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Watercolour, 19th century (w/c)
Watercolour, 19th century (w/c)

JLJ4582666: Watercolour, 19th century (w/c), Aldin, Cecil Charles Windsor (1870-1935) / Bridgeman Images

Stop at the inn during a hare hunt, 19th century (w/c)
Stop at the inn during a hare hunt, 19th century (w/c)

JLJ4582682: Stop at the inn during a hare hunt, 19th century (w/c), Aldin, Cecil Charles Windsor (1870-1935) / Bridgeman Images

A rue de Morlaix in 1830 (oil on canvas)
A rue de Morlaix in 1830 (oil on canvas)

JLJ4583390: A rue de Morlaix in 1830 (oil on canvas), Noel, Jules Achille (1815-81) / Bridgeman Images

Marble pulpit supported by marble tranennes and two columns, 1209 (sculpture)
Marble pulpit supported by marble tranennes and two columns, 1209 (sculpture)

LRI4583508: Marble pulpit supported by marble tranennes and two columns, 1209 (sculpture), Florentine School, (13th century) / Bridgeman Images

Marble pulpit, detail of the lion that is at the foot of the statue that supports the desk, 1209 (sculpture)
Marble pulpit, detail of the lion that is at the foot of the statue that supports the desk, 1209 (sculpture)

LRI4583534: Marble pulpit, detail of the lion that is at the foot of the statue that supports the desk, 1209 (sculpture), Florentine School, (13th century) / Bridgeman Images

Skeleton of a European perch, Perca fluviatilis, from Dr. Barclay's Museum, Edinburgh. Copperplate engraving by Edward Mitchell after an anatomical illustration by Robert Kaye Greville from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.
Skeleton of a European perch, Perca fluviatilis, from Dr. Barclay's Museum, Edinburgh. Copperplate engraving by Edward Mitchell after an anatomical illustration by Robert Kaye Greville from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

FLO4565818: Skeleton of a European perch, Perca fluviatilis, from Dr. Barclay's Museum, Edinburgh. Copperplate engraving by Edward Mitchell after an anatomical illustration by Robert Kaye Greville from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824. / Bridgeman Images

Christian antiquite: fibules and metal jewelry in the shape of fish (metal)
Christian antiquite: fibules and metal jewelry in the shape of fish (metal)

JLJ4566595: Christian antiquite: fibules and metal jewelry in the shape of fish (metal), Paleo-Christian / Bridgeman Images

Illustration for The Girl of the West, opera by Puccini
Illustration for The Girl of the West, opera by Puccini

LRI4567565: Illustration for The Girl of the West, opera by Puccini, Anonymous / Bridgeman Images

Rooster from Bury the chateau (bronze)
Rooster from Bury the chateau (bronze)

JLJ4567606: Rooster from Bury the chateau (bronze) / Bridgeman Images

A Lady in a Garden having Coffee with Children, c.1742 (oil on canvas)
A Lady in a Garden having Coffee with Children, c.1742 (oil on canvas)

JLJ4567802: A Lady in a Garden having Coffee with Children, c.1742 (oil on canvas), Lancret, Nicolas (1690-1743) / Bridgeman Images

Privacy, the lady with the dog: A dog sitting on a woman in a veranda, 1830 (oil on canvas)
Privacy, the lady with the dog: A dog sitting on a woman in a veranda, 1830 (oil on canvas)

JLJ4568030: Privacy, the lady with the dog: A dog sitting on a woman in a veranda, 1830 (oil on canvas), Unknown Artist, (19th century) / Bridgeman Images

Guards of the City of Paris (walking watch, horse watch, watchman, pump guard), 19th century (engraving)
Guards of the City of Paris (walking watch, horse watch, watchman, pump guard), 19th century (engraving)

JLJ4568139: Guards of the City of Paris (walking watch, horse watch, watchman, pump guard), 19th century (engraving), French School, (19th century) / Bridgeman Images

Page of musical score of Die Fledermaus (The Bat) by Johann Strauss, 1874
Page of musical score of Die Fledermaus (The Bat) by Johann Strauss, 1874

LRI4568693: Page of musical score of Die Fledermaus (The Bat) by Johann Strauss, 1874, Anonymous / Bridgeman Images

