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Portrait of Pope Gregory XV (1554-1623) (oil on canvas)
Portrait of Pope Gregory XV (1554-1623) (oil on canvas)

CRS225671: Portrait of Pope Gregory XV (1554-1623) (oil on canvas), Reni, Guido (1575-1642) / Bridgeman Images

ID: CRS225671

Portrait of Pope Gregory XV (1554-1623) (oil on canvas)

Reni, Guido (1575-1642)

Title page and frontispiece to 'Poems on Various Subjects, Religious and Moral' by Phillis Wheatley (1753-84) published in London, 1773 (engraving)
Title page and frontispiece to 'Poems on Various Subjects, Religious and Moral' by Phillis Wheatley (1753-84) published in London, 1773 (engraving)

MHS239834: Title page and frontispiece to 'Poems on Various Subjects, Religious and Moral' by Phillis Wheatley (1753-84) published in London, 1773 (engraving), English School, (18th century) / Bridgeman Images

ID: MHS239834

Title page and frontispiece to 'Poems on Various Subjects, Religious and Moral' by Phillis Wheatley (1753-84) published in London, 1773 (engraving)

English School, (18th century)

Atlas, copy of a Greek Hellenistic original (marble) (detail)
Atlas, copy of a Greek Hellenistic original (marble) (detail)

LEE241013: Atlas, copy of a Greek Hellenistic original (marble) (detail), Roman / Bridgeman Images

ID: LEE241013

Atlas, copy of a Greek Hellenistic original (marble) (detail)

Roman

Anemones, c.1915-16 (w/c & pencil on paper)
Anemones, c.1915-16 (w/c & pencil on paper)

FAS240754: Anemones, c.1915-16 (w/c & pencil on paper), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

ID: FAS240754

Anemones, c.1915-16 (w/c & pencil on paper)

Mackintosh, Charles Rennie (1868-1928)

Goyu: Waitresses Soliciting Travellers, from the series '53 Stations of the Tokaido', published 1833-34 (colour woodblock print)
Goyu: Waitresses Soliciting Travellers, from the series '53 Stations of the Tokaido', published 1833-34 (colour woodblock print)

XIR227246: Goyu: Waitresses Soliciting Travellers, from the series '53 Stations of the Tokaido', published 1833-34 (colour woodblock print), Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: XIR227246

Goyu: Waitresses Soliciting Travellers, from the series '53 Stations of the Tokaido', published 1833-34 (colour woodblock print)

Hiroshige, Ando or Utagawa (1797-1858)

Portrait of Madame Coquiot, 1918 (oil on canvas)
Portrait of Madame Coquiot, 1918 (oil on canvas)

XIR227290: Portrait of Madame Coquiot, 1918 (oil on canvas), Valadon, Marie Clementine (Suzanne) (1865-1938) / Bridgeman Images

ID: XIR227290

Portrait of Madame Coquiot, 1918 (oil on canvas)

Valadon, Marie Clementine (Suzanne) (1865-1938)

Princess Charlotte Augusta of Wales (1796-1817) and Prince Leopold of Saxe Cobourg Gotha (1790-1865) in their Box at Covent Garden (litho)
Princess Charlotte Augusta of Wales (1796-1817) and Prince Leopold of Saxe Cobourg Gotha (1790-1865) in their Box at Covent Garden (litho)

PLT233941: Princess Charlotte Augusta of Wales (1796-1817) and Prince Leopold of Saxe Cobourg Gotha (1790-1865) in their Box at Covent Garden (litho), Dawe, George (1781-1829) (after) / Bridgeman Images

ID: PLT233941

Princess Charlotte Augusta of Wales (1796-1817) and Prince Leopold of Saxe Cobourg Gotha (1790-1865) in their Box at Covent Garden (litho)

Dawe, George (1781-1829) (after)

A large enclosure near Dresden, 1831-32 (oil on canvas)
A large enclosure near Dresden, 1831-32 (oil on canvas)

SKD232545: A large enclosure near Dresden, 1831-32 (oil on canvas), Friedrich, Caspar David (1774-1840) / Bridgeman Images

ID: SKD232545

A large enclosure near Dresden, 1831-32 (oil on canvas)

Friedrich, Caspar David (1774-1840)

Marie-Caroline de Bourbon (1798-1870) Duchesse de Berry, 19th century (oil on canvas)
Marie-Caroline de Bourbon (1798-1870) Duchesse de Berry, 19th century (oil on canvas)

XIR234185: Marie-Caroline de Bourbon (1798-1870) Duchesse de Berry, 19th century (oil on canvas), Lawrence, Thomas (1769-1830) / Bridgeman Images

