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Meaulle, Fortune Louis (1844-1901) Assets (274 in total)

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A patriotic souvenir (colour litho)
A patriotic souvenir (colour litho)

LLM2818658: A patriotic souvenir (colour litho), Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: LLM2818658

A patriotic souvenir (colour litho)

Meaulle, Fortune Louis (1844-1901)

Royal visitors to France: Carlos I, King of Portugal (colour litho)
Royal visitors to France: Carlos I, King of Portugal (colour litho)

LLM2818683: Royal visitors to France: Carlos I, King of Portugal (colour litho), Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: LLM2818683

Royal visitors to France: Carlos I, King of Portugal (colour litho)

Meaulle, Fortune Louis (1844-1901)

Train crash at the Gare Montparnasse (litho)
Train crash at the Gare Montparnasse (litho)

LLM2818688: Train crash at the Gare Montparnasse (litho), Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: LLM2818688

Train crash at the Gare Montparnasse (litho)

Meaulle, Fortune Louis (1844-1901)

The Spanish-American War: a Spanish lookout in a coconut palm (colour litho)
The Spanish-American War: a Spanish lookout in a coconut palm (colour litho)

LLM2818888: The Spanish-American War: a Spanish lookout in a coconut palm (colour litho), Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: LLM2818888

The Spanish-American War: a Spanish lookout in a coconut palm (colour litho)

Meaulle, Fortune Louis (1844-1901)

The sinking of La Bourgogne (colour litho)
The sinking of La Bourgogne (colour litho)

LLM2818913: The sinking of La Bourgogne (colour litho), Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: LLM2818913

The sinking of La Bourgogne (colour litho)

Meaulle, Fortune Louis (1844-1901)

A victim of duty: Lieutenant Kock (colour litho)
A victim of duty: Lieutenant Kock (colour litho)

LLM2819037: A victim of duty: Lieutenant Kock (colour litho), Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: LLM2819037

A victim of duty: Lieutenant Kock (colour litho)

Meaulle, Fortune Louis (1844-1901)

Funeral of Tsar Alexander III of Russia (colour litho)
Funeral of Tsar Alexander III of Russia (colour litho)

LLM2818582: Funeral of Tsar Alexander III of Russia (colour litho), Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: LLM2818582

Funeral of Tsar Alexander III of Russia (colour litho)

Meaulle, Fortune Louis (1844-1901)

Andromaque: detail of an engraving (1883) by Meaulle after a painting by Georges Antoine Rochegrosse (1859-1938). At the hands of the Greek soldiers, Andromaque tries to hold his son Astyanax, carried away by a Thracian hoplite. At the beginning of the staircase, the Svastika (gammee cross), a symbol discovered shortly before by the archeologist Heinrich Schliemann (1822-1890) on the walls of the ancient city of Troy.
Andromaque: detail of an engraving (1883) by Meaulle after a painting by Georges Antoine Rochegrosse (1859-1938). At the hands of the Greek soldiers, Andromaque tries to hold his son Astyanax, carried away by a Thracian hoplite. At the beginning of the staircase, the Svastika (gammee cross), a symbol discovered shortly before by the archeologist Heinrich Schliemann (1822-1890) on the walls of the ancient city of Troy.

PCT4270580: Andromaque: detail of an engraving (1883) by Meaulle after a painting by Georges Antoine Rochegrosse (1859-1938). At the hands of the Greek soldiers, Andromaque tries to hold his son Astyanax, carried away by a Thracian hoplite. At the beginning of the staircase, the Svastika (gammee cross), a symbol discovered shortly before by the archeologist Heinrich Schliemann (1822-1890) on the walls of the ancient city of Troy., Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: PCT4270580

Andromaque: detail of an engraving (1883) by Meaulle after a painting by Georges Antoine Rochegrosse (1859-1938). At the hands of the Greek soldiers, Andromaque tries to hold his son Astyanax, carried away by a Thracian hoplite. At the beginning of the staircase, the Svastika (gammee cross), a symbol discovered shortly before by the archeologist Heinrich Schliemann (1822-1890) on the walls of the ancient city of Troy.

Meaulle, Fortune Louis (1844-1901)

Engraving of Meaulle after a photographic portrait of Guillard on the “” front” of the Journal Illustrous N¡ 3 of January 17, 1897: The Muslim Depute - Doctor Grenier, depute of Pontarlier, recently converted to Islam, creates a scandal by going to the chamber of deputes wearing the Arabic costume.
Engraving of Meaulle after a photographic portrait of Guillard on the “” front” of the Journal Illustrous N¡ 3 of January 17, 1897: The Muslim Depute - Doctor Grenier, depute of Pontarlier, recently converted to Islam, creates a scandal by going to the chamber of deputes wearing the Arabic costume.

