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Portrait of singer Maria Callas (in fur coat) walking through the streets of Milan, 1955
Portrait of singer Maria Callas (in fur coat) walking through the streets of Milan, 1955

MDO5035493: Portrait of singer Maria Callas (in fur coat) walking through the streets of Milan, 1955 / Bridgeman Images

The singer Maria Callas and her husband Giovanni Battista Meneghini in Milan, 19/06/1955 (b/w photo)
The singer Maria Callas and her husband Giovanni Battista Meneghini in Milan, 19/06/1955 (b/w photo)

MDO5036096: The singer Maria Callas and her husband Giovanni Battista Meneghini in Milan, 19/06/1955 (b/w photo) / Bridgeman Images

From left to right: brassware theodolite, model Salmoiraghi with bezel, Milan, late 19th century, celestial globe dedicated to Marquis De Martigny, councillor to King Louis XV, spousal of Madame De Pompadour (Marquise de Pompadour), of L. C. Desnos, 1768; French graphometre of 18th century, Chinese comp.
From left to right: brassware theodolite, model Salmoiraghi with bezel, Milan, late 19th century, celestial globe dedicated to Marquis De Martigny, councillor to King Louis XV, spousal of Madame De Pompadour (Marquise de Pompadour), of L. C. Desnos, 1768; French graphometre of 18th century, Chinese comp.

MAJ5034710: From left to right: brassware theodolite, model Salmoiraghi with bezel, Milan, late 19th century, celestial globe dedicated to Marquis De Martigny, councillor to King Louis XV, spousal of Madame De Pompadour (Marquise de Pompadour), of L. C. Desnos, 1768; French graphometre of 18th century, Chinese comp. / Bridgeman Images

Left: English theodolite (surveying instrument) with the signature J. Casartelli, 1850, mechanical planetary, W & S Jones, London, 1794, English goggles level, E. Dixey, 1850; long view with extensions, Leonardo Semitecolo, Venice, 17th century, pewter sextant, brave and English silver, 1870; globe, L.C. Desnos, Paris, 1768; dial universal equinoxial, england, late 19th century, french table telescope, beginning of 19th century, armillary planetary of the system of Nicolas Copernicus (Nicolaus Copernicus, 1473-1543) in paper mache and metal, France, about 1780.
Left: English theodolite (surveying instrument) with the signature J. Casartelli, 1850, mechanical planetary, W & S Jones, London, 1794, English goggles level, E. Dixey, 1850; long view with extensions, Leonardo Semitecolo, Venice, 17th century, pewter sextant, brave and English silver, 1870; globe, L.C. Desnos, Paris, 1768; dial universal equinoxial, england, late 19th century, french table telescope, beginning of 19th century, armillary planetary of the system of Nicolas Copernicus (Nicolaus Copernicus, 1473-1543) in paper mache and metal, France, about 1780.

MAJ5034711: Left: English theodolite (surveying instrument) with the signature J. Casartelli, 1850, mechanical planetary, W & S Jones, London, 1794, English goggles level, E. Dixey, 1850; long view with extensions, Leonardo Semitecolo, Venice, 17th century, pewter sextant, brave and English silver, 1870; globe, L.C. Desnos, Paris, 1768; dial universal equinoxial, england, late 19th century, french table telescope, beginning of 19th century, armillary planetary of the system of Nicolas Copernicus (Nicolaus Copernicus, 1473-1543) in paper mache and metal, France, about 1780. / Bridgeman Images

Different models of porcelain beer cups with tin lid from the end of the 19th and 20th century.
Different models of porcelain beer cups with tin lid from the end of the 19th and 20th century.

