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The Fox and Grapes from Caxton's 'Aesop's Fables' of 1484, from 'A Short History of the English People', by John Richard Green, 1893 (print)
The Fox and Grapes from Caxton's 'Aesop's Fables' of 1484, from 'A Short History of the English People', by John Richard Green, 1893 (print)

XLF3789275: The Fox and Grapes from Caxton's 'Aesop's Fables' of 1484, from 'A Short History of the English People', by John Richard Green, 1893 (print), English School, (19th century) / Bridgeman Images

ID: XLF3789275

The Fox and Grapes from Caxton's 'Aesop's Fables' of 1484, from 'A Short History of the English People', by John Richard Green, 1893 (print)

English School, (19th century)

Odysseus' ships are destroyed
Odysseus' ships are destroyed

XLF3780773: Odysseus' ships are destroyed / Bridgeman Images

ID: XLF3780773

Odysseus' ships are destroyed

Canute the Great and His Queen Emma of Normandy (engraving)
Canute the Great and His Queen Emma of Normandy (engraving)

XLF3779154: Canute the Great and His Queen Emma of Normandy (engraving), Unknown Artist / Bridgeman Images

ID: XLF3779154

Canute the Great and His Queen Emma of Normandy (engraving)

Unknown Artist

Portrait of Georges Danton orator and politician, 18th century (oil on canvas)
Portrait of Georges Danton orator and politician, 18th century (oil on canvas)

JLJ4589199: Portrait of Georges Danton orator and politician, 18th century (oil on canvas), Anonymous / Bridgeman Images

ID: JLJ4589199

Portrait of Georges Danton orator and politician, 18th century (oil on canvas)

Anonymous

Visitation: Virgin Mary visits Elisabeth, between Marie Jacobie and Marie Salome, witnesses of the Crucifixion and Resurrection (oil on canvas)
Visitation: Virgin Mary visits Elisabeth, between Marie Jacobie and Marie Salome, witnesses of the Crucifixion and Resurrection (oil on canvas)

JLJ4584543: Visitation: Virgin Mary visits Elisabeth, between Marie Jacobie and Marie Salome, witnesses of the Crucifixion and Resurrection (oil on canvas), Ghirlandaio, Domenico (1449-94) / Bridgeman Images

ID: JLJ4584543

Visitation: Virgin Mary visits Elisabeth, between Marie Jacobie and Marie Salome, witnesses of the Crucifixion and Resurrection (oil on canvas)

Ghirlandaio, Domenico (1449-94)

French Revolution, 1789: Citizens arms 'Liberte ou la Mort', 18th century (gouache)
French Revolution, 1789: Citizens arms 'Liberte ou la Mort', 18th century (gouache)

JLJ4583969: French Revolution, 1789: Citizens arms 'Liberte ou la Mort', 18th century (gouache), Lesueur Brothers, (18th century) / Bridgeman Images

ID: JLJ4583969

French Revolution, 1789: Citizens arms 'Liberte ou la Mort', 18th century (gouache)

Lesueur Brothers, (18th century)

Proclamation of the Duke of Anjou, Philip V King of Spain , 18th century (oil on canvas)
Proclamation of the Duke of Anjou, Philip V King of Spain , 18th century (oil on canvas)

JLJ4569281: Proclamation of the Duke of Anjou, Philip V King of Spain , 18th century (oil on canvas), Gerard, Francois Pascal Simon, Baron (1770-1837) / Bridgeman Images

ID: JLJ4569281

Proclamation of the Duke of Anjou, Philip V King of Spain , 18th century (oil on canvas)

Gerard, Francois Pascal Simon, Baron (1770-1837)

The German conquest of Namibia: a bloody battle in South West Africa, the German garrison of Windhoek besieged by the Herreros is unlocked. Petition Journal of April 21, 1904
The German conquest of Namibia: a bloody battle in South West Africa, the German garrison of Windhoek besieged by the Herreros is unlocked. Petition Journal of April 21, 1904

XEE4412568: The German conquest of Namibia: a bloody battle in South West Africa, the German garrison of Windhoek besieged by the Herreros is unlocked. Petition Journal of April 21, 1904, Unknown Artist / Bridgeman Images