ID: XIR234185

Marie-Caroline de Bourbon (1798-1870) Duchesse de Berry, 19th century (oil on canvas)

Lawrence, Thomas (1769-1830)

The great sanhedrin of the French Israelites, 4th February 1807 (litho) (b/w photo)
The great sanhedrin of the French Israelites, 4th February 1807 (litho) (b/w photo)

CHT248211: The great sanhedrin of the French Israelites, 4th February 1807 (litho) (b/w photo), Moyse, Edouard (b.1827) / Bridgeman Images

ID: CHT248211

The great sanhedrin of the French Israelites, 4th February 1807 (litho) (b/w photo)

Moyse, Edouard (b.1827)

Lise Meitner (1878-1968) (b/w photo)
Lise Meitner (1878-1968) (b/w photo)

MTN246873: Lise Meitner (1878-1968) (b/w photo), Meitner-Graf, Lotte (1899-1973) / Bridgeman Images

ID: MTN246873

Lise Meitner (1878-1968) (b/w photo)

Meitner-Graf, Lotte (1899-1973)

Icon of the Virgin and Child, (tempera & enamel on wood)
Icon of the Virgin and Child, (tempera & enamel on wood)

CPH230928: Icon of the Virgin and Child, (tempera & enamel on wood), Byzantine / Bridgeman Images

ID: CPH230928

Icon of the Virgin and Child, (tempera & enamel on wood)

Byzantine

Negro Dance (oil on card)
Negro Dance (oil on card)

XIR231583: Negro Dance (oil on card), Figari, Pedro (1861-1938) / Bridgeman Images

ID: XIR231583

Negro Dance (oil on card)

Figari, Pedro (1861-1938)

Chief Sitting Bull (1831-90) 1933 (oil on canvas)
Chief Sitting Bull (1831-90) 1933 (oil on canvas)

PNP245635: Chief Sitting Bull (1831-90) 1933 (oil on canvas), Lindneux, Robert Ottokar (1871-1970) / Bridgeman Images

ID: PNP245635

Chief Sitting Bull (1831-90) 1933 (oil on canvas)

Lindneux, Robert Ottokar (1871-1970)

Bombardment of Copenhagen, 2nd-5th September 1807, coloured aquatint by and after J. Laurent Rugendas, published by J. Laurent Rugendas, Augsburg, 1807
Bombardment of Copenhagen, 2nd-5th September 1807, coloured aquatint by and after J. Laurent Rugendas, published by J. Laurent Rugendas, Augsburg, 1807

NAM261122: Bombardment of Copenhagen, 2nd-5th September 1807, coloured aquatint by and after J. Laurent Rugendas, published by J. Laurent Rugendas, Augsburg, 1807, Rugendas, Johann Lorenz (1775-1826) / Bridgeman Images

ID: NAM261122

Bombardment of Copenhagen, 2nd-5th September 1807, coloured aquatint by and after J. Laurent Rugendas, published by J. Laurent Rugendas, Augsburg, 1807

Rugendas, Johann Lorenz (1775-1826)

Portuguese Synagogue in Amsterdam, c.1680 (oil on canvas)
Portuguese Synagogue in Amsterdam, c.1680 (oil on canvas)

IMJ275814: Portuguese Synagogue in Amsterdam, c.1680 (oil on canvas), Witte, Emanuel de (c.1617-92) / Bridgeman Images

ID: IMJ275814

Portuguese Synagogue in Amsterdam, c.1680 (oil on canvas)

Witte, Emanuel de (c.1617-92)

Hand Axe, Acheulian Period (flint)
Hand Axe, Acheulian Period (flint)

ANC276595: Hand Axe, Acheulian Period (flint), Paleolithic / Bridgeman Images

ID: ANC276595

Hand Axe, Acheulian Period (flint)

Paleolithic

The Artist's Studio, c.1665-66 (oil on canvas) (detail of 408)
The Artist's Studio, c.1665-66 (oil on canvas) (detail of 408)

BBC263564: The Artist's Studio, c.1665-66 (oil on canvas) (detail of 408), Vermeer, Jan (Johannes) (1632-75) / Bridgeman Images

ID: BBC263564

The Artist's Studio, c.1665-66 (oil on canvas) (detail of 408)

Vermeer, Jan (Johannes) (1632-75)

Earring, Persian (c.525-330 BC) (gold with inlays of turquoise, carnelian, and lapis lazuli)
Earring, Persian (c.525-330 BC) (gold with inlays of turquoise, carnelian, and lapis lazuli)

