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The Duchess of Maine (1676-1753) (oil on canvas)
The Duchess of Maine (1676-1753) (oil on canvas)

XIR85361: The Duchess of Maine (1676-1753) (oil on canvas), Troy, Francois de (1645-1730) / Bridgeman Images

ID: XIR85361

The Duchess of Maine (1676-1753) (oil on canvas)

Troy, Francois de (1645-1730)

The Madonna of the Sacred Girdle, 1456 (tempera on panel)
The Madonna of the Sacred Girdle, 1456 (tempera on panel)

KAB87059: The Madonna of the Sacred Girdle, 1456 (tempera on panel), Lippi, Fra Filippo (c.1406-69) / Bridgeman Images

ID: KAB87059

The Madonna of the Sacred Girdle, 1456 (tempera on panel)

Lippi, Fra Filippo (c.1406-69)

Rock painting of a horned animal, c.17000 BC (cave painting)
Rock painting of a horned animal, c.17000 BC (cave painting)

REV111323: Rock painting of a horned animal, c.17000 BC (cave painting), Prehistoric / Bridgeman Images

ID: REV111323

Rock painting of a horned animal, c.17000 BC (cave painting)

Prehistoric

The Thames at Waterloo Bridge, 1903 (oil on canvas)
The Thames at Waterloo Bridge, 1903 (oil on canvas)

CH124436: The Thames at Waterloo Bridge, 1903 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: CH124436

The Thames at Waterloo Bridge, 1903 (oil on canvas)

Monet, Claude (1840-1926)

A Weasel, 1832 (w/c, pen, ink, gouache and gum over graphite on wove paper)
A Weasel, 1832 (w/c, pen, ink, gouache and gum over graphite on wove paper)

XYC136235: A Weasel, 1832 (w/c, pen, ink, gouache and gum over graphite on wove paper), Lear, Edward (1812-88) / Bridgeman Images

ID: XYC136235

A Weasel, 1832 (w/c, pen, ink, gouache and gum over graphite on wove paper)

Lear, Edward (1812-88)

Capture of Seville by Ferdinand III (c.1201-52), c.1625-35 (oil on canvas)
Capture of Seville by Ferdinand III (c.1201-52), c.1625-35 (oil on canvas)

BWM150043: Capture of Seville by Ferdinand III (c.1201-52), c.1625-35 (oil on canvas), Pacheco, Francisco (1564-1644) / Bridgeman Images

ID: BWM150043

Capture of Seville by Ferdinand III (c.1201-52), c.1625-35 (oil on canvas)

Pacheco, Francisco (1564-1644)

Portrait of John Whitgift (c.1530-1604) Archbishop of Canterbury from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)
Portrait of John Whitgift (c.1530-1604) Archbishop of Canterbury from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

STC146172: Portrait of John Whitgift (c.1530-1604) Archbishop of Canterbury from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper), Essex, Sarah Countess of (d.1838) / Bridgeman Images

ID: STC146172

Portrait of John Whitgift (c.1530-1604) Archbishop of Canterbury from 'Memoirs of the Court of Queen Elizabeth', published in 1825 (w/c and gouache on paper)

Essex, Sarah Countess of (d.1838)

Reproduction of a poster advertising 'La Revue Blanche', 1895 (colour litho)
Reproduction of a poster advertising 'La Revue Blanche', 1895 (colour litho)

STC138037: Reproduction of a poster advertising 'La Revue Blanche', 1895 (colour litho), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

ID: STC138037

Reproduction of a poster advertising 'La Revue Blanche', 1895 (colour litho)

Toulouse-Lautrec, Henri de (1864-1901)

Akbar Tames the Savage Elephant, Hawa'i, Outside the Red Fort at Agra, miniature from the Akbarnama of Abul Fazl, c.1590 (left hand side of double page miniature, see 4042) (gouache on paper)
Akbar Tames the Savage Elephant, Hawa'i, Outside the Red Fort at Agra, miniature from the Akbarnama of Abul Fazl, c.1590 (left hand side of double page miniature, see 4042) (gouache on paper)

BAL99482: Akbar Tames the Savage Elephant, Hawa'i, Outside the Red Fort at Agra, miniature from the Akbarnama of Abul Fazl, c.1590 (left hand side of double page miniature, see 4042) (gouache on paper), Basawan and Chatai (fl.1590) / Bridgeman Images

