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Rene Goulaine de Laudonniere (c.1529-82) and Chief Athore in front of Ribault's Column, from 'Brevis Narratio...', engraved by Theodore de Bry (1528-98) 1563 (coloured engraving)
Rene Goulaine de Laudonniere (c.1529-82) and Chief Athore in front of Ribault's Column, from 'Brevis Narratio...', engraved by Theodore de Bry (1528-98) 1563 (coloured engraving)

XIR218254: Rene Goulaine de Laudonniere (c.1529-82) and Chief Athore in front of Ribault's Column, from 'Brevis Narratio...', engraved by Theodore de Bry (1528-98) 1563 (coloured engraving), Le Moyne, Jacques (de Morgues) (1533-88) (after) / Bridgeman Images

ID: XIR218254

Rene Goulaine de Laudonniere (c.1529-82) and Chief Athore in front of Ribault's Column, from 'Brevis Narratio...', engraved by Theodore de Bry (1528-98) 1563 (coloured engraving)

Le Moyne, Jacques (de Morgues) (1533-88) (after)

The Choir Singing in St. Mark's Basilica, Venice, 1766 (pen, ink and wash on paper)
The Choir Singing in St. Mark's Basilica, Venice, 1766 (pen, ink and wash on paper)

XKH141626: The Choir Singing in St. Mark's Basilica, Venice, 1766 (pen, ink and wash on paper), Canaletto, (Giovanni Antonio Canal) (1697-1768) / Bridgeman Images

ID: XKH141626

The Choir Singing in St. Mark's Basilica, Venice, 1766 (pen, ink and wash on paper)

Canaletto, (Giovanni Antonio Canal) (1697-1768)

The Kiss, 1887 (oil on canvas)
The Kiss, 1887 (oil on canvas)

XKL90668: The Kiss, 1887 (oil on canvas), Ralli, Theodore Jacques (1852-1909) / Bridgeman Images

ID: XKL90668

The Kiss, 1887 (oil on canvas)

Ralli, Theodore Jacques (1852-1909)

China, from 'The Art of Perfume', pub. 1912 (pochoir print)
China, from 'The Art of Perfume', pub. 1912 (pochoir print)

STC98139: China, from 'The Art of Perfume', pub. 1912 (pochoir print), Barbier, Georges (1882-1932) / Bridgeman Images

ID: STC98139

China, from 'The Art of Perfume', pub. 1912 (pochoir print)

Barbier, Georges (1882-1932)

MS CCC 2* f.2v Map of Palestine (parchment)
MS CCC 2* f.2v Map of Palestine (parchment)

CCC95535: MS CCC 2* f.2v Map of Palestine (parchment), Paris, Matthew (c.1200-59) / Bridgeman Images

ID: CCC95535

MS CCC 2* f.2v Map of Palestine (parchment)

Paris, Matthew (c.1200-59)

Rinaldo and Armida, (oil on canvas)
Rinaldo and Armida, (oil on canvas)

XIR91600: Rinaldo and Armida, (oil on canvas), Dyck, Anthony van (1599-1641) / Bridgeman Images

ID: XIR91600

Rinaldo and Armida, (oil on canvas)

Dyck, Anthony van (1599-1641)

Colosseum and Arch of Constantine, Rome
Colosseum and Arch of Constantine, Rome

CH8158: Colosseum and Arch of Constantine, Rome, Canaletto, (Giovanni Antonio Canal) (1697-1768) / Bridgeman Images

ID: CH8158

Colosseum and Arch of Constantine, Rome

Canaletto, (Giovanni Antonio Canal) (1697-1768)

Battle of the Amazons and Greeks (detail), c.1617 (oil on panel)
Battle of the Amazons and Greeks (detail), c.1617 (oil on panel)

BAL8539: Battle of the Amazons and Greeks (detail), c.1617 (oil on panel), Rubens, Peter Paul (1577-1640) / Bridgeman Images

ID: BAL8539

Battle of the Amazons and Greeks (detail), c.1617 (oil on panel)