BST261708: Earring, Persian (c.525-330 BC) (gold with inlays of turquoise, carnelian, and lapis lazuli), Achaemenid, (550-330 BC) / Bridgeman Images

ID: BST261708

Earring, Persian (c.525-330 BC) (gold with inlays of turquoise, carnelian, and lapis lazuli)

Achaemenid, (550-330 BC)

Stele of the Nubian soldier Nenu, First Intermediate Period to Middle Kingdom (painted limestone)
Stele of the Nubian soldier Nenu, First Intermediate Period to Middle Kingdom (painted limestone)

BST261756: Stele of the Nubian soldier Nenu, First Intermediate Period to Middle Kingdom (painted limestone), Egyptian / Bridgeman Images

ID: BST261756

Stele of the Nubian soldier Nenu, First Intermediate Period to Middle Kingdom (painted limestone)

Egyptian

Two Ladies Paddling - Weston-Super-Mare (oil on board)
Two Ladies Paddling - Weston-Super-Mare (oil on board)

BAL270326: Two Ladies Paddling - Weston-Super-Mare (oil on board), Breeden, Peter (b.1956) / Bridgeman Images

ID: BAL270326

Two Ladies Paddling - Weston-Super-Mare (oil on board)

Breeden, Peter (b.1956)

Red-figure hydria with scenes in women's quarters (gynaikonites) from Apulia, Italy (clay)
Red-figure hydria with scenes in women's quarters (gynaikonites) from Apulia, Italy (clay)

BNK271987: Red-figure hydria with scenes in women's quarters (gynaikonites) from Apulia, Italy (clay), Varese Painter (fl.c.360-340 BC) (attr. to) / Bridgeman Images

ID: BNK271987

Red-figure hydria with scenes in women's quarters (gynaikonites) from Apulia, Italy (clay)

Varese Painter (fl.c.360-340 BC) (attr. to)

God the Father loves us as His children with a tender and unfailing love, 2002 (oil on board)
God the Father loves us as His children with a tender and unfailing love, 2002 (oil on board)

WNG268467: God the Father loves us as His children with a tender and unfailing love, 2002 (oil on board), Wang, Elizabeth (1942-2016) / Bridgeman Images

ID: WNG268467

God the Father loves us as His children with a tender and unfailing love, 2002 (oil on board)

Wang, Elizabeth (1942-2016)

Amber pieces with inclusions (amber)
Amber pieces with inclusions (amber)

MBK253557: Amber pieces with inclusions (amber) / Bridgeman Images

ID: MBK253557

Amber pieces with inclusions (amber)

The Farnese Bull, Roman copy of a Greek original by Apollonios of Tralles (stone)
The Farnese Bull, Roman copy of a Greek original by Apollonios of Tralles (stone)

XAL253903: The Farnese Bull, Roman copy of a Greek original by Apollonios of Tralles (stone), Roman, (1st century BC) / Bridgeman Images

ID: XAL253903

The Farnese Bull, Roman copy of a Greek original by Apollonios of Tralles (stone)

Roman, (1st century BC)

John Quincy Adams (1767-1848) (colour litho)
John Quincy Adams (1767-1848) (colour litho)

PNP256549: John Quincy Adams (1767-1848) (colour litho), Healy, George Peter Alexander (1813-1894) / Bridgeman Images

ID: PNP256549

John Quincy Adams (1767-1848) (colour litho)

Healy, George Peter Alexander (1813-1894)

The Sick Waiting for Jesus to Pass By, illustration for 'The Life of Christ', c.1884-96 (w/c & gouache on paperboard)
The Sick Waiting for Jesus to Pass By, illustration for 'The Life of Christ', c.1884-96 (w/c & gouache on paperboard)

TBM266592: The Sick Waiting for Jesus to Pass By, illustration for 'The Life of Christ', c.1884-96 (w/c & gouache on paperboard), Tissot, James Jacques Joseph (1836-1902) / Bridgeman Images

ID: TBM266592

The Sick Waiting for Jesus to Pass By, illustration for 'The Life of Christ', c.1884-96 (w/c & gouache on paperboard)

Tissot, James Jacques Joseph (1836-1902)

Caring (oil on canvas)
Caring (oil on canvas)

PS284177: Caring (oil on canvas), Scott, Pat (1932-2017) / Bridgeman Images

ID: PS284177

Caring (oil on canvas)

Scott, Pat (1932-2017)

The Troelfth Cake, first partition of Poland on the 26th September 1772, engraved by Noel Le Mire (1724-1800) (litho) (b/w photo)
The Troelfth Cake, first partition of Poland on the 26th September 1772, engraved by Noel Le Mire (1724-1800) (litho) (b/w photo)

