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Odin, from 'Melsted's Edda' (pen & ink and w/c on paper)
Odin, from 'Melsted's Edda' (pen & ink and w/c on paper)

MGN169948: Odin, from 'Melsted's Edda' (pen & ink and w/c on paper), Icelandic School, (18th century) / Bridgeman Images

ID: MGN169948

Odin, from 'Melsted's Edda' (pen & ink and w/c on paper)

Icelandic School, (18th century)

The Voysey Birds, late 19th century (w/c and pencil on paper)
The Voysey Birds, late 19th century (w/c and pencil on paper)

STC172913: The Voysey Birds, late 19th century (w/c and pencil on paper), Voysey, Charles Francis Annesley (1857-1941) / Bridgeman Images

ID: STC172913

The Voysey Birds, late 19th century (w/c and pencil on paper)

Voysey, Charles Francis Annesley (1857-1941)

The Clowness Cha-U-Kao Seated, 1896 (colour litho)
The Clowness Cha-U-Kao Seated, 1896 (colour litho)

XIR173148: The Clowness Cha-U-Kao Seated, 1896 (colour litho), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

ID: XIR173148

The Clowness Cha-U-Kao Seated, 1896 (colour litho)

Toulouse-Lautrec, Henri de (1864-1901)

Go Discs, 1999 (acrylic on canvas) (pair with 146091)
Go Discs, 1999 (acrylic on canvas) (pair with 146091)

BOC135005: Go Discs, 1999 (acrylic on canvas) (pair with 146091), Booth, Colin / Bridgeman Images

ID: BOC135005

Go Discs, 1999 (acrylic on canvas) (pair with 146091)

Booth, Colin

Reproduction of a poster advertising a 'Student Gala Evening', at the Bullier Room, Closerie des Lilas, 1894 (colour litho)
Reproduction of a poster advertising a 'Student Gala Evening', at the Bullier Room, Closerie des Lilas, 1894 (colour litho)

STC138059: Reproduction of a poster advertising a 'Student Gala Evening', at the Bullier Room, Closerie des Lilas, 1894 (colour litho), Cheret, Jules (1836-1932) / Bridgeman Images

ID: STC138059

Reproduction of a poster advertising a 'Student Gala Evening', at the Bullier Room, Closerie des Lilas, 1894 (colour litho)

Cheret, Jules (1836-1932)

Scene from the performance of The Importance of Being Earnest, by Oscar Wilde (1854-1900) at the St. James' Theatre, on 14 February 1895 (b/w photo)
Scene from the performance of The Importance of Being Earnest, by Oscar Wilde (1854-1900) at the St. James' Theatre, on 14 February 1895 (b/w photo)

STC135707: Scene from the performance of The Importance of Being Earnest, by Oscar Wilde (1854-1900) at the St. James' Theatre, on 14 February 1895 (b/w photo), English Photographer, (19th century) / Bridgeman Images

ID: STC135707

Scene from the performance of The Importance of Being Earnest, by Oscar Wilde (1854-1900) at the St. James' Theatre, on 14 February 1895 (b/w photo)

English Photographer, (19th century)

Life in Mesopotamia (wall painting)
Life in Mesopotamia (wall painting)

BAL130529: Life in Mesopotamia (wall painting) / Bridgeman Images

ID: BAL130529

Life in Mesopotamia (wall painting)

Rosa gallica versicolor (French rose), engraved by Langlois, from 'Les Roses', 1817-24 (coloured aquatint)
Rosa gallica versicolor (French rose), engraved by Langlois, from 'Les Roses', 1817-24 (coloured aquatint)

NP125927: Rosa gallica versicolor (French rose), engraved by Langlois, from 'Les Roses', 1817-24 (coloured aquatint), Redoute, Pierre Joseph (1759-1840) (after) / Bridgeman Images

ID: NP125927

Rosa gallica versicolor (French rose), engraved by Langlois, from 'Les Roses', 1817-24 (coloured aquatint)

Redoute, Pierre Joseph (1759-1840) (after)

Seated Woman, (pencil with white chalk on paper) (b/w photo)
Seated Woman, (pencil with white chalk on paper) (b/w photo)