Rubens, Peter Paul (1577-1640)

Les Promenade des Marronniers, St Cloud, 1878 (oil on canvas)
Les Promenade des Marronniers, St Cloud, 1878 (oil on canvas)

XMV2639903: Les Promenade des Marronniers, St Cloud, 1878 (oil on canvas), Sisley, Alfred (1839-99) / Bridgeman Images

ID: XMV2639903

Les Promenade des Marronniers, St Cloud, 1878 (oil on canvas)

Sisley, Alfred (1839-99)

China: Enthusiastic 'Red Guards' wave copies of Mao Zedong's 'Little Red Book' (Quotations from Chairman Mao Tse-tung, 'Mao Zhuxi Yulu'), Tiananmen, Beijing, c. 1966
China: Enthusiastic 'Red Guards' wave copies of Mao Zedong's 'Little Red Book' (Quotations from Chairman Mao Tse-tung, 'Mao Zhuxi Yulu'), Tiananmen, Beijing, c. 1966

PFH3085674: China: Enthusiastic 'Red Guards' wave copies of Mao Zedong's 'Little Red Book' (Quotations from Chairman Mao Tse-tung, 'Mao Zhuxi Yulu'), Tiananmen, Beijing, c. 1966 / Bridgeman Images

ID: PFH3085674

China: Enthusiastic 'Red Guards' wave copies of Mao Zedong's 'Little Red Book' (Quotations from Chairman Mao Tse-tung, 'Mao Zhuxi Yulu'), Tiananmen, Beijing, c. 1966

Françoise d'Aubigné, Marquise de Maintenon (oil on canvas)
Françoise d'Aubigné, Marquise de Maintenon (oil on canvas)

LSE3482845: Françoise d'Aubigné, Marquise de Maintenon (oil on canvas), Mignard, Pierre (1612-95) / Bridgeman Images

ID: LSE3482845

Françoise d'Aubigné, Marquise de Maintenon (oil on canvas)

Mignard, Pierre (1612-95)

The Card Players, 1890-92 (oil on canvas)
The Card Players, 1890-92 (oil on canvas)

XOS3468915: The Card Players, 1890-92 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images

ID: XOS3468915

The Card Players, 1890-92 (oil on canvas)

Cezanne, Paul (1839-1906)

Faaturuma (Melancholic), 1891 (oil on canvas)
Faaturuma (Melancholic), 1891 (oil on canvas)

XOS3106609: Faaturuma (Melancholic), 1891 (oil on canvas), Gauguin, Paul (1848-1903) / Bridgeman Images

ID: XOS3106609

Faaturuma (Melancholic), 1891 (oil on canvas)

Gauguin, Paul (1848-1903)

Portrait of Christopher Columbus - attributed to Ghirlandaio, Naval Museum of Genes - Pegli
Portrait of Christopher Columbus - attributed to Ghirlandaio, Naval Museum of Genes - Pegli

GIA4811796: Portrait of Christopher Columbus - attributed to Ghirlandaio, Naval Museum of Genes - Pegli, Ghirlandaio, Domenico (1449-94) (attr.to) / Bridgeman Images

ID: GIA4811796

Portrait of Christopher Columbus - attributed to Ghirlandaio, Naval Museum of Genes - Pegli

Ghirlandaio, Domenico (1449-94) (attr.to)

Alþing (Althing) in Session, 19th Century (Oil on Canvas)
Alþing (Althing) in Session, 19th Century (Oil on Canvas)

STC3506721: Alþing (Althing) in Session, 19th Century (Oil on Canvas), Collingwood, William Gersham (1854-1932) / Bridgeman Images

ID: STC3506721

Alþing (Althing) in Session, 19th Century (Oil on Canvas)

Collingwood, William Gersham (1854-1932)

The Feast of Esther, c.1625
The Feast of Esther, c.1625

NCR3576982: The Feast of Esther, c.1625, Lievens, Jan the Elder (1607-74) / Bridgeman Images

ID: NCR3576982

The Feast of Esther, c.1625

Lievens, Jan the Elder (1607-74)

