Grandville (Jean Ignace Isidore Gerard) (1803-47) Assets (547 in total)

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Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262332: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for '100 Proverbes', 1845 (engraving)
Illustration for '100 Proverbes', 1845 (engraving)

PCT4286197: Illustration for '100 Proverbes', 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4293731: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

A scene dreamed of by cartoonist Grandville during a nightmare that just preceded his death. Georges Bataille wrote about this engraving: the criminal dreams that he has just hit a man in a dark wood.. Human blood was spread and, following an expression that presents a fierce image in mind, it sweated an oak. In fact, he is not a man but a tree trunk... bloody................. under the deadly weapon. The victim's hands are raised begging but in vain. Blood is still running. It is then that the enormous eye opens in a dark sky chasing the criminal through space, to the bottom of the seas where he devours him after taking the shape of a fish. March 1847
A scene dreamed of by cartoonist Grandville during a nightmare that just preceded his death. Georges Bataille wrote about this engraving: the criminal dreams that he has just hit a man in a dark wood.. Human blood was spread and, following an expression that presents a fierce image in mind, it sweated an oak. In fact, he is not a man but a tree trunk... bloody................. under the deadly weapon. The victim's hands are raised begging but in vain. Blood is still running. It is then that the enormous eye opens in a dark sky chasing the criminal through space, to the bottom of the seas where he devours him after taking the shape of a fish. March 1847

PCT4258700: A scene dreamed of by cartoonist Grandville during a nightmare that just preceded his death. Georges Bataille wrote about this engraving: the criminal dreams that he has just hit a man in a dark wood.. Human blood was spread and, following an expression that presents a fierce image in mind, it sweated an oak. In fact, he is not a man but a tree trunk... bloody................. under the deadly weapon. The victim's hands are raised begging but in vain. Blood is still running. It is then that the enormous eye opens in a dark sky chasing the criminal through space, to the bottom of the seas where he devours him after taking the shape of a fish. March 1847, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Cartoon: La Chambre des Deputes vue comme un Palais des Monpes - Engraving by Grandville, extracted from the book “” Private and public life of animals (Les animaux painted pa them memes)”, Hetzel edition 1867 p. 566 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “”... a multitude of business characters, tumultuous, noisy, who differed, at first glance, from the rest of Men only by a more characteristic ugliness... which I easily attributed to the habit of serious meditations and serious affairs. [...] They would jump, call their opponents with shouts and threatening gestures, or show them their teeth with scary faces... It was impossible for me to grasp a word in this immense hustle and I withdrew from tired war, horribly deafened by vociferations, squeaks, whistles, hoees, without being able to establish the appearance of a conjecture about the object and the results of the deliberations.”
Cartoon: La Chambre des Deputes vue comme un Palais des Monpes - Engraving by Grandville, extracted from the book “” Private and public life of animals (Les animaux painted pa them memes)”, Hetzel edition 1867 p. 566 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “”... a multitude of business characters, tumultuous, noisy, who differed, at first glance, from the rest of Men only by a more characteristic ugliness... which I easily attributed to the habit of serious meditations and serious affairs. [...] They would jump, call their opponents with shouts and threatening gestures, or show them their teeth with scary faces... It was impossible for me to grasp a word in this immense hustle and I withdrew from tired war, horribly deafened by vociferations, squeaks, whistles, hoees, without being able to establish the appearance of a conjecture about the object and the results of the deliberations.”

PCT4260935: Cartoon: La Chambre des Deputes vue comme un Palais des Monpes - Engraving by Grandville, extracted from the book “” Private and public life of animals (Les animaux painted pa them memes)”, Hetzel edition 1867 p. 566 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “”... a multitude of business characters, tumultuous, noisy, who differed, at first glance, from the rest of Men only by a more characteristic ugliness... which I easily attributed to the habit of serious meditations and serious affairs. [...] They would jump, call their opponents with shouts and threatening gestures, or show them their teeth with scary faces... It was impossible for me to grasp a word in this immense hustle and I withdrew from tired war, horribly deafened by vociferations, squeaks, whistles, hoees, without being able to establish the appearance of a conjecture about the object and the results of the deliberations.”, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Allegory of a young woman surrounded by 4 sighers, who compares herself to a planet around which four satellites gravitate, one of which will become her sun. Grandville engraving illustrating a chapter in Mery's book: “The Stars”, 1849.
Allegory of a young woman surrounded by 4 sighers, who compares herself to a planet around which four satellites gravitate, one of which will become her sun. Grandville engraving illustrating a chapter in Mery's book: “The Stars”, 1849.

PCT4261554: Allegory of a young woman surrounded by 4 sighers, who compares herself to a planet around which four satellites gravitate, one of which will become her sun. Grandville engraving illustrating a chapter in Mery's book: “The Stars”, 1849., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

The hare and the turtle: La Fontaine fable illustrated by Grandville.
The hare and the turtle: La Fontaine fable illustrated by Grandville.