Cluster of stars South Serpent - The Serpens South star cluster - Cluster of fifty very young stars (35 of which are still only proto - stars, stars in formation) observed by the Spitzer space telescope on 27 October 2006 in the constellation of the Serpent. Located only 848 years from Earth, this cluster of stars is completely masked by interstellar dust and is only revealed in infrared light. Red filaments in the background are organic molecules, PAH (aromatic polycyclic hydrocarbons composed of carbon atoms and hydrogen. In this image, Nasa's Spitzer Space Telescope spots the Serpens South star cluster, which consists of a relatively dense group of 50 young stars - - 35 of which are protostars, or stellar infants, that are just beginning to form. Stellar members of Serpens South star cluster can be seen as the green, yellow, and orange tinted specks sitting atop the black dust lane running down the center of the image. Like raindrops, stars form when thick patches of cosmic clouds condense. Tints of green in the image represent hot hydrogen gas excited when high - speed jets of gas ejected by infant stars collide with the cool gas in the surrounding cloud. Wisps of red in the background are organic molecules called polycyclic aromatic hydrocarbons (PAHS), which are being excited by stellar radiation from a neighboring star - forming region located to the east of this image, called W40. On Earth PAHS are found on charred barbeque grills and in the sooty automobile exhaust
Cluster of stars South Serpent - The Serpens South star cluster - Cluster of fifty very young stars (35 of which are still only proto - stars, stars in formation) observed by the Spitzer space telescope on 27 October 2006 in the constellation of the Serpent. Located only 848 years from Earth, this cluster of stars is completely masked by interstellar dust and is only revealed in infrared light. Red filaments in the background are organic molecules, PAH (aromatic polycyclic hydrocarbons composed of carbon atoms and hydrogen. In this image, Nasa's Spitzer Space Telescope spots the Serpens South star cluster, which consists of a relatively dense group of 50 young stars - - 35 of which are protostars, or stellar infants, that are just beginning to form. Stellar members of Serpens South star cluster can be seen as the green, yellow, and orange tinted specks sitting atop the black dust lane running down the center of the image. Like raindrops, stars form when thick patches of cosmic clouds condense. Tints of green in the image represent hot hydrogen gas excited when high - speed jets of gas ejected by infant stars collide with the cool gas in the surrounding cloud. Wisps of red in the background are organic molecules called polycyclic aromatic hydrocarbons (PAHS), which are being excited by stellar radiation from a neighboring star - forming region located to the east of this image, called W40. On Earth PAHS are found on charred barbeque grills and in the sooty automobile exhaust

PIX4569048: Cluster of stars South Serpent - The Serpens South star cluster - Cluster of fifty very young stars (35 of which are still only proto - stars, stars in formation) observed by the Spitzer space telescope on 27 October 2006 in the constellation of the Serpent. Located only 848 years from Earth, this cluster of stars is completely masked by interstellar dust and is only revealed in infrared light. Red filaments in the background are organic molecules, PAH (aromatic polycyclic hydrocarbons composed of carbon atoms and hydrogen. In this image, Nasa's Spitzer Space Telescope spots the Serpens South star cluster, which consists of a relatively dense group of 50 young stars - - 35 of which are protostars, or stellar infants, that are just beginning to form. Stellar members of Serpens South star cluster can be seen as the green, yellow, and orange tinted specks sitting atop the black dust lane running down the center of the image. Like raindrops, stars form when thick patches of cosmic clouds condense. Tints of green in the image represent hot hydrogen gas excited when high - speed jets of gas ejected by infant stars collide with the cool gas in the surrounding cloud. Wisps of red in the background are organic molecules called polycyclic aromatic hydrocarbons (PAHS), which are being excited by stellar radiation from a neighboring star - forming region located to the east of this image, called W40. On Earth PAHS are found on charred barbeque grills and in the sooty automobile exhaust / Bridgeman Images

View of the city of Cairo on the River Nile, Egypt, with its mosques, churches and synagogues, 1820. Handcoloured copperplate engraving by Theodore Goetz after Cooke from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
View of the city of Cairo on the River Nile, Egypt, with its mosques, churches and synagogues, 1820. Handcoloured copperplate engraving by Theodore Goetz after Cooke from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

FLO4569195: View of the city of Cairo on the River Nile, Egypt, with its mosques, churches and synagogues, 1820. Handcoloured copperplate engraving by Theodore Goetz after Cooke from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. / Bridgeman Images

Gauchos (cowboys) and cattle in the pampa (photography, 1983)
Gauchos (cowboys) and cattle in the pampa (photography, 1983)

LRI4569924: Gauchos (cowboys) and cattle in the pampa (photography, 1983) / Bridgeman Images