FFA145856: Seated Woman, (pencil with white chalk on paper) (b/w photo), Klimt, Gustav (1862-1918) / Bridgeman Images

ID: FFA145856

Seated Woman, (pencil with white chalk on paper) (b/w photo)

Klimt, Gustav (1862-1918)

The throne of Tutankhamun (c.1370-52 BC) New Kingdom (gold-plated wood inlaid with semi-precious stones) (see 59231)
The throne of Tutankhamun (c.1370-52 BC) New Kingdom (gold-plated wood inlaid with semi-precious stones) (see 59231)

XZL149477: The throne of Tutankhamun (c.1370-52 BC) New Kingdom (gold-plated wood inlaid with semi-precious stones) (see 59231), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

ID: XZL149477

The throne of Tutankhamun (c.1370-52 BC) New Kingdom (gold-plated wood inlaid with semi-precious stones) (see 59231)

Egyptian 18th Dynasty (c.1567-1320 BC)

View of Brest Harbour, 1796 (oil on canvas)
View of Brest Harbour, 1796 (oil on canvas)

XIR155336: View of Brest Harbour, 1796 (oil on canvas), Hue, Jean-Francois (1751-1823) / Bridgeman Images

ID: XIR155336

View of Brest Harbour, 1796 (oil on canvas)

Hue, Jean-Francois (1751-1823)

Hardricourt Village and Castle (oil on canvas)
Hardricourt Village and Castle (oil on canvas)

XKH148766: Hardricourt Village and Castle (oil on canvas), Rosam, Walter (1883-1916) / Bridgeman Images

ID: XKH148766

Hardricourt Village and Castle (oil on canvas)

Rosam, Walter (1883-1916)

Nova 2644 fol.77r Butcher's shop, sale of brains, from Tacuinum Sanitatis Codex Vindobonensis (vellum)
Nova 2644 fol.77r Butcher's shop, sale of brains, from Tacuinum Sanitatis Codex Vindobonensis (vellum)

FAF164546: Nova 2644 fol.77r Butcher's shop, sale of brains, from Tacuinum Sanitatis Codex Vindobonensis (vellum), Italian School, (14th century) / Bridgeman Images

ID: FAF164546

Nova 2644 fol.77r Butcher's shop, sale of brains, from Tacuinum Sanitatis Codex Vindobonensis (vellum)

Italian School, (14th century)

A Country Romance (oil on canvas)
A Country Romance (oil on canvas)

COG172167: A Country Romance (oil on canvas), Walkley, David B. (1849-1934) / Bridgeman Images

ID: COG172167

A Country Romance (oil on canvas)

Walkley, David B. (1849-1934)

Jean, King of the Congo, engraved by Pierre Duflos (1742-1816), 1780 (copper engraving)
Jean, King of the Congo, engraved by Pierre Duflos (1742-1816), 1780 (copper engraving)

STC167420: Jean, King of the Congo, engraved by Pierre Duflos (1742-1816), 1780 (copper engraving), French School, (18th century) / Bridgeman Images

ID: STC167420

Jean, King of the Congo, engraved by Pierre Duflos (1742-1816), 1780 (copper engraving)

French School, (18th century)

Equestrian Portrait of Louis XIV (1638-1715) c.1668 (oil on canvas)
Equestrian Portrait of Louis XIV (1638-1715) c.1668 (oil on canvas)

XIR165583: Equestrian Portrait of Louis XIV (1638-1715) c.1668 (oil on canvas), Le Brun, Charles (1619-90) (studio of ) / Bridgeman Images

ID: XIR165583

Equestrian Portrait of Louis XIV (1638-1715) c.1668 (oil on canvas)

Le Brun, Charles (1619-90) (studio of )

Bust presumed to be Flavius Claudius Julianus (331-363) known as Julian the Apostate (marble)
Bust presumed to be Flavius Claudius Julianus (331-363) known as Julian the Apostate (marble)

XIR173160: Bust presumed to be Flavius Claudius Julianus (331-363) known as Julian the Apostate (marble), Roman, (4th century AD) / Bridgeman Images

ID: XIR173160

Bust presumed to be Flavius Claudius Julianus (331-363) known as Julian the Apostate (marble)

