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Chrysosplenium Oppositifolium; Opposite-Leaved Golden-Saxifrage
Chrysosplenium Oppositifolium; Opposite-Leaved Golden-Saxifrage

LZT1012805: Chrysosplenium Oppositifolium; Opposite-Leaved Golden-Saxifrage / Bridgeman Images

Anthemis Nobilis; Common Chamomile
Anthemis Nobilis; Common Chamomile

LZT1012815: Anthemis Nobilis; Common Chamomile / Bridgeman Images

Gnaphalium Dioicum, Var. Hyperboreum; Mountain Everlasting, Var. B.
Gnaphalium Dioicum, Var. Hyperboreum; Mountain Everlasting, Var. B.

LZT1012827: Gnaphalium Dioicum, Var. Hyperboreum; Mountain Everlasting, Var. B. / Bridgeman Images

Monstrous Craws, at a New Coalition Feast, Cartoon Shows King George, Dressed As an Old Woman, the Queen, and the Prince of Wales Seated Around a Basin Perched on the Laps of the King and Queen; They Eagerly Spoon the Contents, Representing Gold Coins, Into Their Mouths. Pouches Hanging from Their Necks Like Goitres Are Full, Except for that of the Prince of Wales, Whose is Empty. The Gate to the Treasury, in the Background, is Open.
Monstrous Craws, at a New Coalition Feast, Cartoon Shows King George, Dressed As an Old Woman, the Queen, and the Prince of Wales Seated Around a Basin Perched on the Laps of the King and Queen; They Eagerly Spoon the Contents, Representing Gold Coins, Into Their Mouths. Pouches Hanging from Their Necks Like Goitres Are Full, Except for that of the Prince of Wales, Whose is Empty. The Gate to the Treasury, in the Background, is Open.

LZT1012541: Monstrous Craws, at a New Coalition Feast, Cartoon Shows King George, Dressed As an Old Woman, the Queen, and the Prince of Wales Seated Around a Basin Perched on the Laps of the King and Queen; They Eagerly Spoon the Contents, Representing Gold Coins, Into Their Mouths. Pouches Hanging from Their Necks Like Goitres Are Full, Except for that of the Prince of Wales, Whose is Empty. The Gate to the Treasury, in the Background, is Open. / Bridgeman Images

Bravuras Rival Syrens or John-Bulls Rehearsal of Capt. Macheath, Engraving 1807, John Bull Seated, with Opera Hat Under His Arm, is Beset by the Rival Singers, Mrs. Billington and Catalani, Who Sing Lines Adapted from the Beggar's Opera.
Bravuras Rival Syrens or John-Bulls Rehearsal of Capt. Macheath, Engraving 1807, John Bull Seated, with Opera Hat Under His Arm, is Beset by the Rival Singers, Mrs. Billington and Catalani, Who Sing Lines Adapted from the Beggar's Opera.

LZT1012551: Bravuras Rival Syrens or John-Bulls Rehearsal of Capt. Macheath, Engraving 1807, John Bull Seated, with Opera Hat Under His Arm, is Beset by the Rival Singers, Mrs. Billington and Catalani, Who Sing Lines Adapted from the Beggar's Opera. / Bridgeman Images

The Vision, Engraving 1785, a Young Man, Possibly William Pitt, the Younger, Being Visited by a Ghost from the Grave, Possibly the Elder William Pitt, Who Has Come to Warn Thee against Thy Impending Fate. Beware of Prerogative, Beware the Wily Scot, D -S, Beware the Haughty T W, Possibly Baron Edward Thurlow, and to Sully Not the Name of Pitt.
The Vision, Engraving 1785, a Young Man, Possibly William Pitt, the Younger, Being Visited by a Ghost from the Grave, Possibly the Elder William Pitt, Who Has Come to Warn Thee against Thy Impending Fate. Beware of Prerogative, Beware the Wily Scot, D -S, Beware the Haughty T W, Possibly Baron Edward Thurlow, and to Sully Not the Name of Pitt.

LZT1012553: The Vision, Engraving 1785, a Young Man, Possibly William Pitt, the Younger, Being Visited by a Ghost from the Grave, Possibly the Elder William Pitt, Who Has Come to Warn Thee against Thy Impending Fate. Beware of Prerogative, Beware the Wily Scot, D -S, Beware the Haughty T W, Possibly Baron Edward Thurlow, and to Sully Not the Name of Pitt. / Bridgeman Images

An High Wind in St. Paul's Church Yard, Artist, [1783], Mezzotint, Hand-Colored, a Street Scene Outside a Print Shop on a Windy Day As Pedestrians Struggle against the Force of the Wind.
An High Wind in St. Paul's Church Yard, Artist, [1783], Mezzotint, Hand-Colored, a Street Scene Outside a Print Shop on a Windy Day As Pedestrians Struggle against the Force of the Wind.

