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View of Tikal Temple 1, Late Classic Period 600-900 AD (photo)
View of Tikal Temple 1, Late Classic Period 600-900 AD (photo)

JPC310221: View of Tikal Temple 1, Late Classic Period 600-900 AD (photo), Mayan / Bridgeman Images

ID: JPC310221

View of Tikal Temple 1, Late Classic Period 600-900 AD (photo)

Mayan

Attic Black-figure amphora depicting athletes (ceramic)
Attic Black-figure amphora depicting athletes (ceramic)

XCF306872: Attic Black-figure amphora depicting athletes (ceramic), Greek school, (5th century BC) / Bridgeman Images

ID: XCF306872

Attic Black-figure amphora depicting athletes (ceramic)

Greek school, (5th century BC)

The Denial of St. Peter (oil on canvas)
The Denial of St. Peter (oil on canvas)

XIR171536: The Denial of St. Peter (oil on canvas), Pensionante de Saraceni, (17th century) / Bridgeman Images

ID: XIR171536

The Denial of St. Peter (oil on canvas)

Pensionante de Saraceni, (17th century)

Medrasah Shir-Dhor at Registan place in Samarkand, 1869-70 (oil on canvas)
Medrasah Shir-Dhor at Registan place in Samarkand, 1869-70 (oil on canvas)

XAB172722: Medrasah Shir-Dhor at Registan place in Samarkand, 1869-70 (oil on canvas), Vereshchagin, Vasili Vasilievich (1842-1904) / Bridgeman Images

ID: XAB172722

Medrasah Shir-Dhor at Registan place in Samarkand, 1869-70 (oil on canvas)

Vereshchagin, Vasili Vasilievich (1842-1904)

Portrait of Jules Valles (1832-85) c.1861 (oil on canvas)
Portrait of Jules Valles (1832-85) c.1861 (oil on canvas)

XIR176066: Portrait of Jules Valles (1832-85) c.1861 (oil on canvas), Courbet, Gustave (1819-77) / Bridgeman Images

ID: XIR176066

Portrait of Jules Valles (1832-85) c.1861 (oil on canvas)

Courbet, Gustave (1819-77)

The Resurrection of Lazarus, c.1619 (oil on canvas)
The Resurrection of Lazarus, c.1619 (oil on canvas)

XIR210330: The Resurrection of Lazarus, c.1619 (oil on canvas), Guercino (Giovanni Francesco Barbieri) (1591-1666) / Bridgeman Images

ID: XIR210330

The Resurrection of Lazarus, c.1619 (oil on canvas)

Guercino (Giovanni Francesco Barbieri) (1591-1666)

Wotan waits in Valhalla for the end with his broken spear, 1906 (colour litho)
Wotan waits in Valhalla for the end with his broken spear, 1906 (colour litho)

STC323700: Wotan waits in Valhalla for the end with his broken spear, 1906 (colour litho), Hendrich, Hermann (1854-1931) (after) / Bridgeman Images

ID: STC323700

Wotan waits in Valhalla for the end with his broken spear, 1906 (colour litho)

Hendrich, Hermann (1854-1931) (after)

Chief Justice Marshall (1755-1835) (oil on canvas)
Chief Justice Marshall (1755-1835) (oil on canvas)

XBP344387: Chief Justice Marshall (1755-1835) (oil on canvas), Harding, Chester (1792-1866) / Bridgeman Images

ID: XBP344387

Chief Justice Marshall (1755-1835) (oil on canvas)

Harding, Chester (1792-1866)

A turkey-cock, brought to Jahangir from Goa in 1612, from the Wantage Album, Mughal, c.1612 (gouache on paper)
A turkey-cock, brought to Jahangir from Goa in 1612, from the Wantage Album, Mughal, c.1612 (gouache on paper)

XCF26914: A turkey-cock, brought to Jahangir from Goa in 1612, from the Wantage Album, Mughal, c.1612 (gouache on paper), Mansur (Ustad Mansur) (fl.c.1590-1630) / Bridgeman Images

