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The double bas-sides of the nave of the Cathedrale Notre Dame de Paris. It offers combinations of quadripart or triangular warhead vaults Cathedrale Notre Dame de Paris - Paris 4 - XIIIeme, XIIIeme, XIXeme, rehabilitation by Viollet-le-Duc -
The double bas-sides of the nave of the Cathedrale Notre Dame de Paris. It offers combinations of quadripart or triangular warhead vaults Cathedrale Notre Dame de Paris - Paris 4 - XIIIeme, XIIIeme, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553741: The double bas-sides of the nave of the Cathedrale Notre Dame de Paris. It offers combinations of quadripart or triangular warhead vaults Cathedrale Notre Dame de Paris - Paris 4 - XIIIeme, XIIIeme, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553741

The double bas-sides of the nave of the Cathedrale Notre Dame de Paris. It offers combinations of quadripart or triangular warhead vaults Cathedrale Notre Dame de Paris - Paris 4 - XIIIeme, XIIIeme, XIXeme, rehabilitation by Viollet-le-Duc -

Chorus view of the Notre-Dame Cathedral of Paris, from the cloitre coast. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Chorus view of the Notre-Dame Cathedral of Paris, from the cloitre coast. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553742: Chorus view of the Notre-Dame Cathedral of Paris, from the cloitre coast. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553742

Chorus view of the Notre-Dame Cathedral of Paris, from the cloitre coast. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

Detail of the central portal vaults. Angelots occupy the first two vaults while in the next two patriarchs, prophets and teachers of the Church took place. The carved characters in the vaults follow the curve of the archivolt while the angelots look at the scene of the eardrum as arms in the baustrade of Heaven. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
Detail of the central portal vaults. Angelots occupy the first two vaults while in the next two patriarchs, prophets and teachers of the Church took place. The carved characters in the vaults follow the curve of the archivolt while the angelots look at the scene of the eardrum as arms in the baustrade of Heaven. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553824: Detail of the central portal vaults. Angelots occupy the first two vaults while in the next two patriarchs, prophets and teachers of the Church took place. The carved characters in the vaults follow the curve of the archivolt while the angelots look at the scene of the eardrum as arms in the baustrade of Heaven. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553824

Detail of the central portal vaults. Angelots occupy the first two vaults while in the next two patriarchs, prophets and teachers of the Church took place. The carved characters in the vaults follow the curve of the archivolt while the angelots look at the scene of the eardrum as arms in the baustrade of Heaven. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

In the eardrum of the central portal, Christ Judge, surrounded by two angels carrying the cross, nails and spear, appears as the Redeemer. At her side, the Virgin and Saint John kneeling plead for divine misericord. Below, the archangel Michael weighing souls separates the elected from the damns. The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, Rehabilitation by Viollet-le-Duc -
In the eardrum of the central portal, Christ Judge, surrounded by two angels carrying the cross, nails and spear, appears as the Redeemer. At her side, the Virgin and Saint John kneeling plead for divine misericord. Below, the archangel Michael weighing souls separates the elected from the damns. The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, Rehabilitation by Viollet-le-Duc -

ITR4553844: In the eardrum of the central portal, Christ Judge, surrounded by two angels carrying the cross, nails and spear, appears as the Redeemer. At her side, the Virgin and Saint John kneeling plead for divine misericord. Below, the archangel Michael weighing souls separates the elected from the damns. The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, Rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553844

In the eardrum of the central portal, Christ Judge, surrounded by two angels carrying the cross, nails and spear, appears as the Redeemer. At her side, the Virgin and Saint John kneeling plead for divine misericord. Below, the archangel Michael weighing souls separates the elected from the damns. The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, Rehabilitation by Viollet-le-Duc -

External face of a 19th century stained glass panel, located in the high windows of the choir. Here we can see the importance of sinks for crimping coloured glass and metal elements, barlotiers and vergettes for fixing the panel in the building. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
External face of a 19th century stained glass panel, located in the high windows of the choir. Here we can see the importance of sinks for crimping coloured glass and metal elements, barlotiers and vergettes for fixing the panel in the building. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553877: External face of a 19th century stained glass panel, located in the high windows of the choir. Here we can see the importance of sinks for crimping coloured glass and metal elements, barlotiers and vergettes for fixing the panel in the building. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553877