Composition in White, Red, and Yellow, 1936 (oil on canvas)
Composition in White, Red, and Yellow, 1936 (oil on canvas)

XOS3588520: Composition in White, Red, and Yellow, 1936 (oil on canvas), Mondrian, Piet (1872-1944) / Bridgeman Images

ID: XOS3588520

Composition in White, Red, and Yellow, 1936 (oil on canvas)

Mondrian, Piet (1872-1944)

Louis Antoine (Louis-Antoine) of Bougainville, French navigator (1729-1811), addressing the islands of the Marquises in Tahiti, April 6, 1768. in “Histoire generale de la Marine by Van Tenac, 1850
Louis Antoine (Louis-Antoine) of Bougainville, French navigator (1729-1811), addressing the islands of the Marquises in Tahiti, April 6, 1768. in “Histoire generale de la Marine by Van Tenac, 1850

GIA4726783: Louis Antoine (Louis-Antoine) of Bougainville, French navigator (1729-1811), addressing the islands of the Marquises in Tahiti, April 6, 1768. in “Histoire generale de la Marine by Van Tenac, 1850, Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4726783

Louis Antoine (Louis-Antoine) of Bougainville, French navigator (1729-1811), addressing the islands of the Marquises in Tahiti, April 6, 1768. in “Histoire generale de la Marine by Van Tenac, 1850

Unknown Artist, (19th century)

View of the island of Utopia (Utopia) from the book of Thomas More (1478-1535), “” De optmo republicae statu deque nova insula Utopia”. Engraved by Johann Froben. 1518.
View of the island of Utopia (Utopia) from the book of Thomas More (1478-1535), “” De optmo republicae statu deque nova insula Utopia”. Engraved by Johann Froben. 1518.

GIA4786491: View of the island of Utopia (Utopia) from the book of Thomas More (1478-1535), “” De optmo republicae statu deque nova insula Utopia”. Engraved by Johann Froben. 1518., Unknown Artist, (16th century) / Bridgeman Images

ID: GIA4786491

View of the island of Utopia (Utopia) from the book of Thomas More (1478-1535), “” De optmo republicae statu deque nova insula Utopia”. Engraved by Johann Froben. 1518.

Unknown Artist, (16th century)

The Wave, 1889 (oil on canvas)
The Wave, 1889 (oil on canvas)

FIA5404085: The Wave, 1889 (oil on canvas), Aivazovsky, Ivan Konstantinovich (1817-1900) / Bridgeman Images

ID: FIA5404085

The Wave, 1889 (oil on canvas)

Aivazovsky, Ivan Konstantinovich (1817-1900)

Death of Huascar - 1851
Death of Huascar - 1851

IBE5393300: Death of Huascar - 1851 / Bridgeman Images

ID: IBE5393300

Death of Huascar - 1851

Sidereus Nuncius (Starry Messenger) with drawings of phases and surface of Moon, 1610 (pen & ink on paper) by Galileo Galilei (Galilee), Gal. 48, 1609
Sidereus Nuncius (Starry Messenger) with drawings of phases and surface of Moon, 1610 (pen & ink on paper) by Galileo Galilei (Galilee), Gal. 48, 1609

IBE5344777: Sidereus Nuncius (Starry Messenger) with drawings of phases and surface of Moon, 1610 (pen & ink on paper) by Galileo Galilei (Galilee), Gal. 48, 1609, Galilei, Galileo (1564-1642) / Bridgeman Images

ID: IBE5344777

Sidereus Nuncius (Starry Messenger) with drawings of phases and surface of Moon, 1610 (pen & ink on paper) by Galileo Galilei (Galilee), Gal. 48, 1609

Galilei, Galileo (1564-1642)