ID: BAL99482

Akbar Tames the Savage Elephant, Hawa'i, Outside the Red Fort at Agra, miniature from the Akbarnama of Abul Fazl, c.1590 (left hand side of double page miniature, see 4042) (gouache on paper)

Basawan and Chatai (fl.1590)

Portrait of Prince Rupert (1619-82) (oil on canvas)
Portrait of Prince Rupert (1619-82) (oil on canvas)

BOL93919: Portrait of Prince Rupert (1619-82) (oil on canvas), English School, (17th century) / Bridgeman Images

ID: BOL93919

Portrait of Prince Rupert (1619-82) (oil on canvas)

English School, (17th century)

Sanctuary (Edward IV and Lancastrian Fugitives at Tewkesbury Abbey) 1867 (oil on canvas)
Sanctuary (Edward IV and Lancastrian Fugitives at Tewkesbury Abbey) 1867 (oil on canvas)

GHA93109: Sanctuary (Edward IV and Lancastrian Fugitives at Tewkesbury Abbey) 1867 (oil on canvas), Burchett, Richard (1815-75) / Bridgeman Images

ID: GHA93109

Sanctuary (Edward IV and Lancastrian Fugitives at Tewkesbury Abbey) 1867 (oil on canvas)

Burchett, Richard (1815-75)

Frontispiece to 'Le Viandier' (digitally coloured print)
Frontispiece to 'Le Viandier' (digitally coloured print)

GIA3899777: Frontispiece to 'Le Viandier' (digitally coloured print), French School / Bridgeman Images

ID: GIA3899777

Frontispiece to 'Le Viandier' (digitally coloured print)

French School

The Hour Glass, 1904 (oil on canvas) (for study see 84798)
The Hour Glass, 1904 (oil on canvas) (for study see 84798)

WDM28828: The Hour Glass, 1904 (oil on canvas) (for study see 84798), Morgan, Evelyn De (1855-1919) / Bridgeman Images

ID: WDM28828

The Hour Glass, 1904 (oil on canvas) (for study see 84798)

Morgan, Evelyn De (1855-1919)

Daniel Defoe, engraved by Michael Van der Gucht (1660-1725) (engraving)
Daniel Defoe, engraved by Michael Van der Gucht (1660-1725) (engraving)

BAL5511: Daniel Defoe, engraved by Michael Van der Gucht (1660-1725) (engraving), Taverner, Jeremiah (fl.1700-50) (after) / Bridgeman Images

ID: BAL5511

Daniel Defoe, engraved by Michael Van der Gucht (1660-1725) (engraving)

Taverner, Jeremiah (fl.1700-50) (after)

A Hound attacking a stag
A Hound attacking a stag

CH15817: A Hound attacking a stag, Stubbs, George (1724-1806) / Bridgeman Images

ID: CH15817

A Hound attacking a stag

Stubbs, George (1724-1806)

The god Thoth, from the Tomb of Prince Khaemwaset II, son of Ramesses III (c.1187-1156 BC) New Kingdom (painted limestone)
The god Thoth, from the Tomb of Prince Khaemwaset II, son of Ramesses III (c.1187-1156 BC) New Kingdom (painted limestone)

BAL63058: The god Thoth, from the Tomb of Prince Khaemwaset II, son of Ramesses III (c.1187-1156 BC) New Kingdom (painted limestone), Egyptian 20th Dynasty (1200-1085 BC) / Bridgeman Images

ID: BAL63058

The god Thoth, from the Tomb of Prince Khaemwaset II, son of Ramesses III (c.1187-1156 BC) New Kingdom (painted limestone)

Egyptian 20th Dynasty (1200-1085 BC)

Colosseum and Arch of Constantine, Rome (painting)
Colosseum and Arch of Constantine, Rome (painting)

CH8158: Colosseum and Arch of Constantine, Rome (painting), Canaletto, (Giovanni Antonio Canal) (1697-1768) / Bridgeman Images

ID: CH8158

Colosseum and Arch of Constantine, Rome (painting)

Canaletto, (Giovanni Antonio Canal) (1697-1768)

Charles I in Three Positions (1600-49) Painting after Van Dyck
Charles I in Three Positions (1600-49) Painting after Van Dyck

WES32123: Charles I in Three Positions (1600-49) Painting after Van Dyck, Maratta or Maratti, Carlo (1625-1713) / Bridgeman Images