External face of a 19th century stained glass panel, located in the high windows of the choir. Here we can see the importance of sinks for crimping coloured glass and metal elements, barlotiers and vergettes for fixing the panel in the building. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to the Revelation, holding the Book open on his knees and a double sword coming out of his mouth.The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to the Revelation, holding the Book open on his knees and a double sword coming out of his mouth.The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553974: Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to the Revelation, holding the Book open on his knees and a double sword coming out of his mouth.The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553974

Funerary tile of Canon Etienne Yvert (died 1468), in the present chapel of Sainte-Clotilde. The soul of the deceased, represented in a human form (in the centre), leaves the tomb framed by two angels. In the upper part of the slab, Christ Judge is represented according to the Revelation, holding the Book open on his knees and a double sword coming out of his mouth.The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

View, from the stands, of the high glass of the nave, not figurative and coloured, made by Jacques Le Chevallier in the 1960s. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
View, from the stands, of the high glass of the nave, not figurative and coloured, made by Jacques Le Chevallier in the 1960s. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553983: View, from the stands, of the high glass of the nave, not figurative and coloured, made by Jacques Le Chevallier in the 1960s. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553983

View, from the stands, of the high glass of the nave, not figurative and coloured, made by Jacques Le Chevallier in the 1960s. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

On the left, from the nave towards the west: the relatively stale columns contrast with the finesse of the superstructures. The capitals offer variations of the vegetal regne treated with a great plastic sense. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
On the left, from the nave towards the west: the relatively stale columns contrast with the finesse of the superstructures. The capitals offer variations of the vegetal regne treated with a great plastic sense. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4554001: On the left, from the nave towards the west: the relatively stale columns contrast with the finesse of the superstructures. The capitals offer variations of the vegetal regne treated with a great plastic sense. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4554001

On the left, from the nave towards the west: the relatively stale columns contrast with the finesse of the superstructures. The capitals offer variations of the vegetal regne treated with a great plastic sense. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

The nervositis and logic of Gothic architecture are clearly visible here on the upper parts of the nave (stands, tall windows and vaults). The keys of the foliage vaults are adorned with masks in the shape corners to meet the orgives. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
The nervositis and logic of Gothic architecture are clearly visible here on the upper parts of the nave (stands, tall windows and vaults). The keys of the foliage vaults are adorned with masks in the shape corners to meet the orgives. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4554026: The nervositis and logic of Gothic architecture are clearly visible here on the upper parts of the nave (stands, tall windows and vaults). The keys of the foliage vaults are adorned with masks in the shape corners to meet the orgives. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4554026

The nervositis and logic of Gothic architecture are clearly visible here on the upper parts of the nave (stands, tall windows and vaults). The keys of the foliage vaults are adorned with masks in the shape corners to meet the orgives. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

With five keyboards, 109 games and nearly 8000 pipes, the great organ of Notre-Dame is one of the most important in France and probably the most famous in the world.Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
With five keyboards, 109 games and nearly 8000 pipes, the great organ of Notre-Dame is one of the most important in France and probably the most famous in the world.Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4554039: With five keyboards, 109 games and nearly 8000 pipes, the great organ of Notre-Dame is one of the most important in France and probably the most famous in the world.Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4554039

With five keyboards, 109 games and nearly 8000 pipes, the great organ of Notre-Dame is one of the most important in France and probably the most famous in the world.Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

La maison du gardien, ou presbytere Cathedrale Notre Dame de Paris - Paris 4 - XIIIeme, XIIIeme, XIXeme, rehabilitation by Viollet-le-Duc -
La maison du gardien, ou presbytere Cathedrale Notre Dame de Paris - Paris 4 - XIIIeme, XIIIeme, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4554053: La maison du gardien, ou presbytere Cathedrale Notre Dame de Paris - Paris 4 - XIIIeme, XIIIeme, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4554053

La maison du gardien, ou presbytere Cathedrale Notre Dame de Paris - Paris 4 - XIIIeme, XIIIeme, XIXeme, rehabilitation by Viollet-le-Duc -