ID: XCF26914

A turkey-cock, brought to Jahangir from Goa in 1612, from the Wantage Album, Mughal, c.1612 (gouache on paper)

Mansur (Ustad Mansur) (fl.c.1590-1630)

Costume for Adolphe Nourrit (1802-39) in the Role of Don Giovanni in the Opera of that Name, engraved by Maleuvre, printed by Hautecoeur-Martinet (coloured engraving)
Costume for Adolphe Nourrit (1802-39) in the Role of Don Giovanni in the Opera of that Name, engraved by Maleuvre, printed by Hautecoeur-Martinet (coloured engraving)

MHE100880: Costume for Adolphe Nourrit (1802-39) in the Role of Don Giovanni in the Opera of that Name, engraved by Maleuvre, printed by Hautecoeur-Martinet (coloured engraving), French School, (19th century) / Bridgeman Images

ID: MHE100880

Costume for Adolphe Nourrit (1802-39) in the Role of Don Giovanni in the Opera of that Name, engraved by Maleuvre, printed by Hautecoeur-Martinet (coloured engraving)

French School, (19th century)

The sarcophagus of Psamtik I (664-610 BC) Late Period (painted wood) (for details see 95060-64)
The sarcophagus of Psamtik I (664-610 BC) Late Period (painted wood) (for details see 95060-64)

PWI95065: The sarcophagus of Psamtik I (664-610 BC) Late Period (painted wood) (for details see 95060-64), Egyptian 26th Dynasty (664-525 BC) / Bridgeman Images

ID: PWI95065

The sarcophagus of Psamtik I (664-610 BC) Late Period (painted wood) (for details see 95060-64)

Egyptian 26th Dynasty (664-525 BC)

West Facade, c.1220-70 (photo) (for details see 94631-34)
West Facade, c.1220-70 (photo) (for details see 94631-34)

PWI94635: West Facade, c.1220-70 (photo) (for details see 94631-34), French School, (13th century) / Bridgeman Images

ID: PWI94635

West Facade, c.1220-70 (photo) (for details see 94631-34)

French School, (13th century)

The Common Method of Beetling, Scutching and Hackling the Flax, plate IV of 'The Linen Manufactory of Ireland', 1791 (coloured litho)
The Common Method of Beetling, Scutching and Hackling the Flax, plate IV of 'The Linen Manufactory of Ireland', 1791 (coloured litho)

STC110568: The Common Method of Beetling, Scutching and Hackling the Flax, plate IV of 'The Linen Manufactory of Ireland', 1791 (coloured litho), Hincks, William (1752-1797) / Bridgeman Images

ID: STC110568

The Common Method of Beetling, Scutching and Hackling the Flax, plate IV of 'The Linen Manufactory of Ireland', 1791 (coloured litho)

Hincks, William (1752-1797)

Portrait of Li-Lieu Ying, Empress Tzu-Hsi's Great Eunuch, late 19th century
Portrait of Li-Lieu Ying, Empress Tzu-Hsi's Great Eunuch, late 19th century

NUM111341: Portrait of Li-Lieu Ying, Empress Tzu-Hsi's Great Eunuch, late 19th century, Chinese School, (19th century) / Bridgeman Images

ID: NUM111341

Portrait of Li-Lieu Ying, Empress Tzu-Hsi's Great Eunuch, late 19th century

Chinese School, (19th century)

Signature of William Shakespeare (1564-1616), 1616 (ink on paper) (b&w photo)
Signature of William Shakespeare (1564-1616), 1616 (ink on paper) (b&w photo)

XJF107424: Signature of William Shakespeare (1564-1616), 1616 (ink on paper) (b&w photo), English School, (17th century) / Bridgeman Images

ID: XJF107424

Signature of William Shakespeare (1564-1616), 1616 (ink on paper) (b&w photo)

English School, (17th century)

B.78.III The Three Crosses, c.1660 (etching)
B.78.III The Three Crosses, c.1660 (etching)