LZT1012556: An High Wind in St. Paul's Church Yard, Artist, [1783], Mezzotint, Hand-Colored, a Street Scene Outside a Print Shop on a Windy Day As Pedestrians Struggle against the Force of the Wind. / Bridgeman Images

Sir Thomas Bond Bart, Engraving 1795?, Sir Thomas Bond, Full-Length Portrait, Right Profile, Carrying an Umbrella Under Right Arm.
Sir Thomas Bond Bart, Engraving 1795?, Sir Thomas Bond, Full-Length Portrait, Right Profile, Carrying an Umbrella Under Right Arm.

LZT1012558: Sir Thomas Bond Bart, Engraving 1795?, Sir Thomas Bond, Full-Length Portrait, Right Profile, Carrying an Umbrella Under Right Arm. / Bridgeman Images

A Royal Brewery, or How to Cook a Wife, Engraving 1821, George IV, a Conning Stoker, of Some Mischief Brewing, Stirring Up the Flames of Persecution, with Vengeance, Saying, If This Trial Fail I'L Brew No More. Behind Him is a Vat Filthy Composition Into which Flows a Pure Stream to Expose the Secrets which Spills on a Couple in an Embrace, How Do You Like It - Non Mi Ricordo. Passing an Open Door is Caroline, the Brewers Wife. On the Right Are Three Men, One Says, Be Just in All Your Dealings. Another, Holding a Pitcher Labeled a Trial Says, I Can'T Swallow This, It is All Froth. The Third Says, I Wonder at Our Commander Engaging in Such a Business.
A Royal Brewery, or How to Cook a Wife, Engraving 1821, George IV, a Conning Stoker, of Some Mischief Brewing, Stirring Up the Flames of Persecution, with Vengeance, Saying, If This Trial Fail I'L Brew No More. Behind Him is a Vat Filthy Composition Into which Flows a Pure Stream to Expose the Secrets which Spills on a Couple in an Embrace, How Do You Like It - Non Mi Ricordo. Passing an Open Door is Caroline, the Brewers Wife. On the Right Are Three Men, One Says, Be Just in All Your Dealings. Another, Holding a Pitcher Labeled a Trial Says, I Can'T Swallow This, It is All Froth. The Third Says, I Wonder at Our Commander Engaging in Such a Business.

LZT1012559: A Royal Brewery, or How to Cook a Wife, Engraving 1821, George IV, a Conning Stoker, of Some Mischief Brewing, Stirring Up the Flames of Persecution, with Vengeance, Saying, If This Trial Fail I'L Brew No More. Behind Him is a Vat Filthy Composition Into which Flows a Pure Stream to Expose the Secrets which Spills on a Couple in an Embrace, How Do You Like It - Non Mi Ricordo. Passing an Open Door is Caroline, the Brewers Wife. On the Right Are Three Men, One Says, Be Just in All Your Dealings. Another, Holding a Pitcher Labeled a Trial Says, I Can'T Swallow This, It is All Froth. The Third Says, I Wonder at Our Commander Engaging in Such a Business. / Bridgeman Images

Public Characters, Rowlandson, Thomas, 1756-1827, Engraving 1801, Heads of Well-Known People, Arranged in a Medley, Placed behind Lines Intersecting Diagonally which Simulate Crossed Tapes Forming a Rack for Cards or Letters. In the Center Are Fox and Pitt Facing Each Other. Between Them, Tierney Looks Out with a Sly Expression. Among Others Are Richard Sheridan, Burdett, George Grenville, Sarah Siddons, George Hanger, John Kemble, Lady Archer, Queensberry, Lord Hood, Van Butchell, Derby, Lord Moira, Etc.
Public Characters, Rowlandson, Thomas, 1756-1827, Engraving 1801, Heads of Well-Known People, Arranged in a Medley, Placed behind Lines Intersecting Diagonally which Simulate Crossed Tapes Forming a Rack for Cards or Letters. In the Center Are Fox and Pitt Facing Each Other. Between Them, Tierney Looks Out with a Sly Expression. Among Others Are Richard Sheridan, Burdett, George Grenville, Sarah Siddons, George Hanger, John Kemble, Lady Archer, Queensberry, Lord Hood, Van Butchell, Derby, Lord Moira, Etc.

LZT1012561: Public Characters, Rowlandson, Thomas, 1756-1827, Engraving 1801, Heads of Well-Known People, Arranged in a Medley, Placed behind Lines Intersecting Diagonally which Simulate Crossed Tapes Forming a Rack for Cards or Letters. In the Center Are Fox and Pitt Facing Each Other. Between Them, Tierney Looks Out with a Sly Expression. Among Others Are Richard Sheridan, Burdett, George Grenville, Sarah Siddons, George Hanger, John Kemble, Lady Archer, Queensberry, Lord Hood, Van Butchell, Derby, Lord Moira, Etc. / Bridgeman Images