The Triumph of the Catholic Church (Detail of Fresco, 1365)
The Triumph of the Catholic Church (Detail of Fresco, 1365)

LRI4570287: The Triumph of the Catholic Church (Detail of Fresco, 1365), Andrea di Bonaiuto (Andrea da Firenze) (fl.1343-77) / Bridgeman Images

Le repos, 1759 (oil on canvas)
Le repos, 1759 (oil on canvas)

JLJ4571049: Le repos, 1759 (oil on canvas), Colson, Jean Francois (1733-1803) / Bridgeman Images

The fair in Poggio a Caiano (oil on canvas, 1709)
The fair in Poggio a Caiano (oil on canvas, 1709)

LRI4571426: The fair in Poggio a Caiano (oil on canvas, 1709), Crespi, Giuseppe Maria (Lo Spagnuolo) (1665-1747) / Bridgeman Images

Calendar of Posts and Telecommunications (PTT) representing hay rent, 20th century (litho)
Calendar of Posts and Telecommunications (PTT) representing hay rent, 20th century (litho)

JLJ4571493: Calendar of Posts and Telecommunications (PTT) representing hay rent, 20th century (litho), French School, (20th century) / Bridgeman Images

Portrait of the beautiful Strasbourg, 1703 (oil on canvas)
Portrait of the beautiful Strasbourg, 1703 (oil on canvas)

JLJ4571653: Portrait of the beautiful Strasbourg, 1703 (oil on canvas), Largilliere, Nicolas de (1656-1746) / Bridgeman Images

The market in San Godenzo, Tuscany (oil on canvas, 1886-1887)
The market in San Godenzo, Tuscany (oil on canvas, 1886-1887)

LRI4572058: The market in San Godenzo, Tuscany (oil on canvas, 1886-1887), Fattori, Giuseppe (1818-88) / Bridgeman Images

Soldier of the Marine Infantry, 1876 (oil on canvas)
Soldier of the Marine Infantry, 1876 (oil on canvas)

JLJ4572290: Soldier of the Marine Infantry, 1876 (oil on canvas), Berne-Bellecour, Etienne Prosper (1838-1910) / Bridgeman Images

woman sitting holding a girl on her knees, 1799 (oil on canvas)
woman sitting holding a girl on her knees, 1799 (oil on canvas)

JLJ4572333: woman sitting holding a girl on her knees, 1799 (oil on canvas), Gerard, Marguerite (1761-1837) / Bridgeman Images

Genre scene A family in an interior, The mother keeps her son playing with the dog, 17th century (oil on canvas)
Genre scene A family in an interior, The mother keeps her son playing with the dog, 17th century (oil on canvas)

JLJ4572605: Genre scene A family in an interior, The mother keeps her son playing with the dog, 17th century (oil on canvas), Berckheyde, Job (1630-93) / Bridgeman Images

The Voyage of the Magi Cortege des rois mages de Jerusalem a Bethleem calls in Italian “Viaggio dei Magi” or “” Cavalcata dei Magi” Detail of the young mage in the face of Laurent the Magnificent (Laurent de Medici) (The procession of the Magi, detail of the youngest magi represented as Lorenzo il Magi) Fresco of Benozzo di Lese di Sandro dit Benozzo Gozzoli (1421-1497), 1459-1460 Florence, Palazzo Medici Riccardi, Capella dei Magi
The Voyage of the Magi Cortege des rois mages de Jerusalem a Bethleem calls in Italian “Viaggio dei Magi” or “” Cavalcata dei Magi” Detail of the young mage in the face of Laurent the Magnificent (Laurent de Medici) (The procession of the Magi, detail of the youngest magi represented as Lorenzo il Magi) Fresco of Benozzo di Lese di Sandro dit Benozzo Gozzoli (1421-1497), 1459-1460 Florence, Palazzo Medici Riccardi, Capella dei Magi

LRI4572660: The Voyage of the Magi Cortege des rois mages de Jerusalem a Bethleem calls in Italian “Viaggio dei Magi” or “” Cavalcata dei Magi” Detail of the young mage in the face of Laurent the Magnificent (Laurent de Medici) (The procession of the Magi, detail of the youngest magi represented as Lorenzo il Magi) Fresco of Benozzo di Lese di Sandro dit Benozzo Gozzoli (1421-1497), 1459-1460 Florence, Palazzo Medici Riccardi, Capella dei Magi, Gozzoli, Benozzo di Lese di Sandro (1420-97) / Bridgeman Images

