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2497527 Search Results

Portrait of Emmanuel Philibert or Savoy, Prince of Oneglia (oil on canvas)
Portrait of Emmanuel Philibert or Savoy, Prince of Oneglia (oil on canvas)

DPG67347: Portrait of Emmanuel Philibert or Savoy, Prince of Oneglia (oil on canvas), Dyck, Anthony van (1599-1641) / Bridgeman Images

ID: DPG67347

Portrait of Emmanuel Philibert or Savoy, Prince of Oneglia (oil on canvas)

Dyck, Anthony van (1599-1641)

Mademoiselle Marie Dihau (1843-1935) at the piano, c.1869-72 (oil on canvas)
Mademoiselle Marie Dihau (1843-1935) at the piano, c.1869-72 (oil on canvas)

XIR72264: Mademoiselle Marie Dihau (1843-1935) at the piano, c.1869-72 (oil on canvas), Degas, Edgar (1834-1917) / Bridgeman Images

ID: XIR72264

Mademoiselle Marie Dihau (1843-1935) at the piano, c.1869-72 (oil on canvas)

Degas, Edgar (1834-1917)

William Morris (1834-96) Sir Edward Burne-Jones (1833-98) and their Families, 1874 (sepia photo)
William Morris (1834-96) Sir Edward Burne-Jones (1833-98) and their Families, 1874 (sepia photo)

STC130683: William Morris (1834-96) Sir Edward Burne-Jones (1833-98) and their Families, 1874 (sepia photo), Hollyer, Frederick (1837-1933) / Bridgeman Images

ID: STC130683

William Morris (1834-96) Sir Edward Burne-Jones (1833-98) and their Families, 1874 (sepia photo)

Hollyer, Frederick (1837-1933)

The Bibliophile (oil on panel)
The Bibliophile (oil on panel)

PFA131400: The Bibliophile (oil on panel), Hamza, Johann (1850-1927) / Bridgeman Images

ID: PFA131400

The Bibliophile (oil on panel)

Hamza, Johann (1850-1927)

Adham Khan paying homage to Akbar at Sarangpur, Central India, in 1560 or 1561, from the 'Akbarnama', 1590-98
Adham Khan paying homage to Akbar at Sarangpur, Central India, in 1560 or 1561, from the 'Akbarnama', 1590-98

STC153803: Adham Khan paying homage to Akbar at Sarangpur, Central India, in 1560 or 1561, from the 'Akbarnama', 1590-98, Mughal School, (16th century) / Bridgeman Images

ID: STC153803

Adham Khan paying homage to Akbar at Sarangpur, Central India, in 1560 or 1561, from the 'Akbarnama', 1590-98

Mughal School, (16th century)

Ms.17 fol.1 The Author Offering his Book to Anne of Brittany (1477-1514) from 'Vie des Femmes Celebres', c.1505 (vellum)
Ms.17 fol.1 The Author Offering his Book to Anne of Brittany (1477-1514) from 'Vie des Femmes Celebres', c.1505 (vellum)

XIR153785: Ms.17 fol.1 The Author Offering his Book to Anne of Brittany (1477-1514) from 'Vie des Femmes Celebres', c.1505 (vellum), French School, (16th century) / Bridgeman Images

ID: XIR153785

Ms.17 fol.1 The Author Offering his Book to Anne of Brittany (1477-1514) from 'Vie des Femmes Celebres', c.1505 (vellum)

French School, (16th century)

Portrait of Charles de Solier (c.1480-1564) Sieur de Morette, 1534-35 (oil on canvas)
Portrait of Charles de Solier (c.1480-1564) Sieur de Morette, 1534-35 (oil on canvas)

SKD192871: Portrait of Charles de Solier (c.1480-1564) Sieur de Morette, 1534-35 (oil on canvas), Holbein the Younger, Hans (1497/8-1543) / Bridgeman Images

ID: SKD192871

Portrait of Charles de Solier (c.1480-1564) Sieur de Morette, 1534-35 (oil on canvas)

Holbein the Younger, Hans (1497/8-1543)