FIT107387: B.78.III The Three Crosses, c.1660 (etching), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: FIT107387

B.78.III The Three Crosses, c.1660 (etching)

Rembrandt Harmensz. van Rijn (1606-69)

Tulips: 1.Tulipa lutea maculis rubens; 2.Tulipa aurei coloris; 3.Tulipa lutea prope calicem radis rubro; 4.Tulipa parte media viridibus signaturis, altera vero rubia; 5.Tulipa cx purpura rosea persica, from the 'Hortus Eystettensis' by Basil Besler (1561-1629), pub. 1613 (engraving)
Tulips: 1.Tulipa lutea maculis rubens; 2.Tulipa aurei coloris; 3.Tulipa lutea prope calicem radis rubro; 4.Tulipa parte media viridibus signaturis, altera vero rubia; 5.Tulipa cx purpura rosea persica, from the 'Hortus Eystettensis' by Basil Besler (1561-1629), pub. 1613 (engraving)

STC115665: Tulips: 1.Tulipa lutea maculis rubens; 2.Tulipa aurei coloris; 3.Tulipa lutea prope calicem radis rubro; 4.Tulipa parte media viridibus signaturis, altera vero rubia; 5.Tulipa cx purpura rosea persica, from the 'Hortus Eystettensis' by Basil Besler (1561-1629), pub. 1613 (engraving), German School, (17th century) / Bridgeman Images

ID: STC115665

Tulips: 1.Tulipa lutea maculis rubens; 2.Tulipa aurei coloris; 3.Tulipa lutea prope calicem radis rubro; 4.Tulipa parte media viridibus signaturis, altera vero rubia; 5.Tulipa cx purpura rosea persica, from the 'Hortus Eystettensis' by Basil Besler (1561-1629), pub. 1613 (engraving)

German School, (17th century)

Wall painting from the tomb of Ipuy, Thebes, depicting a fishing scene, New Kingdom, c.1275 BC (painted limestone)
Wall painting from the tomb of Ipuy, Thebes, depicting a fishing scene, New Kingdom, c.1275 BC (painted limestone)

NUM113492: Wall painting from the tomb of Ipuy, Thebes, depicting a fishing scene, New Kingdom, c.1275 BC (painted limestone), Egyptian 19th Dynasty (c.1292-1187 BC) / Bridgeman Images

ID: NUM113492

Wall painting from the tomb of Ipuy, Thebes, depicting a fishing scene, New Kingdom, c.1275 BC (painted limestone)

Egyptian 19th Dynasty (c.1292-1187 BC)

Allegorical portrait of Charles V, Receiving the World, c.1529 (oil on canvas)
Allegorical portrait of Charles V, Receiving the World, c.1529 (oil on canvas)

NUM125175: Allegorical portrait of Charles V, Receiving the World, c.1529 (oil on canvas), Parmigianino (Francesco Mazzola) (1503-40) / Bridgeman Images

ID: NUM125175

Allegorical portrait of Charles V, Receiving the World, c.1529 (oil on canvas)

Parmigianino (Francesco Mazzola) (1503-40)

Pope Innocent III (1160-1216) Approving the Rule, from the predella panel from St. Francis Receiving the Stigmata, c.1295-1300 (tempera on panel)
Pope Innocent III (1160-1216) Approving the Rule, from the predella panel from St. Francis Receiving the Stigmata, c.1295-1300 (tempera on panel)

XIR122356: Pope Innocent III (1160-1216) Approving the Rule, from the predella panel from St. Francis Receiving the Stigmata, c.1295-1300 (tempera on panel), Giotto (Giotto di Bondone) (c.1266-1337) / Bridgeman Images

ID: XIR122356

Pope Innocent III (1160-1216) Approving the Rule, from the predella panel from St. Francis Receiving the Stigmata, c.1295-1300 (tempera on panel)

Giotto (Giotto di Bondone) (c.1266-1337)