L'Annunciation - tempera on panel, 1344
L'Annunciation - tempera on panel, 1344

LRI4572958: L'Annunciation - tempera on panel, 1344, Lorenzetti, Ambrogio (1285-c.1348) / Bridgeman Images

Remnants of the Supernova of Sails - Part of the Vela Supernova Remnant - Rest of the Supernova of Sails. The supernova exploded 12,000 years ago and is approximately 815 light years away from Earth. Image obtained with the 1.2m Schmidt UK Telescope from Siding Spring. About 120 centuries ago an inconspicuous star in what is now the constellation of Vela brightened by about 100 million times to rival the Moon as the brightest object in the night sky. This photograph shows a portion of the north - western quadrant of an expanding nebulous shell, which now surrounds the site of the explosion. Near the centre of the nebula (and not seen here) is the Vela pulsar, a rapidly - spinning neutron star only a few kilometres in diameter, the remnant of the star that exploded. This tiny object spins about 11 times a second and until recently was among the faintest stars ever studied at optical wavelengths, a far cry from its brief glory as one of the brightest stars ever seen
Remnants of the Supernova of Sails - Part of the Vela Supernova Remnant - Rest of the Supernova of Sails. The supernova exploded 12,000 years ago and is approximately 815 light years away from Earth. Image obtained with the 1.2m Schmidt UK Telescope from Siding Spring. About 120 centuries ago an inconspicuous star in what is now the constellation of Vela brightened by about 100 million times to rival the Moon as the brightest object in the night sky. This photograph shows a portion of the north - western quadrant of an expanding nebulous shell, which now surrounds the site of the explosion. Near the centre of the nebula (and not seen here) is the Vela pulsar, a rapidly - spinning neutron star only a few kilometres in diameter, the remnant of the star that exploded. This tiny object spins about 11 times a second and until recently was among the faintest stars ever studied at optical wavelengths, a far cry from its brief glory as one of the brightest stars ever seen

PIX4582860: Remnants of the Supernova of Sails - Part of the Vela Supernova Remnant - Rest of the Supernova of Sails. The supernova exploded 12,000 years ago and is approximately 815 light years away from Earth. Image obtained with the 1.2m Schmidt UK Telescope from Siding Spring. About 120 centuries ago an inconspicuous star in what is now the constellation of Vela brightened by about 100 million times to rival the Moon as the brightest object in the night sky. This photograph shows a portion of the north - western quadrant of an expanding nebulous shell, which now surrounds the site of the explosion. Near the centre of the nebula (and not seen here) is the Vela pulsar, a rapidly - spinning neutron star only a few kilometres in diameter, the remnant of the star that exploded. This tiny object spins about 11 times a second and until recently was among the faintest stars ever studied at optical wavelengths, a far cry from its brief glory as one of the brightest stars ever seen / Bridgeman Images

Remains of the supernova of the Sails - Detail - Vela supernova remnant. Detail - Detail of the rest of the supernova of the Sails. The supernova exploded 12,000 years ago. The line that crosses the image is the trace left by the passage of a satellite during the photo shoot. Image obtained with Siding Spring's 3.9m telescope. A supernova event marks the catastrophic end - point in the life of a massive star. The self - destruction of the star releases a huge amount of energy as radiation of all kinds, but a substantial fraction of the force of the explosion blasts the outer part of the supernova into an expanding shell of matter that travels through the almost empty space between the stars. As the rapidly moving blast wave encounters the relatively stationary interstellar medium it creates a very narrow, luminous shock front that appears as a faint nebula. Because the shock front is very convoluted the nebulosity appears to be highly structured and the various colours define different energy levels within the interaction. Although the star responsible for the Vela supernova remnant exploded 12,000 years ago, it is still affecting its environment
Remains of the supernova of the Sails - Detail - Vela supernova remnant. Detail - Detail of the rest of the supernova of the Sails. The supernova exploded 12,000 years ago. The line that crosses the image is the trace left by the passage of a satellite during the photo shoot. Image obtained with Siding Spring's 3.9m telescope. A supernova event marks the catastrophic end - point in the life of a massive star. The self - destruction of the star releases a huge amount of energy as radiation of all kinds, but a substantial fraction of the force of the explosion blasts the outer part of the supernova into an expanding shell of matter that travels through the almost empty space between the stars. As the rapidly moving blast wave encounters the relatively stationary interstellar medium it creates a very narrow, luminous shock front that appears as a faint nebula. Because the shock front is very convoluted the nebulosity appears to be highly structured and the various colours define different energy levels within the interaction. Although the star responsible for the Vela supernova remnant exploded 12,000 years ago, it is still affecting its environment