Portrait of Baron Antoine Jean Gros (1771-1835) Aged 20 (oil on canvas)
Portrait of Baron Antoine Jean Gros (1771-1835) Aged 20 (oil on canvas)

XIR193566: Portrait of Baron Antoine Jean Gros (1771-1835) Aged 20 (oil on canvas), Gerard, Francois Pascal Simon, Baron (1770-1837) / Bridgeman Images

ID: XIR193566

Portrait of Baron Antoine Jean Gros (1771-1835) Aged 20 (oil on canvas)

Gerard, Francois Pascal Simon, Baron (1770-1837)

The Annunciation, c.1470-72 (tempera on panel)
The Annunciation, c.1470-72 (tempera on panel)

SKD189463: The Annunciation, c.1470-72 (tempera on panel), Cossa, Francesco del (1435/6-c.1477) / Bridgeman Images

ID: SKD189463

The Annunciation, c.1470-72 (tempera on panel)

Cossa, Francesco del (1435/6-c.1477)

Midas Transmuting all into Gold Paper, published by Hannah Humphrey in 1797 (hand-coloured etching)
Midas Transmuting all into Gold Paper, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO190488: Midas Transmuting all into Gold Paper, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190488

Midas Transmuting all into Gold Paper, published by Hannah Humphrey in 1797 (hand-coloured etching)

Gillray, James (1757-1815)

The Monkey Antiquarian, 1740 (oil on canvas)
The Monkey Antiquarian, 1740 (oil on canvas)

XIR188756: The Monkey Antiquarian, 1740 (oil on canvas), Chardin, Jean-Baptiste Simeon (1699-1779) / Bridgeman Images

ID: XIR188756

The Monkey Antiquarian, 1740 (oil on canvas)

Chardin, Jean-Baptiste Simeon (1699-1779)

The Eternal Father in Glory with Prophets and Sibyls, from the Sala dell'Udienza, 1496-1500 (fresco)
The Eternal Father in Glory with Prophets and Sibyls, from the Sala dell'Udienza, 1496-1500 (fresco)

XAL192389: The Eternal Father in Glory with Prophets and Sibyls, from the Sala dell'Udienza, 1496-1500 (fresco), Perugino, Pietro (c.1445-1523) / Bridgeman Images

ID: XAL192389

The Eternal Father in Glory with Prophets and Sibyls, from the Sala dell'Udienza, 1496-1500 (fresco)

Perugino, Pietro (c.1445-1523)

Portrait of Stanislas Lesczinski (1677-1766) King of Poland (oil on canvas)
Portrait of Stanislas Lesczinski (1677-1766) King of Poland (oil on canvas)

XIR13017: Portrait of Stanislas Lesczinski (1677-1766) King of Poland (oil on canvas), Loo, Jean-Baptiste van (1684-1745) / Bridgeman Images

ID: XIR13017

Portrait of Stanislas Lesczinski (1677-1766) King of Poland (oil on canvas)

Loo, Jean-Baptiste van (1684-1745)

The Cure for a Headache (oil on canvas)
The Cure for a Headache (oil on canvas)

JEF13887: The Cure for a Headache (oil on canvas), Friston, David Henry (fl.1853-82) / Bridgeman Images

ID: JEF13887

The Cure for a Headache (oil on canvas)

Friston, David Henry (fl.1853-82)

The Departure of the Poacher, 1781 (oil on canvas)
The Departure of the Poacher, 1781 (oil on canvas)

JCL176724: The Departure of the Poacher, 1781 (oil on canvas), Lepicie, Nicolas-Bernard (1735-84) / Bridgeman Images

ID: JCL176724

The Departure of the Poacher, 1781 (oil on canvas)

Lepicie, Nicolas-Bernard (1735-84)

The Palais du Corps Legislatif after the Last Sitting on 4th September 1870 (oil on canvas)
The Palais du Corps Legislatif after the Last Sitting on 4th September 1870 (oil on canvas)

XIR174826: The Palais du Corps Legislatif after the Last Sitting on 4th September 1870 (oil on canvas), Guiaud, Jacques (1811-76) / Bridgeman Images

ID: XIR174826

The Palais du Corps Legislatif after the Last Sitting on 4th September 1870 (oil on canvas)