The courtyard of the cloister with in its center a fountain symbolizing the four rivers of Paradise. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
The courtyard of the cloister with in its center a fountain symbolizing the four rivers of Paradise. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4554056: The courtyard of the cloister with in its center a fountain symbolizing the four rivers of Paradise. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4554056

The courtyard of the cloister with in its center a fountain symbolizing the four rivers of Paradise. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

The sacristy was completely rebuilt between 1845 and 1850 by Lassus and Viollet-le-Duc during the great restoration campaign of the cathedral. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
The sacristy was completely rebuilt between 1845 and 1850 by Lassus and Viollet-le-Duc during the great restoration campaign of the cathedral. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4554062: The sacristy was completely rebuilt between 1845 and 1850 by Lassus and Viollet-le-Duc during the great restoration campaign of the cathedral. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4554062

The sacristy was completely rebuilt between 1845 and 1850 by Lassus and Viollet-le-Duc during the great restoration campaign of the cathedral. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

Reverse of the south arm facade. The modern drum hides part of the decor of blind arcades that animates the wall. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
Reverse of the south arm facade. The modern drum hides part of the decor of blind arcades that animates the wall. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4554080: Reverse of the south arm facade. The modern drum hides part of the decor of blind arcades that animates the wall. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4554080

Reverse of the south arm facade. The modern drum hides part of the decor of blind arcades that animates the wall. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

The very spacious grandstands of the Notre Dame Cathedral in Paris lead to surprising degagements on the high ship and perspectives degaged in height. Most of the capitals date back to the twelfth century in the choir, as well as the vaults that take up the triangular part of the lower ambulatory. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
The very spacious grandstands of the Notre Dame Cathedral in Paris lead to surprising degagements on the high ship and perspectives degaged in height. Most of the capitals date back to the twelfth century in the choir, as well as the vaults that take up the triangular part of the lower ambulatory. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4554111: The very spacious grandstands of the Notre Dame Cathedral in Paris lead to surprising degagements on the high ship and perspectives degaged in height. Most of the capitals date back to the twelfth century in the choir, as well as the vaults that take up the triangular part of the lower ambulatory. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4554111

The very spacious grandstands of the Notre Dame Cathedral in Paris lead to surprising degagements on the high ship and perspectives degaged in height. Most of the capitals date back to the twelfth century in the choir, as well as the vaults that take up the triangular part of the lower ambulatory. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

North wing, Crusades Hall. Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.
North wing, Crusades Hall. Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.

ITR4561870: North wing, Crusades Hall. Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700. / Bridgeman Images

ID: ITR4561870

North wing, Crusades Hall. Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.

Painting of the vault of the royal chapel, made by Antoine Coypel (1661-1722). It is entitled “The eternal father in his glory bringing the promise of redemption to the world”. Royal chapel began by Jules Hardouin Mansart (1646-1708) in 1699 and completed in 1710 by Robert De Cotte (1656-1735).Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.
Painting of the vault of the royal chapel, made by Antoine Coypel (1661-1722). It is entitled “The eternal father in his glory bringing the promise of redemption to the world”. Royal chapel began by Jules Hardouin Mansart (1646-1708) in 1699 and completed in 1710 by Robert De Cotte (1656-1735).Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.

ITR4561899: Painting of the vault of the royal chapel, made by Antoine Coypel (1661-1722). It is entitled “The eternal father in his glory bringing the promise of redemption to the world”. Royal chapel began by Jules Hardouin Mansart (1646-1708) in 1699 and completed in 1710 by Robert De Cotte (1656-1735).Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700. / Bridgeman Images

ID: ITR4561899

Painting of the vault of the royal chapel, made by Antoine Coypel (1661-1722). It is entitled “The eternal father in his glory bringing the promise of redemption to the world”. Royal chapel began by Jules Hardouin Mansart (1646-1708) in 1699 and completed in 1710 by Robert De Cotte (1656-1735).Chateau de Versailles (Les Yvelines). Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708), 1660-1700.

La Maison des Italians, 15 rue Champlagarde, Versailles (Les Yvelines). Regence style house, dating from the end of the 17th century.
La Maison des Italians, 15 rue Champlagarde, Versailles (Les Yvelines). Regence style house, dating from the end of the 17th century.