The Blacksmiths, c.1904/5 (oil on canvas)
The Blacksmiths, c.1904/5 (oil on canvas)

LMG123050: The Blacksmiths, c.1904/5 (oil on canvas), Brangwyn, Frank (1867-1956) / Bridgeman Images

ID: LMG123050

The Blacksmiths, c.1904/5 (oil on canvas)

Brangwyn, Frank (1867-1956)

Notre-Dame, 1925 (pencil & watercolour on paper)
Notre-Dame, 1925 (pencil & watercolour on paper)

XIR243744: Notre-Dame, 1925 (pencil & watercolour on paper), Signac, Paul (1863-1935) / Bridgeman Images

ID: XIR243744

Notre-Dame, 1925 (pencil & watercolour on paper)

Signac, Paul (1863-1935)

Main sewer from the Strasbourg Station to the Seine. Official visit of the Minister of Interior, General Charles Marie Esprit Espinasse (1815-59) April 1858 (engraving) (b/w photo)
Main sewer from the Strasbourg Station to the Seine. Official visit of the Minister of Interior, General Charles Marie Esprit Espinasse (1815-59) April 1858 (engraving) (b/w photo)

XIR253240: Main sewer from the Strasbourg Station to the Seine. Official visit of the Minister of Interior, General Charles Marie Esprit Espinasse (1815-59) April 1858 (engraving) (b/w photo), Valentin, Henry Augustin (1822-86) / Bridgeman Images

ID: XIR253240

Main sewer from the Strasbourg Station to the Seine. Official visit of the Minister of Interior, General Charles Marie Esprit Espinasse (1815-59) April 1858 (engraving) (b/w photo)

Valentin, Henry Augustin (1822-86)

Preparing a meal, illustration from an epic poem by Hafiz Shirazi, Safavid (gouache on paper)
Preparing a meal, illustration from an epic poem by Hafiz Shirazi, Safavid (gouache on paper)

XIR250598: Preparing a meal, illustration from an epic poem by Hafiz Shirazi, Safavid (gouache on paper), Persian School, (16th century) / Bridgeman Images

ID: XIR250598

Preparing a meal, illustration from an epic poem by Hafiz Shirazi, Safavid (gouache on paper)

Persian School, (16th century)

Jacob Wrestling with the Angel, Genesis 32:24-32, illustration from Dore's 'The Holy Bible', engraved by Laplante, 1866 (engraving)
Jacob Wrestling with the Angel, Genesis 32:24-32, illustration from Dore's 'The Holy Bible', engraved by Laplante, 1866 (engraving)

KWE259179: Jacob Wrestling with the Angel, Genesis 32:24-32, illustration from Dore's 'The Holy Bible', engraved by Laplante, 1866 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

ID: KWE259179

Jacob Wrestling with the Angel, Genesis 32:24-32, illustration from Dore's 'The Holy Bible', engraved by Laplante, 1866 (engraving)

Dore, Gustave (1832-83) (after)

Queen Mary II (1662-94) from `Illustrations of English and Scottish History' Volume II (engraving)
Queen Mary II (1662-94) from `Illustrations of English and Scottish History' Volume II (engraving)

KWE259478: Queen Mary II (1662-94) from `Illustrations of English and Scottish History' Volume II (engraving), Kneller, Godfrey (1646-1723) (after) / Bridgeman Images

ID: KWE259478

Queen Mary II (1662-94) from `Illustrations of English and Scottish History' Volume II (engraving)

Kneller, Godfrey (1646-1723) (after)

Spitz Dog, c.1760-70 (oil on canvas)
Spitz Dog, c.1760-70 (oil on canvas)

XYC261336: Spitz Dog, c.1760-70 (oil on canvas), Gainsborough, Thomas (1727-88) / Bridgeman Images

ID: XYC261336

Spitz Dog, c.1760-70 (oil on canvas)

Gainsborough, Thomas (1727-88)

A Trusting Moment (oil on canvas)
A Trusting Moment (oil on canvas)