The Dextrous Trimmer or Pool Pill Garlick Left in the Suds, R. Houston, Fecit., England, Published According to Act of Parliament, 1751
The Dextrous Trimmer or Pool Pill Garlick Left in the Suds, R. Houston, Fecit., England, Published According to Act of Parliament, 1751

LZT1012484: The Dextrous Trimmer or Pool Pill Garlick Left in the Suds, R. Houston, Fecit., England, Published According to Act of Parliament, 1751 / Bridgeman Images

A German Mountebank Blowing His Own Trumpet at a Dutch Concert of 500 Piano Fortes, Cruikshank, George, 1792-1878, Artist, London, 1818, Logier, the Music-Master, is Delivering One of His Musical Lectures with Demonstrations by His Pupils
A German Mountebank Blowing His Own Trumpet at a Dutch Concert of 500 Piano Fortes, Cruikshank, George, 1792-1878, Artist, London, 1818, Logier, the Music-Master, is Delivering One of His Musical Lectures with Demonstrations by His Pupils

LZT1012495: A German Mountebank Blowing His Own Trumpet at a Dutch Concert of 500 Piano Fortes, Cruikshank, George, 1792-1878, Artist, London, 1818, Logier, the Music-Master, is Delivering One of His Musical Lectures with Demonstrations by His Pupils / Bridgeman Images

A Curiosity in Ireland, Lady Seated by the Fire., London, 1814, a Woman Sitting on Settee by Fireplace. She Wears a Small Hat Trimmed with a Feather, a Short Braided Hussar Jacket, a Limp Skirt Draping Her Knees, with a Long Boa and Large Muff of White Fur.
A Curiosity in Ireland, Lady Seated by the Fire., London, 1814, a Woman Sitting on Settee by Fireplace. She Wears a Small Hat Trimmed with a Feather, a Short Braided Hussar Jacket, a Limp Skirt Draping Her Knees, with a Long Boa and Large Muff of White Fur.

LZT1012502: A Curiosity in Ireland, Lady Seated by the Fire., London, 1814, a Woman Sitting on Settee by Fireplace. She Wears a Small Hat Trimmed with a Feather, a Short Braided Hussar Jacket, a Limp Skirt Draping Her Knees, with a Long Boa and Large Muff of White Fur. / Bridgeman Images

The Paddy's at Dinner with Puddinghead, the Regent, London, 1789, George, Prince of Wales, Seated at a Table Eating and Drinking with Several Bulls, the Paddys, a Reference to the Prince's Irish Supporters, of Whom Two Wear Crowns. The Illness of George III (1788-1790) Raised the Issue of a Limited Regency for the Prince.
The Paddy's at Dinner with Puddinghead, the Regent, London, 1789, George, Prince of Wales, Seated at a Table Eating and Drinking with Several Bulls, the Paddys, a Reference to the Prince's Irish Supporters, of Whom Two Wear Crowns. The Illness of George III (1788-1790) Raised the Issue of a Limited Regency for the Prince.

LZT1012513: The Paddy's at Dinner with Puddinghead, the Regent, London, 1789, George, Prince of Wales, Seated at a Table Eating and Drinking with Several Bulls, the Paddys, a Reference to the Prince's Irish Supporters, of Whom Two Wear Crowns. The Illness of George III (1788-1790) Raised the Issue of a Limited Regency for the Prince. / Bridgeman Images

French Happiness English Misery, Cruikshank, Isaac, 1756?-1811?, Engraving 1793, on the Left, Four Ragged and Starving Sansculottes Fighting Over a Frog, a Cat Has Dropped Dead at Their Feet, and Scenes of Death in the Background; on the Right, a Scene in an English Tavern with a Table Laden with Food and Four Men Overeating, a Fat Dog Lies on the Floor, and a Cat Has Caught a Mouse.
French Happiness English Misery, Cruikshank, Isaac, 1756?-1811?, Engraving 1793, on the Left, Four Ragged and Starving Sansculottes Fighting Over a Frog, a Cat Has Dropped Dead at Their Feet, and Scenes of Death in the Background; on the Right, a Scene in an English Tavern with a Table Laden with Food and Four Men Overeating, a Fat Dog Lies on the Floor, and a Cat Has Caught a Mouse.

LZT1012526: French Happiness English Misery, Cruikshank, Isaac, 1756?-1811?, Engraving 1793, on the Left, Four Ragged and Starving Sansculottes Fighting Over a Frog, a Cat Has Dropped Dead at Their Feet, and Scenes of Death in the Background; on the Right, a Scene in an English Tavern with a Table Laden with Food and Four Men Overeating, a Fat Dog Lies on the Floor, and a Cat Has Caught a Mouse. / Bridgeman Images

