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Goat skin fan model decorates a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: view of the Chateau Saint Angelo (Castel Sant'Angelo) a Rome. 1780-1790
Goat skin fan model decorates a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: view of the Chateau Saint Angelo (Castel Sant'Angelo) a Rome. 1780-1790

MAJ5033420: Goat skin fan model decorates a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: view of the Chateau Saint Angelo (Castel Sant'Angelo) a Rome. 1780-1790 / Bridgeman Images

Still life of photographic albums with family portraits from the beginning of the 20th century.
Still life of photographic albums with family portraits from the beginning of the 20th century.

MAJ5033442: Still life of photographic albums with family portraits from the beginning of the 20th century. / Bridgeman Images

Fence model in gold-bound paper decorates a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: view of St. Peter's Square (San Pietro), the Vatican at Rome. 1780-1790
Fence model in gold-bound paper decorates a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: view of St. Peter's Square (San Pietro), the Vatican at Rome. 1780-1790

MAJ5033465: Fence model in gold-bound paper decorates a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: view of St. Peter's Square (San Pietro), the Vatican at Rome. 1780-1790 / Bridgeman Images

Game of the board: “” The race of all dangers”” 1806
Game of the board: “” The race of all dangers”” 1806

MAJ5033127: Game of the board: “” The race of all dangers”” 1806 / Bridgeman Images

Janas and Kossuch Earthenware Dishes, 1850-1900
Janas and Kossuch Earthenware Dishes, 1850-1900

MAJ5033178: Janas and Kossuch Earthenware Dishes, 1850-1900 / Bridgeman Images

Onnaing Earthenware Pots, 1850-1900
Onnaing Earthenware Pots, 1850-1900

MAJ5033192: Onnaing Earthenware Pots, 1850-1900 / Bridgeman Images

View of the palace of the Arengario, Piazza Duomo, built between 1936 and 1956 Milan, Italy 5museo del Novecento 900) Photography
View of the palace of the Arengario, Piazza Duomo, built between 1936 and 1956 Milan, Italy 5museo del Novecento 900) Photography

MRZ5033225: View of the palace of the Arengario, Piazza Duomo, built between 1936 and 1956 Milan, Italy 5museo del Novecento 900) Photography / Bridgeman Images

Mimi di Niscemi Necklace in Silver Metal, Crystals and Plastic, USA, 1960
Mimi di Niscemi Necklace in Silver Metal, Crystals and Plastic, USA, 1960

MAJ5033255: Mimi di Niscemi Necklace in Silver Metal, Crystals and Plastic, USA, 1960 / Bridgeman Images

Welson electric guitar still life.
Welson electric guitar still life.

MAJ5033263: Welson electric guitar still life. / Bridgeman Images

Still Life of Electric Guitar
Still Life of Electric Guitar

MAJ5033274: Still Life of Electric Guitar / Bridgeman Images

Rickenbacker electric guitar still life with twelve strings. 1970's
Rickenbacker electric guitar still life with twelve strings. 1970's

MAJ5033278: Rickenbacker electric guitar still life with twelve strings. 1970's / Bridgeman Images

Still life of electric guitars.
Still life of electric guitars.

MAJ5033285: Still life of electric guitars. / Bridgeman Images

Still life electric guitar: Fender Telecaster, 1973 Broadcaster model (right) 1955 (centre) and Manterlcaster Thinline on left.
Still life electric guitar: Fender Telecaster, 1973 Broadcaster model (right) 1955 (centre) and Manterlcaster Thinline on left.

MAJ5033292: Still life electric guitar: Fender Telecaster, 1973 Broadcaster model (right) 1955 (centre) and Manterlcaster Thinline on left. / Bridgeman Images

Still life electric guitar Gretsch, Chet Atkins model.
Still life electric guitar Gretsch, Chet Atkins model.

MAJ5033296: Still life electric guitar Gretsch, Chet Atkins model. / Bridgeman Images

Still life of brad boxes: the large ones are recipients of “Estratto Olandese Elefante” and “Luigi Rossa”, a caramel substance used to prepare coffee, 1920-1930, the others contained Chicoree, 1906. Grocery order sheets.
Still life of brad boxes: the large ones are recipients of “Estratto Olandese Elefante” and “Luigi Rossa”, a caramel substance used to prepare coffee, 1920-1930, the others contained Chicoree, 1906. Grocery order sheets.

MAJ5033323: Still life of brad boxes: the large ones are recipients of “Estratto Olandese Elefante” and “Luigi Rossa”, a caramel substance used to prepare coffee, 1920-1930, the others contained Chicoree, 1906. Grocery order sheets. / Bridgeman Images

Still Life of Brad Boxes: Recipients of “Estratto Olandese Elefante” and “Luigi Rossa”, caramel substance used to prepare coffee, 1927. Small advertising book of 1926 Coffee cup.
Still Life of Brad Boxes: Recipients of “Estratto Olandese Elefante” and “Luigi Rossa”, caramel substance used to prepare coffee, 1927. Small advertising book of 1926 Coffee cup.

