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Sir Francis Drake (1540/3-96) published 1833 (engraving)
Sir Francis Drake (1540/3-96) published 1833 (engraving)

KWE200752: Sir Francis Drake (1540/3-96) published 1833 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE200752

Sir Francis Drake (1540/3-96) published 1833 (engraving)

English School, (19th century)

The Railway Junction at Bois-Colombes, or La Route Pontoise, 1886 (oil on canvas)
The Railway Junction at Bois-Colombes, or La Route Pontoise, 1886 (oil on canvas)

LMG100065: The Railway Junction at Bois-Colombes, or La Route Pontoise, 1886 (oil on canvas), Signac, Paul (1863-1935) / Bridgeman Images

ID: LMG100065

The Railway Junction at Bois-Colombes, or La Route Pontoise, 1886 (oil on canvas)

Signac, Paul (1863-1935)

Allegory of the Elements, the Universe and Signs of the Zodiac, 1597 (oil on plaster) (for detail see 107110)
Allegory of the Elements, the Universe and Signs of the Zodiac, 1597 (oil on plaster) (for detail see 107110)

BEN107109: Allegory of the Elements, the Universe and Signs of the Zodiac, 1597 (oil on plaster) (for detail see 107110), Caravaggio, Michelangelo Merisi da (1571-1610) / Bridgeman Images

ID: BEN107109

Allegory of the Elements, the Universe and Signs of the Zodiac, 1597 (oil on plaster) (for detail see 107110)

Caravaggio, Michelangelo Merisi da (1571-1610)

Magnificat, 1909 (oil on canvas)
Magnificat, 1909 (oil on canvas)

XIR83579: Magnificat, 1909 (oil on canvas), Denis, Maurice (1870-1943) / Bridgeman Images

ID: XIR83579

Magnificat, 1909 (oil on canvas)

Denis, Maurice (1870-1943)

Pendant depicting Astarte, goddess of fertility (gold)
Pendant depicting Astarte, goddess of fertility (gold)

XIR85727: Pendant depicting Astarte, goddess of fertility (gold), Phoenician, (14th century BC) / Bridgeman Images

ID: XIR85727

Pendant depicting Astarte, goddess of fertility (gold)

Phoenician, (14th century BC)

Landscape in Tours, 1892 (oil on canvas)
Landscape in Tours, 1892 (oil on canvas)

XIR201540: Landscape in Tours, 1892 (oil on canvas), Morisot, Berthe (1841-95) / Bridgeman Images

ID: XIR201540

Landscape in Tours, 1892 (oil on canvas)

Morisot, Berthe (1841-95)

Steam-powered car invented by Nicolas Joseph Cugnot (1725-1804)
Steam-powered car invented by Nicolas Joseph Cugnot (1725-1804)

XIR207692: Steam-powered car invented by Nicolas Joseph Cugnot (1725-1804), French School, (18th century) / Bridgeman Images

ID: XIR207692

Steam-powered car invented by Nicolas Joseph Cugnot (1725-1804)

French School, (18th century)

The Court of Faerie, 1906 (gouache on paper)
The Court of Faerie, 1906 (gouache on paper)

CRT213826: The Court of Faerie, 1906 (gouache on paper), Maybank, Thomas (1869-1929) / Bridgeman Images

ID: CRT213826

The Court of Faerie, 1906 (gouache on paper)

Maybank, Thomas (1869-1929)

Dish with a hunting scene, from Ras Shamra, Ugarit, c.1250-1150 BC (gold)
Dish with a hunting scene, from Ras Shamra, Ugarit, c.1250-1150 BC (gold)

XIR214114: Dish with a hunting scene, from Ras Shamra, Ugarit, c.1250-1150 BC (gold), Phoenician / Bridgeman Images

ID: XIR214114

Dish with a hunting scene, from Ras Shamra, Ugarit, c.1250-1150 BC (gold)

Phoenician

Set design for Act I Scene xv of 'The Magic Flute' by Wolfgang Amadeus Mozart (1756-91) (coloured engraving)
Set design for Act I Scene xv of 'The Magic Flute' by Wolfgang Amadeus Mozart (1756-91) (coloured engraving)

XZO217146: Set design for Act I Scene xv of 'The Magic Flute' by Wolfgang Amadeus Mozart (1756-91) (coloured engraving), Schinkel, Karl Friedrich (1781-1841) / Bridgeman Images

