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Moonrise, 1887 (oil on canvas)
Moonrise, 1887 (oil on canvas)

CH441536: Moonrise, 1887 (oil on canvas), Daubigny, Charles Francois (1817-78) / Bridgeman Images

ID: CH441536

Moonrise, 1887 (oil on canvas)

Daubigny, Charles Francois (1817-78)

A Girl in a Wood, 1882 (oil on canvas)
A Girl in a Wood, 1882 (oil on canvas)

CH443728: A Girl in a Wood, 1882 (oil on canvas), Gogh, Vincent van (1853-90) / Bridgeman Images

ID: CH443728

A Girl in a Wood, 1882 (oil on canvas)

Gogh, Vincent van (1853-90)

Color Olivi, plate 14 from 'Nova Reperta', engraved by Philip Galle, c.1580-1605 (engraving)
Color Olivi, plate 14 from 'Nova Reperta', engraved by Philip Galle, c.1580-1605 (engraving)

XJF448291: Color Olivi, plate 14 from 'Nova Reperta', engraved by Philip Galle, c.1580-1605 (engraving), Straet, Jan van der (Giovanni Stradano) (1523-1605) (after) / Bridgeman Images

ID: XJF448291

Color Olivi, plate 14 from 'Nova Reperta', engraved by Philip Galle, c.1580-1605 (engraving)

Straet, Jan van der (Giovanni Stradano) (1523-1605) (after)

Second Atomic Bombing, Nagasaki, Japan (b/w photo)
Second Atomic Bombing, Nagasaki, Japan (b/w photo)

XOS1268607: Second Atomic Bombing, Nagasaki, Japan (b/w photo) / Bridgeman Images

ID: XOS1268607

Second Atomic Bombing, Nagasaki, Japan (b/w photo)

The Argenteuil Bridge and the Seine; Le pont d'Argenteuil et la Seine, c.1883 (oil on canvas)
The Argenteuil Bridge and the Seine; Le pont d'Argenteuil et la Seine, c.1883 (oil on canvas)

CH1768840: The Argenteuil Bridge and the Seine; Le pont d'Argenteuil et la Seine, c.1883 (oil on canvas), Caillebotte, Gustave (1848-94) / Bridgeman Images

ID: CH1768840

The Argenteuil Bridge and the Seine; Le pont d'Argenteuil et la Seine, c.1883 (oil on canvas)

Caillebotte, Gustave (1848-94)

Trumpet Lilies (colour woodblock print)
Trumpet Lilies (colour woodblock print)

CH1766585: Trumpet Lilies (colour woodblock print), Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: CH1766585

Trumpet Lilies (colour woodblock print)

Hokusai, Katsushika (1760-1849)

Robinson Crusoe: Endpaper, 1920 (oil on canvas laid down on board)
Robinson Crusoe: Endpaper, 1920 (oil on canvas laid down on board)

CH1767411: Robinson Crusoe: Endpaper, 1920 (oil on canvas laid down on board), Wyeth, Newell Convers (1882-1945) / Bridgeman Images

ID: CH1767411

Robinson Crusoe: Endpaper, 1920 (oil on canvas laid down on board)

Wyeth, Newell Convers (1882-1945)

Playing in the Surf (oil on canvas)
Playing in the Surf (oil on canvas)

CH1767466: Playing in the Surf (oil on canvas), Potthast, Edward Henry (1857-1927) / Bridgeman Images

ID: CH1767466

Playing in the Surf (oil on canvas)

Potthast, Edward Henry (1857-1927)

Poster advertising travel between Hamburg and New York with the shipping company Cunard (colour lithograph)
Poster advertising travel between Hamburg and New York with the shipping company Cunard (colour lithograph)

CH1770121: Poster advertising travel between Hamburg and New York with the shipping company Cunard (colour lithograph), Bohrdt, Hans (1857-1945) / Bridgeman Images

ID: CH1770121

Poster advertising travel between Hamburg and New York with the shipping company Cunard (colour lithograph)

Bohrdt, Hans (1857-1945)

A Walk at Dusk, c.1830-5 (oil on canvas)
A Walk at Dusk, c.1830-5 (oil on canvas)