PCT4269299: The hare and the turtle: La Fontaine fable illustrated by Grandville., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

The Frog and the Ox, illustration for 'Fables' of La Fontaine (1621-95), published by H. Fournier Aine, 1838 (engraving) (b/w photo)
The Frog and the Ox, illustration for 'Fables' of La Fontaine (1621-95), published by H. Fournier Aine, 1838 (engraving) (b/w photo)

CHT164341: The Frog and the Ox, illustration for 'Fables' of La Fontaine (1621-95), published by H. Fournier Aine, 1838 (engraving) (b/w photo), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

A Couple of Dogs, from 'Les Metamorphoses du Jour' series (engraving) (b/w photo)
A Couple of Dogs, from 'Les Metamorphoses du Jour' series (engraving) (b/w photo)

XIR155401: A Couple of Dogs, from 'Les Metamorphoses du Jour' series (engraving) (b/w photo), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

French Society, c.1830-40 (colour litho)
French Society, c.1830-40 (colour litho)

CHT344094: French Society, c.1830-40 (colour litho), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

The Wolf and the Lamb, illustration for 'Fables' of La Fontaine, published by H. Fournier Aine, 1838 (engraving)
The Wolf and the Lamb, illustration for 'Fables' of La Fontaine, published by H. Fournier Aine, 1838 (engraving)

CHT498847: The Wolf and the Lamb, illustration for 'Fables' of La Fontaine, published by H. Fournier Aine, 1838 (engraving) , Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

The Wolf and the Hunter, illustration for 'Fables' of La Fontaine, published by H. Fournier Aine, 1838 (engraving)
The Wolf and the Hunter, illustration for 'Fables' of La Fontaine, published by H. Fournier Aine, 1838 (engraving)

CHT498849: The Wolf and the Hunter, illustration for 'Fables' of La Fontaine, published by H. Fournier Aine, 1838 (engraving) , Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

The Monkey and the Cat, illustration for 'Fables' of La Fontaine (1621-95), published by H. Fournier Aine, 1838 (engraving)
The Monkey and the Cat, illustration for 'Fables' of La Fontaine (1621-95), published by H. Fournier Aine, 1838 (engraving)

CHT498815: The Monkey and the Cat, illustration for 'Fables' of La Fontaine (1621-95), published by H. Fournier Aine, 1838 (engraving) , Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Personification of the medicinal plant Marshmallow treating a frog - in “” Animated flowers”” by Grandville, 19th century
Personification of the medicinal plant Marshmallow treating a frog - in “” Animated flowers”” by Grandville, 19th century

LSE4093007: Personification of the medicinal plant Marshmallow treating a frog - in “” Animated flowers”” by Grandville, 19th century, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Allegory of “” Tea and Coffee”” by Grandville, sd. 19th century
Allegory of “” Tea and Coffee”” by Grandville, sd. 19th century

LSE4086194: Allegory of “” Tea and Coffee”” by Grandville, sd. 19th century, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Ladies Studying Astronomy - by Grandville, 19th century (id. 01078)
Ladies Studying Astronomy - by Grandville, 19th century (id. 01078)

LSE4079911: Ladies Studying Astronomy - by Grandville, 19th century (id. 01078), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Ladies Studying Astronomy - by Grandville, 19th century (id. 02123)
Ladies Studying Astronomy - by Grandville, 19th century (id. 02123)

LSE4078092: Ladies Studying Astronomy - by Grandville, 19th century (id. 02123), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

In “” Jérôme Paturot in search of a social position”” by Louis Reybaud, 1843. Illustration of Granville.
In “” Jérôme Paturot in search of a social position”” by Louis Reybaud, 1843. Illustration of Granville.

LSE4112115: In “” Jérôme Paturot in search of a social position”” by Louis Reybaud, 1843. Illustration of Granville., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

The character of Jérôme Paturot takes himself as Demosthenes, an Athenian speaker and politician whose speeches are placed at the top of Greek eloquence. Cartoon In “” Jérôme Paturot in search of a social position”” by Louis Reybaud, 1843.
The character of Jérôme Paturot takes himself as Demosthenes, an Athenian speaker and politician whose speeches are placed at the top of Greek eloquence. Cartoon In “” Jérôme Paturot in search of a social position”” by Louis Reybaud, 1843.

