrondissement. Architect Marie Joseph Peyre (1730-1785) and Charles De Wailly (1730-1798), 1779.

TEC4597885: Place de l'Odeon in Paris 6th arrondissement. Architect Marie Joseph Peyre (1730-1785) and Charles De Wailly (1730-1798), 1779. / Bridgeman Images

View of Balanced Rock (1988 - Photography)
View of Balanced Rock (1988 - Photography)

LRI4597926: View of Balanced Rock (1988 - Photography) / Bridgeman Images

Housing building, Paris 6 arrondissement.
Housing building, Paris 6 arrondissement.

TEC4597952: Housing building, Paris 6 arrondissement. / Bridgeman Images

Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of the Extreme Orient: the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented Les Deux Magots, from Verlaine to Rimbaud, surrealists, Picasso, Giraudoux, not to mention Jean-Paul Sartre and Simone de Beauvoir who came to write two hours a day for long years.
Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of the Extreme Orient: the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented Les Deux Magots, from Verlaine to Rimbaud, surrealists, Picasso, Giraudoux, not to mention Jean-Paul Sartre and Simone de Beauvoir who came to write two hours a day for long years.

TEC4597996: Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of the Extreme Orient: the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented Les Deux Magots, from Verlaine to Rimbaud, surrealists, Picasso, Giraudoux, not to mention Jean-Paul Sartre and Simone de Beauvoir who came to write two hours a day for long years. / Bridgeman Images

Chapel of the Palais de l'Institut de France, Paris 6th arrondissement.
Chapel of the Palais de l'Institut de France, Paris 6th arrondissement.

TEC4598044: Chapel of the Palais de l'Institut de France, Paris 6th arrondissement. / Bridgeman Images

Coupole de l'Institut de France, Convent des Cordeliers, Paris 6th arrondissement.
Coupole de l'Institut de France, Convent des Cordeliers, Paris 6th arrondissement.

TEC4598054: Coupole de l'Institut de France, Convent des Cordeliers, Paris 6th arrondissement. / Bridgeman Images

Aerial view of oil refinery (1983 - Photography)
Aerial view of oil refinery (1983 - Photography)

LRI4598060: Aerial view of oil refinery (1983 - Photography) / Bridgeman Images

Ecole nationale superieure des Mines, 60 boulevard Saint Michel, Paris 6th arrondissement.
Ecole nationale superieure des Mines, 60 boulevard Saint Michel, Paris 6th arrondissement.

TEC4598075: Ecole nationale superieure des Mines, 60 boulevard Saint Michel, Paris 6th arrondissement. / Bridgeman Images

Aerial view of Thoroughbred horse farm near Lexington (1988 - Photography)
Aerial view of Thoroughbred horse farm near Lexington (1988 - Photography)

LRI4598094: Aerial view of Thoroughbred horse farm near Lexington (1988 - Photography) / Bridgeman Images

Aerial view of cereal fields near Peoria (1988 - Photography)
Aerial view of cereal fields near Peoria (1988 - Photography)

LRI4598110: Aerial view of cereal fields near Peoria (1988 - Photography) / Bridgeman Images

La Fontaine “” Embacle”, boulevard Saint Germain in Paris.
La Fontaine “” Embacle”, boulevard Saint Germain in Paris.

TEC4598111: La Fontaine “” Embacle”, boulevard Saint Germain in Paris. / Bridgeman Images

Aerial view of farm and cereal fields near Peoria (1988 - Photography)
Aerial view of farm and cereal fields near Peoria (1988 - Photography)

LRI4598115: Aerial view of farm and cereal fields near Peoria (1988 - Photography) / Bridgeman Images

Hotel des Monnins in Paris. Architect Jacques Denis Antoine (1733-1801), construction 1775.
Hotel des Monnins in Paris. Architect Jacques Denis Antoine (1733-1801), construction 1775.

TEC4598140: Hotel des Monnins in Paris. Architect Jacques Denis Antoine (1733-1801), construction 1775. / Bridgeman Images

Aerial view of Frailes Cordillere (1983 - Photography)
Aerial view of Frailes Cordillere (1983 - Photography)

LRI4599586: Aerial view of Frailes Cordillere (1983 - Photography) / Bridgeman Images

Aerial view of farmlands and fazenda near Campinas (1983 - Photography)
Aerial view of farmlands and fazenda near Campinas (1983 - Photography)

LRI4599602: Aerial view of farmlands and fazenda near Campinas (1983 - Photography) / Bridgeman Images

Drugstore Publicis Saint Germain in Paris, launched in 1965 to ceder the place in 2002 to the fashion emperor Armani. Photography 1995.
Drugstore Publicis Saint Germain in Paris, launched in 1965 to ceder the place in 2002 to the fashion emperor Armani. Photography 1995.