Averroes (or Ibn Rochd of Cordoba) philosopher, rationalist Islamic theologian, jurist, mathematician and Andalusian Muslim physician (ca. 1126-1198) making amends at the gate of the mosque of Fez, circa 1195 (Ibn Rushd (Averroes) Andalusian Muslim polymath, a master of Aristotelian philosophy, Islamic philosophy, Islamic theology, Maliki Law and jurisprudence, logic, psychology, politics and Andalusian classical music theory begs pardon at the door of mosque of fez, Morocco, ca 1195) Engraving from “La-Vie-des-Savant-Illustres” by Louis Figuier, 1866 Collection privee
Averroes (or Ibn Rochd of Cordoba) philosopher, rationalist Islamic theologian, jurist, mathematician and Andalusian Muslim physician (ca. 1126-1198) making amends at the gate of the mosque of Fez, circa 1195 (Ibn Rushd (Averroes) Andalusian Muslim polymath, a master of Aristotelian philosophy, Islamic philosophy, Islamic theology, Maliki Law and jurisprudence, logic, psychology, politics and Andalusian classical music theory begs pardon at the door of mosque of fez, Morocco, ca 1195) Engraving from “La-Vie-des-Savant-Illustres” by Louis Figuier, 1866 Collection privee

ELD4861029: Averroes (or Ibn Rochd of Cordoba) philosopher, rationalist Islamic theologian, jurist, mathematician and Andalusian Muslim physician (ca. 1126-1198) making amends at the gate of the mosque of Fez, circa 1195 (Ibn Rushd (Averroes) Andalusian Muslim polymath, a master of Aristotelian philosophy, Islamic philosophy, Islamic theology, Maliki Law and jurisprudence, logic, psychology, politics and Andalusian classical music theory begs pardon at the door of mosque of fez, Morocco, ca 1195) Engraving from “La-Vie-des-Savant-Illustres” by Louis Figuier, 1866 Collection privee / Bridgeman Images

ID: ELD4861029

Averroes (or Ibn Rochd of Cordoba) philosopher, rationalist Islamic theologian, jurist, mathematician and Andalusian Muslim physician (ca. 1126-1198) making amends at the gate of the mosque of Fez, circa 1195 (Ibn Rushd (Averroes) Andalusian Muslim polymath, a master of Aristotelian philosophy, Islamic philosophy, Islamic theology, Maliki Law and jurisprudence, logic, psychology, politics and Andalusian classical music theory begs pardon at the door of mosque of fez, Morocco, ca 1195) Engraving from “La-Vie-des-Savant-Illustres” by Louis Figuier, 1866 Collection privee

Man with Backpack, 1888 (oil on canvas)
Man with Backpack, 1888 (oil on canvas)

XAB3612370: Man with Backpack, 1888 (oil on canvas), Gogh, Vincent van (1853-90) / Bridgeman Images

ID: XAB3612370

Man with Backpack, 1888 (oil on canvas)

Gogh, Vincent van (1853-90)

Paradise Lost: Fall of the rebel angels,
Paradise Lost: Fall of the rebel angels,

XLF3779878: Paradise Lost: Fall of the rebel angels,, Dore, Gustave (1832-83) / Bridgeman Images

ID: XLF3779878

Paradise Lost: Fall of the rebel angels,

Dore, Gustave (1832-83)

Joan of Arc Kissing the Sword of Deliverance, 1863 (oil on canvas)
Joan of Arc Kissing the Sword of Deliverance, 1863 (oil on canvas)

LSE4315748: Joan of Arc Kissing the Sword of Deliverance, 1863 (oil on canvas), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

ID: LSE4315748

Joan of Arc Kissing the Sword of Deliverance, 1863 (oil on canvas)

Rossetti, Dante Gabriel Charles (1828-82)

Cardiff's team, 1913 (oil on canvas)
Cardiff's team, 1913 (oil on canvas)

JLJ4611358: Cardiff's team, 1913 (oil on canvas), Delaunay, Robert (1885-1941) / Bridgeman Images

ID: JLJ4611358

Cardiff's team, 1913 (oil on canvas)

Delaunay, Robert (1885-1941)