XIR287087: The Troelfth Cake, first partition of Poland on the 26th September 1772, engraved by Noel Le Mire (1724-1800) (litho) (b/w photo), Moreau, Jean Michel the Younger (1741-1814) (after) / Bridgeman Images

ID: XIR287087

The Troelfth Cake, first partition of Poland on the 26th September 1772, engraved by Noel Le Mire (1724-1800) (litho) (b/w photo)

Moreau, Jean Michel the Younger (1741-1814) (after)

Fol.33v, Detail of a banquet with musicians, from a book of poems by Hafiz Shirazi (c.1325-c.1388) 1554 (gouache on paper)
Fol.33v, Detail of a banquet with musicians, from a book of poems by Hafiz Shirazi (c.1325-c.1388) 1554 (gouache on paper)

XIR283305: Fol.33v, Detail of a banquet with musicians, from a book of poems by Hafiz Shirazi (c.1325-c.1388) 1554 (gouache on paper), Persian School, (16th century) / Bridgeman Images

ID: XIR283305

Fol.33v, Detail of a banquet with musicians, from a book of poems by Hafiz Shirazi (c.1325-c.1388) 1554 (gouache on paper)

Persian School, (16th century)

Baule mask, Ivory Coast, West Africa, late 19th-early 20th century (wood & pigment)
Baule mask, Ivory Coast, West Africa, late 19th-early 20th century (wood & pigment)

IMJ282403: Baule mask, Ivory Coast, West Africa, late 19th-early 20th century (wood & pigment), African School / Bridgeman Images

ID: IMJ282403

Baule mask, Ivory Coast, West Africa, late 19th-early 20th century (wood & pigment)

African School

Calves' Heads and Brains; or a Phrenological Lecture, 1826 (colour etching)
Calves' Heads and Brains; or a Phrenological Lecture, 1826 (colour etching)

XCF290973: Calves' Heads and Brains; or a Phrenological Lecture, 1826 (colour etching), English School, (19th century) / Bridgeman Images

ID: XCF290973

Calves' Heads and Brains; or a Phrenological Lecture, 1826 (colour etching)

English School, (19th century)

Tavern Scene, c.1635 (oil on oak)
Tavern Scene, c.1635 (oil on oak)

BAC155179: Tavern Scene, c.1635 (oil on oak), Brouwer, Adriaen (1605/6-38) / Bridgeman Images

ID: BAC155179

Tavern Scene, c.1635 (oil on oak)

Brouwer, Adriaen (1605/6-38)

Fol.26v & 27r, The Entrance Gate and Streets of Meknes, from 'Album of a Voyage to Spain, Morocco and Algeria', 1832 (w/c and pencil on paper) (facsimile copy)
Fol.26v & 27r, The Entrance Gate and Streets of Meknes, from 'Album of a Voyage to Spain, Morocco and Algeria', 1832 (w/c and pencil on paper) (facsimile copy)

CND155531: Fol.26v & 27r, The Entrance Gate and Streets of Meknes, from 'Album of a Voyage to Spain, Morocco and Algeria', 1832 (w/c and pencil on paper) (facsimile copy), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: CND155531

Fol.26v & 27r, The Entrance Gate and Streets of Meknes, from 'Album of a Voyage to Spain, Morocco and Algeria', 1832 (w/c and pencil on paper) (facsimile copy)

Delacroix, Ferdinand Victor Eugene (1798-1863)

Philippe Pinel (1745-1826) releasing lunatics from their chains at the Salpetriere asylum in Paris in 1795, 1886 (oil on canvas) (detail see also 164469)
Philippe Pinel (1745-1826) releasing lunatics from their chains at the Salpetriere asylum in Paris in 1795, 1886 (oil on canvas) (detail see also 164469)

CHT164470: Philippe Pinel (1745-1826) releasing lunatics from their chains at the Salpetriere asylum in Paris in 1795, 1886 (oil on canvas) (detail see also 164469), Robert-Fleury, Tony (1837-1912) / Bridgeman Images

ID: CHT164470

Philippe Pinel (1745-1826) releasing lunatics from their chains at the Salpetriere asylum in Paris in 1795, 1886 (oil on canvas) (detail see also 164469)

Robert-Fleury, Tony (1837-1912)

Le Cannet, 'Souvenir of Corot', 1902 (oil on canvas)
Le Cannet, 'Souvenir of Corot', 1902 (oil on canvas)

BRN160518: Le Cannet, 'Souvenir of Corot', 1902 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: BRN160518

Le Cannet, 'Souvenir of Corot', 1902 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)


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