Grandville (Jean Ignace Isidore Gerard) (1803-47) Assets (547 in total)

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100 proverbs, France : a rich man is never ugly for a girl, 1845
100 proverbs, France : a rich man is never ugly for a girl, 1845

XRH1733489: 100 proverbs, France : a rich man is never ugly for a girl, 1845, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Great race to the academical bell tower. The writers Alfred de Vigny (1797-1863), Eugene Sue (1804-1857), 19th century (engraving)
Great race to the academical bell tower. The writers Alfred de Vigny (1797-1863), Eugene Sue (1804-1857), 19th century (engraving)

JLJ4691101: Great race to the academical bell tower. The writers Alfred de Vigny (1797-1863), Eugene Sue (1804-1857), 19th century (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

The New Musical Language, caricature from 'Les Metamorphoses du Jour' series, reprinted in 1854 (coloured engraving)
The New Musical Language, caricature from 'Les Metamorphoses du Jour' series, reprinted in 1854 (coloured engraving)

CHT177894: The New Musical Language, caricature from 'Les Metamorphoses du Jour' series, reprinted in 1854 (coloured engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

The Power of Fables (Le pouvoir des fables) - Fables by La Fontaine, 19th century (engraving)
The Power of Fables (Le pouvoir des fables) - Fables by La Fontaine, 19th century (engraving)

DUV4214707: The Power of Fables (Le pouvoir des fables) - Fables by La Fontaine, 19th century (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

The shepard and his herd (Le berger et son troupeau) - Fables by La Fontaine, 19th century (engraving)
The shepard and his herd (Le berger et son troupeau) - Fables by La Fontaine, 19th century (engraving)

DUV4215017: The shepard and his herd (Le berger et son troupeau) - Fables by La Fontaine, 19th century (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

The mouse is metamorphosed as a girl - Fables by La Fontaine, 19th century (engraving)
The mouse is metamorphosed as a girl - Fables by La Fontaine, 19th century (engraving)

DUV4215077: The mouse is metamorphosed as a girl - Fables by La Fontaine, 19th century (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

The monkey and the leopard (Le singe et le leopard) - Fables by La Fontaine, 19th century (engraving)
The monkey and the leopard (Le singe et le leopard) - Fables by La Fontaine, 19th century (engraving)

DUV4215087: The monkey and the leopard (Le singe et le leopard) - Fables by La Fontaine, 19th century (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261310: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

The shareholders, engraving after drawing by Jean Ignace Isidore aka JJ Grandville, 1846, France
The shareholders, engraving after drawing by Jean Ignace Isidore aka JJ Grandville, 1846, France

XRH1729162: The shareholders, engraving after drawing by Jean Ignace Isidore aka JJ Grandville, 1846, France, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Bad weeds always grow, from 100 Proverbs, 1845 (engraving)
Bad weeds always grow, from 100 Proverbs, 1845 (engraving)

XRH1733437: Bad weeds always grow, from 100 Proverbs, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

fools invent the fashions, and the wise them follow, from 100 Proverbs, 1845 (engraving)
fools invent the fashions, and the wise them follow, from 100 Proverbs, 1845 (engraving)

XRH1733438: fools invent the fashions, and the wise them follow, from 100 Proverbs, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

in the land of the blind, the one-eyed man is king, from 100 Proverbs, 1845 (engraving)
in the land of the blind, the one-eyed man is king, from 100 Proverbs, 1845 (engraving)

XRH1733449: in the land of the blind, the one-eyed man is king, from 100 Proverbs, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Spare the rod and spoil the child, from 100 Proverbs, 1845 (engraving)
Spare the rod and spoil the child, from 100 Proverbs, 1845 (engraving)

XRH1733456: Spare the rod and spoil the child, from 100 Proverbs, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

The range of Iris - in “” Another World”” by Grandville, 1844
The range of Iris - in “” Another World”” by Grandville, 1844

LSE4107131: The range of Iris - in “” Another World”” by Grandville, 1844, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4293731: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

A scene dreamed of by cartoonist Grandville during a nightmare that just preceded his death. Georges Bataille wrote about this engraving: the criminal dreams that he has just hit a man in a dark wood.. Human blood was spread and, following an expression that presents a fierce image in mind, it sweated an oak. In fact, he is not a man but a tree trunk... bloody................. under the deadly weapon. The victim's hands are raised begging but in vain. Blood is still running. It is then that the enormous eye opens in a dark sky chasing the criminal through space, to the bottom of the seas where he devours him after taking the shape of a fish. March 1847
A scene dreamed of by cartoonist Grandville during a nightmare that just preceded his death. Georges Bataille wrote about this engraving: the criminal dreams that he has just hit a man in a dark wood.. Human blood was spread and, following an expression that presents a fierce image in mind, it sweated an oak. In fact, he is not a man but a tree trunk... bloody................. under the deadly weapon. The victim's hands are raised begging but in vain. Blood is still running. It is then that the enormous eye opens in a dark sky chasing the criminal through space, to the bottom of the seas where he devours him after taking the shape of a fish. March 1847