ID: XEE4412568

The German conquest of Namibia: a bloody battle in South West Africa, the German garrison of Windhoek besieged by the Herreros is unlocked. Petition Journal of April 21, 1904

Unknown Artist

Alessandro (Alexandre) Volta presents his electric battery in Napoleon 1er , 1901 (print)
Alessandro (Alexandre) Volta presents his electric battery in Napoleon 1er , 1901 (print)

XEE4407735: Alessandro (Alexandre) Volta presents his electric battery in Napoleon 1er , 1901 (print), French School, (20th century) / Bridgeman Images

ID: XEE4407735

Alessandro (Alexandre) Volta presents his electric battery in Napoleon 1er , 1901 (print)

French School, (20th century)

Portrait of Marcel Proust (1871-1922), French writer around 1900
Portrait of Marcel Proust (1871-1922), French writer around 1900

XEE4146683: Portrait of Marcel Proust (1871-1922), French writer around 1900, Anonymous / Bridgeman Images

ID: XEE4146683

Portrait of Marcel Proust (1871-1922), French writer around 1900

Anonymous

Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo)
Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo)

XEE4105724: Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo), French School, (19th century) / Bridgeman Images

ID: XEE4105724

Serie 'En l'An 2000' - A Nineteenth Century Vision of the Year 2000 (chromo)

French School, (19th century)

The Romans Of Decadence, detail, 1847 (oil on canvas)
The Romans Of Decadence, detail, 1847 (oil on canvas)

JLJ4673824: The Romans Of Decadence, detail, 1847 (oil on canvas), Couture, Thomas (1815-79) / Bridgeman Images

ID: JLJ4673824

The Romans Of Decadence, detail, 1847 (oil on canvas)

Couture, Thomas (1815-79)

Bed of Justice held by Louis XV, 18th century (painting)
Bed of Justice held by Louis XV, 18th century (painting)

JLJ4654859: Bed of Justice held by Louis XV, 18th century (painting), Dumesnil, Louis Michel (1680-a.1762) / Bridgeman Images

ID: JLJ4654859

Bed of Justice held by Louis XV, 18th century (painting)

Dumesnil, Louis Michel (1680-a.1762)

A Caravan In The Desert Near Biskra In Algeria In 1892, 1892 (oil on canvas)
A Caravan In The Desert Near Biskra In Algeria In 1892, 1892 (oil on canvas)

JLJ4677486: A Caravan In The Desert Near Biskra In Algeria In 1892, 1892 (oil on canvas), Lazerges, Paul John Baptiste (1845-1902) / Bridgeman Images

ID: JLJ4677486

A Caravan In The Desert Near Biskra In Algeria In 1892, 1892 (oil on canvas)

Lazerges, Paul John Baptiste (1845-1902)

Balkan troubles - The major European powers represented by Britain, France (Armand Fallieres), Russia (Nicholas II), Germany (William II) and Austro-Hungary are trying to stifle conflicts in the Balkans by closing the lid of the boiling pot at the time of the crisis in 1912. English satirical cartoon from “Punch” 1912.
Balkan troubles - The major European powers represented by Britain, France (Armand Fallieres), Russia (Nicholas II), Germany (William II) and Austro-Hungary are trying to stifle conflicts in the Balkans by closing the lid of the boiling pot at the time of the crisis in 1912. English satirical cartoon from “Punch” 1912.

GIA4709435: Balkan troubles - The major European powers represented by Britain, France (Armand Fallieres), Russia (Nicholas II), Germany (William II) and Austro-Hungary are trying to stifle conflicts in the Balkans by closing the lid of the boiling pot at the time of the crisis in 1912. English satirical cartoon from “Punch” 1912. / Bridgeman Images

ID: GIA4709435

Balkan troubles - The major European powers represented by Britain, France (Armand Fallieres), Russia (Nicholas II), Germany (William II) and Austro-Hungary are trying to stifle conflicts in the Balkans by closing the lid of the boiling pot at the time of the crisis in 1912. English satirical cartoon from “Punch” 1912.