KEL260078: A Trusting Moment (oil on canvas), Church, Frederick Stuart (1842-1924) / Bridgeman Images

ID: KEL260078

A Trusting Moment (oil on canvas)

Church, Frederick Stuart (1842-1924)

Suprematism, 1919 (pencil, watercolour & ink on paper)
Suprematism, 1919 (pencil, watercolour & ink on paper)

XAB269901: Suprematism, 1919 (pencil, watercolour & ink on paper), Malevich, Kasismir (1878-1935) & Lisitzky, El (1890-1941) / Bridgeman Images

ID: XAB269901

Suprematism, 1919 (pencil, watercolour & ink on paper)

Malevich, Kasismir (1878-1935) & Lisitzky, El (1890-1941)

Mare and Foals (oil on canvas)
Mare and Foals (oil on canvas)

XCF271037: Mare and Foals (oil on canvas), Stubbs, George (1724-1806) / Bridgeman Images

ID: XCF271037

Mare and Foals (oil on canvas)

Stubbs, George (1724-1806)

A View of Part of the Town of Boston in New England and British Ships of War Landing their Troops! 1768 (coloured engraving)
A View of Part of the Town of Boston in New England and British Ships of War Landing their Troops! 1768 (coloured engraving)

HNE273724: A View of Part of the Town of Boston in New England and British Ships of War Landing their Troops! 1768 (coloured engraving), Revere, Paul (1735-1818) / Bridgeman Images

ID: HNE273724

A View of Part of the Town of Boston in New England and British Ships of War Landing their Troops! 1768 (coloured engraving)

Revere, Paul (1735-1818)

Reptile, illustration from 'The Zoology of the Voyage of H.M.S Beagle, 1832-36,'by Charles Darwin (1809-92) (litho)
Reptile, illustration from 'The Zoology of the Voyage of H.M.S Beagle, 1832-36,'by Charles Darwin (1809-92) (litho)

XJF271666: Reptile, illustration from 'The Zoology of the Voyage of H.M.S Beagle, 1832-36,'by Charles Darwin (1809-92) (litho), English School, (19th century) / Bridgeman Images

ID: XJF271666

Reptile, illustration from 'The Zoology of the Voyage of H.M.S Beagle, 1832-36,'by Charles Darwin (1809-92) (litho)

English School, (19th century)

Charon Conveying the Souls of the Dead across the Styx, 1860 (oil on canvas)
Charon Conveying the Souls of the Dead across the Styx, 1860 (oil on canvas)

XAB240137: Charon Conveying the Souls of the Dead across the Styx, 1860 (oil on canvas), Pomerantsev, Konstantin Petrovich (1835-1913) / Bridgeman Images

ID: XAB240137

Charon Conveying the Souls of the Dead across the Styx, 1860 (oil on canvas)

Pomerantsev, Konstantin Petrovich (1835-1913)

London Dock Strike, 1889 (b/w photo)
London Dock Strike, 1889 (b/w photo)

XJF276028: London Dock Strike, 1889 (b/w photo), English Photographer, (19th century) / Bridgeman Images

ID: XJF276028

London Dock Strike, 1889 (b/w photo)

English Photographer, (19th century)

Masonic seal, from 'The History of Freemasonry, volume III', published by Thomas C. Jack, London, 1883 (litho)
Masonic seal, from 'The History of Freemasonry, volume III', published by Thomas C. Jack, London, 1883 (litho)

KWE277983: Masonic seal, from 'The History of Freemasonry, volume III', published by Thomas C. Jack, London, 1883 (litho), English School, (19th century) / Bridgeman Images

ID: KWE277983

Masonic seal, from 'The History of Freemasonry, volume III', published by Thomas C. Jack, London, 1883 (litho)

English School, (19th century)

Puck, 1789
Puck, 1789

RAK9384: Puck, 1789, Reynolds, Joshua (1723-92) / Bridgeman Images

ID: RAK9384

Puck, 1789

Reynolds, Joshua (1723-92)


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