MAJ5034728: Different models of porcelain beer cups with tin lid from the end of the 19th and 20th century. / Bridgeman Images

View of the nave by Martino Bassi (1542-1591), 1573 Church of Santa Maria della Passione Milan, Italy
View of the nave by Martino Bassi (1542-1591), 1573 Church of Santa Maria della Passione Milan, Italy

MRZ5034755: View of the nave by Martino Bassi (1542-1591), 1573 Church of Santa Maria della Passione Milan, Italy / Bridgeman Images

View of the nave by Martino Bassi (1542-1591), 1573 Church of Santa Maria della Passione Milan, Italy
View of the nave by Martino Bassi (1542-1591), 1573 Church of Santa Maria della Passione Milan, Italy

MRZ5034756: View of the nave by Martino Bassi (1542-1591), 1573 Church of Santa Maria della Passione Milan, Italy / Bridgeman Images

Drawing by Cavelier, 1815, of an oval cut with wrists in the shape of siren and copy with faunas by Charles Nicolas Odiot (Charles-Nicolas Odiot (1789-1868).
Drawing by Cavelier, 1815, of an oval cut with wrists in the shape of siren and copy with faunas by Charles Nicolas Odiot (Charles-Nicolas Odiot (1789-1868).

MAJ5034763: Drawing by Cavelier, 1815, of an oval cut with wrists in the shape of siren and copy with faunas by Charles Nicolas Odiot (Charles-Nicolas Odiot (1789-1868). / Bridgeman Images

View of the dome of the Vittorio Emanuele gallery by Giuseppe Mengoni 1864-1880 Milan, Italy
View of the dome of the Vittorio Emanuele gallery by Giuseppe Mengoni 1864-1880 Milan, Italy

MRZ5034787: View of the dome of the Vittorio Emanuele gallery by Giuseppe Mengoni 1864-1880 Milan, Italy / Bridgeman Images

Drawing of large soupiere with snake-shaped handcuffs made by Moreau and Garneray reproduction in vermeil. The beginning of the 19th century
Drawing of large soupiere with snake-shaped handcuffs made by Moreau and Garneray reproduction in vermeil. The beginning of the 19th century

MAJ5034789: Drawing of large soupiere with snake-shaped handcuffs made by Moreau and Garneray reproduction in vermeil. The beginning of the 19th century / Bridgeman Images

Internal view of the Vittorio-Emanuele gallery connecting Piazza Duomo to Scala Square in Milan, Italy Photography
Internal view of the Vittorio-Emanuele gallery connecting Piazza Duomo to Scala Square in Milan, Italy Photography

MRZ5034798: Internal view of the Vittorio-Emanuele gallery connecting Piazza Duomo to Scala Square in Milan, Italy Photography / Bridgeman Images

Internal view of the dome of the Vittorio-Emanuele gallery connecting Piazza Duomo to the Place de la Scala in Milan, Italy Photography
Internal view of the dome of the Vittorio-Emanuele gallery connecting Piazza Duomo to the Place de la Scala in Milan, Italy Photography

MRZ5034805: Internal view of the dome of the Vittorio-Emanuele gallery connecting Piazza Duomo to the Place de la Scala in Milan, Italy Photography / Bridgeman Images

Drawing by Cavelier after a project by Peter Paul Prud'hon (1758-1823), 1811, cradle of the king of Rome, Napoleon II, Duke of Reichstadt, son of Emperor Napoleon I (1769-1821). It was directed by Charles Nicolas Odiot (Charles-Nicolas Odiot (1789-1868) and Pierre-Philippe Thomire.
Drawing by Cavelier after a project by Peter Paul Prud'hon (1758-1823), 1811, cradle of the king of Rome, Napoleon II, Duke of Reichstadt, son of Emperor Napoleon I (1769-1821). It was directed by Charles Nicolas Odiot (Charles-Nicolas Odiot (1789-1868) and Pierre-Philippe Thomire.