ITR4561905: La Maison des Italians, 15 rue Champlagarde, Versailles (Les Yvelines). Regence style house, dating from the end of the 17th century. / Bridgeman Images

ID: ITR4561905

La Maison des Italians, 15 rue Champlagarde, Versailles (Les Yvelines). Regence style house, dating from the end of the 17th century.

L'Hotel particulier Letellier, 14 rue du Marechal Joffre, Versailles (Les Yvelines). This hotel dates from the beginning of the 18th century and was built according to the plans of Jacques Hardouin Mansart de Sagonne (1711-1778).
L'Hotel particulier Letellier, 14 rue du Marechal Joffre, Versailles (Les Yvelines). This hotel dates from the beginning of the 18th century and was built according to the plans of Jacques Hardouin Mansart de Sagonne (1711-1778).

ITR4561910: L'Hotel particulier Letellier, 14 rue du Marechal Joffre, Versailles (Les Yvelines). This hotel dates from the beginning of the 18th century and was built according to the plans of Jacques Hardouin Mansart de Sagonne (1711-1778). / Bridgeman Images

ID: ITR4561910

L'Hotel particulier Letellier, 14 rue du Marechal Joffre, Versailles (Les Yvelines). This hotel dates from the beginning of the 18th century and was built according to the plans of Jacques Hardouin Mansart de Sagonne (1711-1778).

Saint-Louis Church, Versailles (Les Yvelines). Architect Jacques Hardouin Mansart De Sagonne (1709-1776), 1743-1754.
Saint-Louis Church, Versailles (Les Yvelines). Architect Jacques Hardouin Mansart De Sagonne (1709-1776), 1743-1754.

ITR4561931: Saint-Louis Church, Versailles (Les Yvelines). Architect Jacques Hardouin Mansart De Sagonne (1709-1776), 1743-1754. / Bridgeman Images

ID: ITR4561931

Saint-Louis Church, Versailles (Les Yvelines). Architect Jacques Hardouin Mansart De Sagonne (1709-1776), 1743-1754.

The Queen's Hamlet, the gardens of the Chateau de Versailles park were designed by Andre Le Notre (1613-1700). Chateau de Versailles (Les Yvelines), 1660-1700. Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).
The Queen's Hamlet, the gardens of the Chateau de Versailles park were designed by Andre Le Notre (1613-1700). Chateau de Versailles (Les Yvelines), 1660-1700. Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

ITR4561959: The Queen's Hamlet, the gardens of the Chateau de Versailles park were designed by Andre Le Notre (1613-1700). Chateau de Versailles (Les Yvelines), 1660-1700. Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708). / Bridgeman Images

ID: ITR4561959

The Queen's Hamlet, the gardens of the Chateau de Versailles park were designed by Andre Le Notre (1613-1700). Chateau de Versailles (Les Yvelines), 1660-1700. Principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

Latone basin realized by the Marsy brothers in 1670. Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).
Latone basin realized by the Marsy brothers in 1670. Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

ITR4562004: Latone basin realized by the Marsy brothers in 1670. Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708). / Bridgeman Images

ID: ITR4562004

Latone basin realized by the Marsy brothers in 1670. Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

Basin de Flore realized between 1672 and 1679 by Jean-Baptiste Tuby (1635-1700). Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).
Basin de Flore realized between 1672 and 1679 by Jean-Baptiste Tuby (1635-1700). Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

ITR4562041: Basin de Flore realized between 1672 and 1679 by Jean-Baptiste Tuby (1635-1700). Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708). / Bridgeman Images

ID: ITR4562041

Basin de Flore realized between 1672 and 1679 by Jean-Baptiste Tuby (1635-1700). Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

Fountain and basin of the Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).
Fountain and basin of the Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

ITR4562051: Fountain and basin of the Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708). / Bridgeman Images

ID: ITR4562051

Fountain and basin of the Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

The Great Trianon at the Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).
The Great Trianon at the Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

ITR4562076: The Great Trianon at the Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708). / Bridgeman Images

ID: ITR4562076

The Great Trianon at the Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

Pool in the gardens of the park of the Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).
Pool in the gardens of the park of the Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

ITR4562091: Pool in the gardens of the park of the Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708). / Bridgeman Images

ID: ITR4562091

Pool in the gardens of the park of the Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

The trianon. Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).
The trianon. Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

ITR4562093: The trianon. Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708). / Bridgeman Images