PIX4582923: Remains of the supernova of the Sails - Detail - Vela supernova remnant. Detail - Detail of the rest of the supernova of the Sails. The supernova exploded 12,000 years ago. The line that crosses the image is the trace left by the passage of a satellite during the photo shoot. Image obtained with Siding Spring's 3.9m telescope. A supernova event marks the catastrophic end - point in the life of a massive star. The self - destruction of the star releases a huge amount of energy as radiation of all kinds, but a substantial fraction of the force of the explosion blasts the outer part of the supernova into an expanding shell of matter that travels through the almost empty space between the stars. As the rapidly moving blast wave encounters the relatively stationary interstellar medium it creates a very narrow, luminous shock front that appears as a faint nebula. Because the shock front is very convoluted the nebulosity appears to be highly structured and the various colours define different energy levels within the interaction. Although the star responsible for the Vela supernova remnant exploded 12,000 years ago, it is still affecting its environment / Bridgeman Images

The pack leaving the grand stables of Chantilly, 1865 (oil on canvas)
The pack leaving the grand stables of Chantilly, 1865 (oil on canvas)

JLJ4584031: The pack leaving the grand stables of Chantilly, 1865 (oil on canvas), Claude, Jean Maxime (fl.1860-70) / Bridgeman Images

The Prince of Wales and the Duke Arthur of Connaught at the Manoeuvres of Aldershot, 1879 (w/c)
The Prince of Wales and the Duke Arthur of Connaught at the Manoeuvres of Aldershot, 1879 (w/c)

JLJ4584202: The Prince of Wales and the Duke Arthur of Connaught at the Manoeuvres of Aldershot, 1879 (w/c), Detaille, Jean-Baptiste Edouard (1848-1912) / Bridgeman Images

Gothic Art: Saint Luke Evangelist, detail of the arches of the marble pulpit, 1255-1260
Gothic Art: Saint Luke Evangelist, detail of the arches of the marble pulpit, 1255-1260

LRI4584581: Gothic Art: Saint Luke Evangelist, detail of the arches of the marble pulpit, 1255-1260, Pisano, Nicola (c. 1220-84) / Bridgeman Images

Silver Altar of Saint James the Major. Detail of the antependium decore of stories of the new testament, The nativity and kiss of Judas, 1287-1456
Silver Altar of Saint James the Major. Detail of the antependium decore of stories of the new testament, The nativity and kiss of Judas, 1287-1456

LRI4585111: Silver Altar of Saint James the Major. Detail of the antependium decore of stories of the new testament, The nativity and kiss of Judas, 1287-1456, Ognabene, Andrea di Jacopo d' (14th century) / Bridgeman Images

Silver Altar of Saint James the Major. Detail of the antependium with stories of new testament, travel of the magi, 1287-1456
Silver Altar of Saint James the Major. Detail of the antependium with stories of new testament, travel of the magi, 1287-1456

LRI4585195: Silver Altar of Saint James the Major. Detail of the antependium with stories of new testament, travel of the magi, 1287-1456, Ognabene, Andrea di Jacopo d' (14th century) / Bridgeman Images

Adam and Eve in Paradise, detail of the lateral antependium,  Altar of Saint James the Major, 1364 (silver)
Adam and Eve in Paradise, detail of the lateral antependium,  Altar of Saint James the Major, 1364 (silver)

LRI4585359: Adam and Eve in Paradise, detail of the lateral antependium, Altar of Saint James the Major, 1364 (silver), Ser Giovanni, Leonardo di (active c.1358-1371) & Niccolo, Francesco di (active 1361-1371) / Bridgeman Images

Prophet Isaiah and symbols of evangelists Mark and mathew, anonymous mosaic from the apse, 12th century Rome, Church Santa Maria in Trastevere Italy
Prophet Isaiah and symbols of evangelists Mark and mathew, anonymous mosaic from the apse, 12th century Rome, Church Santa Maria in Trastevere Italy

LRI4585629: Prophet Isaiah and symbols of evangelists Mark and mathew, anonymous mosaic from the apse, 12th century Rome, Church Santa Maria in Trastevere Italy, Italian School, (12th century) / Bridgeman Images


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