MAJ5034819: Drawing by Cavelier after a project by Peter Paul Prud'hon (1758-1823), 1811, cradle of the king of Rome, Napoleon II, Duke of Reichstadt, son of Emperor Napoleon I (1769-1821). It was directed by Charles Nicolas Odiot (Charles-Nicolas Odiot (1789-1868) and Pierre-Philippe Thomire. / Bridgeman Images

Chinese porcelain: from left to right, a large celadon dish with bottom and bottom. China, Ming dynasty, 17th century. Light celadon dish with wavy edge. China, Ming dynasty, 15th century. Dark celadon plate with decorative edge and two fish on the bottom. China, Yuan Dynasty, about 1200
Chinese porcelain: from left to right, a large celadon dish with bottom and bottom. China, Ming dynasty, 17th century. Light celadon dish with wavy edge. China, Ming dynasty, 15th century. Dark celadon plate with decorative edge and two fish on the bottom. China, Yuan Dynasty, about 1200

MAJ5035531: Chinese porcelain: from left to right, a large celadon dish with bottom and bottom. China, Ming dynasty, 17th century. Light celadon dish with wavy edge. China, Ming dynasty, 15th century. Dark celadon plate with decorative edge and two fish on the bottom. China, Yuan Dynasty, about 1200 / Bridgeman Images

Epoque Napoleon III: Flower rug made in Aubusson workshops, beginning of the 19th century
Epoque Napoleon III: Flower rug made in Aubusson workshops, beginning of the 19th century

MAJ5035553: Epoque Napoleon III: Flower rug made in Aubusson workshops, beginning of the 19th century / Bridgeman Images

Napoleon III period: grape tray, chair, sheet and flower mat made in Aubusson workshops, beginning of the 19th century
Napoleon III period: grape tray, chair, sheet and flower mat made in Aubusson workshops, beginning of the 19th century

MAJ5035557: Napoleon III period: grape tray, chair, sheet and flower mat made in Aubusson workshops, beginning of the 19th century / Bridgeman Images

View of the city of Amalfi on the Amalfi coast south of Naples
View of the city of Amalfi on the Amalfi coast south of Naples

MAJ5035595: View of the city of Amalfi on the Amalfi coast south of Naples / Bridgeman Images

Naples and the Vesuve
Naples and the Vesuve

MAJ5035606: Naples and the Vesuve / Bridgeman Images

The Uguccioni Palace and the Church of Santa Maria del Fiore with the dome of Brunelleschi
The Uguccioni Palace and the Church of Santa Maria del Fiore with the dome of Brunelleschi

MAJ5035640: The Uguccioni Palace and the Church of Santa Maria del Fiore with the dome of Brunelleschi / Bridgeman Images

The white and black marble facade of the Church of Santa Maria Novella in Florence, ends with Leon Battista Alberti in 1470
The white and black marble facade of the Church of Santa Maria Novella in Florence, ends with Leon Battista Alberti in 1470

MAJ5035642: The white and black marble facade of the Church of Santa Maria Novella in Florence, ends with Leon Battista Alberti in 1470 / Bridgeman Images

The Charteuse of Pavia (Certosa di Pavia) founded in 1396
The Charteuse of Pavia (Certosa di Pavia) founded in 1396

MAJ5035668: The Charteuse of Pavia (Certosa di Pavia) founded in 1396 / Bridgeman Images

View of Bellagio on Lake Come (Como) in 1925
View of Bellagio on Lake Come (Como) in 1925

MAJ5035678: View of Bellagio on Lake Come (Como) in 1925 / Bridgeman Images

A gondola passes under the Rialto Bridge in Venice, one of the three old bridges that cross the Grand Canal. Venice Photography by Wilhelm Bode, 1925
A gondola passes under the Rialto Bridge in Venice, one of the three old bridges that cross the Grand Canal. Venice Photography by Wilhelm Bode, 1925

MAJ5035689: A gondola passes under the Rialto Bridge in Venice, one of the three old bridges that cross the Grand Canal. Venice Photography by Wilhelm Bode, 1925 / Bridgeman Images

Mario Dondero in England in 1969.
Mario Dondero in England in 1969.