The Spirit of the Book -or Anticipation of the Year 1813, a Satire on the Pending Publication of the Book Part of a Campaign to Attack the Regent Through His Wife, Showing a Figure, Draped in White, Supporting on Outstretched Arms the Open Pages of a Huge Book. He Stands at the Foot of the Double Throne, from which Lady Hertford Has Hurled Herself; She Lies Face Downwards on the Dais, Putting Out a Hand to Ward Off the Dread Apparition. Lord Liverpool, in Front, is on His Knees. Lord Ellenborough Flinches to the Left.
The Spirit of the Book -or Anticipation of the Year 1813, a Satire on the Pending Publication of the Book Part of a Campaign to Attack the Regent Through His Wife, Showing a Figure, Draped in White, Supporting on Outstretched Arms the Open Pages of a Huge Book. He Stands at the Foot of the Double Throne, from which Lady Hertford Has Hurled Herself; She Lies Face Downwards on the Dais, Putting Out a Hand to Ward Off the Dread Apparition. Lord Liverpool, in Front, is on His Knees. Lord Ellenborough Flinches to the Left.

LZT1012582: The Spirit of the Book -or Anticipation of the Year 1813, a Satire on the Pending Publication of the Book Part of a Campaign to Attack the Regent Through His Wife, Showing a Figure, Draped in White, Supporting on Outstretched Arms the Open Pages of a Huge Book. He Stands at the Foot of the Double Throne, from which Lady Hertford Has Hurled Herself; She Lies Face Downwards on the Dais, Putting Out a Hand to Ward Off the Dread Apparition. Lord Liverpool, in Front, is on His Knees. Lord Ellenborough Flinches to the Left. / Bridgeman Images

Conspirators; or, Delegates in Council, Cruikshank, George, 1792-1878, Artist, Engraving 1817, Three Government Ministers, Viscount Sidmouth, Thomas Reynolds and Viscount Castlereagh, Sitting at a Table with Three Agents or Spies. On the Table Rests a Large Bag from which Docketed Papers Protrude. John Bull Looks Through the Window in Horror at the Proceedings.
Conspirators; or, Delegates in Council, Cruikshank, George, 1792-1878, Artist, Engraving 1817, Three Government Ministers, Viscount Sidmouth, Thomas Reynolds and Viscount Castlereagh, Sitting at a Table with Three Agents or Spies. On the Table Rests a Large Bag from which Docketed Papers Protrude. John Bull Looks Through the Window in Horror at the Proceedings.

LZT1012590: Conspirators; or, Delegates in Council, Cruikshank, George, 1792-1878, Artist, Engraving 1817, Three Government Ministers, Viscount Sidmouth, Thomas Reynolds and Viscount Castlereagh, Sitting at a Table with Three Agents or Spies. On the Table Rests a Large Bag from which Docketed Papers Protrude. John Bull Looks Through the Window in Horror at the Proceedings. / Bridgeman Images

The Political Drama. No. 61. Old Grill Among the Paddies, En Sanguine Engraving 1832?, William Cobbett Riding on a Large Gridiron Borne by a Ragged Troop of Caricatured Irishmen in a Procession Following a Man Carrying a Flag Pole Topped with a Death's Head Labeled Tom Pain and Flying a Banner Labeled Liberty.
The Political Drama. No. 61. Old Grill Among the Paddies, En Sanguine Engraving 1832?, William Cobbett Riding on a Large Gridiron Borne by a Ragged Troop of Caricatured Irishmen in a Procession Following a Man Carrying a Flag Pole Topped with a Death's Head Labeled Tom Pain and Flying a Banner Labeled Liberty.

LZT1012608: The Political Drama. No. 61. Old Grill Among the Paddies, En Sanguine Engraving 1832?, William Cobbett Riding on a Large Gridiron Borne by a Ragged Troop of Caricatured Irishmen in a Procession Following a Man Carrying a Flag Pole Topped with a Death's Head Labeled Tom Pain and Flying a Banner Labeled Liberty. / Bridgeman Images

Consular Coachmanship!! Publisher, London, Engraving  1803, Josephine Standing in a Carriage on the Left which is Drawn by Four Unruly Horses, Two Are Labeled a Jacobin and a Royalist; Napoleon, Having Been Tossed Onto the Back of a Bull, Probably Representing John Bull or Great Britain, Lies on His Back with His Head Between the Upright Horns of the Bull, Suggesting Cuckoldry, Probably Alluding to Rumors of Infidelity Involving Josephine. A Whip Lies on the Ground Next to the Horses, Napoleon's Oversized Hat Lies on the Ground Next to the Bull. Napoleon Says, Alluding to His Double Humiliation, by the British in Egypt and His Wife at Home in France, Between the Bull, and the Horns I Make a Pretty Figure
Consular Coachmanship!! Publisher, London, Engraving  1803, Josephine Standing in a Carriage on the Left which is Drawn by Four Unruly Horses, Two Are Labeled a Jacobin and a Royalist; Napoleon, Having Been Tossed Onto the Back of a Bull, Probably Representing John Bull or Great Britain, Lies on His Back with His Head Between the Upright Horns of the Bull, Suggesting Cuckoldry, Probably Alluding to Rumors of Infidelity Involving Josephine. A Whip Lies on the Ground Next to the Horses, Napoleon's Oversized Hat Lies on the Ground Next to the Bull. Napoleon Says, Alluding to His Double Humiliation, by the British in Egypt and His Wife at Home in France, Between the Bull, and the Horns I Make a Pretty Figure