Guiaud, Jacques (1811-76)

Andre Le Notre (1613-1700) c.1700 (oil on canvas)
Andre Le Notre (1613-1700) c.1700 (oil on canvas)

XIR158268: Andre Le Notre (1613-1700) c.1700 (oil on canvas), Lefebvre, Claude (1632-1675) (attr. to) / Bridgeman Images

ID: XIR158268

Andre Le Notre (1613-1700) c.1700 (oil on canvas)

Lefebvre, Claude (1632-1675) (attr. to)

Atalanta, 3rd-2nd century BC (marble), female athlete in Greek mythology
Atalanta, 3rd-2nd century BC (marble), female athlete in Greek mythology

XIR158662: Atalanta, 3rd-2nd century BC (marble), female athlete in Greek mythology, Greek / Bridgeman Images

ID: XIR158662

Atalanta, 3rd-2nd century BC (marble), female athlete in Greek mythology

Greek

Christ Blessing (The Saviour of the World), c.1608-14 (oil on canvas)
Christ Blessing (The Saviour of the World), c.1608-14 (oil on canvas)

XIR159044: Christ Blessing (The Saviour of the World), c.1608-14 (oil on canvas), Greco, El (Domenico Theotocopuli) (1541-1614) / Bridgeman Images

ID: XIR159044

Christ Blessing (The Saviour of the World), c.1608-14 (oil on canvas)

Greco, El (Domenico Theotocopuli) (1541-1614)

La venus Hottentote, c.1814 (handcoloured engraving)
La venus Hottentote, c.1814 (handcoloured engraving)

MGS149821: La venus Hottentote, c.1814 (handcoloured engraving), Luftus, George (19th century) / Bridgeman Images

ID: MGS149821

La venus Hottentote, c.1814 (handcoloured engraving)

Luftus, George (19th century)

Map of Rostock, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)
Map of Rostock, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)

STC138945: Map of Rostock, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC138945

Map of Rostock, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

At the Gulf of Salerno, 1826 (oil on canvas)
At the Gulf of Salerno, 1826 (oil on canvas)

XKH146469: At the Gulf of Salerno, 1826 (oil on canvas), Faber, Joachim (1778-1846) / Bridgeman Images

ID: XKH146469

At the Gulf of Salerno, 1826 (oil on canvas)

Faber, Joachim (1778-1846)

Mountainous landscape (oil on canvas)
Mountainous landscape (oil on canvas)

XKH141319: Mountainous landscape (oil on canvas), Friedrich, Caspar David (1774-1840) / Bridgeman Images

ID: XKH141319

Mountainous landscape (oil on canvas)

Friedrich, Caspar David (1774-1840)

Looking towards Arkona at sunrise, 1801 (ink on paper)
Looking towards Arkona at sunrise, 1801 (ink on paper)

XKH141361: Looking towards Arkona at sunrise, 1801 (ink on paper), Friedrich, Caspar David (1774-1840) / Bridgeman Images

ID: XKH141361

Looking towards Arkona at sunrise, 1801 (ink on paper)

Friedrich, Caspar David (1774-1840)

Giordano Bruno (1548-1600) (engraving)
Giordano Bruno (1548-1600) (engraving)

XIR158213: Giordano Bruno (1548-1600) (engraving), French School, (16th century) / Bridgeman Images

ID: XIR158213

Giordano Bruno (1548-1600) (engraving)

French School, (16th century)

View of the Temples at Abu Simbel, Nubia, engraved by Augustine Aglio (1777-1857) (engraving)
View of the Temples at Abu Simbel, Nubia, engraved by Augustine Aglio (1777-1857) (engraving)

XZL151172: View of the Temples at Abu Simbel, Nubia, engraved by Augustine Aglio (1777-1857) (engraving), Belzoni, Giovanni Battista (1778-1823) (after) / Bridgeman Images

ID: XZL151172

View of the Temples at Abu Simbel, Nubia, engraved by Augustine Aglio (1777-1857) (engraving)

Belzoni, Giovanni Battista (1778-1823) (after)

Apocalypse, 1831 (oil on canvas)
Apocalypse, 1831 (oil on canvas)

