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Church Notre Dame de la Croix, Place Maurice Chevalier in Paris 20th. Architect Louis Antoineæheret, construction 1863-1880. She's in a neo-romanthic Gothic transition style.
Church Notre Dame de la Croix, Place Maurice Chevalier in Paris 20th. Architect Louis Antoineæheret, construction 1863-1880. She's in a neo-romanthic Gothic transition style.

TEC4616433: Church Notre Dame de la Croix, Place Maurice Chevalier in Paris 20th. Architect Louis Antoineæheret, construction 1863-1880. She's in a neo-romanthic Gothic transition style. / Bridgeman Images

ID: TEC4616433

Church Notre Dame de la Croix, Place Maurice Chevalier in Paris 20th. Architect Louis Antoineæheret, construction 1863-1880. She's in a neo-romanthic Gothic transition style.

The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05.
The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05.

TEC4616490: The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05. / Bridgeman Images

ID: TEC4616490

The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05.

The tomb of Francois-Joseph (Francois Joseph) Talma (1763-1826) at the Pere Lachaise cemetery in Paris 20th. Opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it has nearly 70,000 monuments. Photography 06/06/05.
The tomb of Francois-Joseph (Francois Joseph) Talma (1763-1826) at the Pere Lachaise cemetery in Paris 20th. Opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it has nearly 70,000 monuments. Photography 06/06/05.

TEC4616522: The tomb of Francois-Joseph (Francois Joseph) Talma (1763-1826) at the Pere Lachaise cemetery in Paris 20th. Opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it has nearly 70,000 monuments. Photography 06/06/05. / Bridgeman Images

ID: TEC4616522

The tomb of Francois-Joseph (Francois Joseph) Talma (1763-1826) at the Pere Lachaise cemetery in Paris 20th. Opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it has nearly 70,000 monuments. Photography 06/06/05.

The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05.
The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05.

TEC4616567: The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05. / Bridgeman Images

ID: TEC4616567

The cemetery of Pere Lachaise in Paris. The cemetery opened around 1804 on a land formerly owned by the Jesuit. The architect Alexandre Theodore Brongniart conceived the plans of 1810. Many artists worked at Pere-Lachaise in the first half of the 19th century. With an area of almost 44 hectares, it counts about 70 000 monuments.ÆPhotograph 06/06/05.

La rue des Pyrenees in Paris 20th.
La rue des Pyrenees in Paris 20th.

TEC4616663: La rue des Pyrenees in Paris 20th. / Bridgeman Images

ID: TEC4616663

La rue des Pyrenees in Paris 20th.

Morris column in front of the Paris Opera.
Morris column in front of the Paris Opera.

TEC4617134: Morris column in front of the Paris Opera. / Bridgeman Images

ID: TEC4617134

Morris column in front of the Paris Opera.

Avenue Frochot in Paris 9th.
Avenue Frochot in Paris 9th.

TEC4617168: Avenue Frochot in Paris 9th. / Bridgeman Images

ID: TEC4617168

Avenue Frochot in Paris 9th.

Details of buildings, avenue Frochot in Paris 9e.
Details of buildings, avenue Frochot in Paris 9e.

TEC4617170: Details of buildings, avenue Frochot in Paris 9e. / Bridgeman Images

ID: TEC4617170

Details of buildings, avenue Frochot in Paris 9e.

Avenue Frochot in Paris 9th.
Avenue Frochot in Paris 9th.

TEC4617195: Avenue Frochot in Paris 9th. / Bridgeman Images

ID: TEC4617195

Avenue Frochot in Paris 9th.

Window in Paris 9th.
Window in Paris 9th.

TEC4617221: Window in Paris 9th. / Bridgeman Images

ID: TEC4617221

Window in Paris 9th.

Rue Notre Dame de Lorette in Paris 9th.
Rue Notre Dame de Lorette in Paris 9th.