PCT4287627: Engraving of Meaulle after a photographic portrait of Guillard on the “” front” of the Journal Illustrous N¡ 3 of January 17, 1897: The Muslim Depute - Doctor Grenier, depute of Pontarlier, recently converted to Islam, creates a scandal by going to the chamber of deputes wearing the Arabic costume., Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: PCT4287627

Engraving of Meaulle after a photographic portrait of Guillard on the “” front” of the Journal Illustrous N¡ 3 of January 17, 1897: The Muslim Depute - Doctor Grenier, depute of Pontarlier, recently converted to Islam, creates a scandal by going to the chamber of deputes wearing the Arabic costume.

Meaulle, Fortune Louis (1844-1901)

A man overwhelmed with sadness, standing at the bedside of a bed, he holds the hand of his lovely dead woman. On the bedside table, a candle lights and a crucifix. On the lintel of the fireplace, a cup and a woman's sculpture in antique costume. Illustration by Montegut, for Libert by Jules Simon (1814-1896). Engraving by Fortune Meaulle (1844-1901). In “La vie populaire”, 1890. Private Collection
A man overwhelmed with sadness, standing at the bedside of a bed, he holds the hand of his lovely dead woman. On the bedside table, a candle lights and a crucifix. On the lintel of the fireplace, a cup and a woman's sculpture in antique costume. Illustration by Montegut, for Libert by Jules Simon (1814-1896). Engraving by Fortune Meaulle (1844-1901). In “La vie populaire”, 1890. Private Collection

XEE4136901: A man overwhelmed with sadness, standing at the bedside of a bed, he holds the hand of his lovely dead woman. On the bedside table, a candle lights and a crucifix. On the lintel of the fireplace, a cup and a woman's sculpture in antique costume. Illustration by Montegut, for Libert by Jules Simon (1814-1896). Engraving by Fortune Meaulle (1844-1901). In “La vie populaire”, 1890. Private Collection, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: XEE4136901

A man overwhelmed with sadness, standing at the bedside of a bed, he holds the hand of his lovely dead woman. On the bedside table, a candle lights and a crucifix. On the lintel of the fireplace, a cup and a woman's sculpture in antique costume. Illustration by Montegut, for Libert by Jules Simon (1814-1896). Engraving by Fortune Meaulle (1844-1901). In “La vie populaire”, 1890. Private Collection

Meaulle, Fortune Louis (1844-1901)

In front of the troop of armed knights, Joan of Arc in armor, naked head, looks with sadness the body lies on the floor of a dead knight, her head bathed in a puddle of blood. Illustration by Bernard Borione (1865-20th century), for Joan of Arc by Joseph Fabre (1842-1916). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection
In front of the troop of armed knights, Joan of Arc in armor, naked head, looks with sadness the body lies on the floor of a dead knight, her head bathed in a puddle of blood. Illustration by Bernard Borione (1865-20th century), for Joan of Arc by Joseph Fabre (1842-1916). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

XEE4136902: In front of the troop of armed knights, Joan of Arc in armor, naked head, looks with sadness the body lies on the floor of a dead knight, her head bathed in a puddle of blood. Illustration by Bernard Borione (1865-20th century), for Joan of Arc by Joseph Fabre (1842-1916). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: XEE4136902

In front of the troop of armed knights, Joan of Arc in armor, naked head, looks with sadness the body lies on the floor of a dead knight, her head bathed in a puddle of blood. Illustration by Bernard Borione (1865-20th century), for Joan of Arc by Joseph Fabre (1842-1916). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

Meaulle, Fortune Louis (1844-1901)

In the streets of a village in Provence, two pretty women in Provencal dresses turn back to the street to confront a man who turns confidently towards their eyes. Illustration by Montegut for The Popular Man by Frederic Mistral (1830-1914). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection
In the streets of a village in Provence, two pretty women in Provencal dresses turn back to the street to confront a man who turns confidently towards their eyes. Illustration by Montegut for The Popular Man by Frederic Mistral (1830-1914). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

XEE4136914: In the streets of a village in Provence, two pretty women in Provencal dresses turn back to the street to confront a man who turns confidently towards their eyes. Illustration by Montegut for The Popular Man by Frederic Mistral (1830-1914). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: XEE4136914

In the streets of a village in Provence, two pretty women in Provencal dresses turn back to the street to confront a man who turns confidently towards their eyes. Illustration by Montegut for The Popular Man by Frederic Mistral (1830-1914). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