FFA151387: Apocalypse, 1831 (oil on canvas), Schnorr von Carolsfeld, Ludwig Ferdinand (1788-1853) / Bridgeman Images

ID: FFA151387

Apocalypse, 1831 (oil on canvas)

Schnorr von Carolsfeld, Ludwig Ferdinand (1788-1853)

Fol.39v Map of the Magellan Straits, from 'Cosmographie Universelle', 1555 (watercolour on paper)
Fol.39v Map of the Magellan Straits, from 'Cosmographie Universelle', 1555 (watercolour on paper)

XIR161170: Fol.39v Map of the Magellan Straits, from 'Cosmographie Universelle', 1555 (watercolour on paper), Le Testu, Guillaume (c.1509-73) / Bridgeman Images

ID: XIR161170

Fol.39v Map of the Magellan Straits, from 'Cosmographie Universelle', 1555 (watercolour on paper)

Le Testu, Guillaume (c.1509-73)

Landscape, 1915 (oil on canvas)
Landscape, 1915 (oil on canvas)

BRN160575: Landscape, 1915 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: BRN160575

Landscape, 1915 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

The French Battleship, 'La Gloire', 1880 (watercolour on paper)
The French Battleship, 'La Gloire', 1880 (watercolour on paper)

XIR158627: The French Battleship, 'La Gloire', 1880 (watercolour on paper), Roux, Francois Geoffroy (1811-82) / Bridgeman Images

ID: XIR158627

The French Battleship, 'La Gloire', 1880 (watercolour on paper)

Roux, Francois Geoffroy (1811-82)

Bison, from the Caves at Altamira, c.15000 BC (cave painting)
Bison, from the Caves at Altamira, c.15000 BC (cave painting)

XIR185909: Bison, from the Caves at Altamira, c.15000 BC (cave painting), Prehistoric / Bridgeman Images

ID: XIR185909

Bison, from the Caves at Altamira, c.15000 BC (cave painting)

Prehistoric

St. Luke the Evangelist (mosaic)
St. Luke the Evangelist (mosaic)

XIR186296: St. Luke the Evangelist (mosaic), Byzantine School, (6th century) / Bridgeman Images

ID: XIR186296

St. Luke the Evangelist (mosaic)

Byzantine School, (6th century)

The Adoration of the Kings, c.1470-75 (tempera on panel) (see 186450-186451 for details)
The Adoration of the Kings, c.1470-75 (tempera on panel) (see 186450-186451 for details)

BBC186449: The Adoration of the Kings, c.1470-75 (tempera on panel) (see 186450-186451 for details), Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510) / Bridgeman Images

ID: BBC186449

The Adoration of the Kings, c.1470-75 (tempera on panel) (see 186450-186451 for details)

Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510)

St. Blaise, 1519-21 (oil on canvas)
St. Blaise, 1519-21 (oil on canvas)

XIR187198: St. Blaise, 1519-21 (oil on canvas), Fernandez de Cordoba, Pedro (fl.c.1500) / Bridgeman Images

ID: XIR187198

St. Blaise, 1519-21 (oil on canvas)

Fernandez de Cordoba, Pedro (fl.c.1500)

A Cottage in a Cornfield, 1817 (oil on canvas)
A Cottage in a Cornfield, 1817 (oil on canvas)

NGW186824: A Cottage in a Cornfield, 1817 (oil on canvas), Constable, John (1776-1837) / Bridgeman Images

ID: NGW186824

A Cottage in a Cornfield, 1817 (oil on canvas)

Constable, John (1776-1837)

'The Spanish Bull Broke Lose or, Joseph's Flight out of Spain', September 1808 (coloured engraving)
'The Spanish Bull Broke Lose or, Joseph's Flight out of Spain', September 1808 (coloured engraving)

XIR182921: 'The Spanish Bull Broke Lose or, Joseph's Flight out of Spain', September 1808 (coloured engraving), English School, (19th century) / Bridgeman Images

ID: XIR182921

'The Spanish Bull Broke Lose or, Joseph's Flight out of Spain', September 1808 (coloured engraving)

English School, (19th century)


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