Heresie of the Templars: representation of a ceremony of entry of a knight into the order of the temple, the Templar being, according to the confessions published after their arrest and trial in 1307, forced to deny Christ and to trample the cross during an initiation rite of the order of the temple after the confessions of the templars published after their trial in 1307) Engraving from “Les mysteres de la Franc-Maconnerie” by Leo Taxil (1854-1907), 1887 Collection privee
Heresie of the Templars: representation of a ceremony of entry of a knight into the order of the temple, the Templar being, according to the confessions published after their arrest and trial in 1307, forced to deny Christ and to trample the cross during an initiation rite of the order of the temple after the confessions of the templars published after their trial in 1307) Engraving from “Les mysteres de la Franc-Maconnerie” by Leo Taxil (1854-1907), 1887 Collection privee

ELD4867361: Heresie of the Templars: representation of a ceremony of entry of a knight into the order of the temple, the Templar being, according to the confessions published after their arrest and trial in 1307, forced to deny Christ and to trample the cross during an initiation rite of the order of the temple after the confessions of the templars published after their trial in 1307) Engraving from “Les mysteres de la Franc-Maconnerie” by Leo Taxil (1854-1907), 1887 Collection privee, Mejanel, Pierre (b.c.1850) / Bridgeman Images

ID: ELD4867361

Heresie of the Templars: representation of a ceremony of entry of a knight into the order of the temple, the Templar being, according to the confessions published after their arrest and trial in 1307, forced to deny Christ and to trample the cross during an initiation rite of the order of the temple after the confessions of the templars published after their trial in 1307) Engraving from “Les mysteres de la Franc-Maconnerie” by Leo Taxil (1854-1907), 1887 Collection privee

Mejanel, Pierre (b.c.1850)

Equestrian portrait of the Gaspard of Guzman, Count Duke of Olivares (1587-1645), 1636 (oil on canvas)
Equestrian portrait of the Gaspard of Guzman, Count Duke of Olivares (1587-1645), 1636 (oil on canvas)

JLJ4666975: Equestrian portrait of the Gaspard of Guzman, Count Duke of Olivares (1587-1645), 1636 (oil on canvas), Velazquez, Diego Rodriguez de Silva y (1599-1660) / Bridgeman Images

ID: JLJ4666975

Equestrian portrait of the Gaspard of Guzman, Count Duke of Olivares (1587-1645), 1636 (oil on canvas)

Velazquez, Diego Rodriguez de Silva y (1599-1660)

Art Gallo Romain: Tank race with terminals (mosaic)
Art Gallo Romain: Tank race with terminals (mosaic)

JLJ4674935: Art Gallo Romain: Tank race with terminals (mosaic), Gallo-Roman / Bridgeman Images

ID: JLJ4674935

Art Gallo Romain: Tank race with terminals (mosaic)

Gallo-Roman

The Rite of Napoleon, 1804-06 (oil on canvas)
The Rite of Napoleon, 1804-06 (oil on canvas)

JLJ4646624: The Rite of Napoleon, 1804-06 (oil on canvas), David, Jacques Louis (1748-1825) / Bridgeman Images

ID: JLJ4646624

The Rite of Napoleon, 1804-06 (oil on canvas)

David, Jacques Louis (1748-1825)

Fishing has the line, 1878 (oil on canvas)
Fishing has the line, 1878 (oil on canvas)

JLJ4601334: Fishing has the line, 1878 (oil on canvas), Caillebotte, Gustave (1848-94) / Bridgeman Images

ID: JLJ4601334

Fishing has the line, 1878 (oil on canvas)

Caillebotte, Gustave (1848-94)

Cat mummy with his head covered with a painted body mask. Basse epoque (664-332 BC)
Cat mummy with his head covered with a painted body mask. Basse epoque (664-332 BC)

JLJ4668213: Cat mummy with his head covered with a painted body mask. Basse epoque (664-332 BC), Egyptian School / Bridgeman Images

ID: JLJ4668213

Cat mummy with his head covered with a painted body mask. Basse epoque (664-332 BC)