ID: XZO217146

Set design for Act I Scene xv of 'The Magic Flute' by Wolfgang Amadeus Mozart (1756-91) (coloured engraving)

Schinkel, Karl Friedrich (1781-1841)

Tishcohan, 1735 (oil on canvas)
Tishcohan, 1735 (oil on canvas)

AKM202086: Tishcohan, 1735 (oil on canvas), Hesselius, Gustavus (1682-1755) / Bridgeman Images

ID: AKM202086

Tishcohan, 1735 (oil on canvas)

Hesselius, Gustavus (1682-1755)

The Christmas Tree, 1910 (oil on canvas)
The Christmas Tree, 1910 (oil on canvas)

XAB198740: The Christmas Tree, 1910 (oil on canvas), Korin, Alexei Mikhailovich (1865-1923) / Bridgeman Images

ID: XAB198740

The Christmas Tree, 1910 (oil on canvas)

Korin, Alexei Mikhailovich (1865-1923)

Ms 3 fol.4 The Six Days of the Creation, from the Bible of St. Sulpicius of Bourges (vellum)
Ms 3 fol.4 The Six Days of the Creation, from the Bible of St. Sulpicius of Bourges (vellum)

XIR199100: Ms 3 fol.4 The Six Days of the Creation, from the Bible of St. Sulpicius of Bourges (vellum), French School, (12th century) / Bridgeman Images

ID: XIR199100

Ms 3 fol.4 The Six Days of the Creation, from the Bible of St. Sulpicius of Bourges (vellum)

French School, (12th century)

Anthropomorphic Mask (stone, turquoise, obsidian and shell) (157743)
Anthropomorphic Mask (stone, turquoise, obsidian and shell) (157743)

JPC207572: Anthropomorphic Mask (stone, turquoise, obsidian and shell) (157743), Teotihuacan / Bridgeman Images

ID: JPC207572

Anthropomorphic Mask (stone, turquoise, obsidian and shell) (157743)

Teotihuacan

Waft of Mist, c. 1818-20 (oil on canvas)
Waft of Mist, c. 1818-20 (oil on canvas)

XKH141325: Waft of Mist, c. 1818-20 (oil on canvas), Friedrich, Caspar David (1774-1840) / Bridgeman Images

ID: XKH141325

Waft of Mist, c. 1818-20 (oil on canvas)

Friedrich, Caspar David (1774-1840)

The Choir Singing in St. Mark's Basilica, Venice, 1766 (pen, ink and wash on paper)
The Choir Singing in St. Mark's Basilica, Venice, 1766 (pen, ink and wash on paper)

XKH141626: The Choir Singing in St. Mark's Basilica, Venice, 1766 (pen, ink and wash on paper), Canaletto, (Giovanni Antonio Canal) (1697-1768) / Bridgeman Images

ID: XKH141626

The Choir Singing in St. Mark's Basilica, Venice, 1766 (pen, ink and wash on paper)

Canaletto, (Giovanni Antonio Canal) (1697-1768)

Portrait of T. E. Lawrence (b/w photo)
Portrait of T. E. Lawrence (b/w photo)

ILN135209: Portrait of T. E. Lawrence (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: ILN135209

Portrait of T. E. Lawrence (b/w photo)

English Photographer, (20th century)

Death and the Knight, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)
Death and the Knight, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)

XJF143261: Death and the Knight, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

ID: XJF143261

Death and the Knight, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)

Holbein the Younger, Hans (1497/8-1543) (after)

View of the Temples at Abu Simbel, Nubia, engraved by Augustine Aglio (1777-1857) (engraving)
View of the Temples at Abu Simbel, Nubia, engraved by Augustine Aglio (1777-1857) (engraving)

XZL151172: View of the Temples at Abu Simbel, Nubia, engraved by Augustine Aglio (1777-1857) (engraving), Belzoni, Giovanni Battista (1778-1823) (after) / Bridgeman Images

ID: XZL151172

View of the Temples at Abu Simbel, Nubia, engraved by Augustine Aglio (1777-1857) (engraving)

Belzoni, Giovanni Battista (1778-1823) (after)

Portrait of John James Audubon (1758-1851) c.1840-41 (oil on linen)
Portrait of John James Audubon (1758-1851) c.1840-41 (oil on linen)