TEC4617256: Rue Notre Dame de Lorette in Paris 9th. / Bridgeman Images

ID: TEC4617256

Rue Notre Dame de Lorette in Paris 9th.

Rue des Martyrs in Paris 9th.
Rue des Martyrs in Paris 9th.

TEC4617291: Rue des Martyrs in Paris 9th. / Bridgeman Images

ID: TEC4617291

Rue des Martyrs in Paris 9th.

Courtyard in the rue des Martyrs in Paris 9th.
Courtyard in the rue des Martyrs in Paris 9th.

TEC4617302: Courtyard in the rue des Martyrs in Paris 9th. / Bridgeman Images

ID: TEC4617302

Courtyard in the rue des Martyrs in Paris 9th.

Place de Toutwelve in Paris 9th.
Place de Toutwelve in Paris 9th.

TEC4617331: Place de Toutwelve in Paris 9th. / Bridgeman Images

ID: TEC4617331

Place de Toutwelve in Paris 9th.

Rue de la tower des dames in Paris 9e.
Rue de la tower des dames in Paris 9e.

TEC4617425: Rue de la tower des dames in Paris 9e. / Bridgeman Images

ID: TEC4617425

Rue de la tower des dames in Paris 9e.

Square d'Orleans, Paris 9th. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal.
Square d'Orleans, Paris 9th. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal.

TEC4617537: Square d'Orleans, Paris 9th. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal. / Bridgeman Images

ID: TEC4617537

Square d'Orleans, Paris 9th. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal.

Square d'Orleans, Paris 75009. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal.
Square d'Orleans, Paris 75009. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal.

TEC4617546: Square d'Orleans, Paris 75009. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal. / Bridgeman Images

ID: TEC4617546

Square d'Orleans, Paris 75009. Appoints in tribute to King Louis Philippe (1773-1850). In the romantic period, many famous families had made this residential complex a veritable phalanstere of artists. This space of time is very protected by the Historic Monuments, was built from 1830 to 1832 by the British architect Edward Crecy, who in 1829 had brought it to Melle Mars, famous actress of the Theatre Francais and formidable businesswoman. The Square is made up of three inner courtyards connected by vault passages (Ankillary Corridors) to the coffered ceilings. There were 46 apartments and artists' workshops, the last of which is still visible in the third courtyard. The central courtyard, monumental, is an English square in the style of Regent's Park in London, England. Composed of 4 buildings on 4 floors, lined with beds, planted with trees, it is decorated in its centre with green baskets and a jet of water fed by the water of the Ourcq Canal.

Avenue de l'Opera in Paris 9th.
Avenue de l'Opera in Paris 9th.

TEC4617632: Avenue de l'Opera in Paris 9th. / Bridgeman Images

ID: TEC4617632

Avenue de l'Opera in Paris 9th.

Les Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. In 1906 the owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne (1861-1940) with the construction of a new stone building Boulevard Haussmann. In view of the success of this new concept, Ferdinand Chanut extended the building in 1910-12.
Les Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. In 1906 the owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne (1861-1940) with the construction of a new stone building Boulevard Haussmann. In view of the success of this new concept, Ferdinand Chanut extended the building in 1910-12.

TEC4617652: Les Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. In 1906 the owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne (1861-1940) with the construction of a new stone building Boulevard Haussmann. In view of the success of this new concept, Ferdinand Chanut extended the building in 1910-12. / Bridgeman Images

ID: TEC4617652

Les Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. In 1906 the owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne (1861-1940) with the construction of a new stone building Boulevard Haussmann. In view of the success of this new concept, Ferdinand Chanut extended the building in 1910-12.

La cupola du department store Le Printemps, 64-70 Boulevard Haussmann, Paris 9e. In 1907-1910, Rene Binet built a second store, taking over the architectural part of Paul Sedille while centering the ensemble on a six-storey octagonal hall under a double dome. The dome, the work of the master glassmaker Briere, is still visible on the sixth floor of the store.
La cupola du department store Le Printemps, 64-70 Boulevard Haussmann, Paris 9e. In 1907-1910, Rene Binet built a second store, taking over the architectural part of Paul Sedille while centering the ensemble on a six-storey octagonal hall under a double dome. The dome, the work of the master glassmaker Briere, is still visible on the sixth floor of the store.