LZT1012616: Consular Coachmanship!! Publisher, London, Engraving 1803, Josephine Standing in a Carriage on the Left which is Drawn by Four Unruly Horses, Two Are Labeled a Jacobin and a Royalist; Napoleon, Having Been Tossed Onto the Back of a Bull, Probably Representing John Bull or Great Britain, Lies on His Back with His Head Between the Upright Horns of the Bull, Suggesting Cuckoldry, Probably Alluding to Rumors of Infidelity Involving Josephine. A Whip Lies on the Ground Next to the Horses, Napoleon's Oversized Hat Lies on the Ground Next to the Bull. Napoleon Says, Alluding to His Double Humiliation, by the British in Egypt and His Wife at Home in France, Between the Bull, and the Horns I Make a Pretty Figure / Bridgeman Images

An Exact Representation of the Principal Banners and Triumphal Car, which Conveyed Sir Frances Burdett to the Crown and Anchor Tavern on Monday June 29th, 1807 - Dedicated to the 5134 Independent Electors of Westminster, Engraving 1807 July, Three Men with Banners Leading a Four-Horse Team Drawing a Carriage with a Statue of Britannia Holding a Staff Topped with a Liberty Cap, Two Fasces on a Low Platform, and Sir Frances Burdett Sitting in a Chair Atop a Short Column, Another Man with a Banner Follows behind the Carriage.
An Exact Representation of the Principal Banners and Triumphal Car, which Conveyed Sir Frances Burdett to the Crown and Anchor Tavern on Monday June 29th, 1807 - Dedicated to the 5134 Independent Electors of Westminster, Engraving 1807 July, Three Men with Banners Leading a Four-Horse Team Drawing a Carriage with a Statue of Britannia Holding a Staff Topped with a Liberty Cap, Two Fasces on a Low Platform, and Sir Frances Burdett Sitting in a Chair Atop a Short Column, Another Man with a Banner Follows behind the Carriage.

LZT1012617: An Exact Representation of the Principal Banners and Triumphal Car, which Conveyed Sir Frances Burdett to the Crown and Anchor Tavern on Monday June 29th, 1807 - Dedicated to the 5134 Independent Electors of Westminster, Engraving 1807 July, Three Men with Banners Leading a Four-Horse Team Drawing a Carriage with a Statue of Britannia Holding a Staff Topped with a Liberty Cap, Two Fasces on a Low Platform, and Sir Frances Burdett Sitting in a Chair Atop a Short Column, Another Man with a Banner Follows behind the Carriage. / Bridgeman Images

Treason, Newton, Richard, 1777 1798, Artist, London, R. Newton, 1798, a Stout, Smiling John Bull Directs a Blast from His Rear-End Toward a Poster of King George III Tacked to a Wall. The Image of the King Looks Suprised. On the Left, the Head of William Pitt Exclaims, that is Treason Johnny
Treason, Newton, Richard, 1777 1798, Artist, London, R. Newton, 1798, a Stout, Smiling John Bull Directs a Blast from His Rear-End Toward a Poster of King George III Tacked to a Wall. The Image of the King Looks Suprised. On the Left, the Head of William Pitt Exclaims, that is Treason Johnny

LZT1012642: Treason, Newton, Richard, 1777 1798, Artist, London, R. Newton, 1798, a Stout, Smiling John Bull Directs a Blast from His Rear-End Toward a Poster of King George III Tacked to a Wall. The Image of the King Looks Suprised. On the Left, the Head of William Pitt Exclaims, that is Treason Johnny / Bridgeman Images

The Plan, or a Scene in the French Cabinet, Sepr. 1779, [London : 1779 Sept.], 1 Print : Etching., Cartoon Shows Benjamin Franklin Standing, Center, Holding a Copy of the Plan which Calls for Draining of the British Ocean to Facilitate an Invasion by French Troops; in His Other Hand Are Strings Connected to the Noses of Four Members of the Cabinet, the King, and a Clerical Figure; While They Comment on the Plan and Their Respective Roles, Franklin, Controlling the Strings, Laughs.
The Plan, or a Scene in the French Cabinet, Sepr. 1779, [London : 1779 Sept.], 1 Print : Etching., Cartoon Shows Benjamin Franklin Standing, Center, Holding a Copy of the Plan which Calls for Draining of the British Ocean to Facilitate an Invasion by French Troops; in His Other Hand Are Strings Connected to the Noses of Four Members of the Cabinet, the King, and a Clerical Figure; While They Comment on the Plan and Their Respective Roles, Franklin, Controlling the Strings, Laughs.