Meaulle, Fortune Louis (1844-1901)

A nurse holding a new swaddling, accompanied by her father, an old peasant, with a determined eye, meets a man of the bourgeoisie, who carefully reads a paper, in the square of a provincial village. Illustration by Rene Schutzenberger (1860-1916), for Thirteen by Leon Cladel (1835-1892). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection
A nurse holding a new swaddling, accompanied by her father, an old peasant, with a determined eye, meets a man of the bourgeoisie, who carefully reads a paper, in the square of a provincial village. Illustration by Rene Schutzenberger (1860-1916), for Thirteen by Leon Cladel (1835-1892). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

XEE4136930: A nurse holding a new swaddling, accompanied by her father, an old peasant, with a determined eye, meets a man of the bourgeoisie, who carefully reads a paper, in the square of a provincial village. Illustration by Rene Schutzenberger (1860-1916), for Thirteen by Leon Cladel (1835-1892). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: XEE4136930

A nurse holding a new swaddling, accompanied by her father, an old peasant, with a determined eye, meets a man of the bourgeoisie, who carefully reads a paper, in the square of a provincial village. Illustration by Rene Schutzenberger (1860-1916), for Thirteen by Leon Cladel (1835-1892). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

Meaulle, Fortune Louis (1844-1901)

Two men in suit and top hat set up in a horse hitch, led by a coachman. They're heading along a river. Illustration for Chaos by Alexandre Hepp (1857-1924). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection
Two men in suit and top hat set up in a horse hitch, led by a coachman. They're heading along a river. Illustration for Chaos by Alexandre Hepp (1857-1924). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

XEE4136937: Two men in suit and top hat set up in a horse hitch, led by a coachman. They're heading along a river. Illustration for Chaos by Alexandre Hepp (1857-1924). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: XEE4136937

Two men in suit and top hat set up in a horse hitch, led by a coachman. They're heading along a river. Illustration for Chaos by Alexandre Hepp (1857-1924). Engraving by Fortune Meaulle (1844-1901), 1890 in “” La vie populaire””. Private Collection

Meaulle, Fortune Louis (1844-1901)

Portrait of Leon Tolstoi (1828-1910), Russian writer. Illustration by F. Meaulle. Engraving from 1890 in “La vie populaire””. Private Collection
Portrait of Leon Tolstoi (1828-1910), Russian writer. Illustration by F. Meaulle. Engraving from 1890 in “La vie populaire””. Private Collection

XEE4136956: Portrait of Leon Tolstoi (1828-1910), Russian writer. Illustration by F. Meaulle. Engraving from 1890 in “La vie populaire””. Private Collection, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: XEE4136956

Portrait of Leon Tolstoi (1828-1910), Russian writer. Illustration by F. Meaulle. Engraving from 1890 in “La vie populaire””. Private Collection

Meaulle, Fortune Louis (1844-1901)

A man surprises an intruder at home in the middle of the night. Illustration of F. Meaulle after B. Borione for “” Who knows? “” by Guy de Maupassant (1850-1893). Engraving from 1890 in “La vie populaire””. Private Collection
A man surprises an intruder at home in the middle of the night. Illustration of F. Meaulle after B. Borione for “” Who knows? “” by Guy de Maupassant (1850-1893). Engraving from 1890 in “La vie populaire””. Private Collection

XEE4136969: A man surprises an intruder at home in the middle of the night. Illustration of F. Meaulle after B. Borione for “” Who knows? “” by Guy de Maupassant (1850-1893). Engraving from 1890 in “La vie populaire””. Private Collection, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: XEE4136969

A man surprises an intruder at home in the middle of the night. Illustration of F. Meaulle after B. Borione for “” Who knows? “” by Guy de Maupassant (1850-1893). Engraving from 1890 in “La vie populaire””. Private Collection

Meaulle, Fortune Louis (1844-1901)

The Solferino Tower, built on the Butte Montmartre in Paris in 1859, approximately on the site of the present Sacre-Coeur Basilica. Originally called the Malakoff Tower, it was about 25 metres high and had 4 levels. During the War of 1870 (the siege of Paris by the Prussians), the two upper levels were removed so as not to serve as a marker for enemy guns. It was completely demolished in 1874 - Engraving by Meaulle in the Illustrous World No. 727, March 18, 1871: the amputee tower on the Polish field, now an artillery park since the occupation -
The Solferino Tower, built on the Butte Montmartre in Paris in 1859, approximately on the site of the present Sacre-Coeur Basilica. Originally called the Malakoff Tower, it was about 25 metres high and had 4 levels. During the War of 1870 (the siege of Paris by the Prussians), the two upper levels were removed so as not to serve as a marker for enemy guns. It was completely demolished in 1874 - Engraving by Meaulle in the Illustrous World No. 727, March 18, 1871: the amputee tower on the Polish field, now an artillery park since the occupation -