Egyptian antiquitis: fragment of the Book of the Dead, papyrus of Nebqed. Detail representing the arrival of the deceased in the afterwards. 18th dynasty. 1400-1350 BC. Paris, Musee du Louvre - Ancient Egypt: fragment of the Book of the Dead, Papyrus of Nebqed. Detail representing the arrival of the deceased in the Hereafter. 18th dynasty. 1400-1350 BC. Louvre Museum, Paris, France
Egyptian antiquitis: fragment of the Book of the Dead, papyrus of Nebqed. Detail representing the arrival of the deceased in the afterwards. 18th dynasty. 1400-1350 BC. Paris, Musee du Louvre - Ancient Egypt: fragment of the Book of the Dead, Papyrus of Nebqed. Detail representing the arrival of the deceased in the Hereafter. 18th dynasty. 1400-1350 BC. Louvre Museum, Paris, France

LRI4633609: Egyptian antiquitis: fragment of the Book of the Dead, papyrus of Nebqed. Detail representing the arrival of the deceased in the afterwards. 18th dynasty. 1400-1350 BC. Paris, Musee du Louvre - Ancient Egypt: fragment of the Book of the Dead, Papyrus of Nebqed. Detail representing the arrival of the deceased in the Hereafter. 18th dynasty. 1400-1350 BC. Louvre Museum, Paris, France, Egyptian School / Bridgeman Images

ID: LRI4633609

Egyptian antiquitis: fragment of the Book of the Dead, papyrus of Nebqed. Detail representing the arrival of the deceased in the afterwards. 18th dynasty. 1400-1350 BC. Paris, Musee du Louvre - Ancient Egypt: fragment of the Book of the Dead, Papyrus of Nebqed. Detail representing the arrival of the deceased in the Hereafter. 18th dynasty. 1400-1350 BC. Louvre Museum, Paris, France

Egyptian School

Common poppy or field poppy (Papaver rhaeas), 1788-1803 (engraving)
Common poppy or field poppy (Papaver rhaeas), 1788-1803 (engraving)

LRI4677013: Common poppy or field poppy (Papaver rhaeas), 1788-1803 (engraving), Austrian School, (18th century) / Bridgeman Images

ID: LRI4677013

Common poppy or field poppy (Papaver rhaeas), 1788-1803 (engraving)

Austrian School, (18th century)

Franco-Prussian War 1870-1871: The surrender of Napoleon III after the battle of Sedan, 2 September 1870. Color line engraving, American, c1871 - War of 1870: Napoleon III (1808-1873) prisoner following the battle of Sedan meets William I of Prussia (1797-1888) at Villa Bellevue in Donchery on 2/09/1870”” Engraving of the 19th century
Franco-Prussian War 1870-1871: The surrender of Napoleon III after the battle of Sedan, 2 September 1870. Color line engraving, American, c1871 - War of 1870: Napoleon III (1808-1873) prisoner following the battle of Sedan meets William I of Prussia (1797-1888) at Villa Bellevue in Donchery on 2/09/1870”” Engraving of the 19th century

XEE4154009: Franco-Prussian War 1870-1871: The surrender of Napoleon III after the battle of Sedan, 2 September 1870. Color line engraving, American, c1871 - War of 1870: Napoleon III (1808-1873) prisoner following the battle of Sedan meets William I of Prussia (1797-1888) at Villa Bellevue in Donchery on 2/09/1870”” Engraving of the 19th century, American School, (19th century) / Bridgeman Images

ID: XEE4154009

Franco-Prussian War 1870-1871: The surrender of Napoleon III after the battle of Sedan, 2 September 1870. Color line engraving, American, c1871 - War of 1870: Napoleon III (1808-1873) prisoner following the battle of Sedan meets William I of Prussia (1797-1888) at Villa Bellevue in Donchery on 2/09/1870”” Engraving of the 19th century

American School, (19th century)

Whale and Whale - Whale and Orca (Orcinus orca) - engraving from “” Brehm's Life of Animals”” by Alfred Edmund Brehm (1829-1884)
Whale and Whale - Whale and Orca (Orcinus orca) - engraving from “” Brehm's Life of Animals”” by Alfred Edmund Brehm (1829-1884)