LZT1012651: The Plan, or a Scene in the French Cabinet, Sepr. 1779, [London : 1779 Sept.], 1 Print : Etching., Cartoon Shows Benjamin Franklin Standing, Center, Holding a Copy of the Plan which Calls for Draining of the British Ocean to Facilitate an Invasion by French Troops; in His Other Hand Are Strings Connected to the Noses of Four Members of the Cabinet, the King, and a Clerical Figure; While They Comment on the Plan and Their Respective Roles, Franklin, Controlling the Strings, Laughs. / Bridgeman Images

The Sour Prospect Before Us, or the Ins Throwing Up State, Publisher, [England]: Pub by W. Dent [Date Illegible] 1789 : Sold by W Moore, No. 308 Oxford Street, 1789., 1 Print : Etching with Aquatint., Ministers, Seven Isolated Figures, Vomit Copiously at the Prospect of Being Turned Out
The Sour Prospect Before Us, or the Ins Throwing Up State, Publisher, [England]: Pub by W. Dent [Date Illegible] 1789 : Sold by W Moore, No. 308 Oxford Street, 1789., 1 Print : Etching with Aquatint., Ministers, Seven Isolated Figures, Vomit Copiously at the Prospect of Being Turned Out

LZT1012659: The Sour Prospect Before Us, or the Ins Throwing Up State, Publisher, [England]: Pub by W. Dent [Date Illegible] 1789 : Sold by W Moore, No. 308 Oxford Street, 1789., 1 Print : Etching with Aquatint., Ministers, Seven Isolated Figures, Vomit Copiously at the Prospect of Being Turned Out / Bridgeman Images

Louis D'or Au Soleil, En Sanguine Engraving 1705, Louis Xiv Sitting Next to a Table, Head Resting on His Left Elbow which Rests on His Left Knee; He is Asleep, Though His Right Hand Rests on Money Bags Lying on the Table with Some Loose Coins. He Wears a Louis D'or Medal and a Large, Plumed Hat. A Battle Scene is Depicted on the Fabric that Hangs from the Table, Possibly the Battle of Blenheim. The Sun Shines Through a Window behind Him, As Well As on a Man Swimming on a River in the Background. There is a Large Chest on the Floor in the Lower Right.
Louis D'or Au Soleil, En Sanguine Engraving 1705, Louis Xiv Sitting Next to a Table, Head Resting on His Left Elbow which Rests on His Left Knee; He is Asleep, Though His Right Hand Rests on Money Bags Lying on the Table with Some Loose Coins. He Wears a Louis D'or Medal and a Large, Plumed Hat. A Battle Scene is Depicted on the Fabric that Hangs from the Table, Possibly the Battle of Blenheim. The Sun Shines Through a Window behind Him, As Well As on a Man Swimming on a River in the Background. There is a Large Chest on the Floor in the Lower Right.

LZT1012672: Louis D'or Au Soleil, En Sanguine Engraving 1705, Louis Xiv Sitting Next to a Table, Head Resting on His Left Elbow which Rests on His Left Knee; He is Asleep, Though His Right Hand Rests on Money Bags Lying on the Table with Some Loose Coins. He Wears a Louis D'or Medal and a Large, Plumed Hat. A Battle Scene is Depicted on the Fabric that Hangs from the Table, Possibly the Battle of Blenheim. The Sun Shines Through a Window behind Him, As Well As on a Man Swimming on a River in the Background. There is a Large Chest on the Floor in the Lower Right. / Bridgeman Images

Represantant D'Une Grande Nation, Engraving 1799, a Grotesque Monster, Nude and Hairy, Representing the Constitution of the Year III, Stands against the Trunk of L'Arbre De Liberty (Right) with Upraised Hands. The Tree, Embleme De L'Arbre De Connoissance, Has Withered Branches in which Fantastic Serpents Are Twined. One of These, Having a Human Head and Arms...is Evidently Talleyrand
Represantant D'Une Grande Nation, Engraving 1799, a Grotesque Monster, Nude and Hairy, Representing the Constitution of the Year III, Stands against the Trunk of L'Arbre De Liberty (Right) with Upraised Hands. The Tree, Embleme De L'Arbre De Connoissance, Has Withered Branches in which Fantastic Serpents Are Twined. One of These, Having a Human Head and Arms...is Evidently Talleyrand

LZT1012696: Represantant D'Une Grande Nation, Engraving 1799, a Grotesque Monster, Nude and Hairy, Representing the Constitution of the Year III, Stands against the Trunk of L'Arbre De Liberty (Right) with Upraised Hands. The Tree, Embleme De L'Arbre De Connoissance, Has Withered Branches in which Fantastic Serpents Are Twined. One of These, Having a Human Head and Arms...is Evidently Talleyrand / Bridgeman Images

Mrs. Sage, the First English Female Aerial Traveller, Who Ascended with Mr. Biggin in Mr. Lunardi's Balloon, from St. George's Fields, June 29th, 1785,  L. Shelly, Del., Legrand, Sculp., Between 1790 and 1850, Half-Length Portrait of the First English Woman to Ride in a Balloon.
Mrs. Sage, the First English Female Aerial Traveller, Who Ascended with Mr. Biggin in Mr. Lunardi's Balloon, from St. George's Fields, June 29th, 1785,  L. Shelly, Del., Legrand, Sculp., Between 1790 and 1850, Half-Length Portrait of the First English Woman to Ride in a Balloon.