OMG4599642: Drugstore Publicis Saint Germain in Paris, launched in 1965 to ceder the place in 2002 to the fashion emperor Armani. Photography 1995. / Bridgeman Images

Porte de la Premiere Renaissance, 60 rue Saint Andre des Arts, Paris 6th arrondissement.
Porte de la Premiere Renaissance, 60 rue Saint Andre des Arts, Paris 6th arrondissement.

OMG4599661: Porte de la Premiere Renaissance, 60 rue Saint Andre des Arts, Paris 6th arrondissement. / Bridgeman Images

Aerial view on a coffee farm near Ribeirao Preto (1983 - Photography)
Aerial view on a coffee farm near Ribeirao Preto (1983 - Photography)

LRI4599667: Aerial view on a coffee farm near Ribeirao Preto (1983 - Photography) / Bridgeman Images

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09.

OMG4599678: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09. / Bridgeman Images

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

OMG4599722: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09. / Bridgeman Images

Aerial view of the city with bridge over Baia de Guanabara (1983 - Photography)
Aerial view of the city with bridge over Baia de Guanabara (1983 - Photography)

LRI4599750: Aerial view of the city with bridge over Baia de Guanabara (1983 - Photography) / Bridgeman Images

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

OMG4599756: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09. / Bridgeman Images

Sculpture in the Cour vitree of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09.
Sculpture in the Cour vitree of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09.

OMG4599799: Sculpture in the Cour vitree of the Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts de Paris. Extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. Photography 03/06/09. / Bridgeman Images

Aerial view of the city of Recife, Pernambuco state (1983 - Photography)
Aerial view of the city of Recife, Pernambuco state (1983 - Photography)

LRI4599817: Aerial view of the city of Recife, Pernambuco state (1983 - Photography) / Bridgeman Images

Aerial view of the city of Recife, Pernambuco state (1983 - Photography)
Aerial view of the city of Recife, Pernambuco state (1983 - Photography)

LRI4599838: Aerial view of the city of Recife, Pernambuco state (1983 - Photography) / Bridgeman Images

Aerial view of Iguacu falls (1983 - Photography)
Aerial view of Iguacu falls (1983 - Photography)

LRI4599850: Aerial view of Iguacu falls (1983 - Photography) / Bridgeman Images

Aerial view of aerial view of the city of Belem (1983 - Photography)
Aerial view of aerial view of the city of Belem (1983 - Photography)

LRI4599916: Aerial view of aerial view of the city of Belem (1983 - Photography) / Bridgeman Images

Aerial view of the city of Belem with the port in Baia de Guajara in Rio Negro (1983 - Photography)
Aerial view of the city of Belem with the port in Baia de Guajara in Rio Negro (1983 - Photography)

LRI4599932: Aerial view of the city of Belem with the port in Baia de Guajara in Rio Negro (1983 - Photography) / Bridgeman Images

Serge Gainsbourg's house (1928-1991), 5 bis rue de Verneuil, Paris 7th arrondissement.
Serge Gainsbourg's house (1928-1991), 5 bis rue de Verneuil, Paris 7th arrondissement.

TEC4599982: Serge Gainsbourg's house (1928-1991), 5 bis rue de Verneuil, Paris 7th arrondissement. / Bridgeman Images

The military school in Paris. Construction 1756-1773, Architect Jacques Ange Gabriel (1698-1782).
The military school in Paris. Construction 1756-1773, Architect Jacques Ange Gabriel (1698-1782).

TEC4599986: The military school in Paris. Construction 1756-1773, Architect Jacques Ange Gabriel (1698-1782). / Bridgeman Images

Au Bon Marche, 24 rue de Sevres, Paris 7th arrondissement. Construction 1869-1887, architect Louis Charles Boileau, engineer Gustave Eiffel.
Au Bon Marche, 24 rue de Sevres, Paris 7th arrondissement. Construction 1869-1887, architect Louis Charles Boileau, engineer Gustave Eiffel.

TEC4600014: Au Bon Marche, 24 rue de Sevres, Paris 7th arrondissement. Construction 1869-1887, architect Louis Charles Boileau, engineer Gustave Eiffel. / Bridgeman Images

Aerial view of a pepper farm in Tome Acu, Para state (1983 - Photography)
Aerial view of a pepper farm in Tome Acu, Para state (1983 - Photography)

LRI4600043: Aerial view of a pepper farm in Tome Acu, Para state (1983 - Photography) / Bridgeman Images


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