XOS3077087: A Walk at Dusk, c.1830-5 (oil on canvas), Friedrich, Caspar David (1774-1840) / Bridgeman Images

ID: XOS3077087

A Walk at Dusk, c.1830-5 (oil on canvas)

Friedrich, Caspar David (1774-1840)

Portrait of Marie de Medicis (1573 - 1642), wife of Henry IV and mother of Louis XIII Painting by Frans Pourbus Le Jeune (Francois (Franz) Porbus, 1569-1622) circa 1609. Pitti Palace, Florence.
Portrait of Marie de Medicis (1573 - 1642), wife of Henry IV and mother of Louis XIII Painting by Frans Pourbus Le Jeune (Francois (Franz) Porbus, 1569-1622) circa 1609. Pitti Palace, Florence.

LRI4582279: Portrait of Marie de Medicis (1573 - 1642), wife of Henry IV and mother of Louis XIII Painting by Frans Pourbus Le Jeune (Francois (Franz) Porbus, 1569-1622) circa 1609. Pitti Palace, Florence., Pourbus, Frans II (1569-1622) / Bridgeman Images

ID: LRI4582279

Portrait of Marie de Medicis (1573 - 1642), wife of Henry IV and mother of Louis XIII Painting by Frans Pourbus Le Jeune (Francois (Franz) Porbus, 1569-1622) circa 1609. Pitti Palace, Florence.

Pourbus, Frans II (1569-1622)

Champetre dance The announcement to the shepherds, 1480 (miniature)
Champetre dance The announcement to the shepherds, 1480 (miniature)

JLJ4599856: Champetre dance The announcement to the shepherds, 1480 (miniature), Testard, Robinet (fl.1475-1523) / Bridgeman Images

ID: JLJ4599856

Champetre dance The announcement to the shepherds, 1480 (miniature)

Testard, Robinet (fl.1475-1523)

Universal suffrage: A polling station, 1889 (painting)
Universal suffrage: A polling station, 1889 (painting)

JLJ4595213: Universal suffrage: A polling station, 1889 (painting), Bramtot, Alfred-Henri (1852-94) / Bridgeman Images

ID: JLJ4595213

Universal suffrage: A polling station, 1889 (painting)

Bramtot, Alfred-Henri (1852-94)

Saint John Evangelist. Marble Sculpture, 1412-1415
Saint John Evangelist. Marble Sculpture, 1412-1415

LRI4594416: Saint John Evangelist. Marble Sculpture, 1412-1415, Donatello, (c.1386-1466) / Bridgeman Images

ID: LRI4594416

Saint John Evangelist. Marble Sculpture, 1412-1415

Donatello, (c.1386-1466)

Earth at the end of Permian - Ring arcs over the Permian Earth - A ring of rocks and dust is orbiting the Earth. The massive continent below is Pangee and the ocean to the west is Panthalassa. This is what Earth was supposed to look like at the end of Permian, about 260 million years ago, before the first dinosaurs appeared. This ring around the Earth was of earthly origin, constitutes debris thrown into orbit by collision with a meteorite or comet. Over time, these debris have either fallen or fallen back to Earth in a meteorite rain. A dusty ring arc orbits four thousand miles above Earth's equator. The massive continent below is Pangea and the ocean to the west is Panthalassa. This is how the Earth may have appeared during the end of the Permian period, a time just prior to the appearance of the dinosaurs, when continental drift was pulling Pangea apart into the seven continents we know today. 260 million years ago the Earth may have been host to ring arcs similar to the incomplete rings that currently circumscribe the planet Neptune. Unlike Neptune's rings, the ring arcs around the Earth were of terrestrial origin, debris thrown into orbit by a collision with a large meteorite or comet. The debris consisted of tiny pebbles that were once molten droplets of ejecta, long since cooled in the vacuum of space. The orbit of the ring arc would eventually decay, returning the debris back to Earth as a shower of meteorites. This debris is found on Earth's surface today in the form of dark, glassy objects known as tektites
Earth at the end of Permian - Ring arcs over the Permian Earth - A ring of rocks and dust is orbiting the Earth. The massive continent below is Pangee and the ocean to the west is Panthalassa. This is what Earth was supposed to look like at the end of Permian, about 260 million years ago, before the first dinosaurs appeared. This ring around the Earth was of earthly origin, constitutes debris thrown into orbit by collision with a meteorite or comet. Over time, these debris have either fallen or fallen back to Earth in a meteorite rain. A dusty ring arc orbits four thousand miles above Earth's equator. The massive continent below is Pangea and the ocean to the west is Panthalassa. This is how the Earth may have appeared during the end of the Permian period, a time just prior to the appearance of the dinosaurs, when continental drift was pulling Pangea apart into the seven continents we know today. 260 million years ago the Earth may have been host to ring arcs similar to the incomplete rings that currently circumscribe the planet Neptune. Unlike Neptune's rings, the ring arcs around the Earth were of terrestrial origin, debris thrown into orbit by a collision with a large meteorite or comet. The debris consisted of tiny pebbles that were once molten droplets of ejecta, long since cooled in the vacuum of space. The orbit of the ring arc would eventually decay, returning the debris back to Earth as a shower of meteorites. This debris is found on Earth's surface today in the form of dark, glassy objects known as tektites