MDO5035161: Mario Dondero in England in 1969. / Bridgeman Images

Portrait of the Italian realizer Sergio Leone (1929-1989) in 1965.
Portrait of the Italian realizer Sergio Leone (1929-1989) in 1965.

MDO5035170: Portrait of the Italian realizer Sergio Leone (1929-1989) in 1965. / Bridgeman Images

Portrait of the Guatemalan writer Miguel Angel Asturias (1899-1974) around 1960
Portrait of the Guatemalan writer Miguel Angel Asturias (1899-1974) around 1960

MDO5035190: Portrait of the Guatemalan writer Miguel Angel Asturias (1899-1974) around 1960 / Bridgeman Images

Interieur of the Paris Stock Exchange in 1965.
Interieur of the Paris Stock Exchange in 1965.

MDO5035224: Interieur of the Paris Stock Exchange in 1965. / Bridgeman Images

Interieur of the Paris Stock Exchange in 1965.
Interieur of the Paris Stock Exchange in 1965.

MDO5035226: Interieur of the Paris Stock Exchange in 1965. / Bridgeman Images

Portrait of Enzo Sicliano Italian writer 1934-2006.
Portrait of Enzo Sicliano Italian writer 1934-2006.

MDO5035268: Portrait of Enzo Sicliano Italian writer 1934-2006. / Bridgeman Images

Portrait of Enzo Sicliano Italian writer 1934-2006.
Portrait of Enzo Sicliano Italian writer 1934-2006.

MDO5035269: Portrait of Enzo Sicliano Italian writer 1934-2006. / Bridgeman Images

The glasses and the case of Antonio Gramsci (1891-1937) writer and Italian political theorist.
The glasses and the case of Antonio Gramsci (1891-1937) writer and Italian political theorist.

MDO5035286: The glasses and the case of Antonio Gramsci (1891-1937) writer and Italian political theorist. / Bridgeman Images

Portrait of Edouard Glissant (1928-2011) in 1958 Paris Photography
Portrait of Edouard Glissant (1928-2011) in 1958 Paris Photography

MDO5036240: Portrait of Edouard Glissant (1928-2011) in 1958 Paris Photography / Bridgeman Images

Portrait of Edouard Glissant (1928-2011) in 1958 Paris Photography
Portrait of Edouard Glissant (1928-2011) in 1958 Paris Photography

MDO5036243: Portrait of Edouard Glissant (1928-2011) in 1958 Paris Photography / Bridgeman Images

El Biar, pres d'Algiers apres la liberation 1963 Algeria (View of el-Biar, suburb of Algiers, Algeria 1963) Photography
El Biar, pres d'Algiers apres la liberation 1963 Algeria (View of el-Biar, suburb of Algiers, Algeria 1963) Photography

MDO5036161: El Biar, pres d'Algiers apres la liberation 1963 Algeria (View of el-Biar, suburb of Algiers, Algeria 1963) Photography / Bridgeman Images

Loire Atlantique N* 121 - Nantes - Musee Dobree - “” The Port of Nantes”” - detail - by Parrot William (1813-1869) in 1804
Loire Atlantique N* 121 - Nantes - Musee Dobree - “” The Port of Nantes”” - detail - by Parrot William (1813-1869) in 1804

GYS4992885: Loire Atlantique N* 121 - Nantes - Musee Dobree - “” The Port of Nantes”” - detail - by Parrot William (1813-1869) in 1804 / Bridgeman Images

Loire Atlantique N* 132 - Nantes - Musee Dobree - “” The Virgin and Child” - Painting of Flanders - 15th s.
Loire Atlantique N* 132 - Nantes - Musee Dobree - “” The Virgin and Child” - Painting of Flanders - 15th s.

GYS4992917: Loire Atlantique N* 132 - Nantes - Musee Dobree - “” The Virgin and Child” - Painting of Flanders - 15th s. / Bridgeman Images


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