PCT4258700: A scene dreamed of by cartoonist Grandville during a nightmare that just preceded his death. Georges Bataille wrote about this engraving: the criminal dreams that he has just hit a man in a dark wood.. Human blood was spread and, following an expression that presents a fierce image in mind, it sweated an oak. In fact, he is not a man but a tree trunk... bloody................. under the deadly weapon. The victim's hands are raised begging but in vain. Blood is still running. It is then that the enormous eye opens in a dark sky chasing the criminal through space, to the bottom of the seas where he devours him after taking the shape of a fish. March 1847, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Cartoon: La Chambre des Deputes vue comme un Palais des Monpes - Engraving by Grandville, extracted from the book “” Private and public life of animals (Les animaux painted pa them memes)”, Hetzel edition 1867 p. 566 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “”... a multitude of business characters, tumultuous, noisy, who differed, at first glance, from the rest of Men only by a more characteristic ugliness... which I easily attributed to the habit of serious meditations and serious affairs. [...] They would jump, call their opponents with shouts and threatening gestures, or show them their teeth with scary faces... It was impossible for me to grasp a word in this immense hustle and I withdrew from tired war, horribly deafened by vociferations, squeaks, whistles, hoees, without being able to establish the appearance of a conjecture about the object and the results of the deliberations.”
Cartoon: La Chambre des Deputes vue comme un Palais des Monpes - Engraving by Grandville, extracted from the book “” Private and public life of animals (Les animaux painted pa them memes)”, Hetzel edition 1867 p. 566 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “”... a multitude of business characters, tumultuous, noisy, who differed, at first glance, from the rest of Men only by a more characteristic ugliness... which I easily attributed to the habit of serious meditations and serious affairs. [...] They would jump, call their opponents with shouts and threatening gestures, or show them their teeth with scary faces... It was impossible for me to grasp a word in this immense hustle and I withdrew from tired war, horribly deafened by vociferations, squeaks, whistles, hoees, without being able to establish the appearance of a conjecture about the object and the results of the deliberations.”

PCT4260935: Cartoon: La Chambre des Deputes vue comme un Palais des Monpes - Engraving by Grandville, extracted from the book “” Private and public life of animals (Les animaux painted pa them memes)”, Hetzel edition 1867 p. 566 - Chapter entitled “Tablets of the Giraffe”, written by Charles Nodier. Extract from the text: “”... a multitude of business characters, tumultuous, noisy, who differed, at first glance, from the rest of Men only by a more characteristic ugliness... which I easily attributed to the habit of serious meditations and serious affairs. [...] They would jump, call their opponents with shouts and threatening gestures, or show them their teeth with scary faces... It was impossible for me to grasp a word in this immense hustle and I withdrew from tired war, horribly deafened by vociferations, squeaks, whistles, hoees, without being able to establish the appearance of a conjecture about the object and the results of the deliberations.”, Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)
Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving)

PCT4261338: Illustration for Gulliver's Travels' written by Jonathan Swift, 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for 'Les Fleurs Animees', 1857 (engraving)
Illustration for 'Les Fleurs Animees', 1857 (engraving)

PCT4261399: Illustration for 'Les Fleurs Animees', 1857 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for 'Les Fleurs Animees', 1857 (engraving)
Illustration for 'Les Fleurs Animees', 1857 (engraving)

PCT4261403: Illustration for 'Les Fleurs Animees', 1857 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for 'Les Fleurs Animees', 1857 (engraving)
Illustration for 'Les Fleurs Animees', 1857 (engraving)

PCT4261430: Illustration for 'Les Fleurs Animees', 1857 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for 'Les Fleurs Animees', 1857 (engraving)
Illustration for 'Les Fleurs Animees', 1857 (engraving)

PCT4261437: Illustration for 'Les Fleurs Animees', 1857 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for 'Les Fleurs Animees', 1857 (engraving)
Illustration for 'Les Fleurs Animees', 1857 (engraving)

PCT4261448: Illustration for 'Les Fleurs Animees', 1857 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Allegory of a young woman surrounded by 4 sighers, who compares herself to a planet around which four satellites gravitate, one of which will become her sun. Grandville engraving illustrating a chapter in Mery's book: “The Stars”, 1849.
Allegory of a young woman surrounded by 4 sighers, who compares herself to a planet around which four satellites gravitate, one of which will become her sun. Grandville engraving illustrating a chapter in Mery's book: “The Stars”, 1849.

PCT4261554: Allegory of a young woman surrounded by 4 sighers, who compares herself to a planet around which four satellites gravitate, one of which will become her sun. Grandville engraving illustrating a chapter in Mery's book: “The Stars”, 1849., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4261666: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4261669: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262230: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262263: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262279: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262286: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262295: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262325: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262327: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)
Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving)

PCT4262332: Illustration for the novel 'Un Autre Monde' by Henri Fournier, 1844 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

Illustration for '100 Proverbes', 1845 (engraving)
Illustration for '100 Proverbes', 1845 (engraving)

PCT4286197: Illustration for '100 Proverbes', 1845 (engraving), Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images

The hare and the turtle: La Fontaine fable illustrated by Grandville.
The hare and the turtle: La Fontaine fable illustrated by Grandville.

PCT4269299: The hare and the turtle: La Fontaine fable illustrated by Grandville., Grandville (Jean Ignace Isidore Gerard) (1803-47) / Bridgeman Images


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