PIX4633164: Earth at the end of Permian - Ring arcs over the Permian Earth - A ring of rocks and dust is orbiting the Earth. The massive continent below is Pangee and the ocean to the west is Panthalassa. This is what Earth was supposed to look like at the end of Permian, about 260 million years ago, before the first dinosaurs appeared. This ring around the Earth was of earthly origin, constitutes debris thrown into orbit by collision with a meteorite or comet. Over time, these debris have either fallen or fallen back to Earth in a meteorite rain. A dusty ring arc orbits four thousand miles above Earth's equator. The massive continent below is Pangea and the ocean to the west is Panthalassa. This is how the Earth may have appeared during the end of the Permian period, a time just prior to the appearance of the dinosaurs, when continental drift was pulling Pangea apart into the seven continents we know today. 260 million years ago the Earth may have been host to ring arcs similar to the incomplete rings that currently circumscribe the planet Neptune. Unlike Neptune's rings, the ring arcs around the Earth were of terrestrial origin, debris thrown into orbit by a collision with a large meteorite or comet. The debris consisted of tiny pebbles that were once molten droplets of ejecta, long since cooled in the vacuum of space. The orbit of the ring arc would eventually decay, returning the debris back to Earth as a shower of meteorites. This debris is found on Earth's surface today in the form of dark, glassy objects known as tektites / Bridgeman Images

ID: PIX4633164

Earth at the end of Permian - Ring arcs over the Permian Earth - A ring of rocks and dust is orbiting the Earth. The massive continent below is Pangee and the ocean to the west is Panthalassa. This is what Earth was supposed to look like at the end of Permian, about 260 million years ago, before the first dinosaurs appeared. This ring around the Earth was of earthly origin, constitutes debris thrown into orbit by collision with a meteorite or comet. Over time, these debris have either fallen or fallen back to Earth in a meteorite rain. A dusty ring arc orbits four thousand miles above Earth's equator. The massive continent below is Pangea and the ocean to the west is Panthalassa. This is how the Earth may have appeared during the end of the Permian period, a time just prior to the appearance of the dinosaurs, when continental drift was pulling Pangea apart into the seven continents we know today. 260 million years ago the Earth may have been host to ring arcs similar to the incomplete

Portrait of Louis XIV king of France, protector of the Royal Academy of Painting and Sculpture, with the sceptre of Charles V dit de Charlemagne, 17th century (oil on canvas)
Portrait of Louis XIV king of France, protector of the Royal Academy of Painting and Sculpture, with the sceptre of Charles V dit de Charlemagne, 17th century (oil on canvas)

JLJ4574013: Portrait of Louis XIV king of France, protector of the Royal Academy of Painting and Sculpture, with the sceptre of Charles V dit de Charlemagne, 17th century (oil on canvas), Testelin, Henri (1616-95) / Bridgeman Images

ID: JLJ4574013

Portrait of Louis XIV king of France, protector of the Royal Academy of Painting and Sculpture, with the sceptre of Charles V dit de Charlemagne, 17th century (oil on canvas)

Testelin, Henri (1616-95)

The Blue or Nude Room at the Fan, 1891 (painting)
The Blue or Nude Room at the Fan, 1891 (painting)

