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Portrait of Mary, Queen of Scots, c.1549 (black and red chalk)
Portrait of Mary, Queen of Scots, c.1549 (black and red chalk)

XOS996650: Portrait of Mary, Queen of Scots, c.1549 (black and red chalk), Clouet, Francois (c.1510-72) / Bridgeman Images

Hortense de Beauharnais (1783-1837) (oil on canvas)
Hortense de Beauharnais (1783-1837) (oil on canvas)

XIR174310: Hortense de Beauharnais (1783-1837) (oil on canvas), Fleury, Francois Richard (called Fleury-Richard) (1777-1852) / Bridgeman Images

Eve, fragment of the lintel from the portal of the Cathedral of St. Lazare, c.1135-40 (stone)
Eve, fragment of the lintel from the portal of the Cathedral of St. Lazare, c.1135-40 (stone)

XIR168150: Eve, fragment of the lintel from the portal of the Cathedral of St. Lazare, c.1135-40 (stone), Gislebertus, (12th century) / Bridgeman Images

Portrait of Francois Quesnay (1694-1774) engraved by Johan Georg Wille (1715-1808) (engraving) (b/w photo)
Portrait of Francois Quesnay (1694-1774) engraved by Johan Georg Wille (1715-1808) (engraving) (b/w photo)

XIR175946: Portrait of Francois Quesnay (1694-1774) engraved by Johan Georg Wille (1715-1808) (engraving) (b/w photo), Chevallier, J. (18th century) (after) / Bridgeman Images

Jesus Healing the Crippled and the Blind (mosaic)
Jesus Healing the Crippled and the Blind (mosaic)

XIR170201: Jesus Healing the Crippled and the Blind (mosaic), Byzantine School, (12th century) / Bridgeman Images

Gilbert Motier (1757-1834) Marquis de la Fayette, 1788 (oil on canvas)
Gilbert Motier (1757-1834) Marquis de la Fayette, 1788 (oil on canvas)

XIR156889: Gilbert Motier (1757-1834) Marquis de la Fayette, 1788 (oil on canvas), Boilly, Louis Leopold (1761-1845) / Bridgeman Images

View over Florence, c.1829 (oil on canvas)
View over Florence, c.1829 (oil on canvas)

XKH149001: View over Florence, c.1829 (oil on canvas), Rottmann, Carl (1797-1850) / Bridgeman Images

Portrait of an Artist in his Studio, 19th century (oil on canvas)
Portrait of an Artist in his Studio, 19th century (oil on canvas)

XIR143824: Portrait of an Artist in his Studio, 19th century (oil on canvas), Gericault, Theodore (1791-1824) / Bridgeman Images

Mother's Pride (oil on panel)
Mother's Pride (oil on panel)

OWG199939: Mother's Pride (oil on panel), Caille, Leon (1836-1907) / Bridgeman Images

Triumph of Time, inspired by 'Triumphs' by Petrarch (1304-74) (oil on panel)
Triumph of Time, inspired by 'Triumphs' by Petrarch (1304-74) (oil on panel)

XAL194160: Triumph of Time, inspired by 'Triumphs' by Petrarch (1304-74) (oil on panel), Sellaio, Jacopo del (1441/42-93) / Bridgeman Images

The Antilles and the Gulf of Mexico, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96) published Geneva, 1780 (coloured engraving)
The Antilles and the Gulf of Mexico, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96) published Geneva, 1780 (coloured engraving)

KWE205836: The Antilles and the Gulf of Mexico, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96) published Geneva, 1780 (coloured engraving), Bonne, Charles Marie Rigobert (1727-95) / Bridgeman Images

Pineapple grown in Sir Matthew Decker's Garden, Richmond, Surrey, 1720 (oil on canvas)
Pineapple grown in Sir Matthew Decker's Garden, Richmond, Surrey, 1720 (oil on canvas)

FIT212399: Pineapple grown in Sir Matthew Decker's Garden, Richmond, Surrey, 1720 (oil on canvas), Netscher, Theodorus (1661-1732) / Bridgeman Images

Exterior view of the Madeleine, Paris (lithograph)
Exterior view of the Madeleine, Paris (lithograph)