LZT1012469: Mrs. Sage, the First English Female Aerial Traveller, Who Ascended with Mr. Biggin in Mr. Lunardi's Balloon, from St. George's Fields, June 29th, 1785, L. Shelly, Del., Legrand, Sculp., Between 1790 and 1850, Half-Length Portrait of the First English Woman to Ride in a Balloon. / Bridgeman Images

Constitutional Club, Dent, William, Active 1741-1780, Artist, England, Satire on the Westminster by-Election of 1788 Shows Five Men Carving a Fox on a Table As William Pitt Carries a Coin-Filled Gravy Boat Inscribed Mint Sauce, Constitutional Restorative and King George III Follows with a Jug of Cheltenham Water, Constitutional Restorative
Constitutional Club, Dent, William, Active 1741-1780, Artist, England, Satire on the Westminster by-Election of 1788 Shows Five Men Carving a Fox on a Table As William Pitt Carries a Coin-Filled Gravy Boat Inscribed Mint Sauce, Constitutional Restorative and King George III Follows with a Jug of Cheltenham Water, Constitutional Restorative

LZT1012493: Constitutional Club, Dent, William, Active 1741-1780, Artist, England, Satire on the Westminster by-Election of 1788 Shows Five Men Carving a Fox on a Table As William Pitt Carries a Coin-Filled Gravy Boat Inscribed Mint Sauce, Constitutional Restorative and King George III Follows with a Jug of Cheltenham Water, Constitutional Restorative / Bridgeman Images

Tameing [I.E. Taming] a Shrew. or Petruchio's Patent Family Bedstead, Gags & Thumscrews, Tameing a Shrewtaming a Shrew, London 1815,  Woman Restrained in a Bed Fashioned Like a Pillory.  Her Husband Sits Up in Bed Beside Her, Holding a Whip and Gag.
Tameing [I.E. Taming] a Shrew. or Petruchio's Patent Family Bedstead, Gags & Thumscrews, Tameing a Shrewtaming a Shrew, London 1815,  Woman Restrained in a Bed Fashioned Like a Pillory.  Her Husband Sits Up in Bed Beside Her, Holding a Whip and Gag.

LZT1012501: Tameing [I.E. Taming] a Shrew. or Petruchio's Patent Family Bedstead, Gags & Thumscrews, Tameing a Shrewtaming a Shrew, London 1815, Woman Restrained in a Bed Fashioned Like a Pillory. Her Husband Sits Up in Bed Beside Her, Holding a Whip and Gag. / Bridgeman Images

The Caricaturist's Apology, Grinagain, Giles, Pseud., Artist, London, 1802, Large Man Holding a Club and Caricature of Himself, Threatens a Kneeling Caricaturist.
The Caricaturist's Apology, Grinagain, Giles, Pseud., Artist, London, 1802, Large Man Holding a Club and Caricature of Himself, Threatens a Kneeling Caricaturist.

LZT1012506: The Caricaturist's Apology, Grinagain, Giles, Pseud., Artist, London, 1802, Large Man Holding a Club and Caricature of Himself, Threatens a Kneeling Caricaturist. / Bridgeman Images

The Kremlin in Commotion  or  the Grand Lama Sick of the Horn Cholic, 1820, King George IV Fallen to the Floor, He Clutches His Stomach, Near Him Are a Plan for Divorce, a Decanter and Cup, Cards and Dice. In the Background Sits His Estranged Wife Caroline About to Be Crowned by Justice While Surrounded by Her Loyal Supporters.
The Kremlin in Commotion  or  the Grand Lama Sick of the Horn Cholic, 1820, King George IV Fallen to the Floor, He Clutches His Stomach, Near Him Are a Plan for Divorce, a Decanter and Cup, Cards and Dice. In the Background Sits His Estranged Wife Caroline About to Be Crowned by Justice While Surrounded by Her Loyal Supporters.