LSE4112122: The character of Jérôme Paturot takes himself as Demosthenes, an Athenian speaker and politician whose speeches are placed at the top of Greek eloquence. Cartoon In “” Jérôme Paturot in search of a social position”” by Louis Reybaud, 1843., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Jérôme Paturot concerned, renounces his dreams. Cartoon In “” Jérôme Paturot in search of a social position”” by Louis Reybaud, 1843 (engraving)
Jérôme Paturot concerned, renounces his dreams. Cartoon In “” Jérôme Paturot in search of a social position”” by Louis Reybaud, 1843 (engraving)

LSE4112128: Jérôme Paturot concerned, renounces his dreams. Cartoon In “” Jérôme Paturot in search of a social position”” by Louis Reybaud, 1843 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

George Sand (Aurore Dupin, Baronne Dudevant) (1804-1876) surrounded by 4 writers: Eugene Sue, Honore de Balzac, Franz Litz and Victor Hugo - in “In search of a social position “” by Jerome Paturot
George Sand (Aurore Dupin, Baronne Dudevant) (1804-1876) surrounded by 4 writers: Eugene Sue, Honore de Balzac, Franz Litz and Victor Hugo - in “In search of a social position “” by Jerome Paturot

LSE4109098: George Sand (Aurore Dupin, Baronne Dudevant) (1804-1876) surrounded by 4 writers: Eugene Sue, Honore de Balzac, Franz Litz and Victor Hugo - in “In search of a social position “” by Jerome Paturot, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

The range of Iris - in “” Another World”” by Grandville, 1844
The range of Iris - in “” Another World”” by Grandville, 1844

LSE4107131: The range of Iris - in “” Another World”” by Grandville, 1844, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Trapped mouse surrounded by her torn family - by Grandville, 1868
Trapped mouse surrounded by her torn family - by Grandville, 1868

LSE4097575: Trapped mouse surrounded by her torn family - by Grandville, 1868, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

French romantic writers (Alfred de Vigny, Victor Hugo, Alexandre Dumas the Father, Honore de Balzac ) wanting to enter French Academy but doors are closed, engraving
French romantic writers (Alfred de Vigny, Victor Hugo, Alexandre Dumas the Father, Honore de Balzac ) wanting to enter French Academy but doors are closed, engraving

XRH1721516: French romantic writers (Alfred de Vigny, Victor Hugo, Alexandre Dumas the Father, Honore de Balzac ) wanting to enter French Academy but doors are closed, engraving, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Bad weeds always grow, from 100 Proverbs, 1845 (engraving)
Bad weeds always grow, from 100 Proverbs, 1845 (engraving)

XRH1733437: Bad weeds always grow, from 100 Proverbs, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

fools invent the fashions, and the wise them follow, from 100 Proverbs, 1845 (engraving)
fools invent the fashions, and the wise them follow, from 100 Proverbs, 1845 (engraving)

XRH1733438: fools invent the fashions, and the wise them follow, from 100 Proverbs, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

in the land of the blind, the one-eyed man is king, from 100 Proverbs, 1845 (engraving)
in the land of the blind, the one-eyed man is king, from 100 Proverbs, 1845 (engraving)

XRH1733449: in the land of the blind, the one-eyed man is king, from 100 Proverbs, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Spare the rod and spoil the child, from 100 Proverbs, 1845 (engraving)
Spare the rod and spoil the child, from 100 Proverbs, 1845 (engraving)

XRH1733456: Spare the rod and spoil the child, from 100 Proverbs, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

The English Fox, illustration from 'La Fontaine's Fable' by Jean de La Fontaine, c. 1838-40 (engraving)
The English Fox, illustration from 'La Fontaine's Fable' by Jean de La Fontaine, c. 1838-40 (engraving)

XRH1738638: The English Fox, illustration from 'La Fontaine's Fable' by Jean de La Fontaine, c. 1838-40 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

La Fontaine's fable (by Jean de La Fontaine) : Philomela and Progne, engraving by J.J. Grandville, c. 1838-40
La Fontaine's fable (by Jean de La Fontaine) : Philomela and Progne, engraving by J.J. Grandville, c. 1838-40

XRH1738643: La Fontaine's fable (by Jean de La Fontaine) : Philomela and Progne, engraving by J.J. Grandville, c. 1838-40, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Les Metamorphoses du Jour, No. 19 (hand-coloured litho)
Les Metamorphoses du Jour, No. 19 (hand-coloured litho)

HST2908366: Les Metamorphoses du Jour, No. 19 (hand-coloured litho), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Les Metamorphoses du Jour, No. 27 (hand-coloured litho)
Les Metamorphoses du Jour, No. 27 (hand-coloured litho)

HST2908369: Les Metamorphoses du Jour, No. 27 (hand-coloured litho), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

'Ronde -Tarentelle':  round
'Ronde -Tarentelle':  round

XLE3768824: 'Ronde -Tarentelle': round, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

'Barcarolle': score humourously illustrated
'Barcarolle': score humourously illustrated

XLE3768828: 'Barcarolle': score humourously illustrated, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

'Galop de masques' showing
'Galop de masques' showing

XLE3768820: 'Galop de masques' showing, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

'Marche militaire et orientale'
'Marche militaire et orientale'

XLE3768822: 'Marche militaire et orientale', Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images


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