TEC4617670: La cupola du department store Le Printemps, 64-70 Boulevard Haussmann, Paris 9e. In 1907-1910, Rene Binet built a second store, taking over the architectural part of Paul Sedille while centering the ensemble on a six-storey octagonal hall under a double dome. The dome, the work of the master glassmaker Briere, is still visible on the sixth floor of the store. / Bridgeman Images

ID: TEC4617670

La cupola du department store Le Printemps, 64-70 Boulevard Haussmann, Paris 9e. In 1907-1910, Rene Binet built a second store, taking over the architectural part of Paul Sedille while centering the ensemble on a six-storey octagonal hall under a double dome. The dome, the work of the master glassmaker Briere, is still visible on the sixth floor of the store.

La cupole des Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. In 1906 the owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne (1861-1940) with the construction of a new stone building Boulevard Haussmann. In view of the success of this new concept, Ferdinand Chanut extended the building in 1910-12.
La cupole des Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. In 1906 the owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne (1861-1940) with the construction of a new stone building Boulevard Haussmann. In view of the success of this new concept, Ferdinand Chanut extended the building in 1910-12.

TEC4617695: La cupole des Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. In 1906 the owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne (1861-1940) with the construction of a new stone building Boulevard Haussmann. In view of the success of this new concept, Ferdinand Chanut extended the building in 1910-12. / Bridgeman Images

ID: TEC4617695

La cupole des Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. In 1906 the owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne (1861-1940) with the construction of a new stone building Boulevard Haussmann. In view of the success of this new concept, Ferdinand Chanut extended the building in 1910-12.

La cupola du department store Le Printemps, 64-70 Boulevard Haussmann, Paris 9e. In 1907-1910, Rene Binet built a second store, taking over the architectural part of Paul Sedille while centering the ensemble on a six-storey octagonal hall under a double dome. The dome, the work of the master glassmaker Briere, is still visible on the sixth floor of the store.
La cupola du department store Le Printemps, 64-70 Boulevard Haussmann, Paris 9e. In 1907-1910, Rene Binet built a second store, taking over the architectural part of Paul Sedille while centering the ensemble on a six-storey octagonal hall under a double dome. The dome, the work of the master glassmaker Briere, is still visible on the sixth floor of the store.

TEC4617718: La cupola du department store Le Printemps, 64-70 Boulevard Haussmann, Paris 9e. In 1907-1910, Rene Binet built a second store, taking over the architectural part of Paul Sedille while centering the ensemble on a six-storey octagonal hall under a double dome. The dome, the work of the master glassmaker Briere, is still visible on the sixth floor of the store. / Bridgeman Images

ID: TEC4617718

La cupola du department store Le Printemps, 64-70 Boulevard Haussmann, Paris 9e. In 1907-1910, Rene Binet built a second store, taking over the architectural part of Paul Sedille while centering the ensemble on a six-storey octagonal hall under a double dome. The dome, the work of the master glassmaker Briere, is still visible on the sixth floor of the store.

Boulevard Haussmann to Paris 9. In 1907-1910, Rene Binet (1866-1911) built the second store of Printemps, taking over the architectural part of Paul Sedille (1836-1900) while centering the ensemble on a six-storey octagonal hall under a double dome. Photography 2002.
Boulevard Haussmann to Paris 9. In 1907-1910, Rene Binet (1866-1911) built the second store of Printemps, taking over the architectural part of Paul Sedille (1836-1900) while centering the ensemble on a six-storey octagonal hall under a double dome. Photography 2002.