PCT4715277: The Solferino Tower, built on the Butte Montmartre in Paris in 1859, approximately on the site of the present Sacre-Coeur Basilica. Originally called the Malakoff Tower, it was about 25 metres high and had 4 levels. During the War of 1870 (the siege of Paris by the Prussians), the two upper levels were removed so as not to serve as a marker for enemy guns. It was completely demolished in 1874 - Engraving by Meaulle in the Illustrous World No. 727, March 18, 1871: the amputee tower on the Polish field, now an artillery park since the occupation -, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: PCT4715277

The Solferino Tower, built on the Butte Montmartre in Paris in 1859, approximately on the site of the present Sacre-Coeur Basilica. Originally called the Malakoff Tower, it was about 25 metres high and had 4 levels. During the War of 1870 (the siege of Paris by the Prussians), the two upper levels were removed so as not to serve as a marker for enemy guns. It was completely demolished in 1874 - Engraving by Meaulle in the Illustrous World No. 727, March 18, 1871: the amputee tower on the Polish field, now an artillery park since the occupation -

Meaulle, Fortune Louis (1844-1901)

The negus Menelik II (1844-1913) sovereign of Ethiopia, winner at the Battle of Adua in 1896, against the Italian colonial troops. Engraving in
The negus Menelik II (1844-1913) sovereign of Ethiopia, winner at the Battle of Adua in 1896, against the Italian colonial troops. Engraving in

LSE4326806: The negus Menelik II (1844-1913) sovereign of Ethiopia, winner at the Battle of Adua in 1896, against the Italian colonial troops. Engraving in "Le petit journal" 28/8/1898. Selva Collection., Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: LSE4326806

The negus Menelik II (1844-1913) sovereign of Ethiopia, winner at the Battle of Adua in 1896, against the Italian colonial troops. Engraving in "Le petit journal" 28/8/1898. Selva Collection.

Meaulle, Fortune Louis (1844-1901)

Depart of Bordeaux-Paris (Bordeaux Paris) cycling race in 1891 - engraving by Meaulle of 1891
Depart of Bordeaux-Paris (Bordeaux Paris) cycling race in 1891 - engraving by Meaulle of 1891

XEE4153796: Depart of Bordeaux-Paris (Bordeaux Paris) cycling race in 1891 - engraving by Meaulle of 1891, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: XEE4153796

Depart of Bordeaux-Paris (Bordeaux Paris) cycling race in 1891 - engraving by Meaulle of 1891

Meaulle, Fortune Louis (1844-1901)

The Prince of Wales (Edward VII) visiting the construction sites of the future World Exposition - in “The Petity Journal”, 1898
The Prince of Wales (Edward VII) visiting the construction sites of the future World Exposition - in “The Petity Journal”, 1898

LSE4076479: The Prince of Wales (Edward VII) visiting the construction sites of the future World Exposition - in “The Petity Journal”, 1898, Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: LSE4076479

The Prince of Wales (Edward VII) visiting the construction sites of the future World Exposition - in “The Petity Journal”, 1898

Meaulle, Fortune Louis (1844-1901)

Duel between Guy Cabot de Jarnac and Francois de Vivonne, Seigneur de la Chataigneraie in front of King Henry II of France and all his court at St Germain-en-Laye, 1547 (engraving)
Duel between Guy Cabot de Jarnac and Francois de Vivonne, Seigneur de la Chataigneraie in front of King Henry II of France and all his court at St Germain-en-Laye, 1547 (engraving)

LLM5207281: Duel between Guy Cabot de Jarnac and Francois de Vivonne, Seigneur de la Chataigneraie in front of King Henry II of France and all his court at St Germain-en-Laye, 1547 (engraving), Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: LLM5207281

Duel between Guy Cabot de Jarnac and Francois de Vivonne, Seigneur de la Chataigneraie in front of King Henry II of France and all his court at St Germain-en-Laye, 1547 (engraving)

Meaulle, Fortune Louis (1844-1901)

End of class (engraving)
End of class (engraving)

LLM5207277: End of class (engraving), Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: LLM5207277

End of class (engraving)

Meaulle, Fortune Louis (1844-1901)


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