JLJ4574538: The Blue or Nude Room at the Fan, 1891 (painting), Ranson, Paul (1863-1909) / Bridgeman Images

ID: JLJ4574538

The Blue or Nude Room at the Fan, 1891 (painting)

Ranson, Paul (1863-1909)

Virgin and Child and Six Angels (Virgin of the pomegranate), circa 1887 (tempera on wood)
Virgin and Child and Six Angels (Virgin of the pomegranate), circa 1887 (tempera on wood)

LRI4575619: Virgin and Child and Six Angels (Virgin of the pomegranate), circa 1887 (tempera on wood), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / Bridgeman Images

ID: LRI4575619

Virgin and Child and Six Angels (Virgin of the pomegranate), circa 1887 (tempera on wood)

Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510)

Detail of the Nilotic mosaic of Preneste (Palestrina) from the shrine of the deity of Fortune Primigenia, 80 BC
Detail of the Nilotic mosaic of Preneste (Palestrina) from the shrine of the deity of Fortune Primigenia, 80 BC

LRI4587904: Detail of the Nilotic mosaic of Preneste (Palestrina) from the shrine of the deity of Fortune Primigenia, 80 BC, Roman, (1st century BC) / Bridgeman Images

ID: LRI4587904

Detail of the Nilotic mosaic of Preneste (Palestrina) from the shrine of the deity of Fortune Primigenia, 80 BC

Roman, (1st century BC)

The deity Leto carrying Apollo child in his arms. Sculpture of clay, 510-500 BC
The deity Leto carrying Apollo child in his arms. Sculpture of clay, 510-500 BC

LRI4689671: The deity Leto carrying Apollo child in his arms. Sculpture of clay, 510-500 BC, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689671

The deity Leto carrying Apollo child in his arms. Sculpture of clay, 510-500 BC

Etruscan, (6th century BC)

Donatien Alphonse Francois de Sade (1740-1814) better known as Marquis de Sade. Engraving from the beginning of the 19th century.
Donatien Alphonse Francois de Sade (1740-1814) better known as Marquis de Sade. Engraving from the beginning of the 19th century.

GIA4696924: Donatien Alphonse Francois de Sade (1740-1814) better known as Marquis de Sade. Engraving from the beginning of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4696924

Donatien Alphonse Francois de Sade (1740-1814) better known as Marquis de Sade. Engraving from the beginning of the 19th century.

Unknown Artist, (19th century)

Portrait of Charles Dickens (1812-1870), English writer.
Portrait of Charles Dickens (1812-1870), English writer.

GIA4789389: Portrait of Charles Dickens (1812-1870), English writer., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4789389

Portrait of Charles Dickens (1812-1870), English writer.

Unknown Artist, (19th century)

Portrait of the philosopher Epictete (Epictetus or Epiktetos) (around 50 - 125/130) of the Stoician school.
Portrait of the philosopher Epictete (Epictetus or Epiktetos) (around 50 - 125/130) of the Stoician school.

GIA4807295: Portrait of the philosopher Epictete (Epictetus or Epiktetos) (around 50 - 125/130) of the Stoician school., Unknown Artist, (17th century) / Bridgeman Images

ID: GIA4807295

Portrait of the philosopher Epictete (Epictetus or Epiktetos) (around 50 - 125/130) of the Stoician school.

Unknown Artist, (17th century)

Dante and his poem the 'Divine Comedy', 1465 (tempera on panel)
Dante and his poem the 'Divine Comedy', 1465 (tempera on panel)

GIM5038370: Dante and his poem the 'Divine Comedy', 1465 (tempera on panel), Domenico di Michelino, (1417-91) / Bridgeman Images

ID: GIM5038370

Dante and his poem the 'Divine Comedy', 1465 (tempera on panel)

Domenico di Michelino, (1417-91)

Portrait of General Charles de Gaulle (1890-1970) in London in 1940
Portrait of General Charles de Gaulle (1890-1970) in London in 1940

IBE5358173: Portrait of General Charles de Gaulle (1890-1970) in London in 1940, Unknown photographer, (20th century) / Bridgeman Images

ID: IBE5358173

Portrait of General Charles de Gaulle (1890-1970) in London in 1940

Unknown photographer, (20th century)