TEC4617753: Boulevard Haussmann to Paris 9. In 1907-1910, Rene Binet (1866-1911) built the second store of Printemps, taking over the architectural part of Paul Sedille (1836-1900) while centering the ensemble on a six-storey octagonal hall under a double dome. Photography 2002. / Bridgeman Images

ID: TEC4617753

Boulevard Haussmann to Paris 9. In 1907-1910, Rene Binet (1866-1911) built the second store of Printemps, taking over the architectural part of Paul Sedille (1836-1900) while centering the ensemble on a six-storey octagonal hall under a double dome. Photography 2002.

Urban dichotomy, contrast old new, Paris 9th.
Urban dichotomy, contrast old new, Paris 9th.

TEC4617776: Urban dichotomy, contrast old new, Paris 9th. / Bridgeman Images

ID: TEC4617776

Urban dichotomy, contrast old new, Paris 9th.

Les Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. The owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne in 1906 with the construction of a new stone building. And in view of the success of this new concept, Ferdinand Chanut extended the building in 1910.
Les Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. The owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne in 1906 with the construction of a new stone building. And in view of the success of this new concept, Ferdinand Chanut extended the building in 1910.

TEC4617816: Les Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. The owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne in 1906 with the construction of a new stone building. And in view of the success of this new concept, Ferdinand Chanut extended the building in 1910. / Bridgeman Images

ID: TEC4617816

Les Galeries Lafayette, 38-46ae boulevard Haussmann, Paris 9e. The owners Alphonse Kahn and Theophile Bader entrusted the architect Georges Chedanne in 1906 with the construction of a new stone building. And in view of the success of this new concept, Ferdinand Chanut extended the building in 1910.

Lycee Condorcet, 8 rue du Havre, Paris 9th. Its setting is partly a historical monument since it is located in the buildings of the Capuchin convent of Saint Louis Díantine, built in the decennia of 1780 by the neoclassical architect Alexandre Theodore Brongniart (1739-1813) and became a national property of 1789. Founded in 1803, the lycee has many names, reflecting the political evolution of France (Lycee Bonaparte, then Bourbon, Fontanes and finally Condorcet
Lycee Condorcet, 8 rue du Havre, Paris 9th. Its setting is partly a historical monument since it is located in the buildings of the Capuchin convent of Saint Louis Díantine, built in the decennia of 1780 by the neoclassical architect Alexandre Theodore Brongniart (1739-1813) and became a national property of 1789. Founded in 1803, the lycee has many names, reflecting the political evolution of France (Lycee Bonaparte, then Bourbon, Fontanes and finally Condorcet

TEC4617865: Lycee Condorcet, 8 rue du Havre, Paris 9th. Its setting is partly a historical monument since it is located in the buildings of the Capuchin convent of Saint Louis Díantine, built in the decennia of 1780 by the neoclassical architect Alexandre Theodore Brongniart (1739-1813) and became a national property of 1789. Founded in 1803, the lycee has many names, reflecting the political evolution of France (Lycee Bonaparte, then Bourbon, Fontanes and finally Condorcet / Bridgeman Images

ID: TEC4617865

Lycee Condorcet, 8 rue du Havre, Paris 9th. Its setting is partly a historical monument since it is located in the buildings of the Capuchin convent of Saint Louis Díantine, built in the decennia of 1780 by the neoclassical architect Alexandre Theodore Brongniart (1739-1813) and became a national property of 1789. Founded in 1803, the lycee has many names, reflecting the political evolution of France (Lycee Bonaparte, then Bourbon, Fontanes and finally Condorcet

Rue Edouard VII in Paris 9th. Photography 30/08/99.
Rue Edouard VII in Paris 9th. Photography 30/08/99.

TEC4617893: Rue Edouard VII in Paris 9th. Photography 30/08/99. / Bridgeman Images

ID: TEC4617893

Rue Edouard VII in Paris 9th. Photography 30/08/99.