XEE4155193: Whale and Whale - Whale and Orca (Orcinus orca) - engraving from “” Brehm's Life of Animals”” by Alfred Edmund Brehm (1829-1884), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4155193

Whale and Whale - Whale and Orca (Orcinus orca) - engraving from “” Brehm's Life of Animals”” by Alfred Edmund Brehm (1829-1884)

Unknown Artist, (19th century)

Charles de Secondat Montesquieu with the scientific cenacle at Castle Clairac, France - Le cenacle scientifique du chateau de Clairac: Montesquieu et le baron de Secondat, son, le chevalier de Vivens, Romas et les freres Dutilh - in “Album de la Science; illustrious scientists; Grandes disouvertes”” 1896
Charles de Secondat Montesquieu with the scientific cenacle at Castle Clairac, France - Le cenacle scientifique du chateau de Clairac: Montesquieu et le baron de Secondat, son, le chevalier de Vivens, Romas et les freres Dutilh - in “Album de la Science; illustrious scientists; Grandes disouvertes”” 1896

XEE4146220: Charles de Secondat Montesquieu with the scientific cenacle at Castle Clairac, France - Le cenacle scientifique du chateau de Clairac: Montesquieu et le baron de Secondat, son, le chevalier de Vivens, Romas et les freres Dutilh - in “Album de la Science; illustrious scientists; Grandes disouvertes”” 1896, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4146220

Charles de Secondat Montesquieu with the scientific cenacle at Castle Clairac, France - Le cenacle scientifique du chateau de Clairac: Montesquieu et le baron de Secondat, son, le chevalier de Vivens, Romas et les freres Dutilh - in “Album de la Science; illustrious scientists; Grandes disouvertes”” 1896

Unknown Artist, (19th century)

The Turkish bath, 1862 (oil on panel)
The Turkish bath, 1862 (oil on panel)

JLJ4645036: The Turkish bath, 1862 (oil on panel), Ingres, Jean Auguste Dominique (1780-1867) / Bridgeman Images

ID: JLJ4645036

The Turkish bath, 1862 (oil on panel)

Ingres, Jean Auguste Dominique (1780-1867)

Curved women, 1915 (pencil and tempera on paper)
Curved women, 1915 (pencil and tempera on paper)

LRI4652058: Curved women, 1915 (pencil and tempera on paper), Schiele, Egon (1890-1918) / Bridgeman Images

ID: LRI4652058

Curved women, 1915 (pencil and tempera on paper)

Schiele, Egon (1890-1918)

Portrait of the German banker Jakob II Fugger dit le Riche (1459-1525) Detrempe d'Albrecht Durer (1471-1528) Sun. 69x53 cm Munich, Alte Pinakotek
Portrait of the German banker Jakob II Fugger dit le Riche (1459-1525) Detrempe d'Albrecht Durer (1471-1528) Sun. 69x53 cm Munich, Alte Pinakotek

LRI4634932: Portrait of the German banker Jakob II Fugger dit le Riche (1459-1525) Detrempe d'Albrecht Durer (1471-1528) Sun. 69x53 cm Munich, Alte Pinakotek, Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

ID: LRI4634932

Portrait of the German banker Jakob II Fugger dit le Riche (1459-1525) Detrempe d'Albrecht Durer (1471-1528) Sun. 69x53 cm Munich, Alte Pinakotek

Dürer or Duerer, Albrecht (1471-1528)

View of Ecuries from Versailles castle, taken from marble courtyard by Maintenon, Louis XIV's favorite (oil on canvas)
View of Ecuries from Versailles castle, taken from marble courtyard by Maintenon, Louis XIV's favorite (oil on canvas)

JLJ4646246: View of Ecuries from Versailles castle, taken from marble courtyard by Maintenon, Louis XIV's favorite (oil on canvas), Martin, Jean-Baptiste (1659-1735) / Bridgeman Images

ID: JLJ4646246

View of Ecuries from Versailles castle, taken from marble courtyard by Maintenon, Louis XIV's favorite (oil on canvas)

Martin, Jean-Baptiste (1659-1735)


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