XIR206196: Exterior view of the Madeleine, Paris (lithograph), Benoist, Philippe (1813-c.1905) / Bridgeman Images

Howard Carter (1873-1939) and a colleague beside a partially demolished wall of one of the tombs, Valley of the Kings (gelatin silver print)
Howard Carter (1873-1939) and a colleague beside a partially demolished wall of one of the tombs, Valley of the Kings (gelatin silver print)

STC159196: Howard Carter (1873-1939) and a colleague beside a partially demolished wall of one of the tombs, Valley of the Kings (gelatin silver print), Burton, Harry (1879-1940) / Bridgeman Images

A Corridor in the Old Anatomical Institute in Weimar, 1882 (oil on canvas)
A Corridor in the Old Anatomical Institute in Weimar, 1882 (oil on canvas)

XKH152148: A Corridor in the Old Anatomical Institute in Weimar, 1882 (oil on canvas), Speckter, Hans (1848-88) / Bridgeman Images

The Artist and his School, 1902 (oil on canvas)
The Artist and his School, 1902 (oil on canvas)

XKH152163: The Artist and his School, 1902 (oil on canvas), Siebelist, Arthur (1870-1946) / Bridgeman Images

Love's Young Dream, 1887 (oil on canvas)
Love's Young Dream, 1887 (oil on canvas)

CH204832: Love's Young Dream, 1887 (oil on canvas), Brownscombe, Jennie Augusta (1850-1936) / Bridgeman Images

High Altar of St Peter's in Hamburg, the Grabower Altar (tempera on panel)
High Altar of St Peter's in Hamburg, the Grabower Altar (tempera on panel)

XKH145256: High Altar of St Peter's in Hamburg, the Grabower Altar (tempera on panel), Master Bertram of Minden (c.1345-c.1415) / Bridgeman Images

Studies for Ver Sacrum 1900 - Pallas Athene and a Tragic Head, 1897-98 (pencil and blue crayon on tracing paper)
Studies for Ver Sacrum 1900 - Pallas Athene and a Tragic Head, 1897-98 (pencil and blue crayon on tracing paper)

FFA145383: Studies for Ver Sacrum 1900 - Pallas Athene and a Tragic Head, 1897-98 (pencil and blue crayon on tracing paper), Klimt, Gustav (1862-1918) / Bridgeman Images

Death taking the Bishop and the Nobleman, from the Danse Macabre, published Paris, 1485 (woodcut) (b/w photo)
Death taking the Bishop and the Nobleman, from the Danse Macabre, published Paris, 1485 (woodcut) (b/w photo)

BBC211051: Death taking the Bishop and the Nobleman, from the Danse Macabre, published Paris, 1485 (woodcut) (b/w photo), Marchant, Guy (fl.1485) / Bridgeman Images

Advertisement for Alfa-Laval Cream Separators, 1905 (colour litho)
Advertisement for Alfa-Laval Cream Separators, 1905 (colour litho)

CHT211493: Advertisement for Alfa-Laval Cream Separators, 1905 (colour litho), French School, (20th century) / Bridgeman Images

The Tours Congress, from 'L'Humanite', December 1920 (b/w photo)
The Tours Congress, from 'L'Humanite', December 1920 (b/w photo)

CHT163898: The Tours Congress, from 'L'Humanite', December 1920 (b/w photo), French Photographer, (20th century) / Bridgeman Images

Ms. Lat. 14023 fol. 769 v. Antidote teaching from 'Canon of Medicine' by Avicenna (Ibn Sina) (980-1037), translated by Gerard de Cremone (1114-87) c.1320 (vellum)
Ms. Lat. 14023 fol. 769 v. Antidote teaching from 'Canon of Medicine' by Avicenna (Ibn Sina) (980-1037), translated by Gerard de Cremone (1114-87) c.1320 (vellum)

CHT164186: Ms. Lat. 14023 fol. 769 v. Antidote teaching from 'Canon of Medicine' by Avicenna (Ibn Sina) (980-1037), translated by Gerard de Cremone (1114-87) c.1320 (vellum), French School, (14th century) / Bridgeman Images

Boule de Suif, 1884 (oil on canvas)
Boule de Suif, 1884 (oil on canvas)