LZT1012519: The Kremlin in Commotion or the Grand Lama Sick of the Horn Cholic, 1820, King George IV Fallen to the Floor, He Clutches His Stomach, Near Him Are a Plan for Divorce, a Decanter and Cup, Cards and Dice. In the Background Sits His Estranged Wife Caroline About to Be Crowned by Justice While Surrounded by Her Loyal Supporters. / Bridgeman Images

Visiting the Sick, Gillray, James, 1756-1815, Engraving 1806, Charles Fox Sitting in an Armchair, Obviously Ill. On One Side of Him is Mrs. Fitzherbert, Dressed As an Abbess and Holding a Rosary; on the Other Side is a Bishop in Robes and Mitre. In Front of Fox, the Prince of Wales Holds His Handkerchief to His Face. Sheridan, Standing behind the Bishop, Admonishes the Bishop to Understand that Catholic Emancipation is Not Possible. Howick, Petty, Windham and Moira Are All Distressed; Grenville and Sidmouth Are Leaving the Room Hoping Fox Will Expire. Mrs. Fox Faints in a Chair and is Attended by Lord Derby.
Visiting the Sick, Gillray, James, 1756-1815, Engraving 1806, Charles Fox Sitting in an Armchair, Obviously Ill. On One Side of Him is Mrs. Fitzherbert, Dressed As an Abbess and Holding a Rosary; on the Other Side is a Bishop in Robes and Mitre. In Front of Fox, the Prince of Wales Holds His Handkerchief to His Face. Sheridan, Standing behind the Bishop, Admonishes the Bishop to Understand that Catholic Emancipation is Not Possible. Howick, Petty, Windham and Moira Are All Distressed; Grenville and Sidmouth Are Leaving the Room Hoping Fox Will Expire. Mrs. Fox Faints in a Chair and is Attended by Lord Derby.

LZT1012533: Visiting the Sick, Gillray, James, 1756-1815, Engraving 1806, Charles Fox Sitting in an Armchair, Obviously Ill. On One Side of Him is Mrs. Fitzherbert, Dressed As an Abbess and Holding a Rosary; on the Other Side is a Bishop in Robes and Mitre. In Front of Fox, the Prince of Wales Holds His Handkerchief to His Face. Sheridan, Standing behind the Bishop, Admonishes the Bishop to Understand that Catholic Emancipation is Not Possible. Howick, Petty, Windham and Moira Are All Distressed; Grenville and Sidmouth Are Leaving the Room Hoping Fox Will Expire. Mrs. Fox Faints in a Chair and is Attended by Lord Derby. / Bridgeman Images

The Tipperary Janus, or Both Sides of the Question, Ib., [Ca. 1831], 1 Print : Lithograph., Print Shows a Two-Faced Irishman Speaking Out of Both Sides for and against a Measure Proposed for British Law.
The Tipperary Janus, or Both Sides of the Question, Ib., [Ca. 1831], 1 Print : Lithograph., Print Shows a Two-Faced Irishman Speaking Out of Both Sides for and against a Measure Proposed for British Law.

LZT1012607: The Tipperary Janus, or Both Sides of the Question, Ib., [Ca. 1831], 1 Print : Lithograph., Print Shows a Two-Faced Irishman Speaking Out of Both Sides for and against a Measure Proposed for British Law. / Bridgeman Images

Martin Marvie after Jean-Baptiste Oudry (French, 1713 - 1813 ), Le Chien Qui Porte a Son Cou Le Diner De Son Maitre (the Dog Carrying His Master's Supper), Published 1756, Hand-Colored Etching, Gift of Mr. And Mrs. George W. Ware
Martin Marvie after Jean-Baptiste Oudry (French, 1713 - 1813 ), Le Chien Qui Porte a Son Cou Le Diner De Son Maitre (the Dog Carrying His Master's Supper), Published 1756, Hand-Colored Etching, Gift of Mr. And Mrs. George W. Ware

LZT1012392: Martin Marvie after Jean-Baptiste Oudry (French, 1713 - 1813 ), Le Chien Qui Porte a Son Cou Le Diner De Son Maitre (the Dog Carrying His Master's Supper), Published 1756, Hand-Colored Etching, Gift of Mr. And Mrs. George W. Ware / Bridgeman Images

Portraits of Three Balloonists Ippolito Caffi, Francesco Arban, and G. Seiffard, with a Small View of Them in an Ascending Balloon, Rome, 1847, Italy
Portraits of Three Balloonists Ippolito Caffi, Francesco Arban, and G. Seiffard, with a Small View of Them in an Ascending Balloon, Rome, 1847, Italy

LZT1012405: Portraits of Three Balloonists Ippolito Caffi, Francesco Arban, and G. Seiffard, with a Small View of Them in an Ascending Balloon, Rome, 1847, Italy / Bridgeman Images

Madame Blanchard (Madeleine Sophie Armand) French Aeronaut,  Jules Porreau, Sc., 1859
Madame Blanchard (Madeleine Sophie Armand) French Aeronaut,  Jules Porreau, Sc., 1859

LZT1012414: Madame Blanchard (Madeleine Sophie Armand) French Aeronaut, Jules Porreau, Sc., 1859 / Bridgeman Images

Oval Head-and-Shoulders Profile Portrait of French Balloonist Jean-François Pilâtre De Rozier.
Oval Head-and-Shoulders Profile Portrait of French Balloonist Jean-François Pilâtre De Rozier.

LZT1012438: Oval Head-and-Shoulders Profile Portrait of French Balloonist Jean-François Pilâtre De Rozier. / Bridgeman Images


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