Egyptian School

Jules Cesar crosses the river of Rubicon with his legions in arms on January 10, 49 BC in the footsteps of Pompee the Great (Gneo Pompeo Magno or Gnaeus Pompeius Magnus, 106-48 BC) and violates the law of the Roman Senate which prohibited a Roman general from crossing the border river of Cisalpine Gaul - Crossing the river, Jules Cesar prononca The famous formula Alea jacta est”” (Julius Caesar (100-44 BC) Crossing the Rubicon in 49 BC from Cisalpine Gaul to Italy to make his way to Rome - Caesar uttered the famous phrase alea iacta est (“the die has been cast”)) Illustration by Tancredi Scarpelli (1866-1937) from “Storia d'Italia” (History of Italy) by Paolo Giudici, 1930 Private Collection
Jules Cesar crosses the river of Rubicon with his legions in arms on January 10, 49 BC in the footsteps of Pompee the Great (Gneo Pompeo Magno or Gnaeus Pompeius Magnus, 106-48 BC) and violates the law of the Roman Senate which prohibited a Roman general from crossing the border river of Cisalpine Gaul - Crossing the river, Jules Cesar prononca The famous formula Alea jacta est”” (Julius Caesar (100-44 BC) Crossing the Rubicon in 49 BC from Cisalpine Gaul to Italy to make his way to Rome - Caesar uttered the famous phrase alea iacta est (“the die has been cast”)) Illustration by Tancredi Scarpelli (1866-1937) from “Storia d'Italia” (History of Italy) by Paolo Giudici, 1930 Private Collection

ELD4850488: Jules Cesar crosses the river of Rubicon with his legions in arms on January 10, 49 BC in the footsteps of Pompee the Great (Gneo Pompeo Magno or Gnaeus Pompeius Magnus, 106-48 BC) and violates the law of the Roman Senate which prohibited a Roman general from crossing the border river of Cisalpine Gaul - Crossing the river, Jules Cesar prononca The famous formula Alea jacta est”” (Julius Caesar (100-44 BC) Crossing the Rubicon in 49 BC from Cisalpine Gaul to Italy to make his way to Rome - Caesar uttered the famous phrase alea iacta est (“the die has been cast”)) Illustration by Tancredi Scarpelli (1866-1937) from “Storia d'Italia” (History of Italy) by Paolo Giudici, 1930 Private Collection, Scarpelli, Tancredi (1866-1937) / Bridgeman Images

ID: ELD4850488

Jules Cesar crosses the river of Rubicon with his legions in arms on January 10, 49 BC in the footsteps of Pompee the Great (Gneo Pompeo Magno or Gnaeus Pompeius Magnus, 106-48 BC) and violates the law of the Roman Senate which prohibited a Roman general from crossing the border river of Cisalpine Gaul - Crossing the river, Jules Cesar prononca The famous formula Alea jacta est”” (Julius Caesar (100-44 BC) Crossing the Rubicon in 49 BC from Cisalpine Gaul to Italy to make his way to Rome - Caesar uttered the famous phrase alea iacta est (“the die has been cast”)) Illustration by Tancredi Scarpelli (1866-1937) from “Storia d'Italia” (History of Italy) by Paolo Giudici, 1930 Private Collection

Scarpelli, Tancredi (1866-1937)

The Cene Christ surrounds apostles, 1618 (oil on canvas)
The Cene Christ surrounds apostles, 1618 (oil on canvas)

JLJ4604608: The Cene Christ surrounds apostles, 1618 (oil on canvas), Pourbus, Frans II (1569-1622) / Bridgeman Images

ID: JLJ4604608

The Cene Christ surrounds apostles, 1618 (oil on canvas)

Pourbus, Frans II (1569-1622)

Wall Of Houses On The River, 1915 (oil on canvas)
Wall Of Houses On The River, 1915 (oil on canvas)

FIA5386772: Wall Of Houses On The River, 1915 (oil on canvas), Schiele, Egon (1890-1918) / Bridgeman Images

ID: FIA5386772

Wall Of Houses On The River, 1915 (oil on canvas)

Schiele, Egon (1890-1918)

Self-Portrait With White Hat, 1910 (oil on canvas)
Self-Portrait With White Hat, 1910 (oil on canvas)

FIA5402235: Self-Portrait With White Hat, 1910 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: FIA5402235

Self-Portrait With White Hat, 1910 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

North Carolina Emigrants, Poor White Folks, 1845 (oil on canvas)
North Carolina Emigrants, Poor White Folks, 1845 (oil on canvas)

CIN437702: North Carolina Emigrants, Poor White Folks, 1845 (oil on canvas), Beard, James Henry (1812-93) / Bridgeman Images