Roman, (4th century AD)

The Martyrdom of St. Paul, c.1656-59 (oil on canvas)
The Martyrdom of St. Paul, c.1656-59 (oil on canvas)

HST166813: The Martyrdom of St. Paul, c.1656-59 (oil on canvas), Preti, Mattia (Il Calabrese) (1613-99) / Bridgeman Images

ID: HST166813

The Martyrdom of St. Paul, c.1656-59 (oil on canvas)

Preti, Mattia (Il Calabrese) (1613-99)

Self Portrait, 1895 (litho)
Self Portrait, 1895 (litho)

HST166846: Self Portrait, 1895 (litho), Munch, Edvard (1863-1944) / Bridgeman Images

ID: HST166846

Self Portrait, 1895 (litho)

Munch, Edvard (1863-1944)

Norman archers prepare themselves for the battle against the English army, Bayeux Tapestry (wool embroidery on linen)
Norman archers prepare themselves for the battle against the English army, Bayeux Tapestry (wool embroidery on linen)

XIR165821: Norman archers prepare themselves for the battle against the English army, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

ID: XIR165821

Norman archers prepare themselves for the battle against the English army, Bayeux Tapestry (wool embroidery on linen)

English School, (11th century)

The Trapper's Return, 1851 (oil on canvas)
The Trapper's Return, 1851 (oil on canvas)

DTR114659: The Trapper's Return, 1851 (oil on canvas), Bingham, George Caleb (1811-79) / Bridgeman Images

ID: DTR114659

The Trapper's Return, 1851 (oil on canvas)

Bingham, George Caleb (1811-79)

Mechanical Elements, 1918-23 (oil on canvas)
Mechanical Elements, 1918-23 (oil on canvas)

PWI108598: Mechanical Elements, 1918-23 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

ID: PWI108598

Mechanical Elements, 1918-23 (oil on canvas)

Leger, Fernand (1881-1955)

Girl with a Fur Stole, Mademoiselle Jeanne Fontaine, 1891 (oil pastel on board)
Girl with a Fur Stole, Mademoiselle Jeanne Fontaine, 1891 (oil pastel on board)

CH103934: Girl with a Fur Stole, Mademoiselle Jeanne Fontaine, 1891 (oil pastel on board), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

ID: CH103934

Girl with a Fur Stole, Mademoiselle Jeanne Fontaine, 1891 (oil pastel on board)

Toulouse-Lautrec, Henri de (1864-1901)

The Toilet, 1883 (pastel and chalk on paper)
The Toilet, 1883 (pastel and chalk on paper)

NUM104631: The Toilet, 1883 (pastel and chalk on paper), Degas, Edgar (1834-1917) / Bridgeman Images

ID: NUM104631

The Toilet, 1883 (pastel and chalk on paper)

Degas, Edgar (1834-1917)

Duke William's knights arrive to do battle with Harold's men, Bayeux Tapestry (wool embroidery on linen)
Duke William's knights arrive to do battle with Harold's men, Bayeux Tapestry (wool embroidery on linen)

XCF115622: Duke William's knights arrive to do battle with Harold's men, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

ID: XCF115622

Duke William's knights arrive to do battle with Harold's men, Bayeux Tapestry (wool embroidery on linen)

English School, (11th century)

Glyndebourne, 2000 (oil on linen)
Glyndebourne, 2000 (oil on linen)

MLA143988: Glyndebourne, 2000 (oil on linen), Millar, Charlie / Bridgeman Images

ID: MLA143988

Glyndebourne, 2000 (oil on linen)

Millar, Charlie

Alexander the Great (356-23 BC) and Porus (oil on canvas)
Alexander the Great (356-23 BC) and Porus (oil on canvas)

XIR155526: Alexander the Great (356-23 BC) and Porus (oil on canvas), Fontebasso, Francesco (1709-69) / Bridgeman Images

ID: XIR155526

Alexander the Great (356-23 BC) and Porus (oil on canvas)

Fontebasso, Francesco (1709-69)

Basket Ferry, Kagowatashi, Hida Province (woodblock print)
Basket Ferry, Kagowatashi, Hida Province (woodblock print)