ID: WES32123

Charles I in Three Positions (1600-49) Painting after Van Dyck

Maratta or Maratti, Carlo (1625-1713)

Ecce Homo, 1515 (oil on panel)
Ecce Homo, 1515 (oil on panel)

XJL38720: Ecce Homo, 1515 (oil on panel), Massys or Matsys, Quentin (c.1466-1530) / Bridgeman Images

ID: XJL38720

Ecce Homo, 1515 (oil on panel)

Massys or Matsys, Quentin (c.1466-1530)

Sioux Chiefs, plate from `The North American Indian', 1907 (photogravure)
Sioux Chiefs, plate from `The North American Indian', 1907 (photogravure)

BAL68498: Sioux Chiefs, plate from `The North American Indian', 1907 (photogravure), Curtis, Edward Sheriff (1868-1952) / Bridgeman Images

ID: BAL68498

Sioux Chiefs, plate from `The North American Indian', 1907 (photogravure)

Curtis, Edward Sheriff (1868-1952)

Charles Waterton capturing a cayman, 1825-26
Charles Waterton capturing a cayman, 1825-26

BAL78085: Charles Waterton capturing a cayman, 1825-26, Jones, Captain Edward (fl.1825) / Bridgeman Images

ID: BAL78085

Charles Waterton capturing a cayman, 1825-26

Jones, Captain Edward (fl.1825)

Self portrait, c.1884
Self portrait, c.1884

HGM78259: Self portrait, c.1884, Mauve, Anton (1838-88) / Bridgeman Images

ID: HGM78259

Self portrait, c.1884

Mauve, Anton (1838-88)

La Salute, Venice
La Salute, Venice

SPI52430: La Salute, Venice, Brabazon, Hercules Brabazon (1821-1906) / Bridgeman Images

ID: SPI52430

La Salute, Venice

Brabazon, Hercules Brabazon (1821-1906)

Detail from the papyrus of Nespakashuty showing the god Geb (earth) separated from his wife, the goddess Nut (sky) Third Intermediate Period (papyrus)
Detail from the papyrus of Nespakashuty showing the god Geb (earth) separated from his wife, the goddess Nut (sky) Third Intermediate Period (papyrus)

SCP50858: Detail from the papyrus of Nespakashuty showing the god Geb (earth) separated from his wife, the goddess Nut (sky) Third Intermediate Period (papyrus), Egyptian 21st Dynasty (c.1069-945 BC) / Bridgeman Images

ID: SCP50858

Detail from the papyrus of Nespakashuty showing the god Geb (earth) separated from his wife, the goddess Nut (sky) Third Intermediate Period (papyrus)

Egyptian 21st Dynasty (c.1069-945 BC)

Still life with musical instruments
Still life with musical instruments

HGM81130: Still life with musical instruments, Roestraten, Pieter Gerritsz. van (c.1630-1700) / Bridgeman Images

ID: HGM81130

Still life with musical instruments

Roestraten, Pieter Gerritsz. van (c.1630-1700)

Ile de La Grande Jatte Through the Trees, 1878 (oil on canvas)
Ile de La Grande Jatte Through the Trees, 1878 (oil on canvas)

CH376830: Ile de La Grande Jatte Through the Trees, 1878 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: CH376830

Ile de La Grande Jatte Through the Trees, 1878 (oil on canvas)

Monet, Claude (1840-1926)

Poppies, Hollyhock, Morning Glory, Viola, Daisies, Sweet Pea, Marigolds and other Flowers in a Vase with a Snail on a Ledge (oil on canvas)
Poppies, Hollyhock, Morning Glory, Viola, Daisies, Sweet Pea, Marigolds and other Flowers in a Vase with a Snail on a Ledge (oil on canvas)

CH378190: Poppies, Hollyhock, Morning Glory, Viola, Daisies, Sweet Pea, Marigolds and other Flowers in a Vase with a Snail on a Ledge (oil on canvas), Huysum, Jan van (1682-1749) / Bridgeman Images

ID: CH378190

Poppies, Hollyhock, Morning Glory, Viola, Daisies, Sweet Pea, Marigolds and other Flowers in a Vase with a Snail on a Ledge (oil on canvas)

Huysum, Jan van (1682-1749)

Sunrise on Mount Tacoma (oil on canvas)
Sunrise on Mount Tacoma (oil on canvas)

CH401706: Sunrise on Mount Tacoma (oil on canvas), Bierstadt, Albert (1830-1902) / Bridgeman Images