Adam and Eve, 1628-9 (oil on canvas)
Adam and Eve, 1628-9 (oil on canvas)

XOS2920904: Adam and Eve, 1628-9 (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images

ID: XOS2920904

Adam and Eve, 1628-9 (oil on canvas)

Rubens, Peter Paul (1577-1640)

Gustav Holst leaning on
Gustav Holst leaning on

XLE3757492: Gustav Holst leaning on / Bridgeman Images

ID: XLE3757492

Gustav Holst leaning on

Title Page for 'Minna von Barnhelm' by Gotthold Ephraim Lessing (print)
Title Page for 'Minna von Barnhelm' by Gotthold Ephraim Lessing (print)

XLA3749258: Title Page for 'Minna von Barnhelm' by Gotthold Ephraim Lessing (print), German School, (18th century) / Bridgeman Images

ID: XLA3749258

Title Page for 'Minna von Barnhelm' by Gotthold Ephraim Lessing (print)

German School, (18th century)

The Indian village of Secoton, c.1570-80 (w/c on paper) (see 1692)
The Indian village of Secoton, c.1570-80 (w/c on paper) (see 1692)

BAL99069: The Indian village of Secoton, c.1570-80 (w/c on paper) (see 1692), White, John (fl.1570-93) / Bridgeman Images

ID: BAL99069

The Indian village of Secoton, c.1570-80 (w/c on paper) (see 1692)

White, John (fl.1570-93)

The cranium, 1489 (pen & ink over black chalk on paper) (verso of 441167)
The cranium, 1489 (pen & ink over black chalk on paper) (verso of 441167)

ROC3740758: The cranium, 1489 (pen & ink over black chalk on paper) (verso of 441167), Vinci, Leonardo da (1452-1519) / Bridgeman Images

ID: ROC3740758

The cranium, 1489 (pen & ink over black chalk on paper) (verso of 441167)

Vinci, Leonardo da (1452-1519)

Le 3 mai 1935, the suffragettes from the movement
Le 3 mai 1935, the suffragettes from the movement

ZUM4868179: Le 3 mai 1935, the suffragettes from the movement "LA FEMME NOUVELLE" leading by Louise Weiss, burnt symbolically their chains on the Bastille Place and displaying panels "LA FEMME DOIT VOTER" / Bridgeman Images

ID: ZUM4868179

Le 3 mai 1935, the suffragettes from the movement "LA FEMME NOUVELLE" leading by Louise Weiss, burnt symbolically their chains on the Bastille Place and displaying panels "LA FEMME DOIT VOTER"

A sprig of blackberry (Rubus fruticosus), c.1505-10 (red chalk with touches of pen and ink on paper)
A sprig of blackberry (Rubus fruticosus), c.1505-10 (red chalk with touches of pen and ink on paper)

ROC5907199: A sprig of blackberry (Rubus fruticosus), c.1505-10 (red chalk with touches of pen and ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

ID: ROC5907199

A sprig of blackberry (Rubus fruticosus), c.1505-10 (red chalk with touches of pen and ink on paper)

Vinci, Leonardo da (1452-1519)

The Dream, c.1533 (black chalk on laid paper)
The Dream, c.1533 (black chalk on laid paper)

COU5934521: The Dream, c.1533 (black chalk on laid paper), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: COU5934521

The Dream, c.1533 (black chalk on laid paper)

Buonarroti, Michelangelo (1475-1564)

Johnny Hallyday
Johnny Hallyday

SCC2025583: Johnny Hallyday / Bridgeman Images

ID: SCC2025583

Johnny Hallyday

Jean Patou, c1925 (photo)
Jean Patou, c1925 (photo)

PVD2086658: Jean Patou, c1925 (photo) / Bridgeman Images

ID: PVD2086658

Jean Patou, c1925 (photo)

Collioure Landscape, 1906 (oil on canvas)
Collioure Landscape, 1906 (oil on canvas)

BRN160668: Collioure Landscape, 1906 (oil on canvas), Matisse, Henri (1869-1954) / © Succession H. Matisse / DACS 2024 / Bridgeman Images

ID: BRN160668

Collioure Landscape, 1906 (oil on canvas)

Matisse, Henri (1869-1954) / © Succession H. Matisse / DACS 2024


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