MAJ5033350: Still Life of Brad Boxes: Recipients of “Estratto Olandese Elefante” and “Luigi Rossa”, caramel substance used to prepare coffee, 1927. Small advertising book of 1926 Coffee cup. / Bridgeman Images

Paper fan model with a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: a view of a temple in Paestum, a castle fortified on the sea and a lighthouse. 1780-1790
Paper fan model with a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: a view of a temple in Paestum, a castle fortified on the sea and a lighthouse. 1780-1790

MAJ5033356: Paper fan model with a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: a view of a temple in Paestum, a castle fortified on the sea and a lighthouse. 1780-1790 / Bridgeman Images

Paper fan model with a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: view of the square and the Basilica of St. Peter (San Pietro) in Rome. 1780-1790
Paper fan model with a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: view of the square and the Basilica of St. Peter (San Pietro) in Rome. 1780-1790

MAJ5033363: Paper fan model with a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: view of the square and the Basilica of St. Peter (San Pietro) in Rome. 1780-1790 / Bridgeman Images

Paper fan model with a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: view of Naples from the sea. 1790
Paper fan model with a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: view of Naples from the sea. 1790

MAJ5033374: Paper fan model with a gouache painting representing the destinations of the Grand Tour, usually a practical journey by artists and intellectuals of the 18th and 19th century in the Mediterranean countries during their youth for their education and enrichment: view of Naples from the sea. 1790 / Bridgeman Images

Portrait of the Italian writer Enrico Morovich (1907 - 1994). 1980 years
Portrait of the Italian writer Enrico Morovich (1907 - 1994). 1980 years

MDO5032662: Portrait of the Italian writer Enrico Morovich (1907 - 1994). 1980 years / Bridgeman Images

View of Havana Harbour in Cuba at dusk. 1998
View of Havana Harbour in Cuba at dusk. 1998

MDO5032736: View of Havana Harbour in Cuba at dusk. 1998 / Bridgeman Images

View of a cargo ship moored in the port of Havana, Cuba. 1998
View of a cargo ship moored in the port of Havana, Cuba. 1998

MDO5032742: View of a cargo ship moored in the port of Havana, Cuba. 1998 / Bridgeman Images

Portrait of writer and journalist Giancarlo Fusco (left) with Mr. Gaja (centre) and poet Gaio Fratini at Rosati in Rome. 1961.
Portrait of writer and journalist Giancarlo Fusco (left) with Mr. Gaja (centre) and poet Gaio Fratini at Rosati in Rome. 1961.

MDO5031663: Portrait of writer and journalist Giancarlo Fusco (left) with Mr. Gaja (centre) and poet Gaio Fratini at Rosati in Rome. 1961. / Bridgeman Images

The painter Sergio Lombardo in his studio in Rome. 1961.
The painter Sergio Lombardo in his studio in Rome. 1961.

MDO5031675: The painter Sergio Lombardo in his studio in Rome. 1961. / Bridgeman Images

Tripoli. Libya. 1970.
Tripoli. Libya. 1970.

MDO5031712: Tripoli. Libya. 1970. / Bridgeman Images

Portrait of Pier Paolo Pasolini at the time of shooting the film “” The rabbia”” (La rage) in 1963. (Photographs can only be published in contact sheet format).
Portrait of Pier Paolo Pasolini at the time of shooting the film “” The rabbia”” (La rage) in 1963. (Photographs can only be published in contact sheet format).

MDO5031723: Portrait of Pier Paolo Pasolini at the time of shooting the film “” The rabbia”” (La rage) in 1963. (Photographs can only be published in contact sheet format). / Bridgeman Images

La Ruche in Paris (15th arrondissement). Polygonal building in the shape of a hive that housed the workshops of artists such as Léger, Zadkine, Soutine and Chagall at the beginning of the century.
La Ruche in Paris (15th arrondissement). Polygonal building in the shape of a hive that housed the workshops of artists such as Léger, Zadkine, Soutine and Chagall at the beginning of the century.

MDO5031744: La Ruche in Paris (15th arrondissement). Polygonal building in the shape of a hive that housed the workshops of artists such as Léger, Zadkine, Soutine and Chagall at the beginning of the century. / Bridgeman Images

Assembly in a room at the Sorbonne. May 1968.
Assembly in a room at the Sorbonne. May 1968.

MDO5031783: Assembly in a room at the Sorbonne. May 1968. / Bridgeman Images

The Southern Pole and the surrounding constellations: Among the many constellations of the Southern Pole are the Indian, the Phenix, the Bream, the Octant, the Clock, the Compas and the Ship. Engraving from Camille Flammarion's “Les étoiles et les autres curiosites du ciel”, 1882.
The Southern Pole and the surrounding constellations: Among the many constellations of the Southern Pole are the Indian, the Phenix, the Bream, the Octant, the Clock, the Compas and the Ship. Engraving from Camille Flammarion's “Les étoiles et les autres curiosites du ciel”, 1882.