ID: CH401706

Sunrise on Mount Tacoma (oil on canvas)

Bierstadt, Albert (1830-1902)

The Indian, 1904 (w/c on paper)
The Indian, 1904 (w/c on paper)

CH400929: The Indian, 1904 (w/c on paper), Mucha, Alphonse Marie (1860-1939) / Bridgeman Images

ID: CH400929

The Indian, 1904 (w/c on paper)

Mucha, Alphonse Marie (1860-1939)

St. Clare Receiving the Veil from St. Francis of Assisi (oil on canvas)
St. Clare Receiving the Veil from St. Francis of Assisi (oil on canvas)

XIR222474: St. Clare Receiving the Veil from St. Francis of Assisi (oil on canvas), Italian School, (17th century) / Bridgeman Images

ID: XIR222474

St. Clare Receiving the Veil from St. Francis of Assisi (oil on canvas)

Italian School, (17th century)

Pythagoras (c.580-500 BC) discovering the consonances of the octave, from 'Theorica Musicae' by Franchino Gaffurio, first published in 1480, from 'Revue de l'Histoire du Theatre', 1959 (engraving) (b/w photo)
Pythagoras (c.580-500 BC) discovering the consonances of the octave, from 'Theorica Musicae' by Franchino Gaffurio, first published in 1480, from 'Revue de l'Histoire du Theatre', 1959 (engraving) (b/w photo)

CHT223718: Pythagoras (c.580-500 BC) discovering the consonances of the octave, from 'Theorica Musicae' by Franchino Gaffurio, first published in 1480, from 'Revue de l'Histoire du Theatre', 1959 (engraving) (b/w photo), French School, (20th century) / Bridgeman Images

ID: CHT223718

Pythagoras (c.580-500 BC) discovering the consonances of the octave, from 'Theorica Musicae' by Franchino Gaffurio, first published in 1480, from 'Revue de l'Histoire du Theatre', 1959 (engraving) (b/w photo)

French School, (20th century)

The Destruction of Pompeii in 79 AD (colour litho)
The Destruction of Pompeii in 79 AD (colour litho)

CHT221500: The Destruction of Pompeii in 79 AD (colour litho), Bryullov, Karl Pavlovich (1799-1852) (after) / Bridgeman Images

ID: CHT221500

The Destruction of Pompeii in 79 AD (colour litho)

Bryullov, Karl Pavlovich (1799-1852) (after)

Interior of an Abbey in Ruins, 1848 (oil on canvas)
Interior of an Abbey in Ruins, 1848 (oil on canvas)

XIR216616: Interior of an Abbey in Ruins, 1848 (oil on canvas), Sebron, Hippolyte Victor Valentin (1801-79) / Bridgeman Images

ID: XIR216616

Interior of an Abbey in Ruins, 1848 (oil on canvas)

Sebron, Hippolyte Victor Valentin (1801-79)

Jupiter, illustration from 'Festkalender' published in Leipzig c.1910 (colour litho)
Jupiter, illustration from 'Festkalender' published in Leipzig c.1910 (colour litho)

AFC215862: Jupiter, illustration from 'Festkalender' published in Leipzig c.1910 (colour litho), Thoma, Hans (1839-1924) / Bridgeman Images

ID: AFC215862

Jupiter, illustration from 'Festkalender' published in Leipzig c.1910 (colour litho)

Thoma, Hans (1839-1924)

Battle between Martin Gomez and El Cid (c.1043-99) from 'Chronicles of Spain', 1344 (vellum)
Battle between Martin Gomez and El Cid (c.1043-99) from 'Chronicles of Spain', 1344 (vellum)

XIR226101: Battle between Martin Gomez and El Cid (c.1043-99) from 'Chronicles of Spain', 1344 (vellum), Portuguese School, (14th century) / Bridgeman Images

ID: XIR226101

Battle between Martin Gomez and El Cid (c.1043-99) from 'Chronicles of Spain', 1344 (vellum)

Portuguese School, (14th century)

Microscope belonging to Louis Pasteur (1811-95) (metal)
Microscope belonging to Louis Pasteur (1811-95) (metal)

CHT234627: Microscope belonging to Louis Pasteur (1811-95) (metal), French School, (19th century) / Bridgeman Images

ID: CHT234627

Microscope belonging to Louis Pasteur (1811-95) (metal)

French School, (19th century)


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