NYH149717: Portrait of John James Audubon (1758-1851) c.1840-41 (oil on linen), Audubon, John Woodhouse (1812-62) / Bridgeman Images

ID: NYH149717

Portrait of John James Audubon (1758-1851) c.1840-41 (oil on linen)

Audubon, John Woodhouse (1812-62)

Portrait of a Young Girl in Sarafan and Kokoshnik, 1820s (oil on canvas)
Portrait of a Young Girl in Sarafan and Kokoshnik, 1820s (oil on canvas)

XIR152008: Portrait of a Young Girl in Sarafan and Kokoshnik, 1820s (oil on canvas), Gandolfi, Mauro (1764-1834) / Bridgeman Images

ID: XIR152008

Portrait of a Young Girl in Sarafan and Kokoshnik, 1820s (oil on canvas)

Gandolfi, Mauro (1764-1834)

The Triumphal Elephant, an allegorical tribute to Francis I, detail of decorative scheme in the Gallery of Francis I, 1530-40 (fresco and stucco)
The Triumphal Elephant, an allegorical tribute to Francis I, detail of decorative scheme in the Gallery of Francis I, 1530-40 (fresco and stucco)

PWI105686: The Triumphal Elephant, an allegorical tribute to Francis I, detail of decorative scheme in the Gallery of Francis I, 1530-40 (fresco and stucco), Rosso Fiorentino, Giovanni Battista (1494-1540) / Bridgeman Images

ID: PWI105686

The Triumphal Elephant, an allegorical tribute to Francis I, detail of decorative scheme in the Gallery of Francis I, 1530-40 (fresco and stucco)

Rosso Fiorentino, Giovanni Battista (1494-1540)

Ms. 69 fol.138v The Lamb of God surrounded by the Symbols of the Evangelists (vellum)
Ms. 69 fol.138v The Lamb of God surrounded by the Symbols of the Evangelists (vellum)

XIR156570: Ms. 69 fol.138v The Lamb of God surrounded by the Symbols of the Evangelists (vellum), French School, (9th century) / Bridgeman Images

ID: XIR156570

Ms. 69 fol.138v The Lamb of God surrounded by the Symbols of the Evangelists (vellum)

French School, (9th century)

Alexander the Great (356-323 BC) and Diogenes (c.400-325 BC) (oil on canvas)
Alexander the Great (356-323 BC) and Diogenes (c.400-325 BC) (oil on canvas)

XIR155519: Alexander the Great (356-323 BC) and Diogenes (c.400-325 BC) (oil on canvas), Sevin, Pierre Paul (1650-1710) / Bridgeman Images

ID: XIR155519

Alexander the Great (356-323 BC) and Diogenes (c.400-325 BC) (oil on canvas)

Sevin, Pierre Paul (1650-1710)

Adham Khan paying homage to Akbar at Sarangpur, Central India, in 1560 or 1561, from the 'Akbarnama', 1590-98
Adham Khan paying homage to Akbar at Sarangpur, Central India, in 1560 or 1561, from the 'Akbarnama', 1590-98

STC153803: Adham Khan paying homage to Akbar at Sarangpur, Central India, in 1560 or 1561, from the 'Akbarnama', 1590-98, Mughal School, (16th century) / Bridgeman Images

ID: STC153803

Adham Khan paying homage to Akbar at Sarangpur, Central India, in 1560 or 1561, from the 'Akbarnama', 1590-98

Mughal School, (16th century)

Scene of the 1830 Revolution (oil on canvas)
Scene of the 1830 Revolution (oil on canvas)

XIR175982: Scene of the 1830 Revolution (oil on canvas), Rouviere, Philibert (1805-65) / Bridgeman Images

ID: XIR175982

Scene of the 1830 Revolution (oil on canvas)

Rouviere, Philibert (1805-65)

Ms.230 fol.57 Monk Preaching on Imitation, from 'Sermons sur la Passion et Traites Divers' by Jean de Gerson (1363-1429) (vellum)
Ms.230 fol.57 Monk Preaching on Imitation, from 'Sermons sur la Passion et Traites Divers' by Jean de Gerson (1363-1429) (vellum)

XIR171017: Ms.230 fol.57 Monk Preaching on Imitation, from 'Sermons sur la Passion et Traites Divers' by Jean de Gerson (1363-1429) (vellum), French School, (15th century) / Bridgeman Images