ID: ITR4562093

The trianon. Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

French Pavilion. The Hameau de la Reine, 1783-1785 (architect Richard Mic, 1728-1794) Marie-Antoinette (of Austria, 1755-1793) had her hamlet built at the end of these gardens, which mimics the peasant houses or rather reproduces the image given by the painting. Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).
French Pavilion. The Hameau de la Reine, 1783-1785 (architect Richard Mic, 1728-1794) Marie-Antoinette (of Austria, 1755-1793) had her hamlet built at the end of these gardens, which mimics the peasant houses or rather reproduces the image given by the painting. Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

ITR4562104: French Pavilion. The Hameau de la Reine, 1783-1785 (architect Richard Mic, 1728-1794) Marie-Antoinette (of Austria, 1755-1793) had her hamlet built at the end of these gardens, which mimics the peasant houses or rather reproduces the image given by the painting. Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708). / Bridgeman Images

ID: ITR4562104

French Pavilion. The Hameau de la Reine, 1783-1785 (architect Richard Mic, 1728-1794) Marie-Antoinette (of Austria, 1755-1793) had her hamlet built at the end of these gardens, which mimics the peasant houses or rather reproduces the image given by the painting. Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

Cave of Thetis (Thetys). Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).
Cave of Thetis (Thetys). Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

ITR4562126: Cave of Thetis (Thetys). Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708). / Bridgeman Images

ID: ITR4562126

Cave of Thetis (Thetys). Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

The groves, the Enceladus basin. Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).
The groves, the Enceladus basin. Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

ITR4562141: The groves, the Enceladus basin. Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708). / Bridgeman Images

ID: ITR4562141

The groves, the Enceladus basin. Chateau de Versailles (Les Yvelines), 1660-1700. Gardens of Andre Le Notre (1613-1700) and principal architects: Louis Le Vau (1612-1670) and Jules Hardouin Mansart (1646-1708).

Chateau de Dampierre en Yvelines (Les Yvelines). Chateau-Manoir of the 13th century metamorphosis from 1682 to 1685 by Jules Hardouin Mansart (1646-1708).
Chateau de Dampierre en Yvelines (Les Yvelines). Chateau-Manoir of the 13th century metamorphosis from 1682 to 1685 by Jules Hardouin Mansart (1646-1708).

ITR4565724: Chateau de Dampierre en Yvelines (Les Yvelines). Chateau-Manoir of the 13th century metamorphosis from 1682 to 1685 by Jules Hardouin Mansart (1646-1708). / Bridgeman Images

ID: ITR4565724

Chateau de Dampierre en Yvelines (Les Yvelines). Chateau-Manoir of the 13th century metamorphosis from 1682 to 1685 by Jules Hardouin Mansart (1646-1708).

Cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Eugene Viollet Le Duc, 19th century.
Cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Eugene Viollet Le Duc, 19th century.

DCR4553272: Cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Eugene Viollet Le Duc, 19th century. / Bridgeman Images

ID: DCR4553272

Cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Eugene Viollet Le Duc, 19th century.

Sculptures of Notre Dame de Paris, Paris 4.
Sculptures of Notre Dame de Paris, Paris 4.

DCR4553288: Sculptures of Notre Dame de Paris, Paris 4. / Bridgeman Images

ID: DCR4553288

Sculptures of Notre Dame de Paris, Paris 4.

Portal of the Virgin of the Cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century.
Portal of the Virgin of the Cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century.

DCR4553309: Portal of the Virgin of the Cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century. / Bridgeman Images

ID: DCR4553309

Portal of the Virgin of the Cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century.

Sculptures of the cathedrale Notre Dame de Paris, Paris 4.
Sculptures of the cathedrale Notre Dame de Paris, Paris 4.

DCR4553312: Sculptures of the cathedrale Notre Dame de Paris, Paris 4. / Bridgeman Images

ID: DCR4553312

Sculptures of the cathedrale Notre Dame de Paris, Paris 4.

Sculptures of the cathedrale Notre Dame de Paris, Paris 4.
Sculptures of the cathedrale Notre Dame de Paris, Paris 4.

DCR4553318: Sculptures of the cathedrale Notre Dame de Paris, Paris 4. / Bridgeman Images

ID: DCR4553318

Sculptures of the cathedrale Notre Dame de Paris, Paris 4.


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