PCT164356: Boule de Suif, 1884 (oil on canvas), Boutigny, Paul Emile (1854-1929) / Bridgeman Images

Johann I Neudorfer and his Son, 1561 (oil on canvas)
Johann I Neudorfer and his Son, 1561 (oil on canvas)

XIR161721: Johann I Neudorfer and his Son, 1561 (oil on canvas), Neufchatel, Nicolas (1527-90) / Bridgeman Images

Map illustrating the Naval Attack on England by Napoleon Bonaparte (1769-1821) c.1803-04 (coloured engraving)
Map illustrating the Naval Attack on England by Napoleon Bonaparte (1769-1821) c.1803-04 (coloured engraving)

XIR168320: Map illustrating the Naval Attack on England by Napoleon Bonaparte (1769-1821) c.1803-04 (coloured engraving), French School, (19th century) / Bridgeman Images

A Rich Man Spurns a Ragged Beggar, from 'A Christall Glass of Christian Reformation' by Stephen Bateman, 1569 (woodcut) (b/w photo)
A Rich Man Spurns a Ragged Beggar, from 'A Christall Glass of Christian Reformation' by Stephen Bateman, 1569 (woodcut) (b/w photo)

XJF100256: A Rich Man Spurns a Ragged Beggar, from 'A Christall Glass of Christian Reformation' by Stephen Bateman, 1569 (woodcut) (b/w photo), English School, (16th century) / Bridgeman Images

Still Life with a Red Deer (oil on canvas)
Still Life with a Red Deer (oil on canvas)

XIR39449: Still Life with a Red Deer (oil on canvas), Snyders or Snijders, Frans (1579-1657) / Bridgeman Images

Krater, from the Tomb of a Princess of Vix (bronze) (see also 173539 & 175991)
Krater, from the Tomb of a Princess of Vix (bronze) (see also 173539 & 175991)

XIR40864: Krater, from the Tomb of a Princess of Vix (bronze) (see also 173539 & 175991), Greek school, (6th century BC) / Bridgeman Images

The Card Players, 1916/17
The Card Players, 1916/17

HGM79809: The Card Players, 1916/17, Doesburg, Theo van (1883-1931) / Bridgeman Images

The Landing of the Pilgrims at Plymouth, 11th December 1620, engraved by Nathaniel Currier (1813-88) (colour litho)
The Landing of the Pilgrims at Plymouth, 11th December 1620, engraved by Nathaniel Currier (1813-88) (colour litho)

XND76062: The Landing of the Pilgrims at Plymouth, 11th December 1620, engraved by Nathaniel Currier (1813-88) (colour litho), American School, (19th century) / Bridgeman Images

First Class - The Meeting (oil on canvas)
First Class - The Meeting (oil on canvas)

SOU104920: First Class - The Meeting (oil on canvas), Solomon, Abraham, (1824-1862) (attr.) / Bridgeman Images

Head of Christ, from the Abbey Church of SS. Peter and Paul in Wissembourg, c.1070 (stained glass)
Head of Christ, from the Abbey Church of SS. Peter and Paul in Wissembourg, c.1070 (stained glass)

XIR105645: Head of Christ, from the Abbey Church of SS. Peter and Paul in Wissembourg, c.1070 (stained glass), German School, (11th century) / Bridgeman Images

When Apples were Golden and Songs were Sweet but Summer had Passed Away, c.1906 (oil on canvas)
When Apples were Golden and Songs were Sweet but Summer had Passed Away, c.1906 (oil on canvas)

MAN62983: When Apples were Golden and Songs were Sweet but Summer had Passed Away, c.1906 (oil on canvas), Strudwick, John Melhuish (1849-1937) / Bridgeman Images

Portrait of Emperor Alexander II (1818-81), 1856 (oil on canvas)
Portrait of Emperor Alexander II (1818-81), 1856 (oil on canvas)

XAB126067: Portrait of Emperor Alexander II (1818-81), 1856 (oil on canvas), Botmann, G. (19th century) / Bridgeman Images

Harlequin (coloured engraving)
Harlequin (coloured engraving)

XZO180305: Harlequin (coloured engraving), French School, (19th century) / Bridgeman Images


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