ID: XIR171017

Ms.230 fol.57 Monk Preaching on Imitation, from 'Sermons sur la Passion et Traites Divers' by Jean de Gerson (1363-1429) (vellum)

French School, (15th century)

Portrait of Rachel (1821-58) (oil on canvas)
Portrait of Rachel (1821-58) (oil on canvas)

XIR173486: Portrait of Rachel (1821-58) (oil on canvas), Deveria, Achille (1800-57) / Bridgeman Images

ID: XIR173486

Portrait of Rachel (1821-58) (oil on canvas)

Deveria, Achille (1800-57)

Two men fighting, detail from the side of a sledge, from the Oseberg burial (wood)
Two men fighting, detail from the side of a sledge, from the Oseberg burial (wood)

KND177106: Two men fighting, detail from the side of a sledge, from the Oseberg burial (wood), Viking, (9th century) / Bridgeman Images

ID: KND177106

Two men fighting, detail from the side of a sledge, from the Oseberg burial (wood)

Viking, (9th century)

Mithradates VI (132-63 BC) Eupator, King of Pontus (marble) (see also 159138)
Mithradates VI (132-63 BC) Eupator, King of Pontus (marble) (see also 159138)

XIR177442: Mithradates VI (132-63 BC) Eupator, King of Pontus (marble) (see also 159138), Greek school, (1st century BC) / Bridgeman Images

ID: XIR177442

Mithradates VI (132-63 BC) Eupator, King of Pontus (marble) (see also 159138)

Greek school, (1st century BC)

Musicians taking part in The Ommeganck in Brussels on 31st May 1615: Procession of Notre Dame de Sablon (oil on canvas) (see 59846)
Musicians taking part in The Ommeganck in Brussels on 31st May 1615: Procession of Notre Dame de Sablon (oil on canvas) (see 59846)

BAL179888: Musicians taking part in The Ommeganck in Brussels on 31st May 1615: Procession of Notre Dame de Sablon (oil on canvas) (see 59846), Alsloot, Denys van (1570-1628) / Bridgeman Images

ID: BAL179888

Musicians taking part in The Ommeganck in Brussels on 31st May 1615: Procession of Notre Dame de Sablon (oil on canvas) (see 59846)

Alsloot, Denys van (1570-1628)

Tomb of Pope Julius II (1453-1513) detail of Moses, 1513-16 (marble)
Tomb of Pope Julius II (1453-1513) detail of Moses, 1513-16 (marble)

XAL166356: Tomb of Pope Julius II (1453-1513) detail of Moses, 1513-16 (marble), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: XAL166356

Tomb of Pope Julius II (1453-1513) detail of Moses, 1513-16 (marble)

Buonarroti, Michelangelo (1475-1564)

Neapolitan Pizza Seller (colour lithograph)
Neapolitan Pizza Seller (colour lithograph)

CHT168600: Neapolitan Pizza Seller (colour lithograph), Italian School, (19th century) / Bridgeman Images

ID: CHT168600

Neapolitan Pizza Seller (colour lithograph)

Italian School, (19th century)

Sign advertising the services of a midwife, early 19th century (oil on panel)
Sign advertising the services of a midwife, early 19th century (oil on panel)

XIR175019: Sign advertising the services of a midwife, early 19th century (oil on panel), French School, (19th century) / Bridgeman Images

ID: XIR175019

Sign advertising the services of a midwife, early 19th century (oil on panel)

French School, (19th century)

View of the Marly Machine and the Aqueduct at Louveciennes, 1722 (oil on canvas)
View of the Marly Machine and the Aqueduct at Louveciennes, 1722 (oil on canvas)

XIR170254: View of the Marly Machine and the Aqueduct at Louveciennes, 1722 (oil on canvas), Martin, Pierre-Denis (1663-1742) / Bridgeman Images

ID: XIR170254

View of the Marly Machine and the Aqueduct at Louveciennes, 1722 (oil on canvas)

Martin, Pierre-Denis (1663-1742)

The Rose Path, 1920-22 (oil on canvas)
The Rose Path, 1920-22 (oil on canvas)

XIR176256: The Rose Path, 1920-22 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: XIR176256

The Rose Path, 1920-22 (oil on canvas)

Monet, Claude (1840-1926)


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