ID: CIN437702

North Carolina Emigrants, Poor White Folks, 1845 (oil on canvas)

Beard, James Henry (1812-93)

The Good Samaritan, c.1550-70 (oil on canvas)
The Good Samaritan, c.1550-70 (oil on canvas)

XCF274320: The Good Samaritan, c.1550-70 (oil on canvas), Bassano, Jacopo (Jacopo da Ponte) (1510-92) / Bridgeman Images

ID: XCF274320

The Good Samaritan, c.1550-70 (oil on canvas)

Bassano, Jacopo (Jacopo da Ponte) (1510-92)

Tokens given by mothers to their children on leaving them at the Foundling Hospital (mixed media)
Tokens given by mothers to their children on leaving them at the Foundling Hospital (mixed media)

CF274194: Tokens given by mothers to their children on leaving them at the Foundling Hospital (mixed media), English School, (18th century) / Bridgeman Images

ID: CF274194

Tokens given by mothers to their children on leaving them at the Foundling Hospital (mixed media)

English School, (18th century)

The Tabernacle in the Wilderness
The Tabernacle in the Wilderness

LLM460884: The Tabernacle in the Wilderness, English School, (19th century) / Bridgeman Images

ID: LLM460884

The Tabernacle in the Wilderness

English School, (19th century)

River Arno, Florence (w/c on paper)
River Arno, Florence (w/c on paper)

TRC115550: River Arno, Florence (w/c on paper), Chamberlain, Trevor / Bridgeman Images

ID: TRC115550

River Arno, Florence (w/c on paper)

Chamberlain, Trevor

The west rose window depicting a naturalistic patterned design (stained glass)
The west rose window depicting a naturalistic patterned design (stained glass)

PC722691: The west rose window depicting a naturalistic patterned design (stained glass), French School, (13th century) / Bridgeman Images

ID: PC722691

The west rose window depicting a naturalistic patterned design (stained glass)

French School, (13th century)

Child with Toys, Gabrielle and the Artist's son, Jean, 1895-96 (oil on canvas)
Child with Toys, Gabrielle and the Artist's son, Jean, 1895-96 (oil on canvas)

XOS744857: Child with Toys, Gabrielle and the Artist's son, Jean, 1895-96 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: XOS744857

Child with Toys, Gabrielle and the Artist's son, Jean, 1895-96 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

The Birthplace of Herbert Hoover, West Branch, Iowa, 1931 (oil on masonite)
The Birthplace of Herbert Hoover, West Branch, Iowa, 1931 (oil on masonite)

MNS700275: The Birthplace of Herbert Hoover, West Branch, Iowa, 1931 (oil on masonite), Wood, Grant (1891-1942) / Bridgeman Images

ID: MNS700275

The Birthplace of Herbert Hoover, West Branch, Iowa, 1931 (oil on masonite)

Wood, Grant (1891-1942)

Ancient Greece: Zeus statue in the temple at Olympia - Sculpture by Phidias, c. 440/30 BC one of the Seven Wonders of the World, 1866 (coloured engraving)
Ancient Greece: Zeus statue in the temple at Olympia - Sculpture by Phidias, c. 440/30 BC one of the Seven Wonders of the World, 1866 (coloured engraving)

XEE702539: Ancient Greece: Zeus statue in the temple at Olympia - Sculpture by Phidias, c. 440/30 BC one of the Seven Wonders of the World, 1866 (coloured engraving), Leutemann, Heinrich (1824-1905) / Bridgeman Images

ID: XEE702539

Ancient Greece: Zeus statue in the temple at Olympia - Sculpture by Phidias, c. 440/30 BC one of the Seven Wonders of the World, 1866 (coloured engraving)

Leutemann, Heinrich (1824-1905)

Inferno, Canto 32 : Ugolino (Ugolin della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Inferno, Canto 32 : Ugolino (Ugolin della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745676: Inferno, Canto 32 : Ugolino (Ugolin della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745676

Inferno, Canto 32 : Ugolino (Ugolin della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

Inferno, Canto 1 : Dante in the savage wood, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Inferno, Canto 1 : Dante in the savage wood, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745740: Inferno, Canto 1 : Dante in the savage wood, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745740

Inferno, Canto 1 : Dante in the savage wood, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)


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