Lycee Condorcet, 8 rue du Havre, Paris 9th. Its setting is partly a historical monument since it is located in the buildings of the Capuchin convent of Saint Louis Díantine, built in the decennia of 1780 by the neoclassical architect Alexandre Theodore Brongniart (1739-1813) and became a national property of 1789. Founded in 1803, the lycee has many names, reflecting the political evolution of France (Lycee Bonaparte, then Bourbon, Fontanes and finally Condorcet
Lycee Condorcet, 8 rue du Havre, Paris 9th. Its setting is partly a historical monument since it is located in the buildings of the Capuchin convent of Saint Louis Díantine, built in the decennia of 1780 by the neoclassical architect Alexandre Theodore Brongniart (1739-1813) and became a national property of 1789. Founded in 1803, the lycee has many names, reflecting the political evolution of France (Lycee Bonaparte, then Bourbon, Fontanes and finally Condorcet

TEC4617894: Lycee Condorcet, 8 rue du Havre, Paris 9th. Its setting is partly a historical monument since it is located in the buildings of the Capuchin convent of Saint Louis Díantine, built in the decennia of 1780 by the neoclassical architect Alexandre Theodore Brongniart (1739-1813) and became a national property of 1789. Founded in 1803, the lycee has many names, reflecting the political evolution of France (Lycee Bonaparte, then Bourbon, Fontanes and finally Condorcet / Bridgeman Images

ID: TEC4617894

Lycee Condorcet, 8 rue du Havre, Paris 9th. Its setting is partly a historical monument since it is located in the buildings of the Capuchin convent of Saint Louis Díantine, built in the decennia of 1780 by the neoclassical architect Alexandre Theodore Brongniart (1739-1813) and became a national property of 1789. Founded in 1803, the lycee has many names, reflecting the political evolution of France (Lycee Bonaparte, then Bourbon, Fontanes and finally Condorcet

The Opera Garnier, Place de l'Opera in Paris 9th. Architect Charles Garnier (1825-1898), construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload.
The Opera Garnier, Place de l'Opera in Paris 9th. Architect Charles Garnier (1825-1898), construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload.

TEC4617977: The Opera Garnier, Place de l'Opera in Paris 9th. Architect Charles Garnier (1825-1898), construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload. / Bridgeman Images

ID: TEC4617977

The Opera Garnier, Place de l'Opera in Paris 9th. Architect Charles Garnier (1825-1898), construction 1862-1875. The Opera or the National Academy of Music and Dance represents the best architectural expression of the Napoleon III style, eclectic, baroque, overload.

Woodward Court Residence Hall, University of Chicago Campus. Between Blackstone and Cottage Grove Avenues and East 56th and East 60th streets (United States). Construction 1958, architect Eero Saarinen. Photography 13/04/90.
Woodward Court Residence Hall, University of Chicago Campus. Between Blackstone and Cottage Grove Avenues and East 56th and East 60th streets (United States). Construction 1958, architect Eero Saarinen. Photography 13/04/90.

TEC4635984: Woodward Court Residence Hall, University of Chicago Campus. Between Blackstone and Cottage Grove Avenues and East 56th and East 60th streets (United States). Construction 1958, architect Eero Saarinen. Photography 13/04/90. / Bridgeman Images

ID: TEC4635984

Woodward Court Residence Hall, University of Chicago Campus. Between Blackstone and Cottage Grove Avenues and East 56th and East 60th streets (United States). Construction 1958, architect Eero Saarinen. Photography 13/04/90.

Woodward Court Residence Hall, University of Chicago Campus. Between Blackstone and Cottage Grove Avenues and East 56th and East 60th streets (United States). Construction 1958, architect Eero Saarinen. Photography 13/04/90.
Woodward Court Residence Hall, University of Chicago Campus. Between Blackstone and Cottage Grove Avenues and East 56th and East 60th streets (United States). Construction 1958, architect Eero Saarinen. Photography 13/04/90.

