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TEC4552798: L'église Saint-Etienne-du-Mont (Saint Etienne du Mont), Paris 5 (France). Built from 1492 to 1865, architect Victor Balard. / Bridgeman Images
TEC4552809: L'église Saint-Etienne-du-Mont (Saint Etienne du Mont), Paris 5 (France). Built from 1492 to 1865, architect Victor Balard. / Bridgeman Images
TEC4552820: L'église Saint-Etienne-du-Mont (Saint Etienne du Mont), Paris 5 (France). Built from 1492 to 1865, architect Victor Balard. / Bridgeman Images
TEC4547951: Restoration of the Hotel de Croisilles for the installation of the library of heritage archives and the room of the Commission Superieure des Monuments Historiales, Paris 3, architect Christiane Schmuckle-Mollard, 1998. / Bridgeman Images
TEC4547952: Restoration of the Hotel de Croisilles for the installation of the library of heritage archives and the room of the Commission Superieure des Monuments Historiales, Paris 3, architect Christiane Schmuckle-Mollard, 1998. / Bridgeman Images
JSN4548367: Les anciennes funebres municipales, 104 rue d'Aubervilliers, Paris 19. This large space occupied by the Pomps funebres de Paris was released in 1998. Its two characteristic halls of 19th century industrial construction (brick, iron, glass) were classed. / Bridgeman Images
JSN4548374: Les anciennes funebres municipales, 104 rue d'Aubervilliers, Paris 19. This large space occupied by the Pomps funebres de Paris was released in 1998. Its two characteristic halls of 19th century industrial construction (brick, iron, glass) were classed. / Bridgeman Images
JSN4548379: Les anciennes funebres municipales, 104 rue d'Aubervilliers, Paris 19. This large space occupied by the Pomps funebres de Paris was released in 1998. Its two characteristic halls of 19th century industrial construction (brick, iron, glass) were classed. / Bridgeman Images
TEC4597470: The Felix Potin building, 140 rue de Rennes and rue Blaise Desgoffe, Paris 6th arrondissement. Built in 1904, made of reinforced concrete by the architect Paul Auscher (1866-1932), this seven-storey building consists of supply shops and sales to the public (ground floor and floor), offices and housing on floors. The corner turret is crowned with an evide bell tower where you can read the name of Felix Potin. / Bridgeman Images
TEC4597475: The Felix Potin building, 140 rue de Rennes and rue Blaise Desgoffe, Paris 6th arrondissement. Built in 1904, made of reinforced concrete by the architect Paul Auscher (1866-1932), this seven-storey building consists of supply shops and sales to the public (ground floor and floor), offices and housing on floors. The corner turret is crowned with an evide bell tower where you can read the name of Felix Potin. / Bridgeman Images
TEC4597547: The institute of art and archeology, 3 rue Michelet, Paris 6th arrondissement, hosts the universites of Paris 1 and Paris 4, was built in 1927 by Paul Bigot (1870-1942) in Moorish style. / Bridgeman Images
TEC4597566: The institute of art and archeology, 3 rue Michelet, Paris 6th arrondissement, hosts the universites of Paris 1 and Paris 4, was built in 1927 by Paul Bigot (1870-1942) in Moorish style. / Bridgeman Images
TEC4597591: The institute of art and archeology, 3 rue Michelet, Paris 6th arrondissement, hosts the universites of Paris 1 and Paris 4, was built in 1927 by Paul Bigot (1870-1942) in Moorish style. / Bridgeman Images
TEC4597596: The institute of art and archeology, 3 rue Michelet, Paris 6th arrondissement, hosts the universites of Paris 1 and Paris 4, was built in 1927 by Paul Bigot (1870-1942) in Moorish style. / Bridgeman Images
TEC4597620: Place Saint Sulpice, Paris 6th arrondissement. It dates back to the second half of the 18th century with the fountain of the Quatre Eveques¿ (Jacques Benigne Bossuet (1627-1704), Fran / Bridgeman Images
TEC4597643: Fontaine Saint Michel, Place Saint Michel, Paris 6th arrondisement. Built between 1858-1860, by order of Baron Georges Eugene Haussmann (1809-1891) by Gabriel Davioud (1824-1881) to close the prospect of Boulevard du Palais. / Bridgeman Images
TEC4597866: Place de l'Odeon in Paris 6th arrondissement. Architect Marie Joseph Peyre (1730-1785) and Charles De Wailly (1730-1798), 1779. / Bridgeman Images
TEC4595852: The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999. / Bridgeman Images
TEC4595939: Le PeuPalais, avenue Winston Churchill, Paris 8th arrondissement. The building was built for the 1900 Universal Exhibition, by architect Charles Girault (1851-1932). It now houses the Musee des Beaux Arts of the City of Paris, which includes many works of Antiquite in the 19th century. Photography 25/08/05. / Bridgeman Images
TEC4595952: The fountains of the Rivers on the Place de la Concorde in Paris. Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867), to redesign the square with the eight statues of the big cities of France and the fountains surrounding the obelisque of Luksor, realisation 1835-1840. Phototorgpahie 10/09/04. / Bridgeman Images
TEC4597973: Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of the Extreme Orient: the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented Les Deux Magots, from Verlaine to Rimbaud, surrealists, Picasso, Giraudoux, not to mention Jean-Paul Sartre and Simone de Beauvoir who came to write two hours a day for long years. / Bridgeman Images
TEC4597994: Place de l'Odeon in Paris 6th arrondissement. Architect Marie Joseph Peyre (1730-1785) and Charles De Wailly (1730-1798), 1779. / Bridgeman Images
TEC4598026: L'Ecole nationale superieure des mines, 60 boulevard Saint Michel, Paris 6th arrondissement. / Bridgeman Images
TEC4598041: Palais de l'Institut de France, Convent des Cordeliers, Paris 6th arrondissement. Architect Louis Le Vau (1612-1670). / Bridgeman Images
TEC4598077: Palais de l'Institut de France (construction 1668, architect Louis Le Vau (1612-1670) Paris 6th arrondissement. / Bridgeman Images
TEC4598089: Pont des Arts, Paris 6th arrondissement. The Passerelle des Arts, the first iron bridge in Paris, had the mission of joining the Institut de France and the Louvre, which was then called the Palais des Arts. Reserved for pawns, it was built from 1801 to 1804. It initially consisted of nine arches. Following numerous river accidents, its reconstruction was decided in 1981 but two arches were removed to line them up on the Pont Neuf. Reconstruction in 1981 by Louis Arretche. / Bridgeman Images
TEC4598122: Hotel Lutetia in Paris. Architects Louis-Charles (Louis Charles) Boileau (1837-1914) and Henri Tauzin (?) , construction 1911. / Bridgeman Images
TEC4598187: Boat near the Pont des Arts, Paris 6th arrondissement. The Passerelle des Arts, the first iron bridge in Paris, had the mission of joining the Institut de France and the Louvre, which was then called the Palais des Arts. Reserved for pawns, it was built from 1801 to 1804. It initially consisted of nine arches. Following numerous river accidents, its reconstruction was decided in 1981 but two arches were removed to line them up on the Pont Neuf. / Bridgeman Images
TEC4598248: The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century. / Bridgeman Images