LMG144802: Basket Ferry, Kagowatashi, Hida Province (woodblock print), Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: LMG144802

Basket Ferry, Kagowatashi, Hida Province (woodblock print)

Hiroshige, Ando or Utagawa (1797-1858)

Flowering Branches and Flowers, 1855 (oil on canvas)
Flowering Branches and Flowers, 1855 (oil on canvas)

XKH141037: Flowering Branches and Flowers, 1855 (oil on canvas), Courbet, Gustave (1819-77) / Bridgeman Images

ID: XKH141037

Flowering Branches and Flowers, 1855 (oil on canvas)

Courbet, Gustave (1819-77)

Fragment of the 'Shroud of St. Germain', from Constantinople (Istanbul) 8th-9th century (silk)
Fragment of the 'Shroud of St. Germain', from Constantinople (Istanbul) 8th-9th century (silk)

XIR190205: Fragment of the 'Shroud of St. Germain', from Constantinople (Istanbul) 8th-9th century (silk), Byzantine / Bridgeman Images

ID: XIR190205

Fragment of the 'Shroud of St. Germain', from Constantinople (Istanbul) 8th-9th century (silk)

Byzantine

The Ships are Blown by the Winds towards the territory of Count Guy of Ponthieu, Bayeux Tapestry (wool embroidery on linen)
The Ships are Blown by the Winds towards the territory of Count Guy of Ponthieu, Bayeux Tapestry (wool embroidery on linen)

XIR183105: The Ships are Blown by the Winds towards the territory of Count Guy of Ponthieu, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

ID: XIR183105

The Ships are Blown by the Winds towards the territory of Count Guy of Ponthieu, Bayeux Tapestry (wool embroidery on linen)

English School, (11th century)

An Alchemist (oil on panel)
An Alchemist (oil on panel)

XIR191363: An Alchemist (oil on panel), Teniers, David the Younger (1610-90) / Bridgeman Images

ID: XIR191363

An Alchemist (oil on panel)

Teniers, David the Younger (1610-90)

Ninon de Lenclos (1616-1706) (oil on canvas) (see also 183893)
Ninon de Lenclos (1616-1706) (oil on canvas) (see also 183893)

XIR192133: Ninon de Lenclos (1616-1706) (oil on canvas) (see also 183893), Elle, Louis Ferdinand (the Elder) (c.1612-89) (attr.to) / Bridgeman Images

ID: XIR192133

Ninon de Lenclos (1616-1706) (oil on canvas) (see also 183893)

Elle, Louis Ferdinand (the Elder) (c.1612-89) (attr.to)

Anne-Marie-Louise d'Orleans (1627-93) Duchess of Montpensier, after 1662 (oil on canvas)
Anne-Marie-Louise d'Orleans (1627-93) Duchess of Montpensier, after 1662 (oil on canvas)

XIR185141: Anne-Marie-Louise d'Orleans (1627-93) Duchess of Montpensier, after 1662 (oil on canvas), Mignard, Pierre (1612-95) (school of) / Bridgeman Images

ID: XIR185141

Anne-Marie-Louise d'Orleans (1627-93) Duchess of Montpensier, after 1662 (oil on canvas)

Mignard, Pierre (1612-95) (school of)

Marie-Louise (1791-1847) of Habsbourg Lorraine, 1814 (oil on canvas)
Marie-Louise (1791-1847) of Habsbourg Lorraine, 1814 (oil on canvas)

XIR162102: Marie-Louise (1791-1847) of Habsbourg Lorraine, 1814 (oil on canvas), Lefevre, Robert (1755-1830) / Bridgeman Images

ID: XIR162102

Marie-Louise (1791-1847) of Habsbourg Lorraine, 1814 (oil on canvas)

Lefevre, Robert (1755-1830)

Portrait of Charles III (1716-88) c.1761 (oil on canvas)
Portrait of Charles III (1716-88) c.1761 (oil on canvas)

XIR162135: Portrait of Charles III (1716-88) c.1761 (oil on canvas), Mengs, Anton Raphael (1728-79) / Bridgeman Images

ID: XIR162135

Portrait of Charles III (1716-88) c.1761 (oil on canvas)

Mengs, Anton Raphael (1728-79)


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