TEC4635997: Woodward Court Residence Hall, University of Chicago Campus. Between Blackstone and Cottage Grove Avenues and East 56th and East 60th streets (United States). Construction 1958, architect Eero Saarinen. Photography 13/04/90. / Bridgeman Images

ID: TEC4635997

Woodward Court Residence Hall, University of Chicago Campus. Between Blackstone and Cottage Grove Avenues and East 56th and East 60th streets (United States). Construction 1958, architect Eero Saarinen. Photography 13/04/90.

Woodward Court Residence Hall, University of Chicago Campus. Between Blackstone and Cottage Grove Avenues and East 56th and East 60th streets (United States). Construction 1958, architect Eero Saarinen. Photography 13/04/90.
Woodward Court Residence Hall, University of Chicago Campus. Between Blackstone and Cottage Grove Avenues and East 56th and East 60th streets (United States). Construction 1958, architect Eero Saarinen. Photography 13/04/90.

TEC4636001: Woodward Court Residence Hall, University of Chicago Campus. Between Blackstone and Cottage Grove Avenues and East 56th and East 60th streets (United States). Construction 1958, architect Eero Saarinen. Photography 13/04/90. / Bridgeman Images

ID: TEC4636001

Woodward Court Residence Hall, University of Chicago Campus. Between Blackstone and Cottage Grove Avenues and East 56th and East 60th streets (United States). Construction 1958, architect Eero Saarinen. Photography 13/04/90.

Associates Center Tower in Chicago, USA. Construction 1983, architect Epstein and Sons. Photography 14/10/90.
Associates Center Tower in Chicago, USA. Construction 1983, architect Epstein and Sons. Photography 14/10/90.

TEC4636009: Associates Center Tower in Chicago, USA. Construction 1983, architect Epstein and Sons. Photography 14/10/90. / Bridgeman Images

ID: TEC4636009

Associates Center Tower in Chicago, USA. Construction 1983, architect Epstein and Sons. Photography 14/10/90.

Sears Tower in Chicago (United States). Construction 1974, Architects Skidmore, Owings and Merrill. Photography 20/04/90.
Sears Tower in Chicago (United States). Construction 1974, Architects Skidmore, Owings and Merrill. Photography 20/04/90.

TEC4636030: Sears Tower in Chicago (United States). Construction 1974, Architects Skidmore, Owings and Merrill. Photography 20/04/90. / Bridgeman Images

ID: TEC4636030

Sears Tower in Chicago (United States). Construction 1974, Architects Skidmore, Owings and Merrill. Photography 20/04/90.

The Fine Arts Building, 410 South Michigan Avenue in Chicago, USA. Construction 1884, architect Solon Spencer Beman (1853-1914). Photography 10/04/90.
The Fine Arts Building, 410 South Michigan Avenue in Chicago, USA. Construction 1884, architect Solon Spencer Beman (1853-1914). Photography 10/04/90.

TEC4636056: The Fine Arts Building, 410 South Michigan Avenue in Chicago, USA. Construction 1884, architect Solon Spencer Beman (1853-1914). Photography 10/04/90. / Bridgeman Images

ID: TEC4636056

The Fine Arts Building, 410 South Michigan Avenue in Chicago, USA. Construction 1884, architect Solon Spencer Beman (1853-1914). Photography 10/04/90.

Carrie Eliza Getty's grave at Graceland Cemetery in Chicago. Realisation 1890, architect Louis H. Sullivan (1856-1924). Photography 20/10/90.
Carrie Eliza Getty's grave at Graceland Cemetery in Chicago. Realisation 1890, architect Louis H. Sullivan (1856-1924). Photography 20/10/90.

TEC4636074: Carrie Eliza Getty's grave at Graceland Cemetery in Chicago. Realisation 1890, architect Louis H. Sullivan (1856-1924). Photography 20/10/90. / Bridgeman Images

ID: TEC4636074

Carrie Eliza Getty's grave at Graceland Cemetery in Chicago. Realisation 1890, architect Louis H. Sullivan (1856-1924). Photography 20/10/90.


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