MAJ5031830: The Southern Pole and the surrounding constellations: Among the many constellations of the Southern Pole are the Indian, the Phenix, the Bream, the Octant, the Clock, the Compas and the Ship. Engraving from Camille Flammarion's “Les étoiles et les autres curiosites du ciel”, 1882. / Bridgeman Images

High relief depicting Daniel in the lion pit by Francesco Carabelli. 1795. Cathedral (dome or duomo) of Milan Italy
High relief depicting Daniel in the lion pit by Francesco Carabelli. 1795. Cathedral (dome or duomo) of Milan Italy

MRZ5032189: High relief depicting Daniel in the lion pit by Francesco Carabelli. 1795. Cathedral (dome or duomo) of Milan Italy / Bridgeman Images

Perspective studies. Per mostrare a che distanza sono gli edifici posti sopra una linea, il pittore fiorentino suggeriva di dipingerli di un'intensita d'azzurro, come l'aria, sempre maggiore in proporzione alla loro lontananza. Engraving from “” Treat de la peinture”” by Leonard de Vinci (1452-1519). “Trattato della pittura di Lionardo da Vinci”, Milano, Societa tipografica, 1804.
Perspective studies. Per mostrare a che distanza sono gli edifici posti sopra una linea, il pittore fiorentino suggeriva di dipingerli di un'intensita d'azzurro, come l'aria, sempre maggiore in proporzione alla loro lontananza. Engraving from “” Treat de la peinture”” by Leonard de Vinci (1452-1519). “Trattato della pittura di Lionardo da Vinci”, Milano, Societa tipografica, 1804.

MAJ5032223: Perspective studies. Per mostrare a che distanza sono gli edifici posti sopra una linea, il pittore fiorentino suggeriva di dipingerli di un'intensita d'azzurro, come l'aria, sempre maggiore in proporzione alla loro lontananza. Engraving from “” Treat de la peinture”” by Leonard de Vinci (1452-1519). “Trattato della pittura di Lionardo da Vinci”, Milano, Societa tipografica, 1804. / Bridgeman Images

Il pittore fiorentino utilizza l'immagine di Ercole (heracles) che stringe in un mortale abbraccio Anteo, che sollevato da terra non e piu invincibile, per studiare la figura umana mentre sostiene un peso. Engraving from “” Treat of Painting”” by Leonardo da Vinci (Leonard de Vinci) (1452-1519). “” Trattato della pittura di Lionardo da Vinci,””” Milano, Societa tipografica, 1804.
Il pittore fiorentino utilizza l'immagine di Ercole (heracles) che stringe in un mortale abbraccio Anteo, che sollevato da terra non e piu invincibile, per studiare la figura umana mentre sostiene un peso. Engraving from “” Treat of Painting”” by Leonardo da Vinci (Leonard de Vinci) (1452-1519). “” Trattato della pittura di Lionardo da Vinci,””” Milano, Societa tipografica, 1804.

MAJ5032244: Il pittore fiorentino utilizza l'immagine di Ercole (heracles) che stringe in un mortale abbraccio Anteo, che sollevato da terra non e piu invincibile, per studiare la figura umana mentre sostiene un peso. Engraving from “” Treat of Painting”” by Leonardo da Vinci (Leonard de Vinci) (1452-1519). “” Trattato della pittura di Lionardo da Vinci,””” Milano, Societa tipografica, 1804. / Bridgeman Images

Silver candlestick of the travel toilet service consists of 24 pieces manufactured by Charles Nicolas Odiot (Charles-Nicolas Odiot (1789-1868), between 1834-1840.
Silver candlestick of the travel toilet service consists of 24 pieces manufactured by Charles Nicolas Odiot (Charles-Nicolas Odiot (1789-1868), between 1834-1840.

MAJ5034494: Silver candlestick of the travel toilet service consists of 24 pieces manufactured by Charles Nicolas Odiot (Charles-Nicolas Odiot (1789-1868), between 1834-1840. / Bridgeman Images

Desk lamps. Left: English lamp (1930-1940) in crome metal and lacquer. On the right: German lamp (1920-1930) in copper and metal crome. Bauhaus.
Desk lamps. Left: English lamp (1930-1940) in crome metal and lacquer. On the right: German lamp (1920-1930) in copper and metal crome. Bauhaus.

MAJ5034497: Desk lamps. Left: English lamp (1930-1940) in crome metal and lacquer. On the right: German lamp (1920-1930) in copper and metal crome. Bauhaus. / Bridgeman Images

Office lamps, 20th century.
Office lamps, 20th century.

MAJ5034500: Office lamps, 20th century. / Bridgeman Images

Silver candlestick of the travel toilet service consists of 24 pieces manufactured by Charles Nicolas Odiot (Charles-Nicolas Odiot (1789-1868), between 1834-1840.
Silver candlestick of the travel toilet service consists of 24 pieces manufactured by Charles Nicolas Odiot (Charles-Nicolas Odiot (1789-1868), between 1834-1840.

MAJ5034505: Silver candlestick of the travel toilet service consists of 24 pieces manufactured by Charles Nicolas Odiot (Charles-Nicolas Odiot (1789-1868), between 1834-1840. / Bridgeman Images


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